Tracklist:
A1 A Night In Sausalito
A2 Ischia
B1 A Night In Sausalito (Deetron remix)

Short info:
dOP is welcomed back on Circus Company with a three track heater of an EP with ‘A Night in Sausalito’, and there is no way of
taming this one. This time, the trio get slapped on wax with a 12” that is pitted straight for the dancefloor. Deetron comes
through with some classy dub work on the remix.
Kicking things off with their headline track, ‘A Night in Sausalito’, the trio combine their signature and intricate synth work with a
mixture of lo-fi hums and percussive flares until JAW fills the mix and takes the track away.
Rolling on A2 with ‘Ischia’, the trio drop a straight up meaty drum pattern with a haunting range of vocal licks and delicate synth
grooves.
On the flipside, Deetron strips back the vocals and lays a solid housey dub that purs, intensifies and releases in all the right
places. More

Tracklist:
A: Email From A Beetle B: Melancholia B1: Summer Rain B2 : Foreplay
Short info:
It’s a long time since we last heard from dOP. The boys have been far from quiet, continuing to tour
and enchant party people across the world with their infectious fusion of house music and refined
songwriting. They’ve equally been no strangers to the studio, with their Les Fils Du Calvaire project
releasing the recent Rester Avec Toi collaboration with Miss Kittin in preparation for the debut album
of the project later this year. Equally their production talents have been felt in the recent Aquarius
Heaven EP Bato Chargé, and vocalist JAW was recently spotted kicking off the Circus Company
Limited series with “Traitor Creator”, his collaboration with Piers Faccini. Finally though the time has
come for dOP to return to the record in their original form with a new four track EP that perfectly
captures where the trio of Damien, Clement and JAW are at right now.
The sound on Email From A Beetle is a full-fat, club ready confection that distills the live energy of
dOP into four varied but equally ear-snagging tracks that simply demand your attention. The title track
in some ways harks back to the introspection of their earlier material, keeping the rhythmic elements
sparse and simmering to lend ample space to JAW’s captivating vocal line, but there’s still plenty of
space for Damien’s expressive keys to cut through as the song peaks. More

Barcode: 827170516861 Release : 26.05.14
Tracklist: A1 - Close Up (Original Mix) B1 - Close Up (Catz'n Dogz remix) B2 - Close Up (San Proper 'mugshot' remix)
The unique and barnstorming trio from Paris dOP are back on the home turf of Circus Company with killer new single 'Close Up' including remixes from Catz'n Dogz, San Proper. Combining a dynamic groove with JAW's unmistakable sultry drawl and a dreamy soundscape of deep chords and warm pads, the original mix is an addictive slice of vivid vocal house. Catz'n Dogz add more thump with their remix and take the track to the darker recesses of the rave, while in the second remix, San Proper bestows his eclectic style by heightening the dream factor in a spaced out intro before building into the groove against a fresh soundwall of bleeps and oddities. dOP is three vibrant personalities with the musical abilities to express themselves in the most
unique and human of ways in an age where computertronics prevail. Making an indelible mark with their flamboyant style of house on labels such as Eklo, Supplement Facts and of course Circus Company home to debut album 'Greatest Hits', 6 years on, dOP are still basking in the art of live electronic performance and irresistible songs laced with charisma and aimed at the stronghearted, hotheaded dancefloor. o+o Polish wonder duo Catz'n Dogz (formerly 3 Channels) have fully established themselves as global scale artists with their own imprint Pets Recordings, energetic sets and string of big releases on labels such as Dirtybird and Get Physical plus two studio albums on Mothership. o+o+ San Proper has been a heavyweight on the Amsterdam club scene for the past fifteen years, spinning or playing live at all the major clubs and festivals as well as smaller, more dodgy underground locations. Working closely with fresh and genuine labels and organisations such as Rush Hour, Dekmantel and Trouw, San Proper has collaborated with muses, friends and associates Tom Trago, Awanto 3 and Melon and since 2009 he has been performing & presenting a solo live show chanting vocals and playing several live instruments alongside his hardware and digital gear.
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A1. Your Feelin' feat. Pillow Talk (Original Mix) A2. Your Feelin' feat. Pillow Talk (Instrumental) B1. Kisses (Original Mix) B2. Kisses (Acapella)
dOP, the group of wandering minstrels that embody the very essence of Circus Company, have returned home with new tales to impart from their travels away. Indeed the insatiable touring appetite of this trio of mariachis finds them often afar at sea, spreading their message and encountering strangers in strange lands. As such, the first side of this new EP bears the fruit of a sizzling barbeque and a raucous karaoke session held in the distant shores of San Francisco, home to a talented gang of artists known as Pillow Talk. Consumating their initial meeting in a studio back in Berlin, the synth-pop meets deep house of "Your Feellin" marks a move into new ground for both groups. But of course the way of the traveller is not always grilled meat and bad cover versions. There are times when even the hardiest of messengers will feel the need to reflect on their situation. Written in the lull after coming off the road for a break, "Kisses" sees dOP contemplating the world they live in, through both musically and lyrically. Once again Damien, Clement and Jaw have confounded our expectations with ideas and imagination that can only come from the well-travelled of this world. With a sound that is ever-broadening, both as dOP and with their additional ventures as Aquarius Heaven and Les Fils Du Calvaire, we can only begin to imagine how their next tale will unfold.
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On this the final 12 inch installment from dOP's critically acclaimed debut album Greatest Hits, everyone's favorite trio of merry pranksters bring their carnival cabaret to a dark and twisted end.
Opener No More Daddy sets menacing heavy handed piano against plunging rave up synth stabs as the back drop to the kind of twisted lyricism that only Jaw can deliver. Talk Show continues the proceedings with a sexed up puddin' on the ritz alike lounge groover with clarinets and horns sweeping across the stereo field and the ghost of Art Blakey holding down the backbeat. Continuing their tradition of enlisting only the creme de la crème of remixers, Innervisions darlings Âme turn in a late night epic take on No More Daddy filled with the slow burning tension only they are capable of. Slow jam U R closes the release in fine style with a slice of orchestral exotica perfectly crafted to takes it's rightful place as the main theme in John Carpenter's next Caribbean horror flick. Here's hoping the next album isn't too far away.
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dOP.the Parisian trio of Clément , Dam, and JAW.have been on a tear since they burst upon the scene three years ago, riling dance floors with their strange, sexy, infectious brand of irreverently soulful house, and leaving writers scratching their heads at the same. Resident Advisor's Todd Burns came closest to getting it right when he credited them with "trying to reenergize house music with horns, roses, vodka and a whole lot of vocals." Greatest Hits does all that and more. The title is deliberately misleading: aside from the opening track, reprised from their first EP, this is all new material, and it's a deeper, more deviant dOP than you've ever heard before. The three musicians aren't just great showmen.something their drunken live sets amply prove.but also real musicians: before discovering house music, they played rock, jazz, hip-hop, reggae, classical, and African music, and they bring that wealth of knowledge to bear in their quest to turn dance music inside out. So while the record has plenty of slinky funk and dirty grind, it also explores far more diverse moods and grooves, from hot jazz to autumnal, orchestral folk. Some of the richness of Greatest Hits can be credited to Emmanuel d’Orlando, a French composer and arranger known for his work in theater, soundtracks, and with artists like Sebastian Tellier. His arrangements, performed by the Macedonian Radio Symphonic Orchestra, lend much of the album the darkly cinematic feel of a Sofia Coppola film. Down in their basement studio, the three musicians used virtually every instrument they own.horns, pianino, Chinese flute, harmonica, melodica, cajon, gongs, cuica, analog synthesizers, acoustic drum kit.and many of their friends stopped by to contribute. The acclaimed Calypso drummer Andy Narell plays steelpan drums. Their childhood friend and former bandmate Raphaël Gaiotti plays trumpet; Damien Dassaradanayadou plays street arp, a homemade guitar of his own design; Aquarius Caloni (Aquarius Heaven) lends guest vocals. Parisian minimal techno producer Seuil mans the computer on one track, and Guillaume Coutu Dumont sits in on balafon. (Elements from the same sessions that became "Assurance Vie" turn up in a radically different form on Guillaume's own Breaking the Fourth Wall.) Within the core trio, there's a loose division of labor. Dam, on sax and keyboards, brings much of the melodic and harmonic dimension to the music; Clément tackles the rhythmic aspect and also handles most of the computer arrangements. JAW, meanwhile, is dOP's distinctive voice. His lyrics are a surrealistic scrapbook of sex, death, drugs, despair, sex, cannibalism, God, love, cities, and sex; purring and wailing, he comes across like Baudelaire on the prow of a pirate ship.a knife in his teeth, a bottle in his hand, and a bulging baggie of lord-knows-what in his breast pocket. A tragic dandy, loveable tramp, his own worst enemy.JAW's impassioned persona is the perfect foil for the group's deeply thought-out music. Across 14 tracks, the album ranges from the uneasy ethnography of "Worm Hunting" to the brooding piano house of "No More Daddy." There's acoustic crunk ("1 gram"), jacking swing jazz ("Talk Show"), ambient blues ("Happ Meal"), a malevolent lullaby ("Lacy Lad"), apocalyptic funk ("Love Ride"). There's straight-up, deeply soulful tech-house with acoustic flourishes ("New York," "3 Suitcases"). And "Final Dive," with its orchestra and AutoTune, might be the most heartbreaking song you'll hear all year. Because dOP's eccentric take on house music demands to be played in clubs.just as clubs desperately could do with more music like dOP's.the album will appear as three separate 12-inch singles, accompanied by remixes from Herbert, Âme, and DJ Koze; it will also be released digitally and on CD, with cover art from their friends Tom & Léo and Myqua, who have collaborated with the band since the beginning But this is definitely not just club music. dOP's Greatest Hits has one foot in Panorama Bar and the other in a boarded-up cabaret. It's the night before and the hair of the dog; it's a tear-stained love letter and a booty call by SMS. More than anything, it's a snapshot of the dizziest years of these talented miscreants' lives, festooned with horns, roses, vodka, and a whole lot of soul. More

The dOP boys show no signs of letting up on this second single from their brilliant Greatest Hits album, this time enlisting the services of one of the most deadly hired guns on in the game for remixes duties, the infamous DJ Koze. L'Hôpital, La Rue, La Prison gets things started fast a furious on a Mission Impossible/James Bond tip, the horns and orchestral percussion conjuring images of the finest chase scenes set to a galloping club ready groove. DJ Koze's remix meanwhile strips the groove down to it's bare essentials to great effect, claps becoming finger snaps, while the vocals and melody get chopped, screwed, and shot down the rabbit hole for maximum late night effect. The appropriately named New York captures the spirit of the city's fabled house lineage with great gusto, incorporating a classic 3 chord organ line, careening strings, and chunky analog bassline for slice of classic champagne bar deepness. Finally, Lacy Lad once again shows of the boys incredible range and penchant for experimentation, offering a gorgeous jazzy work out of cinematic ambiance. More

The first single from DOP's rollicking Greatest Hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank. Rife with the trials and tribulations of being one the world's most beloved live acts, opener Suitcases proposes the perverse marriage of a funkier-than-thou space disco backbeat to a Louis Armstrong-esque bar room blues vocal and prove it to be a match made in heaven… or at the very least an incredibly posh bordello just outside the holy gates. Deaf Wagrant showcases the trio at their most carefree, opening like some geriatric piano bar crooner's last song before morphing into a demonic road side carnival soundtrack at the 2 minute mark. Not to be out done, the world renowned remixers provide 2 wildly different takes on the Suitcases dubs, the one and only Herbert cranking up the raw funk meter to 11, and Seuil sanding off all the rough edges to create a lovely slice of crystalline dub house, making this a collection not to be missed. More

Since their first releases on Circus Company and Milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. The band is Clement Zemtsov on beat programing, Damien Vandesande on keyboards and horns at last but not least, Jonathan Illel is warmly laying the lyrics. After having produced hip-hop instrumental for a few years they got into house music after meeting Nicolas from Nôze. One year and a half later they come up with Between The Blues ep, a brilliant first EP on Circus Company. Then the guys several EP's on other labels like Orac or Eklo. They also start touring a lot across europe and eastern countries. This new record is called .Blanche Neige' (Snow White) as the lead track of the EP. All the lyrics from it are taken from the original text written by Jacob & Whilelm Grimm back in 1812. .Blanche Neige' is declined in two different versions. On the A side comes the original mix is the dancefoor cut. Slower House beat, solid groove, surround by a marvelous
chior. While the break show upreading the first lines of .Snow White' in french. Let me just tell you that when the break is over you should fasten your seat belt before a nice take off… The first track on B side is Romeo. This track was produced by dOP and Nôze. Once again all the lyrics are taken from a book. Here it's from .Romeo and Juliet' written by William Shackespeare. This track perfectly represent the alliance of both bands. The unik saxophone skills from Damien Vandesande the one man horn section, a wonderfull piano ride by Nôze and the sexy voice of Jonathan Illel. An acoustic house blaster !
The Ep is finaly closing down on B2 with the pop version of Blanche Neige called .kinder cut'. There comes the deepness… More

Ultrasone is the abundantly talented duo from Belgium currently lighting up some of the most influential labels on the planet. This time bringing their own particular brand of techy underground ethereal grooves to Supplement Facts, ‘Here And So Far EP’ is a mad trip that veers from delicate percussive minimalism to full on dancefloor demolition. Opening track ‘Here And So Far’ builds into a fizzing, chugging framework of metallic beats and swirling euphoric melodies as momentum ebbs and flows until the intricately laced textures intensify and the track results in a deep and heady thrill ride for the dancefloor, as driving as it is melodic. On a similar sonic chameleon streak - ‘Meetin’ Again’ spirals from a stripped back, brooding bassline with a hypnotic grip to a rise of warping synth patterns that eventually descend into a bouncing funk filled groove. Already getting rinsed by Seth Troxler and Bill Patrick, ‘Meetin Again’ is the creeper waiting to explode. Third up, ‘Motus’ is another meandering mood setter. Whispering winds create misty atmospherics while a pattering of light-footed percussion drives this rhythmic groove as the weird chiming melodies add a psychedelic dimension. Belgium born Igor Vicente and Vernon Bara were early party friends in their hometown of Mons and after a string of solo projects, have since developed a potent musical partnership in Ultrasone. Bara has already stacked up over 200 productions and remixes on labels such as OM, OFF, Robsoul and Toys For Boys and Igor Vicente runs one of Belgium’s most successful underground parties ‘Wildfamily’. Now having notched up releases on two of the most high-profile labels in the business – Hot Creations (‘Breath N Pop’) and earlier a track on the
Visionquest Spring/Summer Collection (‘Don’t Feel No Way’), it’s no wonder that master of modern house imprint Supplement Facts wants a slice of the action. More

TRACKLISTING: 1.NRP – Fall Up To The Sky feat. Maya Hatch 2.Till von Sein – Sundowna 3.Lee Curtiss – I Can Hear You Arthur 4.Michel Cleis – Dark Glasses 5.Ryan Crosson & Guti – You've Got Me 6.dOP – The Genius Of The Crowd 7.Guy Gerber – Nothing Can Be True 8.dOP – Half Naked 9.Seiul – Ultravision feat. Jaw 10.Guy Gerber – Hate Love (Kate Simko's Liquid Disco Remix)
Guy Gerber's Supplement Facts mark the next episode for the label with a enduring collection of their best-loved and future classic releases on .Heartbeats'. Featuring label stalwarts dOP, Lee Curtiss, Ryan Crosson & Guti and Guy Gerber himself, .Heartbeats' weaves through the intricacies of Supplement Fact's diverse sound. An embodiment of the ethereal yet always consistent and steadfast this special collection illustrates how label has shaped its character around a string of timeless creations. “For a long time we have worked the label on a feeling, and that feeling has served us and our artists well and led us to believe that we can help careers, even make them,” explains Israeli label head Guy Gerber of the ethos of his Supplement Facts label. “I would say we try to be as original and diverse as possible, sometimes focusing on the artistic side of electronic music and sometimes releasing strictly dance floor tracks.” Opening .Heartbeats' are the Brooklyn based musical partnership, No Regular Play, and their forthcoming synth led creature, .Fall Up To The Sky' featuring the vocals of Maya Hatch. The label's 20th release from Til Von Sein ensues, a melodic tapestry of house, before Visionquest man of the moment Lee Curtiss presents his illustrious style in .I Can Hear You Arthur', a sumptuous number that tows the line between the light and darkness of contemporary dancefloor music. Curtiss alongside fellow Visionquest member Ryan Crosstown have both released much original music on Supplement Facts and heralded key releases on the imprint. The broody nature of Supplement Facts rumbles in Michel Cleis' .Dark Glasses', presenting a driving track echoing with chimes echoes and tribal calls and smoothed down with sweet saxophone solos. Crosson collaborates with South American creative, Guti on .You've Got Me', a tantalizing affair teasing its flavours out slowly. Its skipping beats and sassy vocal licks culminate in an encompassing bass and a swirling breakdown to get lost in. The enigmatic French trio and Supplement Facts label staples, dOP unleash a unique sonic assault of deep and visceral house music in .The Genius Of The Crowd' and .Half Naked'. In typical style, dOP flirt with whispered vocals and massage the energies of the body with a playful and soothing approach. Seuil's .Ultravision' brought the talented Parisien to Supplement Facts for the first time earlier this year. The mesmeric progression of liquid bleeps and deep rhythms is heightened by the poignant and husky drawl of Jaw bleeding through this enveloping crisp record. Guy Gerber rounds of the compilation with two of his own releases, the new ominous siren filled .Nothing Can Be True', taken from sessions with P Diddy and closes with the radiant .Hate Love', remixed by Chicago's finest lady, Kate Simko. Gerber has reinvented his own strain of house music and taken the underground music scene by storm in his short career. The Israeli beholds a dream like fluid vision of contemporary dance music that resonates through his label's own sound, imprinting itself into the wider consciousness. Gerber started Supplement Facts in 2006 to explore the outer realms of his imagination, since which he has embedded it deeply within the world of electronic music. One of the only labels to emerge from Israel, its innovative and original approach has not gone unnoticed by the broader community. .Heartbeats' marks a new chapter as Supplement Facts embark on an expansion through a string of pioneering album projects. Much of this year has seen Gerber locked in the studio working on his own collaboration with P Diddy. However Supplement Facts remains his priority, reflected in the continued evolution of its music and ethos. “We are stepping up our game. We want to make albums, we want to A&R artists to produce with, even write. We want to take the label on the road and do parties that reflect the diversity of not just our artists, but our taste. More importantly, we want to have fun. The music industry is not an easy place in 2011, people don't really make money like they used to, so for us it is important to entertain not just our audience but also ourselves.” Guy Gerber 2011. More

Supplement Facts Records takes us to that Detroit sound, with their next release featuring Sierra Sam & Marcus Vector... the auteurs of industrial techno. The man made jobs E.P. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. The opener "Gangsta Pimp Style" echoes Techno's birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. "Things You Do" moves things to a bit lighter frame, but don't let that description lull you into thinking it as throwaway. This tracks dominates with the ever-present high stringnote that made so many hits in the past. This classic sensibility and a vocal hook which you will be humming for days later...make this track memorable. Taking us straight to the 90's, "Flagboy" is the final track to round up this powerhouse of a release. Featuring vocals from Rockey Wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. Its all there - the piano stabs, the cowbells, the soulful vocal; all these elements mixing together to create a track so euphoric that you can finally delete your "Pusher-man" contact from your blackberry because this is the newest legal high!
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Guy Gerbers' "Supplement Facts Records" is proud to present the "Rise E.P." by - Jona -(SFR019). The "Rise EP" carries four original productions by the Belgium born artist "Jona". He's a newcomer on Supplement Facts, but a veteran to quality techno productions and we are excited to welcome him! The release "Rise EP" continues to push the musical boundaries of the Supplement Facts sound, this time in the direction of a solid techno production in typical "Jona" fashion. Deep beat lines and long stretched chunky bass riffs elegantly piece together the cheeky highs throughout this release making all mixes true peak time dance floor options.
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