Renowned Techno Maestro Mike Dehnert Drops His Latest 4-Track Ep on Syncrophone Records. as the Needle Meets the Groove, Expect Nothing Short of Electronic Mastery, a Testament to Dehnert's Unwavering Commitment to Pushing the Boundaries of Techno This One Comes in a Limited Oxblood-Colored Vinyl Edition Ep, a Collector's Gem…....

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Fachwerk boss Mike Denhert rolls up on TECH-UM 006 with for another heavy selection of intuitive techno jams on his 'TESTET' EP. With the focus squarely on the dance floor the Berlin-born wizard's latest creations makes for another unique voyage into cutting edge techno. Kostik with its dark wall of sound opens the release sporting an gargantuan bassline and metronomic percussion that resonates through the speakers. Freakin' Me offers a slow and low machine funk strut, with its heads-down groove and sassy vocal chops. On the flip Mike hits out hard with Mino. A heady concoction that's one part Chicago, one part Detroit, one part Berlin, coming together to create the perfect party piece. Dehnert then closes with one final gem. Sampling a broken escalator from a NYC train station, he engineers layer upon layer of mechanical madness. Creative clanging. Welding sounds and strikes like a vibrating visionary, he presents a final silvery sonic sensation.

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MD2 strikes again with part 8 of the series, delivering some dubby club tools!



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It has been few years since MD2.6, but after a long hiatus techno dj and producer Mike Dehnert continues his exploration on MD2 with a new EP filled with straight and destructive techno tracks!

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New Mike Dehnert!!!

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Mike Dehnert returns to his own Fachwerk label with a new full length LP celebrating the imprint's 10th anniversary, Intro sets the tone of the album, providing an profusion of tidal tones and textures that soak the listener in sound. Before long though, you're listening to the percussive stabs and pensive drums of Between No Words. Here we hear for the first time on the record the subtle but remarkable vocals of Albert Vogt, who returns throughout the LP. Listeners will also be reminded of Dehnert's skill for crafting complex and emotional music with very few elements, which becomes only more evident as this LP opens up. From here Dehnert traverses through dubbed out techno, deep house and downtempo, all with an experimental playfulness and a lightness of touch that only a producer with his talent and raw experience could pull off. The album peaks with the storming Providing Home 2. With swirling, unpredictable arpeggios, hard hitting drums and a sparingly used vocal hook, this is the track that'll ignite ecstasy across dancefloors for years to come. From here, Dehnert quickly cleanses the palette with the beatless Starground, a ringing and pulsing synth piece, pierced by all manner of klangs and bleeps. This perfectly sets up the album's final epic, Laxwax. Another one aimed squarely at the club, but this time it's for darker dancefloors. In stark contrast to its predecessors on the record, this track is insular, hypnotic and raw. Not content to end on such a note, Dehnert provides one last exertion. Outro is bombastic and pounding, with a rave inspired synth line and heavily swung percussion. Topped with cut up and percussive vocals, the track lives up to it's name summing up the LP and adding to it at the same time. A double album full of forward thinking techno hybrids from Berlin!

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The new bomb on Echocord Colour comes from Mike Dehnert. Mike already released several eps on Echocord Colour, and we are happy and proud to have him back. This ep contains 3 powerfull Techno-Tracks with dubby elements, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. Mike Dehnert is mostly known from his own Imprint, the raw techno label Fachwerk which he has been running since 2007. He is also releasing on other respected labels like Delsin, Clone Basement Series and Deeply Rooted House.

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The new bomb on Echocord Colour comes from Mike Dehnert. Mike already released several eps on Echocord Colour, and we are happy and proud to have him back. This ep contains 3 powerfull Techno-Tracks with dubby elements, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. Mike Dehnert is mostly known from his own Imprint, the raw techno label Fachwerk which he has been running since 2007. He is also releasing on other respected labels like Delsin, Clone Basement Series and Deeply Rooted House.

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Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. Since his last album, Dehnert has continued to steer his Fachwerk label through the techno undergrowth and it has now amassed more than 25 releases in all. At the heart of the label's output has been Dehnert's own increasingly experimental techno and this new album is testament to the producer's continued exploration of the form. Where Framework was, in the words of Mike himself, ''focussed on the heavy techno form'', this album explores broken bass, swinging house and beatless electronic experimentalism amongst other things. ''I love to release music. I still enjoy the album writing process very much,'' says Mike, before adding, ''I have noticed that sometimes the success of a track depends on the light at club, which is why the album is called Lichtbedingt, meaning 'depends on light!''' The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before 'Construction' settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: 'Movement' is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then 'Single Action' is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like 'ReRe' remind us where this producer has come from, whil st the breezy house swagger of 'Emlo' show us where he might be headed. Key to this album and Dehnert's output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.



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Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. Since his last album, Dehnert has continued to steer his Fachwerk label through the techno undergrowth and it has now amassed more than 25 releases in all. At the heart of the label's output has been Dehnert's own increasingly experimental techno and this new album is testament to the producer's continued exploration of the form. Where Framework was, in the words of Mike himself, ''focussed on the heavy techno form'', this album explores broken bass, swinging house and beatless electronic experimentalism amongst other things. ''I love to release music. I still enjoy the album writing process very much,'' says Mike, before adding, ''I have noticed that sometimes the success of a track depends on the light at club, which is why the album is called Lichtbedingt, meaning 'depends on light!''' The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before 'Construction' settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: 'Movement' is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then 'Single Action' is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like 'ReRe' remind us where this producer has come from, whil st the breezy house swagger of 'Emlo' show us where he might be headed. Key to this album and Dehnert's output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.



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After a few months of releasing collaborative EPs alongside Sascha Rydell and Roman Lindau, Mike Dehnert marks a quarter century of releases on his own label with Fachwerk 25, a full-length album comprised of 13 tracks. This new album sees Mike experimenting somewhat. Away from the dubbed out, functional and raw techno funk of his usual output, Fachwerk 25 shows some concession to the album format, with more mysterious tracks of ambient buried amongst bits of acid, rave and plenty of unhinged sound design. After the dystopian and scene-setting intro, there’s the chugging house and nagging synths of ‘Fraction’ that are both dark and beautiful at the same time. From there, there’s slowed, melancholic dub in the form of ‘Modulat” and the beat-less, underwater sounding ‘Courant’ with its icy pads and wide lateral spread. The title track is more what you’d expect of Dehnert, with well-swung kicks and grainy synt h chords rolling along like basement techno should, before the squelchy industrial madness of ‘Grundform’ breaks the stride of the album once again, taking you off to a different place entirely. The second half is just as varied and unpredictable, ranging from raucous peak time stuff to more nuanced and cerebral fair that always manages to bares the hallmarks of Fachwerk: quality, invention and unpredictability. Having established his Berlin label as a go-to and no nonsense outlet for fans of a certain type of stripped down but inviting techno, Fachwerk 25 will likely bring a whole new sort of attention on Dehnert and his ever on-point imprint.



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Carving vast chasms of space with exacting sound design and deadly poise, Katatonic Silentio returns to the Mantis series for another round of highly detailed leftfield techno exploration. The Turin based sound artist continues to plot her own path through contemporary electronic music, taking cues from soundsystem pressure and dubwise minimalism as much as glitchy experimentation and the meditative repetition of techno. While her output across many different labels can reach to noisy extremes and beatless atmospheres, on her latest for Mantis the Italian artist zeroes in on a hypnotic, mysterious sound cast in the icy moods of late 90s tech step and early dubstep. At all times she finds space for surprise interference even in the most austere of situations, creating a palpable tension that amplifies the deep dancefloor potential of her music and moulding powerful physicality out of subtle elements.

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Delsin's Mantis series welcomes Agonis with a heavy-hitting four-track workout geared towards adventurous dancefloors. As a leading figure in forward-thinking techno, Agonis has helped pioneer a scene that folds multiple tempos, styles and rhythms into a cohesive, dance-focused strain of psychedelic hypnotism. Co-running amenthia recordings from his base in Z?rich, Agonis has long explored the creative potential where elegant, immersive 4/4 and drum & bass intrigue intertwine. On Mantis 18, he carefully adjusts his sound palette to move beyond typical smoky atmospheres towards more forceful, sharply realised tones and textures. Bold synthesis striking out in brooding soundscapes, underpinned by a powerful low-end undercurrent and playful percussion: this recipe is a polite reminder you're engaged in a corner of club music that thrives on fresh approaches, served by one of the scene's key instigators.

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Delsin invites you to submerge into the prismatic electronica of Xenia Reaper. Across nine tracks of exquisitely rendered sonics, the shadowy producer engages in the time-honoured craft of introspective sound manipulation, folding gaseous pads into dissected breaks and running heavyweight machine pulses through achingly beautiful synthesis. The sound is sharply realised, modernist music that revels in the finegrain detail afforded by technology, but never at the expense of warmth and charm. It's nuanced electronica for deep listening, but it also hits on an instinctive, physical level.

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In an intricate lattice of ever-evolving electro exploration, Samuel Van Dijk is back on Delsin with a new EP. Under his VC-118A alias, the Helsinki based producer presents a richly textured, cinematic strain of machine funk that reaches beyond dancefloor functionality to test the expressive potential locked within electro's crisp rhythmic framework. There's a melancholic mood hovering over Avian as Van Dijk allows a subtle edge of distortion to creep into his flickering drum programming. The end result is a pensive sound that touches on the moodiness of orchestral composition, unfurling patiently across extended run times without losing focus. With his characteristic attention to detail and broad dynamic range, Van Dijk continues to offer up a sophisticated, emotionally-charged strain of electro like no other.

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Edward shares his personal DJ edits from classic D5 material.

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Na Nich returns to Delsin following up his 2023 'Black Soil' EP. On 'White Soil' the Ukrainian producer continues his queeste pushing the boundaries of deep immersive techno. Compared to the previous chapter, 'White Soil' contains a significant lighter touch. Playing with subtle melodies and musing atmospheres to set an uplifting tone. It's still powerful and propulsive while this sparkle of brightness provides a strikingly fresh angle.



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Claudio PRC's fifth album, Self Surrender, unfolds as a reflective journey of self-acceptance, a story embracing reality in its purest and most unfiltered form. Released via Delsin Records, this marks his first full-length album on the Amsterdam label following up an impressive line of EPs over the past 5 years. Self Surrender moves through ambient, dub, minimal house grooves and deep techno. It blends techno and house elements flawlessly, a blend that Claudio has naturally made his own during his long going career. Further on the sound shifts to more energetic techno. It's driven by heavy kicks and dreamy atmospheres, with acid-laden textures and haunting strings. Self Surrender closes with an ethereal track, fully embodying the theme of surrender and acceptance to conclude this personal story.

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Spanish Electronica, IDM, Electro all-rounder Annie Hall presents her first full EP for Delsin Records. After a sneaky under the radar contribution to an untitled white label series earlier, she hereby delivers four magnificent cuts of machine heavy electro melancholia to form her Practical Optimism EP. Broken beats with Detroit atmospheres strengthened by knife sharp lazer beams, bumpy drum programming and mesmerizing vocal use form the core of an excellent piece of work that represents both Hall and Delsin in optima forma.

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Dallas based producer Decoder lands on Delsin with four versatile techno interpretations. From deep and immersive techno hypnotica to emotive electro bliss. It's a well rounded EP with some type of elegance from a young producer who seems to have been doing this for decades. Decoder's sound palette is warm and forceful, very direct yet still sensitive.

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Konsudd finds the hyperkinetic Konduku teaming up with close pal Aa Sudd as they match subtlety with intensity. Their high-definition production leads on these spacious works of art, with dynamic layers of atmospherics punctured by dense kick drums. They take care to address soundsystem physicality, loading their kicks with irresistible subs down low and finely chiselling the double-time rhythms up top for an extra boost of energy.

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A second appearance of Tammo Hesselink on the Mantis series. Fusing the spatial effects treatments of dub with the metallic clang of industrial percussion and the stark negative space of minimal, Tammo Hesselink's sonic practice continues to create compelling, complex forms. His exacting style toys with atmospheric processing and mechanised motifs in place of traditional melodic elements, unearthing nuanced expression from timbre and rhythm while delivering firm structures for advanced soundsystem immersion.

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Folding the ambient techno tradition into neatly arranged packets of rhythm and space, Delsin proudly presents a striking new collaboration from Tobias. and Doltz. A project developed from a chance encounter, Versus combines classic synth and drum machine configurations with needlepoint sound design to create a quintessential electronica listening experience. Tobias. is the lead alias from Tobias Freund, the celebrated German techno pioneer who has been actively exploring new territories in electronic music production since the early 1980s. As Doltz, Shun Watanabe has quickly developed his own impressive artistic stamp in the field of leftfield techno and ambient since debuting in 2020. After seeing Doltz perform a live set at Eden Festival 2024 in Japan, Freund instantly invited him to collaborate. After the success of the first collaboration, they went on to develop five of the tracks on Versus together, while Jiawen Wang performed additional vocals on 'We Are Not Alone'. Versus is an album that balances variety and consistency across its finely sequenced run time, maintaining a focus on pointillist, exploratory rhythm from crisp drum machines and twitchy digitalia alike, all backed up by richly rendered atmospherics from gaseous pads to icy drones. It's a warm and inviting sound world, but also fearlessly futuristic, speaking to both Freund's decades of refinement and the startling clarity of Doltz's vision.



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A second outing by French modular enthusiasts Atomic moog on the Delsin Cameron series. On Blue Scale they present four more works of their quirky noodle experiments. It represents their irresistible grooves in optima forma, while keeping it wonky and alive. 'Blue Scale' and 'Landing Point' got that steady and never ending after-hours flow while 'Data 100f' and 'Impulse' are mesmerizing deep dives exploring a more broken side of the pair.

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Repress!

Following 2019's Inside, VC-118A returns to Delsin to present Spiritual Machines. Following a re-evaluation of his creative process, Samuel Van Dijk's fourth album encompasses more fluid shifts into abstract and downtempo, dub-inflected realms, without losing sight of the electro and techno qualities that have made VC-118A so compelling from the beginning. Burnished machine soul, aqueous atmospherics and immaculate drum programming abound, but in the mellow, enveloping sound world of Spiritual Machines you can hear Van Dijk guiding his music into a broader form that sounds at once more assured and more inspired.

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Repress!

Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A --who is also known as Mohlao-- and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts. It marks his first original work on Delsin, having released his distinctive brand of electro and techno on Frustrated Funk, Radio Matrix and Tabernacle before now.

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Eevo Lute originator Wladimir M. shares another chapter of his precious techno poetry. "When I was nine years old, I heard 'Funkytown' on the radio of the pool attendant over and over again. I still go to that pool. In the mid-eighties, everyone at my high school knew 'Don't Go'. And I turned sixteen, or seventeen. And was blown away by the bass line of Los 'Ninos Del Parque'. I heard it for the first time in the dark, one of the first times in that discotheque. The bass line was so atypical that I kept losing it, there in that stuffy classroom where a teacher was telling us about 'economics'. And where Peter, who was sitting next to me, was talking about 'Computer World'. And further away there was Chicago House, little did we know. I was born for it." Wladimir M. (1968), 2024

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More freaky acid waves from the unknown Lost Trax laboratories. A strong follow up to their previous 'Mind Over Matter' EP on Delsin where they explored a more oldschool 90's electronics feel. Right here it's strictly business with punchy acid lines and timeless pads on 5th Comb Sweep. The Detroit style FM freakiness of Skin Walker and stabby 303 pulses combined with smashing rides on X1 will definitely get crowds moving!

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