Tracklisting
A1 Amotik - Tirasi
B1 Amotik - Chaurasi
B2 Amotik - Pachasi

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Tracklisting
A1 Amotik - Unnasi
A2 Amotik - Assi
B1 Amotik - Ikyasi
B2 Amotik - Byaasi

Sales Note
After an exceptional and well-received collaborative EP with Tina Ramamurthy on Amotik 014 earlier in 2024, Amotik picks up where he left off and delivers four sublime solo works for Amotik 015. His self-titled imprint, running since 2015, has been a steady home base for his own productions, quickly becoming an essential catalogue in modern techno. Here, once again, he delivers a full pack of pure techno jams. Whether its the swinging percussion hooks in Assi, the hypnotic groove of Unnasi, or the banging kick drums of Ikyasi, this is yet another essential release for every techno enthusiast.

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Tracklisting:
A1 Amotik - Satavan
A2 Amotik - Unsath
A3 Amotik - Iksath
B1 Amotik - Baan
B2 Amotik - Tiresa
C1 Amotik - Pensath
C2 Amotik - Chiyas
D1 Amotik - Sadsath
D2 Amotik - Adsath
D3 Amotik feat. Tina Ramamurthy - Unahttar

Release Note:
Patanjali is Amotik's second full-length album to be self-released on 4th March 2022.

The album is the British born DJs follow-up to his debut LP, "VistAr" from 2019 which was given several accolades including "Album of the Month" in Mixmag and featured as an "Essential Album" in Groove Magazine.

Patanjali took inspiration from Amotik's late grandfather and was named after his yoga ashram. Although not identifying as particularly spiritual, he believes the influence of his grandfather subconsciously reverberates throughout his own. While his music could be considered straightforward techno, it simultaneously has an intensely hypnotic and meditative quality that subtly speaks to these deeply embedded influences in his upbringing.

The album features 10 tracks rich with elements of ambient, breakbeat and textured soundscapes while maintaining foundations firmly rooted in techno. Amotik avoids flavour of the month trends and stays true to his own sound.

"I wrote this album when we were in the harshest moment of the Berlin lockdown. I was able to take some time out from the world around me and channel my energy on writing after a long studio break," said Amotik - of how 'Patanjali' turned out to be a mix of dreamy escapism combined with the urge to be back on a dance floor once again.

Amotik has steadily built a solid base in Berlin since moving from the UK several years ago, beginning in 2015 with successful EPs on his self-titled imprint, as well as labels such as 47, BPitch Control and Figure. His unique artistic style - hypnotic/atmospheric techno with a relentless and raw undertone has seen him gain fans as a producer and DJ seeing him regularly perform at some of the most exciting clubs and festivals around the globe.

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Tracklist
A1 Amotik - Pachpan
B1 Amotik - Chappan

Release Note
2 stripped back techno tracks from the Berlin based producer.

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The BPitch family are pleased to announce the arrival of a new member of our team, as Berlin-based pro- ducer Amotik join us with his Daya EP. Amotik has been self-releasing his music for the past couple of years, dropping several EPs and his debut album. His minimalist, hypnotic take on techno is mesmerising and it caught the ear of BPitch boss Ellen Allien some time ago. It didn’t take long for a strong connection to be made between Amotik and the label, resulting in his first appearance with us. Daya contains four powerful cuts, with undulating low frequencies and nuanced composition designed to target mind, body and spirit...


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Amotik returns with a full solo EP for the 11th release on the label.

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Ellen Allien, Anthony Linell and Tensal remix tracks from Amotik's Vistar LP on his self-titled imprint.


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After 10 vinyl releases on his self-titled label, 'Vistar' is Amotik's debut full-length artist album, and only solo output for 2019. The album features 10 tracks with elements of ambient/broken beats/textured soundscapes, but has its foundations firmly rooted in techno.
After moving to Berlin in 2014, and putting out the first label release in 2015, Amotik has been steadily building a base in the city that has inspired him so much. Choosing rarely to release on other labels, it's only appropriate to put out the LP on the imprint that started the journey.
The most ambitious release to date, 'Vistar' (hindi for expand/extended) will be released on 2x12" vinyl on 20/09/19. The album will also be accompanied by Amotik's first live show in Autumn 2019.

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Carving vast chasms of space with exacting sound design and deadly poise, Katatonic Silentio returns to the Mantis series for another round of highly detailed leftfield techno exploration. The Turin based sound artist continues to plot her own path through contemporary electronic music, taking cues from soundsystem pressure and dubwise minimalism as much as glitchy experimentation and the meditative repetition of techno. While her output across many different labels can reach to noisy extremes and beatless atmospheres, on her latest for Mantis the Italian artist zeroes in on a hypnotic, mysterious sound cast in the icy moods of late 90s tech step and early dubstep. At all times she finds space for surprise interference even in the most austere of situations, creating a palpable tension that amplifies the deep dancefloor potential of her music and moulding powerful physicality out of subtle elements.

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Delsin's Mantis series welcomes Agonis with a heavy-hitting four-track workout geared towards adventurous dancefloors. As a leading figure in forward-thinking techno, Agonis has helped pioneer a scene that folds multiple tempos, styles and rhythms into a cohesive, dance-focused strain of psychedelic hypnotism. Co-running amenthia recordings from his base in Z?rich, Agonis has long explored the creative potential where elegant, immersive 4/4 and drum & bass intrigue intertwine. On Mantis 18, he carefully adjusts his sound palette to move beyond typical smoky atmospheres towards more forceful, sharply realised tones and textures. Bold synthesis striking out in brooding soundscapes, underpinned by a powerful low-end undercurrent and playful percussion: this recipe is a polite reminder you're engaged in a corner of club music that thrives on fresh approaches, served by one of the scene's key instigators.

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Delsin invites you to submerge into the prismatic electronica of Xenia Reaper. Across nine tracks of exquisitely rendered sonics, the shadowy producer engages in the time-honoured craft of introspective sound manipulation, folding gaseous pads into dissected breaks and running heavyweight machine pulses through achingly beautiful synthesis. The sound is sharply realised, modernist music that revels in the finegrain detail afforded by technology, but never at the expense of warmth and charm. It's nuanced electronica for deep listening, but it also hits on an instinctive, physical level.

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In an intricate lattice of ever-evolving electro exploration, Samuel Van Dijk is back on Delsin with a new EP. Under his VC-118A alias, the Helsinki based producer presents a richly textured, cinematic strain of machine funk that reaches beyond dancefloor functionality to test the expressive potential locked within electro's crisp rhythmic framework. There's a melancholic mood hovering over Avian as Van Dijk allows a subtle edge of distortion to creep into his flickering drum programming. The end result is a pensive sound that touches on the moodiness of orchestral composition, unfurling patiently across extended run times without losing focus. With his characteristic attention to detail and broad dynamic range, Van Dijk continues to offer up a sophisticated, emotionally-charged strain of electro like no other.

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Edward shares his personal DJ edits from classic D5 material.

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Na Nich returns to Delsin following up his 2023 'Black Soil' EP. On 'White Soil' the Ukrainian producer continues his queeste pushing the boundaries of deep immersive techno. Compared to the previous chapter, 'White Soil' contains a significant lighter touch. Playing with subtle melodies and musing atmospheres to set an uplifting tone. It's still powerful and propulsive while this sparkle of brightness provides a strikingly fresh angle.



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Claudio PRC's fifth album, Self Surrender, unfolds as a reflective journey of self-acceptance, a story embracing reality in its purest and most unfiltered form. Released via Delsin Records, this marks his first full-length album on the Amsterdam label following up an impressive line of EPs over the past 5 years. Self Surrender moves through ambient, dub, minimal house grooves and deep techno. It blends techno and house elements flawlessly, a blend that Claudio has naturally made his own during his long going career. Further on the sound shifts to more energetic techno. It's driven by heavy kicks and dreamy atmospheres, with acid-laden textures and haunting strings. Self Surrender closes with an ethereal track, fully embodying the theme of surrender and acceptance to conclude this personal story.

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Spanish Electronica, IDM, Electro all-rounder Annie Hall presents her first full EP for Delsin Records. After a sneaky under the radar contribution to an untitled white label series earlier, she hereby delivers four magnificent cuts of machine heavy electro melancholia to form her Practical Optimism EP. Broken beats with Detroit atmospheres strengthened by knife sharp lazer beams, bumpy drum programming and mesmerizing vocal use form the core of an excellent piece of work that represents both Hall and Delsin in optima forma.

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Dallas based producer Decoder lands on Delsin with four versatile techno interpretations. From deep and immersive techno hypnotica to emotive electro bliss. It's a well rounded EP with some type of elegance from a young producer who seems to have been doing this for decades. Decoder's sound palette is warm and forceful, very direct yet still sensitive.

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Konsudd finds the hyperkinetic Konduku teaming up with close pal Aa Sudd as they match subtlety with intensity. Their high-definition production leads on these spacious works of art, with dynamic layers of atmospherics punctured by dense kick drums. They take care to address soundsystem physicality, loading their kicks with irresistible subs down low and finely chiselling the double-time rhythms up top for an extra boost of energy.

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A second appearance of Tammo Hesselink on the Mantis series. Fusing the spatial effects treatments of dub with the metallic clang of industrial percussion and the stark negative space of minimal, Tammo Hesselink's sonic practice continues to create compelling, complex forms. His exacting style toys with atmospheric processing and mechanised motifs in place of traditional melodic elements, unearthing nuanced expression from timbre and rhythm while delivering firm structures for advanced soundsystem immersion.

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Folding the ambient techno tradition into neatly arranged packets of rhythm and space, Delsin proudly presents a striking new collaboration from Tobias. and Doltz. A project developed from a chance encounter, Versus combines classic synth and drum machine configurations with needlepoint sound design to create a quintessential electronica listening experience. Tobias. is the lead alias from Tobias Freund, the celebrated German techno pioneer who has been actively exploring new territories in electronic music production since the early 1980s. As Doltz, Shun Watanabe has quickly developed his own impressive artistic stamp in the field of leftfield techno and ambient since debuting in 2020. After seeing Doltz perform a live set at Eden Festival 2024 in Japan, Freund instantly invited him to collaborate. After the success of the first collaboration, they went on to develop five of the tracks on Versus together, while Jiawen Wang performed additional vocals on 'We Are Not Alone'. Versus is an album that balances variety and consistency across its finely sequenced run time, maintaining a focus on pointillist, exploratory rhythm from crisp drum machines and twitchy digitalia alike, all backed up by richly rendered atmospherics from gaseous pads to icy drones. It's a warm and inviting sound world, but also fearlessly futuristic, speaking to both Freund's decades of refinement and the startling clarity of Doltz's vision.



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A second outing by French modular enthusiasts Atomic moog on the Delsin Cameron series. On Blue Scale they present four more works of their quirky noodle experiments. It represents their irresistible grooves in optima forma, while keeping it wonky and alive. 'Blue Scale' and 'Landing Point' got that steady and never ending after-hours flow while 'Data 100f' and 'Impulse' are mesmerizing deep dives exploring a more broken side of the pair.

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Repress!

Following 2019's Inside, VC-118A returns to Delsin to present Spiritual Machines. Following a re-evaluation of his creative process, Samuel Van Dijk's fourth album encompasses more fluid shifts into abstract and downtempo, dub-inflected realms, without losing sight of the electro and techno qualities that have made VC-118A so compelling from the beginning. Burnished machine soul, aqueous atmospherics and immaculate drum programming abound, but in the mellow, enveloping sound world of Spiritual Machines you can hear Van Dijk guiding his music into a broader form that sounds at once more assured and more inspired.

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Repress!

Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A --who is also known as Mohlao-- and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts. It marks his first original work on Delsin, having released his distinctive brand of electro and techno on Frustrated Funk, Radio Matrix and Tabernacle before now.

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Eevo Lute originator Wladimir M. shares another chapter of his precious techno poetry. "When I was nine years old, I heard 'Funkytown' on the radio of the pool attendant over and over again. I still go to that pool. In the mid-eighties, everyone at my high school knew 'Don't Go'. And I turned sixteen, or seventeen. And was blown away by the bass line of Los 'Ninos Del Parque'. I heard it for the first time in the dark, one of the first times in that discotheque. The bass line was so atypical that I kept losing it, there in that stuffy classroom where a teacher was telling us about 'economics'. And where Peter, who was sitting next to me, was talking about 'Computer World'. And further away there was Chicago House, little did we know. I was born for it." Wladimir M. (1968), 2024

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More freaky acid waves from the unknown Lost Trax laboratories. A strong follow up to their previous 'Mind Over Matter' EP on Delsin where they explored a more oldschool 90's electronics feel. Right here it's strictly business with punchy acid lines and timeless pads on 5th Comb Sweep. The Detroit style FM freakiness of Skin Walker and stabby 303 pulses combined with smashing rides on X1 will definitely get crowds moving!

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Ukrainian producer Yan Cook hits hard with a third follow up EP on Delsin's Inertia series. Once again a lethal pack of four to the floor techno weapons.

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