Renowned Techno Maestro Mike Dehnert Drops His Latest 4-Track Ep on Syncrophone Records. as the Needle Meets the Groove, Expect Nothing Short of Electronic Mastery, a Testament to Dehnert's Unwavering Commitment to Pushing the Boundaries of Techno This One Comes in a Limited Oxblood-Colored Vinyl Edition Ep, a Collector's Gem…....

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MD2 strikes again with part 8 of the series, delivering some dubby club tools!



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It has been few years since MD2.6, but after a long hiatus techno dj and producer Mike Dehnert continues his exploration on MD2 with a new EP filled with straight and destructive techno tracks!

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New Mike Dehnert!!!

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Mike Dehnert returns to his own Fachwerk label with a new full length LP celebrating the imprint's 10th anniversary, Intro sets the tone of the album, providing an profusion of tidal tones and textures that soak the listener in sound. Before long though, you're listening to the percussive stabs and pensive drums of Between No Words. Here we hear for the first time on the record the subtle but remarkable vocals of Albert Vogt, who returns throughout the LP. Listeners will also be reminded of Dehnert's skill for crafting complex and emotional music with very few elements, which becomes only more evident as this LP opens up. From here Dehnert traverses through dubbed out techno, deep house and downtempo, all with an experimental playfulness and a lightness of touch that only a producer with his talent and raw experience could pull off. The album peaks with the storming Providing Home 2. With swirling, unpredictable arpeggios, hard hitting drums and a sparingly used vocal hook, this is the track that'll ignite ecstasy across dancefloors for years to come. From here, Dehnert quickly cleanses the palette with the beatless Starground, a ringing and pulsing synth piece, pierced by all manner of klangs and bleeps. This perfectly sets up the album's final epic, Laxwax. Another one aimed squarely at the club, but this time it's for darker dancefloors. In stark contrast to its predecessors on the record, this track is insular, hypnotic and raw. Not content to end on such a note, Dehnert provides one last exertion. Outro is bombastic and pounding, with a rave inspired synth line and heavily swung percussion. Topped with cut up and percussive vocals, the track lives up to it's name summing up the LP and adding to it at the same time. A double album full of forward thinking techno hybrids from Berlin!

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The new bomb on Echocord Colour comes from Mike Dehnert. Mike already released several eps on Echocord Colour, and we are happy and proud to have him back. This ep contains 3 powerfull Techno-Tracks with dubby elements, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. Mike Dehnert is mostly known from his own Imprint, the raw techno label Fachwerk which he has been running since 2007. He is also releasing on other respected labels like Delsin, Clone Basement Series and Deeply Rooted House.

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The new bomb on Echocord Colour comes from Mike Dehnert. Mike already released several eps on Echocord Colour, and we are happy and proud to have him back. This ep contains 3 powerfull Techno-Tracks with dubby elements, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. Mike Dehnert is mostly known from his own Imprint, the raw techno label Fachwerk which he has been running since 2007. He is also releasing on other respected labels like Delsin, Clone Basement Series and Deeply Rooted House.

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Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. Since his last album, Dehnert has continued to steer his Fachwerk label through the techno undergrowth and it has now amassed more than 25 releases in all. At the heart of the label's output has been Dehnert's own increasingly experimental techno and this new album is testament to the producer's continued exploration of the form. Where Framework was, in the words of Mike himself, ''focussed on the heavy techno form'', this album explores broken bass, swinging house and beatless electronic experimentalism amongst other things. ''I love to release music. I still enjoy the album writing process very much,'' says Mike, before adding, ''I have noticed that sometimes the success of a track depends on the light at club, which is why the album is called Lichtbedingt, meaning 'depends on light!''' The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before 'Construction' settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: 'Movement' is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then 'Single Action' is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like 'ReRe' remind us where this producer has come from, whil st the breezy house swagger of 'Emlo' show us where he might be headed. Key to this album and Dehnert's output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.



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Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. Since his last album, Dehnert has continued to steer his Fachwerk label through the techno undergrowth and it has now amassed more than 25 releases in all. At the heart of the label's output has been Dehnert's own increasingly experimental techno and this new album is testament to the producer's continued exploration of the form. Where Framework was, in the words of Mike himself, ''focussed on the heavy techno form'', this album explores broken bass, swinging house and beatless electronic experimentalism amongst other things. ''I love to release music. I still enjoy the album writing process very much,'' says Mike, before adding, ''I have noticed that sometimes the success of a track depends on the light at club, which is why the album is called Lichtbedingt, meaning 'depends on light!''' The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before 'Construction' settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: 'Movement' is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then 'Single Action' is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like 'ReRe' remind us where this producer has come from, whil st the breezy house swagger of 'Emlo' show us where he might be headed. Key to this album and Dehnert's output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.



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After a few months of releasing collaborative EPs alongside Sascha Rydell and Roman Lindau, Mike Dehnert marks a quarter century of releases on his own label with Fachwerk 25, a full-length album comprised of 13 tracks. This new album sees Mike experimenting somewhat. Away from the dubbed out, functional and raw techno funk of his usual output, Fachwerk 25 shows some concession to the album format, with more mysterious tracks of ambient buried amongst bits of acid, rave and plenty of unhinged sound design. After the dystopian and scene-setting intro, there’s the chugging house and nagging synths of ‘Fraction’ that are both dark and beautiful at the same time. From there, there’s slowed, melancholic dub in the form of ‘Modulat” and the beat-less, underwater sounding ‘Courant’ with its icy pads and wide lateral spread. The title track is more what you’d expect of Dehnert, with well-swung kicks and grainy synt h chords rolling along like basement techno should, before the squelchy industrial madness of ‘Grundform’ breaks the stride of the album once again, taking you off to a different place entirely. The second half is just as varied and unpredictable, ranging from raucous peak time stuff to more nuanced and cerebral fair that always manages to bares the hallmarks of Fachwerk: quality, invention and unpredictability. Having established his Berlin label as a go-to and no nonsense outlet for fans of a certain type of stripped down but inviting techno, Fachwerk 25 will likely bring a whole new sort of attention on Dehnert and his ever on-point imprint.



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New school techno producer, DJ and live performer Mike Dehnert is to release his first album proper on Delsin Records in Spring 2011. In just three years, Berlin based artist Dehnert has gone from unknown talent to underground hero with (as revered record store Hardwax calls it) his very own ‘raw techno’ sound making waves on labels like his own imprint Fachwerk, hallowed Dutch outlet Clone Basement Series, as well as dub techno stable Echochord Colour, super reticent outlet MD2 and now Delsin, where he finds himself at home amongst the future music of talented cohorts Redshape, A Made Up Sound, Delta Funktionen and more. Framework - as you’d expect of a man who performs genuinely live for hours, often only ever calling on his own tweaked, edited and skewed productions - is an uncompromising album made up of pure techno tracks of the sort you’d expect to hear on the dancefloors of places like Berghain or Tresor. They go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. Drawing from a dusty, dirty toolbox of sounds, the echo-y, cavernous chambers and dusky warehouse aesthetics of Dehnert’s moody music betrays the purity and simplicity of his arrangements. Although his records are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious Basic Channel and Berghain influences, Mike Dehnert manages to lock you into whatever mood takes his fancy with apparent ease. Make no bones about it (he doesn’t) Framework is an album of tracks. Each one is made with various dancefloors in mind, and each is informed by the hundreds of hours Dehnert has spent working away in such places. The results are to-the-point without being unsubtle, each track has a job to do and does so efficiently; nothing is surplus to requirements and nothing is lacking. Whilst outlining a Framework for his many live sets to come, this debut album also makes for engaging listening and confirms Mike Dehnert to be one of contemporary techno’s most exciting current incumbents.



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This story takes place around the year 3216, in which space travel is something completely contemporary. Humanity is going too far in pushing Mother Nature's boundaries, and now the planet is in danger. Only one person is capable of saving Earth from destruction. Our protagonist travels to other planets to see if there is anything that can aid him in calling the downfall of our home world to a halt. The fragments on this disc are actually snapshots, made in between traveling, amid the rushing realization that a resolution to save the planet must be found. Quickly. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.

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Originally released on Axis records. Moonlight Serenade Year 3036, the Third Empire of Human spans hundreds of star systems, only accessible by a faster-than-light spaceship. No other intelligent beings have ever been encountered, not until a light sail probe enters a human system carrying a dead alien. The probe is traced to the Ursea, an isolated star system in a thick dust cloud, and an expedition is dispatched. After a search that lasted thousands of years, humans stand on the verge of first contact with an alien race. The mission's objective: learn everything there is to know about the extraterrestrial intelligence. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.

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No nonsense, no faking, no timewasters: the raw classic techno energy of Nuno dos Santos and Cosmic Force's Ultrastation project continues to tear holes in the space time continuum with their latest EP - 'Red Skies'. Hot on the heels of 'Stellar Logic' on Nuno's Something Happening Somewhere label earlier this year comes another uncompromising selection as the pair of Utrechtian veterans link up and tear down on Deeptrax offshoot label Tech UM. 'Sonorous' sets the pace with its outstanding sense of pounding, gritty momentum. The sound of 35 years of warehouses melting under sheer bass heat, it's a savage statement piece that's backed up by three more undiluted techno treats. 'Muladhara' realigns our chakras with its earthy stomp, hopeful arpeggio and relentless energy, 'Blood Flow' takes on a little more industrial charm as it rattles away, twisting and turning with a subtle sense of psychedelia while 'Lake Falls' brings the EP to a euphoric Detroitian finale that's characterised by shimmering synths and some epic dynamics.

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The release of a debut album should be something to celebrate. But how would unbridled cheer be possible when your home country is invaded and uncertainty is the only consistent factor in your life? Still, despite this troublesome period, marked by great anxiety and grave concern, Ukraine native Lostlojic releases his first LP, 'Mamay' on our TECH-UM label. The title is derived from the legendary Cossack folk hero of the same name, who symbolizes the strength, freedom and fidelity of the Ukrainian people. Its ten compositions transform and hypnotize the listener, or shoot a sudden jolt of electricity through their bodies. 'Rosebud', for instance, takes its name from - and features a sample of - Orson Welles' 1941 landmark film Citizen Kane and is more than just pleasing to the ear; it's a state of mind. The Ukrainian wunderkind knows how to play upon your aural perception like no other! Many of its pieces are permeated with repeating phrases, which help you lull into the perfect mental state in which to fully grasp and enjoy this revolutionary record. The album's atmosphere seems at times to be grim, then mysterious, even alternately welcoming or hinting at hope and desire and in some instances convey all of these sensations at once. Which is, of course, quite fitting for the trying times we find ourselves in right now. It's a major factor why this stunning debut necessitates repeated listening!

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Could a hypnotizing marriage between dub techno and Detroit house be the perfect sonic symbiosis? Check out This Is How We Dub on our third Tech-Um label which is the product of a collaboration between Paul Donton and Daniel Mancini's The Maersk Project and Dutch DJ and iconic producer Orlando Voorn. All of these have been established and respected names within the Techno scene for several years - decades, even! The fruit of their collective labor is finally here to catch your ear and get your body to move along accordingly. Tech-um proudly presents This Is How We Dub, which offers the listener an array of pulsating and sometimes abrasive rhythms. Yet once established, they are hard to let go. Before you know it, each timeless track becomes an essential part of the current atmosphere. Care to take This Is How We Dub for a spin - literally? You will soon find that it will do the same thing to you!

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We are delighted to share you that Taupe releases on Deeptrax' Tech-um label. After releasing on Indigo Aera's AE-X and Impress records in Berlin, Taupe launched his own recordlabel: Colours Records. On 'Two sides of the same coin' EP, Taupe displays his dualistic take on the techno genre, celebrating both its beauty and ruggedness. With the Detroitish opener 'Altum', Taupe guides the listener into a blissful rabbit hole, filled with dreamlike-arpeggiators and pounding rhythms, bringing ultimo sci-fi sounds from far away. 'Shimmer' brings subtle acidic squelches, crisp hats and modulating synths paving the way into destination unknown. On the B-side, Taupe takes a sudden left into more dark terrain. The menacing 'Joker' teases, agitates but ultimately drives you into a Dionysian state of madness which reminds us of Jeff Mills his fierce Axis stuff. Lastly, 'Black Box' will make sure that any residual ounce of energy in your body will get extracted with this vein 303 styled monster track!

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