Label:bearfunk
Cat-No:bfk052
Release-Date:27.01.2011
Configuration:12"
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Cat-No:bfk052
Release-Date:27.01.2011
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Max Essa, - Glass Bottomed Boats
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Max Essa, - One Night Out Of Seven
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Max Essa, - Midnight And A New Direction
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Max Essa, - Midnight And A New Direction
Japan based, multi-instrumentalist, Max Essa, has done it again for us here in the Bearfunk Forest. His splendid second album "White Shoes, Blue Dreams" has pleased the public and reviewers alike. The "Midnight and Dub Direction EP" takes some of the album's finer moments and gives them a more dance-floor friendly, dubby makeover.
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More records from max essa
Label:Is It Balearic
Cat-No:IIB069
Release-Date:07.08.2023
Genre:House
Configuration:12"
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Label:Is It Balearic
Cat-No:IIB069
Release-Date:07.08.2023
Genre:House
Configuration:12"
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Max Essa - Belgian Caravan
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Max Essa - Moonlight Contribution
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Max Essa - Dry Plains Parade
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Max Essa - Southern Edges
The by-now seminal Is It Balearic label welcomes long-time Balearic boss Max Essa for another superbly horizontal offering that will take you to the beach no matter where you are. He is a regular on this label who has been serving up top tunes and compiling superb collections like 2016's 10-Year Anniversary comp for ages, and the quality levels never dip. This fresh four-tracker traverses gently breaking synth waves, undulating dubby undercurrents and gloriously sun-kissed synth work all in a soothing and meditative style.
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Label:Balearic Ensemble
Cat-No:BE001
Release-Date:28.05.2021
Genre:Space Disco/House
Configuration:12" Excl
Barcode:4251804126076
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Label:Balearic Ensemble
Cat-No:BE001
Release-Date:28.05.2021
Genre:Space Disco/House
Configuration:12" Excl
Barcode:4251804126076
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Max Essa - Matinee
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Max Essa - Tempo Babadoh
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Max Essa - Tempo Babadooh ( Joe Morris Paraíso Mix)
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Max Essa - Matinee ( Lukkas Club Mix)
Brand new Barcelona i mprint Balearic Ensemble hit the ground running with their premier plastic disc drop,
BE001. We’re over (and under, and around) the moon to present the Painting Of The Day EP, the first i n a series
of extended plays l ined up from the baddest crew of balearic samurais for your aural i ndulgence.
Leading the charge i s the one and only Max Essa, a man some may know as botanist-in-chief at the sublime
Jardin Jansen l abel, others as the shadow behind a string of l ush productions sounded out by the l ikes of the
Guv’nor Andrew Weatherall or a one David Mancuso. Painting Of The Day i s the l atest i n Max’s deeply
inventive output, with Joe Morris, Lukkas and Ibicenco duo Reisdentes Balearicos serving up three wondrously
lush revamps for the heads .
First up i s ‘ Matinee’, which takes that l aid-back 80s sound and washes i t through reverb racks and cascading
arpeggiatic tones. Soft, subtle and brilliant, the result i s an emotional Essa performance, akin to a soft caress of
the waves, or a brush stroke on a canvas i n the afternoon sun.
‘Tempo Babadoh’ i s another massive balearic number, promenading and pirouetting i ts way across a vista of
club congas, wah guitar and deluxe synth sounds. Sliding nylon strings evoke memories of a l ate-night Mandy
Smith anthem as agogo bells i nterweave among the flora and fauna of Max Essa’s balearic vision. A l ofty,
virtuosic affair that’s sure to be a staple when the good times come.
On the flip we have Joe Morris’s ‘ Paraiso’ version of Tempo Badaboh. It’s a(n) NY hymn, a dusty psalm, a
stellar reimagining of the original which brings an 80s Chicago feel with all the savoir faire and finesse that the
Clandestino man has come to be revered for. Sizzling b l ines, crickets at dusk and time-tested balearic motifs
presented i n a new, slightly angular l ight.
Over on B2 (?) we get Lukkas’ Club Mix of Matinee, a dangerous dance weapon with a dose of l ow frequencies
bubbling through the spaces and cracks l eft between Essa’s l ush, spacious tones, filtering and resonating i ts
way to the finish l ine with presence and class. One for the l ate hours…
And breathe. We proudly present BE001. Welcome to the ensemble - i t’s a feeling, i nit…
A1) Matinee 7:37
A2) Tempo Babadoh 7:02
B1) Tempo Babadooh ( Joe Morris Paraíso Mix) 8:16
B2) Matinee ( Lukkas Club Mix) 7:24 More
BE001. We’re over (and under, and around) the moon to present the Painting Of The Day EP, the first i n a series
of extended plays l ined up from the baddest crew of balearic samurais for your aural i ndulgence.
Leading the charge i s the one and only Max Essa, a man some may know as botanist-in-chief at the sublime
Jardin Jansen l abel, others as the shadow behind a string of l ush productions sounded out by the l ikes of the
Guv’nor Andrew Weatherall or a one David Mancuso. Painting Of The Day i s the l atest i n Max’s deeply
inventive output, with Joe Morris, Lukkas and Ibicenco duo Reisdentes Balearicos serving up three wondrously
lush revamps for the heads .
First up i s ‘ Matinee’, which takes that l aid-back 80s sound and washes i t through reverb racks and cascading
arpeggiatic tones. Soft, subtle and brilliant, the result i s an emotional Essa performance, akin to a soft caress of
the waves, or a brush stroke on a canvas i n the afternoon sun.
‘Tempo Babadoh’ i s another massive balearic number, promenading and pirouetting i ts way across a vista of
club congas, wah guitar and deluxe synth sounds. Sliding nylon strings evoke memories of a l ate-night Mandy
Smith anthem as agogo bells i nterweave among the flora and fauna of Max Essa’s balearic vision. A l ofty,
virtuosic affair that’s sure to be a staple when the good times come.
On the flip we have Joe Morris’s ‘ Paraiso’ version of Tempo Badaboh. It’s a(n) NY hymn, a dusty psalm, a
stellar reimagining of the original which brings an 80s Chicago feel with all the savoir faire and finesse that the
Clandestino man has come to be revered for. Sizzling b l ines, crickets at dusk and time-tested balearic motifs
presented i n a new, slightly angular l ight.
Over on B2 (?) we get Lukkas’ Club Mix of Matinee, a dangerous dance weapon with a dose of l ow frequencies
bubbling through the spaces and cracks l eft between Essa’s l ush, spacious tones, filtering and resonating i ts
way to the finish l ine with presence and class. One for the l ate hours…
And breathe. We proudly present BE001. Welcome to the ensemble - i t’s a feeling, i nit…
A1) Matinee 7:37
A2) Tempo Babadoh 7:02
B1) Tempo Babadooh ( Joe Morris Paraíso Mix) 8:16
B2) Matinee ( Lukkas Club Mix) 7:24 More
Label:Hell Yeah
Cat-No:hyr7194
Release-Date:13.03.2020
Configuration:12"
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Label:Hell Yeah
Cat-No:hyr7194
Release-Date:13.03.2020
Configuration:12"
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Max Essa - Tombolo
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Max Essa - The Great Adventure
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Max Essa - Fool In The Pool
Max Essa completes a trio of terrific releases on Hell Yeah with The Great Adventure EP. It's packed with more grown up dance floor dynamite and later in the year will be collected together with the first two parts to make for a full album.
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Label:hell yeah
Cat-No:hyr7181
Release-Date:06.09.2018
Configuration:12"
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Label:hell yeah
Cat-No:hyr7181
Release-Date:06.09.2018
Configuration:12"
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max essa - No Title
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max essa - No Title
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max essa - No Title
A year after his debut outing on the label, Max Essa makes a welcome return to Hell Yeah with the Han zon Roc EP, which is another of his impossibly laidback offerings.
Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
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Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
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Label:is it balearic?
Cat-No:iib048
Release-Date:13.10.2017
Configuration:12"
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Label:is it balearic?
Cat-No:iib048
Release-Date:13.10.2017
Configuration:12"
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max essa - No Title
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max essa - No Title
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max essa - No Title
Long time Is It Balearic artist Max Essa returns with two warm weather bombs. Craig Bratley (Magic Feet / Tsuba) pumps up the bass sounds and drops an lovely vocal accent over Sekko Mekko.
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Label:lexwax
Cat-No:lexwax001
Release-Date:04.12.2015
Configuration:12"
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Last in:07.01.2016
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Label:is it balearic
Cat-No:isit040
Release-Date:24.06.2015
Configuration:12"
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Label:is it balearic
Cat-No:isit040
Release-Date:24.06.2015
Configuration:12"
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IIB reach their 40th release with label stalwart Max Essa's latest EP. Feel The Machine is a proto-house groove with touches of italo-disco. Chugging bassline and cowbells making it a real dancer. Panapolean Dreamer is a more downtempo beat driven affair with eastern strings on a mellow new beat vibe. The second side starts with Tall Shadows Walking Home. Again max explores the proto house sound all smothered in lovely electronic melodies. Twenty Types Of Dusk relaxes the tempo again. Trademark Max Essa Balearic. A killer ep. to celebrate 40 12 inch releases.
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12"
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Label:back to the balearics
Cat-No:bttb004
Release-Date:10.09.2014
Genre:House
Configuration:12"
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Label:back to the balearics
Cat-No:bttb004
Release-Date:10.09.2014
Genre:House
Configuration:12"
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max essa - A1. ALL IS NOT LOST
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max essa - A2. COMPLICATED LOVER
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max essa - B1. DESTINATION YOU
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max essa - B2. YOUR CARNIVAL SOUNDS LIKE THIS
Balearic maestro Max Essa joins the dots seamlessly between the ambient imaginings of Sakamoto, the Krautrock rhythms of Neu and the beach pop of Chris Rea , while making them all dance together like waves on the beach. This is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. Your carnival sounds like this...
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Label:is it balearic?
Cat-No:isit029
Release-Date:25.04.2013
Configuration:12"
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Label:is it balearic?
Cat-No:isit029
Release-Date:25.04.2013
Configuration:12"
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Max Essa returns to Is It Balearic..? Home to some of his more Balearic moments most notably the epic Panorama Suite. The A side is Dovodah! which begins with some Nu-Med atmospheres and acoustic guitar conjuring up 80's Italian beach parties. The loose percussion and a heartfelt vocal (calling the unmistakable sound of Dovodah!) carry you along before dropping into an early 90's italian progressive vibe. Genuinely a real post sunset bomb. Doug Lee turns Dovodah into a more moody basement soundsystem banger -heavy bassline and distorted synths. This needs to be played Loud!
The B side Burning Palms is a moment of sexy strummed acoustic guitar and percussion. Sounding like A Mountain of One on a dusty desert vacation. Summers surely round the corner.
Hardway Bros Sean Johnston brings this tune back inside for some heads down dancefloor vibes while retaining alot of the original feel. Like a gypsy acid mid tempo house party. I want to go. IIB back with a bang
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The B side Burning Palms is a moment of sexy strummed acoustic guitar and percussion. Sounding like A Mountain of One on a dusty desert vacation. Summers surely round the corner.
Hardway Bros Sean Johnston brings this tune back inside for some heads down dancefloor vibes while retaining alot of the original feel. Like a gypsy acid mid tempo house party. I want to go. IIB back with a bang
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Label:valley sound
Cat-No:vs004
Release-Date:18.10.2012
Configuration:12"
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Label:valley sound
Cat-No:vs004
Release-Date:18.10.2012
Configuration:12"
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We are back with another panoramic journey. Max Essa needs little introduction, in our circles he is the shining light when it comes to the newer Balearic flavours we enjoy. M.O.D.F.D.M.V stands for 'Musica Originale Del Film Della Mia Vita' - Italian for 'Original music from the film of my life', and if this is what Max’s life sounds like then he is one lucky guy. 'Pow Wow' was described as 'Young American Primitive meets Mood II Swing by Dr Rob on his Test Pressing review which we thought summed it up quite nicely! 'Cloud Chasing' Early '90s Italo House and 'Zosimos on the Shore' sounds like Max jamming with Yellow Magic Orchestra. One word “Essential”
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1
Max Essa, Jan Ken Po, - NYC Set Me Free
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Max Essa, Jan Ken Po, - Unlimited Man
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Max Essa, Jan Ken Po, - Civilised Gangbang
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Max Essa, Jan Ken Po, - Palm Beach Boy Trees
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Max Essa, Jan Ken Po, - Horny Diplomat
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Max Essa, Jan Ken Po, - First Touch
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Max Essa, Jan Ken Po, - Metropolitan Scene
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Max Essa, Jan Ken Po, - Rhapsody In Leather
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Max Essa, Jan Ken Po, - Colour Wheel
More Berlin, less Monacco. That's the ethos of the new Max Essa project, Jan Ken Po: Less sun, less sea, yachts and money; more twilight hour, basement clubs, up-tempo rhythms and dance floor politics. Hailing from the UK but currently residing in Japan, Max Essa's aptly name Jan Ken Po side-project is a welcome new addition to Essa's quiver of music and sounds. The primarily instrumental cuts focus on clean house-centric lines, irresistible deep-rooted grooves and Essa' flair at capturing that special something. 'NYC Set Me Free' kicks off the record in fine style; all tight cowbell rhythms and piano riffs over a walking bass synths and a catchy lead. Title track 'Unlimited Man' follows, with it's icy cool persona and infectious double-clap rhythm holding together the call-and-response keys. 'Civilised Gangbang' goes in swinging, bouncing groove and rising synths aplenty. 'Palm Beach boy Trees' brings the tempo down a notch and introduces the first sniff of a human voice with the vocoded phrase 'beach boys' looped over crunching synths and other sublime artifacts. An 80's phaser bass is actioned to perfection in 'Horny Diplomat,' followed neatly by the synth rock-disco / xylophone throwdowns of 'First Touch.' 'Metropolitan Scene' oozes class and restraint, and could be the backing track to a 80's vocal house classic. Finishing things off 'Rhapsody in Leather' allows Essa's trusty rhythm guitar to lead the limelight with some super-lean riffage. Essa's touched a new base with this record, and we're happy to be finally sharing it with you.
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Label:needwant
Cat-No:needw015
Release-Date:16.06.2011
Configuration:12"
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Label:needwant
Cat-No:needw015
Release-Date:16.06.2011
Configuration:12"
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Max Essa, - How Do You Feel? feat D.C Mathias
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Max Essa, - How Do You Feel? feat D.C Mathias
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Max Essa, - How Do You Feel? feat D.C Mathias
Max Essa is a producer who has been shipping over his extremely coveted brand of disco and balearica from the land of the Rising Sun for some time now. Having had a long running string of sought after releases on labels such as Bear Funk, Nang, to Is It Balearic, Max is now making his Needwant debut with ‘How Do You Feel?’ which includes an awesome remix from Kim Ann Foxman. ‘How Do You Feel?’ starts off with bassy plods and gentle keyboard strokes that steer us longingly towards the smooth soulful vocals of DC Mathias. Topped off with light high-hats and the occasional flute twirl this release has summery feeling of lounging by a pool embedded deep within it. On the remix we have Kim Ann Foxman of Hercules and Love Affair fame who injects the track with a hypnotic deep house vibe. Taking the melancholic vocals from the original and setting them off subtly against a darker deeper bass line that takes its listener back in time. Hard to believe from the quality of the remix but this is Kim Ann Foxman’s first ever remix! Already getting plays way upfront on Beats In Space, this is sure to get you shoulder shrugging on the dancefloor in the early mornings! This is the fifteenth release from London based Needwant records. They have already built up an impressive catalogue from the likes of The Revenge, Mario Basanov, Soul Clap, Massimiliano Paglaria and more, but with this release they may have just raised the bar again.
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Last in:12.09.2023
Label:Bearfunk
Cat-No:BFKLP036
Release-Date:25.08.2023
Genre:Pop
Configuration:LP
Barcode:5055373558424
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Tobor Experiment - Lowpass Risotto
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Tobor Experiment - Venus Modularistic Riff
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Tobor Experiment - Halgatron
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Tobor Experiment - Up!
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Tobor Experiment - Astounding Stories
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Tobor Experiment - Signal From Planet Meta
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Tobor Experiment - That Synth Of Yours
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Tobor Experiment - Moonscape Dust
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Tobor Experiment - Monsters
Gatefold single vinyl LP with an 8 page 12" size bookelt in the other side of the gatefold. We're thrilled to announce the return of Tobor Experiment, the visionary musical project led by the enigmatic Giorgio Sancristoforo, to the Bearfunk fold. After a twelve-year hiatus, Tobor Experiment emerges from the shadows with their second LP, "Available Forms". Picture the ethereal ambiance of a dimly lit jazz club colliding with the futuristic vibrations of a 1970s sci-fi TV show, and you'll begin to grasp the sonic experience that awaits. Giorgio draws on a whole host of musical inspirations, from the name checked Tim Gane & Letitia Sadier to the moog pioneers Claude Denjean & Jean Jaques Perrey. With the moogsploration of contemporary jazz Tobor Experiment invites listeners on an extraordinary musical odyssey where jazz meets electronica meets nu-disco.Each track on "Available Forms" showcases Tobor Experiment's exceptional ability to transcend musical boundaries, creating a genre-bending album that defies all expectations. From start to finish, the soundscape presented is a testament to Tobor's relentless pursuit of musical innovation. Each composition is a fusion of diverse elements, seamlessly blending organic instruments and electronic textures in a way that challenges traditional genre classifications. The AI-generated artwork serves as a portal to an alternate dimension. Paying homage to the retro-futuristic aesthetic of 1970s science fiction TV shows, it captures the essence of the album's fusion between organic and electronic realms.
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Label:bearfunk
Cat-No:bfklp031
Release-Date:01.09.2014
Configuration:2LP
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Label:bearfunk
Cat-No:bfk053
Release-Date:20.05.2011
Configuration:12"
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Label:bearfunk
Cat-No:bfk053
Release-Date:20.05.2011
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Laser Tom & The Blast Crew, - By Your Side
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Laser Tom & The Blast Crew, - By My Side
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Laser Tom & The Blast Crew, - Two Sides
Label:bearfunk
Cat-No:bfklp007
Release-Date:20.05.2011
Configuration:2LP
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Cat-No:bfklp007
Release-Date:20.05.2011
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Bottin, AKA Guglielmo Bottin, first crossed paths with us at the Carnival of Venice. He was playing live synth whilst Bearfunk head-bear Stevie was DJing. After more DJing & some jovial keyboard sessions and some seriously impressive listening, we knew we had just found our favourite new Venetian. The Horror Disco concept all started with the chance loan of a noisy, old, incontrollable, 70's Farfisa Syntochestra synthesizer. This proved to be the weapon of choice for several of the tracks on the album (Mary Lewis, Magnetic Cat) with Bottin building up hand-played layers old school style. A few tweaks of the Farfisa led our man to the world of sounds he grew up to: the soundtracks to Italian slasher B-movies (like those by Lucio Fulci, Bava, Argento & Alberto Martino), but also futuristic horror scenarios, cosmic travels and close encounters with space vampires... The die was set. Horror Disco melds these soundtrack and aural ideas with a 100% disco album. One that drifts away from most of the soulful elements of disco and one that is dirtier, warmer and less polished than contemporary Scandinavian nu-disco. The album is wide and varied - 'Slashdance' gives us a Goblin-esque robo-vocoder-disco, 'Roger Bacon' is pure cosmic groove, whilst the Italo-disco-Thriller 'Disco For The Devil' features the vocals of Italian-based, UK-born session master Douglas Meakin - who back in the day was lead vocalist in Simonetti's Easy Going and Crazy Gang cult disco projects.
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