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Includes the Jamie 326 edit of his acid classic 'There's Somebody Out There'
Marcellus Pittman's is back with his second EP of 2018 on his own Unirhythm Records. The jewel here is Pittman's 2007 acidic masterpiece "There's Somebody Out There" getting the edit treatment from Chicago's Jamie 326, who whips the original into a hypnotic bender. "Something Like (A Dream)" is an upbeat key-driven vocal house cut in Pittman's flowing style with bits of vocals floating over the mix. "Breathe Beat" is a low key bouncer stripped down to the raw elements with floating synths hovering over a minimal shuffling beat.

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Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

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Adeen Records is on a roll right now and this time out they welcome the Detroit hero that is Marcellus Pittman for a new and beguiling four-track 12". Known for his work with The 3 Chairs collective as well as his solo jams, this Motor City mainstay opens up with 'You Always Hank Bank One Time' which is a real mental maze of rickety loops and blurts of degraded synth. 'Another Spring Lover' is another rusty and lo-fi piece of archetypal Detroit house that is very clearly machine music but with a unique sense of human soul. 'I'm Gonna Be The Everything' is a raw drum track with sparse, heartwarming chords and 'Slick Nickle Pladium Investment' is a knackered downbeat hip-hop closer. Magnificent.

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We are blessed with another 12" from Marcellus Pittman's Unirhythm Records. True to Pittman's genre free approach to music - on this record we hear sounds from the ethereal to the creepy, from the dirty to the deep!

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Two killer Marcellus Pittman tracks on a new 12" for his own Unirhythm Records. Deep and wild rhythm workouts in true Pittman fashion

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This long awaited 12” from Marcellus Pittman has finally surfaced with two killer tracks from his debut album ‘Pieces.’ Be quick!

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several months of "silence", Downbeat is here again. The 3 chairs member, Marcellus Pittman is the man responsible for "Do You Like Music EP". "Our time is now" and "Extra credit", are two detroit-flavoured house tracks with sequences coming from Mars and melancholic keys with the unmistakable Marcellus Pittman mood. The release is closed by "Happy to be here", a gloomy downbeat-Hip hop track made with MPC. There won´t be too many copies pressed, so don´t sleep on this.


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Sound Signature release of the long overdue 10 track debut album of Marcellus Pittman showcasing his talents

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Repress! If you missed your chance the first time around in 2007, here it is again- Marcellus Pittman's Midwest Advocates EP. "There's Somebody Out There" is one of the best techno tracks made in recent memory! If you never heard it then, take a listen to the clips and you will understand. Official repress coming soon

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Two new house tracks twisted, chewed up and spat back out on wax by Marcellus Pittman on his own label Unirhythm. One of Detroit's most progressive and talented producers, Marcellus has had a great year of releases so far with his Unirhythm Green 12" and a well received EP on the FIT SOUND label. This one will not disappoint!!

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The first edition of the Unirhythm Green Series. Two brand new, smooth as ice tracks from the Motor City Madman Marcellus Pittman. The A-Side is ''TOM Remix'', a dynamic DJ tool that will keep the heads bouncing in the club. The B-Side, ''If the Earth Could Talk,'' is equal parts deep and dubby, but still has that lo-fi Detroit grit in the sound. This is a record that will stick around in many DJs crates for a long time. This record is the first of a series of collaborations between Unirhythm and FIT. Only 500, numbered copies for the world.

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An inspired collaboration from two veteran producers on top of their game - Kassem Mosse and FIT Siegel. Three well-crafted techno and house tracks created from sessions recorded at Omar-S' FXHE Studios and FIT's studio at Submerge in Detroit in 2016, then mixed down by Siegel in 2018 after a few years of playing rough versions in his DJ sets in clubs around the world. Don't sleep on this diverse EP with sounds ranging from tripping acid workouts to dubbed out electronic excursions!

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FIT Siegel and DJ Sotofett join together on their first 12" collaboration as S & M Trading Co. - a voyage many years in the making. Dark and atmospheric strings sail over a thumping bass line, all while a banging 909 beat and percussions keep this ship on course. The route is long, the conditions are rough,but soon a mysterious landscape beings to take shape beyond the haze. *12" also contains Acidic and Synthetic mixes

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Andrés revisits his A Drummer From Detroit alias for FIT SOUND. Three heavy house tracks steeped deep in that afro-cuban sound that only this drummer can do!

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"Resonance" is the debut 12" by the duo Golden Mean. A beat stripped down to its essence, while a voice and strips of melody become textures wrapped around it. Hazy, Sensual, Hypnotic. Lose yourself in the dark. Lose yourself in the sound...

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FIT SOUND welcomes Moscow's OL to the label with his debut 12", Lada Passenger. Three late night dance floor stompers that pay special attention to textures of percussion, woven with expert touches of melody and bass. Essential tracks for the working DJ from an artist that is clearly coming into his own!

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Detroit's Todd Modes debuts on FIT SOUND with the Native Visions EP - a mythic trilogy of shadowy and hedonistic rhythms that will transport you to an age when gods and mortals mingled freely. Beautiful, yet dangerous tracks for the mystic body and soul

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Given that he's always approached life with a cheery gusto, there's something rather ironic about Tim 'Love' Lee being involved in making a track called "Living Is Serious Business". Happily, he has man-of-the-moment Aaron 'Fit' Siegel by his side. The duo's original version is something of a trippy, late-night treat, with dubbed-out keys and percussive flourishes riding a dark Detroit bassline and fizzing, Motor City techno groove. It sounds like something that the brothers Fett would release on Sex Tags Mania, which is definitely a bonus in our book. Carl Craig does a sterling job on his flipside remix, retaining some of the original's eccentricity while adding a sweet melodiousness and production polish all of his own.

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FIT SOUND welcomes a long time friend of the family, DJ Sotofett! “Percussion Mixes Vol. 1'" is a psychedelic odyssey that plunges into the depths of the mind, awakening our so called "primitive" sense of rhythmic communication. Lush and exotic sounds from the “Boss From Moss”. Essential!

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It's winter in Detroit and Fit Siegel has given us "Carmine", a moody techno classic perfect for the lonely season. Subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and Blade Runner string swells. It's a high-tech driving song in the tradition of Model 500's low-key classic "Pick Up The Flow" and FIT sounds more assured than ever. "First Found" is Mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. Stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. Loose yet robotic, "First Found" is first-rate Detroit techno mysticism. The record as a whole is a worthy entry into the Motor City's storied canon from a leader of the new school.

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Manuel Gonzales aka MGUN, steps up to the plate for FIT SOUND with an EP that is equal parts diverse, epic and RAW! From the basement techno of "Wide Eye", to the scuffling acidic "Debit, and finally onto the melodic/ melancholic sound of "M.S.C.", Essential music from the underground for the underground

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For his follow up to certified underground hits “Tonite” and "Enter the Fog”, Fit Siegel retains a firm embrace of both melody and rhythm. Cocomo is Siegel's most delicate, and beautiful track to date. The track’s loping, memorable theme achieves the relaxed deepness of Larry Heard's productions. A hypnotic vibraphone loop is supplanted by an assured string line, stately piano and finally, a jacking snare builds Cocomo into a tropical hands-in-the-air anthemic house dreamer . A beatless version reveals the song's filmic quality - its lush and subtle synthesis will transport you to the tropics envisioned from the city. Seedbed snaps the listener back to the dancefloor with a syncopated acid earworm. A minimal 303 line foregrounds an unsettling drone before a lead knocks on the doors of the 303 passes, adding to the pleasantly maddening feel. Fit’s percussion puts Seedbed a league apart from the average acid jam. A heavily swung hi- hat is colored by a machine cowbell and watery, rhythmic samples. As tension builds, the creeping pad becomes a more defined presence, oscillating wildly as the track winds itself down. For his label’s tenth release, Fit Siegel presents two fully-realized, divergent sounds, obviously able to harness the energy of his unpredictable DJ sets in the studio. Cocomo marks the return of one of Detroit’s most exciting young producers and further establishes FIT SOUND as a hotbed of fearless dance music

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Expansive new material from Swedish polymath Jean-Louis Huhta, who has channeled decades of work with groups such as the Skull Defekts, Lucky People Center and even Anti-Cimex into the Dungeon Acid project. Rather than setting the controls to bludgeon, JL reveals a dynamic nuance on this three-tracker. Move, its purpose self-evident, begins with swinging african guitar, hand drums and an organ solo before acid and modular textures seep in. Duped is similarly elusive - on the surface, the track consists of a bobbing acid line and muffled vocal sample, but a closer listen reveals suitcase synth textures coloring the track’s murky corners. Duped ends with Huhta’s synth buildings panning from side to side, a psychedelic touch for headphones or sound system. Astro is noiser and more cosmic, but maintains the introspective bent. Move, out on Detroit’s FIT Sound, is tough and functional dance music. The acid form is stretched to contain a wealth of influence, both musical and personal.

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Reissue of selected tracks from the"Reflection" LP by Walt J, originally released on Dow Records in 1997. This is the fourth and final release on the Walt J series on FIT, created revisit the back catalog of this very talented producer.

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New 12" from veteran producer Patrik Sjeren, last seen on FXHE with a heavy techno track on the Omar-S' 998 12". On this EP, Sjeren comes with two smooth and bumping House tracks for the A side. On the B side, Sjeren changes it up and gets dark and dirty with two acidic techno tracks. Essential

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Two previously unreleased mixes of "Tonite" by Aaron "FIT" Siegel, with vocals by L'Renee. The O.G. mix is a version Fit started working on to be a dub version of "Tonite- Original Mix", but morphed into something a bit more epic, and due to time constraints could not make it on the initial release. The D.D. version, is based on the original demo track Fit wrote before any vocals were recorded, then edited and dubbed out by Omar-S. If you liked the original release on FXHE, be sure to have this one as well and if you don't have the original release then you better get that one too!

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New 12" by Detroit's own Howard Thomas, aka H-Fusion. Howard has previously released on Sound Signature, and this is his first 12" for FIT Sound. The A side "Wicked Bitch Witch" features contributions from Marcellus Pittman. Twisted, psychedelic dance music that defies genres!

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Next up on FIT SOUND - A split 12" that combines the way out sounds of Chicago from veteran producer Marcus Mixx and the modern raw Detroit sound from label owner Fit, aka Aaron "FIT" Siegel, whose last release on FXHE has been tearing clubs up world wide!

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Reissue of "The Walt J Project" EP by Walt J, originally released on Professional Records in 1996. This is the third release on the Walt J series on FIT, created revisit the back catalog of this very talented producer.

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