Asyncro presents the second release of the series - a collection of tracks produced by OL between 2017 & 2020. In addition to solo works the record includes collaborations with Sensational, Flaty and Micxail. These interactions emphasize the author's interest in communicating with other artists through the music recording process. "Wildlife Processing" is an archive of compositions reflecting OL's trajectory and personal vision of electronic music over the past years.

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The tenth, jubilee release of "Instrument" series is a sudden turning point and immediately changes the rules of the game, anticipating emerging trends. Oleg Buyanov - one of the main GOST contributors responsible for prominent records "True White" and "Height Difference" makes his debut in "Instrument" framework. OL's new release creates a path of complete diverseness - a unique mix of ambient, dub and mutational electronica, though the author's hip-hop DNA is still recognisable.
The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the paranoid feeling of being wiretapped. OL (along with another GOST ZVUK resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of "SORM" is swirling, distorted and sometimes "disengaged"; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations.

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OL is coming back to GOST with his first double LP - a one hour masterpiece that sums up his research of the Soviet sound heritage. The album titled "Height Difference" fluctuates through different genres and tempos reflecting the ups and downs of daily life. This refined and sincere work showcases the talent and unique sound of a prolific Russian producer.

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Russian label Gost Zvuk (roughly translates as 'state standards for sound' ) releases its well-anticipated third record which is a courtesy of Oleg Buyanov - Moscow's underground scene veteran also known as OL. Inspired by some late Soviet documentaries exploring Russia's nature and science, this musical adventure reflects Oleg's very unique take on nostalgic post-Soviet neo-romanticism. Driven by raw and jazzy house groove, this record showcases the work from one of the high-profile Russian producers of our time. Supported by the likes of Huerco S, Anthony Naples and Madteo. Limited hand-stamped white 12''.

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Meda Fury welcome OL from Moscow, Russia. This follows many varied contributions for labels such as Faces, Fine Grains, Phonica and Capital Bass. Lum Edit barges in sirens blaring, banging out machine like kick, hats and toms. The heaviest raw funk bassline is unleashed, and lumbers amongst Rap TV show samples and gunshots. Industrial gangster house. Around has a broken, jazzy Detroit feel. Sparing R&B vocal samples and afrocentric percussion ride the wah-wah and heavy bass guitar. Rimms comes straight out of leftfield, cutting edge drum machines rubbing up against Baltic art-rock samples. Its a strange claustrophobic affair with ghostly vocals. East European dancefloor paranoia. Myxa breaks the tension wide open, building a coiled spring of whistle-like riffs. R&B vocal snippets hype it up further before snapping and spilling its own elastic sub-bass. Fine feelgood ghetto-house action. Podumay's glitchy raw drums stomp forward towards all kinds of unknown sci-fi sounds and Kraut synth backgrounds. The contrast is a Detroit soul bassline and house percussion. Melt Down brings the tempo and mood way down to a mysterious close. The echoing sound of water and eerie isolationist synth washes recall BOC. The beat is straight current-day Hip-Hop, tight snares rolling over dangerously low Miami-strength bass. Game over.



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Russian Beatmaker, OL, returns to Faces records with two faster paced jazzed up/ soul'd out jazz tracks on house/broken tip...check! the label say "OL aka Oleg Buyanov is and remain one of our favorite beatmakers from the so-called emerging "beats scene" from Moscow (Russia) and we are proud to present his new 7" and second release on FACES Records after the excellent Kurilovo EP (FACES 701).


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An inspired collaboration from two veteran producers on top of their game - Kassem Mosse and FIT Siegel. Three well-crafted techno and house tracks created from sessions recorded at Omar-S' FXHE Studios and FIT's studio at Submerge in Detroit in 2016, then mixed down by Siegel in 2018 after a few years of playing rough versions in his DJ sets in clubs around the world. Don't sleep on this diverse EP with sounds ranging from tripping acid workouts to dubbed out electronic excursions!

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FIT Siegel and DJ Sotofett join together on their first 12" collaboration as S & M Trading Co. - a voyage many years in the making. Dark and atmospheric strings sail over a thumping bass line, all while a banging 909 beat and percussions keep this ship on course. The route is long, the conditions are rough,but soon a mysterious landscape beings to take shape beyond the haze. *12" also contains Acidic and Synthetic mixes

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Andrés revisits his A Drummer From Detroit alias for FIT SOUND. Three heavy house tracks steeped deep in that afro-cuban sound that only this drummer can do!

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"Resonance" is the debut 12" by the duo Golden Mean. A beat stripped down to its essence, while a voice and strips of melody become textures wrapped around it. Hazy, Sensual, Hypnotic. Lose yourself in the dark. Lose yourself in the sound...

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Detroit's Todd Modes debuts on FIT SOUND with the Native Visions EP - a mythic trilogy of shadowy and hedonistic rhythms that will transport you to an age when gods and mortals mingled freely. Beautiful, yet dangerous tracks for the mystic body and soul

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Given that he's always approached life with a cheery gusto, there's something rather ironic about Tim 'Love' Lee being involved in making a track called "Living Is Serious Business". Happily, he has man-of-the-moment Aaron 'Fit' Siegel by his side. The duo's original version is something of a trippy, late-night treat, with dubbed-out keys and percussive flourishes riding a dark Detroit bassline and fizzing, Motor City techno groove. It sounds like something that the brothers Fett would release on Sex Tags Mania, which is definitely a bonus in our book. Carl Craig does a sterling job on his flipside remix, retaining some of the original's eccentricity while adding a sweet melodiousness and production polish all of his own.

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FIT SOUND welcomes a long time friend of the family, DJ Sotofett! “Percussion Mixes Vol. 1'" is a psychedelic odyssey that plunges into the depths of the mind, awakening our so called "primitive" sense of rhythmic communication. Lush and exotic sounds from the “Boss From Moss”. Essential!

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It's winter in Detroit and Fit Siegel has given us "Carmine", a moody techno classic perfect for the lonely season. Subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and Blade Runner string swells. It's a high-tech driving song in the tradition of Model 500's low-key classic "Pick Up The Flow" and FIT sounds more assured than ever. "First Found" is Mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. Stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. Loose yet robotic, "First Found" is first-rate Detroit techno mysticism. The record as a whole is a worthy entry into the Motor City's storied canon from a leader of the new school.

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Manuel Gonzales aka MGUN, steps up to the plate for FIT SOUND with an EP that is equal parts diverse, epic and RAW! From the basement techno of "Wide Eye", to the scuffling acidic "Debit, and finally onto the melodic/ melancholic sound of "M.S.C.", Essential music from the underground for the underground

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For his follow up to certified underground hits “Tonite” and "Enter the Fog”, Fit Siegel retains a firm embrace of both melody and rhythm. Cocomo is Siegel's most delicate, and beautiful track to date. The track’s loping, memorable theme achieves the relaxed deepness of Larry Heard's productions. A hypnotic vibraphone loop is supplanted by an assured string line, stately piano and finally, a jacking snare builds Cocomo into a tropical hands-in-the-air anthemic house dreamer . A beatless version reveals the song's filmic quality - its lush and subtle synthesis will transport you to the tropics envisioned from the city. Seedbed snaps the listener back to the dancefloor with a syncopated acid earworm. A minimal 303 line foregrounds an unsettling drone before a lead knocks on the doors of the 303 passes, adding to the pleasantly maddening feel. Fit’s percussion puts Seedbed a league apart from the average acid jam. A heavily swung hi- hat is colored by a machine cowbell and watery, rhythmic samples. As tension builds, the creeping pad becomes a more defined presence, oscillating wildly as the track winds itself down. For his label’s tenth release, Fit Siegel presents two fully-realized, divergent sounds, obviously able to harness the energy of his unpredictable DJ sets in the studio. Cocomo marks the return of one of Detroit’s most exciting young producers and further establishes FIT SOUND as a hotbed of fearless dance music

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Expansive new material from Swedish polymath Jean-Louis Huhta, who has channeled decades of work with groups such as the Skull Defekts, Lucky People Center and even Anti-Cimex into the Dungeon Acid project. Rather than setting the controls to bludgeon, JL reveals a dynamic nuance on this three-tracker. Move, its purpose self-evident, begins with swinging african guitar, hand drums and an organ solo before acid and modular textures seep in. Duped is similarly elusive - on the surface, the track consists of a bobbing acid line and muffled vocal sample, but a closer listen reveals suitcase synth textures coloring the track’s murky corners. Duped ends with Huhta’s synth buildings panning from side to side, a psychedelic touch for headphones or sound system. Astro is noiser and more cosmic, but maintains the introspective bent. Move, out on Detroit’s FIT Sound, is tough and functional dance music. The acid form is stretched to contain a wealth of influence, both musical and personal.

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Reissue of selected tracks from the"Reflection" LP by Walt J, originally released on Dow Records in 1997. This is the fourth and final release on the Walt J series on FIT, created revisit the back catalog of this very talented producer.

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New 12" from veteran producer Patrik Sjeren, last seen on FXHE with a heavy techno track on the Omar-S' 998 12". On this EP, Sjeren comes with two smooth and bumping House tracks for the A side. On the B side, Sjeren changes it up and gets dark and dirty with two acidic techno tracks. Essential

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Two previously unreleased mixes of "Tonite" by Aaron "FIT" Siegel, with vocals by L'Renee. The O.G. mix is a version Fit started working on to be a dub version of "Tonite- Original Mix", but morphed into something a bit more epic, and due to time constraints could not make it on the initial release. The D.D. version, is based on the original demo track Fit wrote before any vocals were recorded, then edited and dubbed out by Omar-S. If you liked the original release on FXHE, be sure to have this one as well and if you don't have the original release then you better get that one too!

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New 12" by Detroit's own Howard Thomas, aka H-Fusion. Howard has previously released on Sound Signature, and this is his first 12" for FIT Sound. The A side "Wicked Bitch Witch" features contributions from Marcellus Pittman. Twisted, psychedelic dance music that defies genres!

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Next up on FIT SOUND - A split 12" that combines the way out sounds of Chicago from veteran producer Marcus Mixx and the modern raw Detroit sound from label owner Fit, aka Aaron "FIT" Siegel, whose last release on FXHE has been tearing clubs up world wide!

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Reissue of "The Walt J Project" EP by Walt J, originally released on Professional Records in 1996. This is the third release on the Walt J series on FIT, created revisit the back catalog of this very talented producer.

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Reissue of the "Ascender" EP by Walt J, originally released on Dow Records in 1997. This is the second release on the Walt J series on FIT, created revisit the back catalog of this very talented producer.

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