Tracklist 12":
A1. Venus (Sebastian Mullaert Remix Phaze One)
A2. Venus (Sebastian Mullaert Remix Phaze Two)
B. U Special feat. JAW (Brett Johnson Remix)

Short info:
Swiss DJ & producer, Mirko Loko, continued to indulge in his intergalactic persuasions on last year's long player "Comet Plan". Released on Cadenza, Mirko's second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. Featured guests on the album included dOP's vocalist, JAW, and Francesco Tristano.

12 months on, and "Comet Plan" gets revisited and remixed by two stellar names from the electronic dance community.

Sebastian Mullaert is well known for partnership with Marcus Henriksson as Minilogue, the Swedish duo responsible for killer albums & singles for the likes of Cocoon, Silver Planet and Wagon Repair. Mullaert plumps for a solo remix of "Venus" of epic proportions, split into two versions; "Phaze One" and "Phaze Two". An organic trip through the cosmos, Mullaert tweaks and teases over two seductively trippy versions, showing us a master class in minimal electronics.

Hailing from Dallas, Brett Johnson has become synonymous with masterful jackin house music via singles for Derrick Carter's Classic, DJ Sneak's Magnetic, Freerange and Visionquest. Brett tackles "U Special" featuring JAW, and turn in a very tasty Remix and Instrumental version. Soulful, spacey and groovy in equal doses, Brett delivers the goods in abundance on these mixes.

A tight remix package that bows respectfully to Mirko's original visions, and a timely reminder, to the uninitiated, to check out the album for further inspection.
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Six years on from his debut album on Cadenza, Swiss DJ/producer Mirko Loko comes with the follow up to 2009's 'Seventynine' as he catapults us into the techno and electronica galaxy with 'Comet Plan'.

"Un voyage entre toute mes influences," Mirko Loko shares, breaking into his mother tongue to describe the essence of his sophomore longplayer that was conceived in Berlin and later birthed in his hometown of Lausanne after a two-year gestation period.

Literally translated as 'to travel between my influences', it's a fitting summation of an artist whose work has respectfully mined early inspiration from Detroit and Chicago that laid the foundations of the emotion-filled productions that we know of him from today.

In addition to this, Mirko sees his connection with Luciano's Cadenza Music, a relationship that's been in existence since dot one and saw the likes of Ricardo Villalobos, Melchoir, Pedro and Rahdoo make up one of the most innovative crews in dance music, as leaving an indelible imprint on his musical DNA to this day.

It's Mirko's strong sense of musical identity that is at the core of 'Comet Plan', a work that's equally informed by the artist's spiritual connection with the Motor City as his halcyon Cadenza roots.

And one thing's for sure; he knows how to captivate: take 'Venus' whose trickles of melody and syncopated drum rhythms increases in intensity with each bar towards an eerie crescendo. Then there's 'U Special' that builds the kind of subtle party vibes you could imagine Luciano dropping to create one of those moments to a heaving blissed out dancefloor.

'Kolor' - the album's early single (also remixed by Carl Craig as part of an excellent EP package) is sprinkled with a dusting of xylophones, chimes and other bells as the melody is driven forward for a heady trip across the electronic galaxy. A few tracks later 'Timeline' sees Mirko draft in pianist visionary and electronic composer Francesco Tristano for an absorbing piano house jam session with a difference before handing the collaborative baton to dOP vocalist JAW and taking us down a murky, slightly menacing house path with 'Danger'. For the finale, the melody-soaked futurism of 'Coelum Piuzis' pours, wave after wave out of the speakers … se termine le voyage.
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Six years on from his debut album on Cadenza, Swiss DJ/producer Mirko Loko comes with the follow up to 2009's 'Seventynine' as he catapults us into the techno and electronica galaxy with 'Comet Plan'.

"Un voyage entre toute mes influences," Mirko Loko shares, breaking into his mother tongue to describe the essence of his sophomore longplayer that was conceived in Berlin and later birthed in his hometown of Lausanne after a two-year gestation period.

Literally translated as 'to travel between my influences', it's a fitting summation of an artist whose work has respectfully mined early inspiration from Detroit and Chicago that laid the foundations of the emotion-filled productions that we know of him from today.

In addition to this, Mirko sees his connection with Luciano's Cadenza Music, a relationship that's been in existence since dot one and saw the likes of Ricardo Villalobos, Melchoir, Pedro and Rahdoo make up one of the most innovative crews in dance music, as leaving an indelible imprint on his musical DNA to this day.

It's Mirko's strong sense of musical identity that is at the core of 'Comet Plan', a work that's equally informed by the artist's spiritual connection with the Motor City as his halcyon Cadenza roots.

And one thing's for sure; he knows how to captivate: take 'Venus' whose trickles of melody and syncopated drum rhythms increases in intensity with each bar towards an eerie crescendo. Then there's 'U Special' that builds the kind of subtle party vibes you could imagine Luciano dropping to create one of those moments to a heaving blissed out dancefloor.

'Kolor' - the album's early single (also remixed by Carl Craig as part of an excellent EP package) is sprinkled with a dusting of xylophones, chimes and other bells as the melody is driven forward for a heady trip across the electronic galaxy. A few tracks later 'Timeline' sees Mirko draft in pianist visionary and electronic composer Francesco Tristano for an absorbing piano house jam session with a difference before handing the collaborative baton to dOP vocalist JAW and taking us down a murky, slightly menacing house path with 'Danger'. For the finale, the melody-soaked futurism of 'Coelum Piuzis' pours, wave after wave out of the speakers … se termine le voyage.
More

Tracklist 12":
A. Kolor (Original Mix) B. Kolor (C2 Remix Part One)
Short info:
Six years on from his debut album on Cadenza, Mirko Loko returns to the fold with a follow up album ("Comet Plan") and a single ("Kolor"). 2009's "Seventynine" long player helped catapult Mirko's profile, not only as a producer, but also as DJ, regularly spinning alongside the Cadenza crew, and with Detroit luminaries such as Derrick May and Carl Craig. And it's on this single that Mirko invites friend and peer, Carl Craig, to remix under his C2 guise.
Wearing his influences on his sleeve, Mirko is obviously indebted to the techno music of the Motor City, and these classic Detroit tropes are certainly used in the building blocks of the original mix of "Kolor", a sprawling and pacey intergalactic journey sprinkled with a dusting of xylophones, bells & chimes, as the melody is driven forward for a heady trip across the night skies. On the flip, Planet E founder, and highly respected Detroit electronic producer, Carl Craig, weighs in with the first of a two-part remix (part two features on the digital release of the single). Keeping the 4/4 framework of the original mix, and stripping back the percussion somewhat, the C2 Remix Part One is brimming with Craig's trademark sound, from the elastic synths and flanged percs to the heavy low end line that comes in about two thirds of the way through. A perfect introduction to many of the aural treats in store on the "Comet Plan" album out on Cadenza in May.
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It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting CD
1. Sidonia
2. Around The Angel
3. Love Harmonic
4. On Fire
5. Astral Vaccum
6. Bluebook
7. Shadow
8. Takhtok
9. Le Monologue d'Orfeu
10. Altrove
11. You Know Where
More

It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. "Sidonia" opens, immediately announcing that this won't be merely business as usual. With its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic Warp records-always, in truth, a key influence for Cadenza. Bells and voices lend an atmosphere of shimmering energy that's carried over into "Around the Angel," which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.
"Love Harmonic" returns its attention to a classic, melodic sound inspired equally by Detroit and Sheffield, as lean drum-machine patterns entwine with loping congas, and lush strings color everything delicate shades of yellow and rose. "On Fire" marks a 180-degree turn, pursuing a scorched-earth policy as blasts of white noise fire off slow, rhythmic bursts. Sirens and electronic squeals only add to the tension, culminating in nearly nine minutes of techno intensity. After that, "Astral Vacuum" offers necessary respite via a short, beatless passage of strings and abstract sound, before Mirko takes us once again into the breach with "Bluebook," a lean, focused groove battered by metallic drums and shot through with voices and bleeps ripped from radio transmissions. (So this, you may think, is how it feels to ride a satellite.) "Shadow" is deep and melancholic, with a booming 808 kick underpinning ragged, gleaming chords and frayed strings; its hard, mineral edge provides the perfect setup for the cottony flux of "Takhtok." The children's chant will doubtless draw comparisons to Ricardo Villalobos' "Enfants," but here childlike innocence turns ambiguous, even sinister, as the repetitions rise over a primal beat; scraps of Bulgarian folk song give the track a weirdly timeless quality, strange and familiar all at once. With "Le Monologue d'Orfeu," Mirko returns to one of his endlessly unspooling, headlong grooves. Spinning like a water wheel, limpid tones wash gently over everything, and a long spoken passage in hushed Portuguese falls over the music like a dream's veil. It's just one of the album's many examples of Mirko's talent for simplicity, for stripping back to reveal the essence of a particular feeling. "Altrove" is another cinematic interlude, two minutes of molten strings and electronic birdcall you wish could go on forever. But there's one more dance to be had: "You Know Where," which rises from a wooden, skippy rhythm into a string-laden celebration of techno at its most melodic. Having twice performed at DEMF, "You Know Where" might well refer to the Motor City; in any case, its deep, sung/grunted bassline serves as the warm, pulsing heart for this massive, man/machine mover. It's a glorious finish to an album that never takes its eyes off the horizon, sending it up, over and beyond. Seventynine is ultimately all about the journey, as it travels between Lausanne, Detroit and outlying points on electronic music's map. Mirko's travelogue bridges the gap between a classic Motor City influence and Cadenza's own nomadic aesthetic, firing up dance floors and fueling the imagination.
Tracklisting do12"
A1 Love Harmonic
B1 On Fire
C1 Around The Angel
D1 Takhtok
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Tracklist:

1. Llovizna (Luciano Remix) 10:33
2. LLovizna (Loco Dice Remix) 06:08
3. Llovizna (Francisco Allendes & Felipe Venegas Rework) 07:05

Short Info:

The marvellous Chilean blooded "Llovizna", produced by the talented Felipe Venegas & Francisco Allendes was originally released in 2009 on Cadenza 40th vinyl release. We are delighted to celebrate the 10th anniversary of its publication with a crisp remix by the mighty Luciano and a rework hot off the press by its original writers. Furthermore, there will be another heavyweight remixer,a big surprise and an appreciated comeback: Loco Dice need no introduction, and his remix of this Cadenza classic leaves us speechless. A magnificent bond of the original latin vibes and astonishing peak-time sound manipulation with a relentless pace. The remixes and the rework will be released both on a vinyl E.P. and in digital format.
"Llovizna" is a track with an indissoluble bound with Cadenza's South America roots, a bound perpetually fortified by the origin of many of the artists involved with the label, and by the choice to host amazing massive events in Chile and in the rest of the continent. A funky bass line and full- bodied reverberating jazz drums make out Luciano's bubbly and shiny remix. The cutting edge climactic sequencing of its synthesisers and the seasoned use of percussive breaks and fills exalt the emotional interlude of the folkloric female Latin chant, just before a fully fledged dancefloor oriented restart.
The rework delivered by Felipe and Francisco starts off banging with a resolved bass drum, rattling shakers and fierce hi-hats. Subtle melodies slowly raise from its minimalistic framework revealing in advance all the sweetness of its Andean singing. A majestic rework, which resonates far beyond from a dj tool aftertaste.


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Tracklist 12":

A1. Eminence
A2. Dancefloor Keeper
A3. Warrant for Arrest
B1. Kunye feat. Kususa
B2. MSC


Short Info:

Shimza, one of South-Africa’s shining talents, makes his return to Cadenza with ‘Eminence’, a burning compound of profound percussions and late-night rapturing synths. This Gauteng-born artist is one of the most celebrated African electronic musicians and has garnered the reputation of the “Effect Master” and “Vinyl Assassin” for his technical prowess and intricate mixing abilities.
The vibrating drums and persistent arpeggios of ‘Eminence’ make for a captivating peak-time anthem, offering the nostalgic essence of Detroit’s late-nineties splendour. As the EP journeys to ‘Dancefloor Keeper’, the slick trance-inspired stabs and permeating bassline expose its ominous nature as it swells to a seismic drop. On the B-side, Shimza expresses his creative flare with ‘Kunye’; a hypnotic cut that blends the spirit of futuristic synthwave with the soul of African tribalism.
‘Warrant For Arrest’ is a charged number, driven by a snappy compressed kick drum and chiming sequences. As its percussive forces fall away to the second break, a monstrous siren and obscure vocal cuts take focus, guiding it to its summit. The penultimate offering ‘MSC’, is a euphoric gem that flows with expressive phrases and evolving synth pads. The EP’s digital-only bonus track ‘Mirrors’ shuffles effortlessly with a funk-tinged riff, maintaining a high voltage pace, closing the EP in an emphatic manner.
Shimza has been on a mission to make 2019 his biggest year to date. Launching his One Man Show concept in Soweto in 2009 to help raise funds for underprivileged children, the project has now matured into an annual event that draws in over 25,000 people each year, hosting some of the country’s most in-demand artists, such as AKA, Black Coffee and Black Motion. The show has seen
international editions in France, Spain and Portugal and has helped position Shimza as one of South Africa’s greatest musical exports.
Catching the attention of Rumor’s boss Guy Gerber, Shimza celebrated his Ibiza debut at Destino’s Closing Party alongside Luciano in 2016, returning to the iconic White Isle venue a further four times. In recent years, he delivered explosive performances at RESISTANCE Cape Town and Boiler Room Johannesburg, and has since extended his pioneering sound to global audiences across New York, London, Paris, Berlin, Amsterdam and Manchester. Receiving high praise for his first release on Cadenza Records in 2017 with ‘Ascendent’, Shimza’s emphatic return to the imprint with ‘Eminence’ only reinforces his stellar production abilities, as he readies fans for a summer of new music and inspiring performances.
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2x12" Gatefold, part 1 of a 4 Editions , 4 Parts "15 Years Cadenza" Album Circuit Project where Luciano Releases each Part in the Seasons of the coming Year. Starting with" Summer" being Vol.1 !

Tracklisting:

A. The Amazing Lilou
B. Hiding Hearts (featuring Rebelski)
C1. Nabusima (featuring Rebelski)
C2. Magik Mechanics
D. Tirana del Oriente

Info:

Luciano has arranged a special series of four releases as part of the celebrations for the fifteen years
anniversary of his own Cadenza Records, launching the first one to begin the festivities. Each episode
is coming out in a different season of the year; the first one, with the catalogue number 118, is the
chapter dedicated to the summertime and contains 5 enchanting tracks with an exquisite sound. This
series is just one of the astonishing surprises that Luciano has set aside for the birthday of his
beloved label.
The show begins with “The Amazing Lilou”, a crispy ariose tune with elaborated percussions and
calypso-flavored synthesizers. “Hiding Hearts” is a latin prelude with pleasant guitars and restful
melodies, flowing with joy and peace. “Nabusima” is another Caraibic spell, with noteworthy carefully
mixed drums and elevating harmonies. “Magik Mechanics” explores complex broken beats and
electronic textures, drawing a colored narration in between a fairy tale and a sci-fi movie. Finally,
“Tirana del Oriente”, as disclosed by the title, is a trip into the Oriental ardent magic. A collection of
five long summery compositions to accompany our hot pleasing days from the dawn till the dusk,
holding our hands during a never ending daydream. More

Tracklisting:

A1. Bou Gei
A2. Ruth
B1. Sensu Dub
B2. U-Fonk #04.01

Info:

Argentinian veteran Jorge Savoretti has been djing for more than 20 years, and his first release for
Esperanza Records traces back to 2005. In this time laps he has produced 2 albums, 20 EPs and a
great number of remixes, on labels such as Raum Musik, Visionquest and Ilian Tape. His debut on
Cadenza is a crisp breeze of graceful music for dancing.
Side A starts point-blank with “Bou Gei” bouncing shuffle, driving bass line, lively cymbals,
sparkling band-passed chords, summing-up Jorge´s true dedication to nightclubs and nightlife. With no
reprieve, “Ruth” suspicious pads lurk behind a funky swinging rhythm spruced up by a continuous
surfacing of snare rolls and giggly stabs.
On the B side, “Sensu Dub” explores without hesitation darker textures and resonances,
leaving no concessions to leave the dancefloor. Finally “U-Fonk #04.01” dives into sweating hotblooded
late-time hours, with am hypnotising deep-toned coil, soaked of greasy riffs and gloomy
fumes. More

Tracklisting:

A1. Pica Pica
B1. Idiophono
B2. Planets Ballet

Info:

Fausto Messina is a veteran dj and producer from Treviso, a small town on the plain between the
Gulf of Venice and the Alps. Fausto has been releasing music for more than 10 years and “Pica Pica”
is his debut E.P. on Cadenza.
In the track named “Pica Pica” a recurrent evocative voluminous chord is convoyed by a classy
powerful kick drum and an organic symphony of fluffy percussions and metallic bonks, with a
triumphant layer of dense whistles and shimmering cymbals.
The extremely intense vibrant rhythms of “Idiophono” contrast with the gentle reverberating
harmonies of an ensemble of struck idiophones, angelically flowing in the background of the track.
The smooth magnetic flux of “Planets Ballet” concludes the E.P. with high style. This jacky stride
over a stack of steamy synthesisers and bubbly bleeps is a golden tune for a quivering late-night
dance-floor. More

Tracklisting:
A1. Congo Congo
A2. Congo Congo Dub MIx
B1. Secret Melodies
B2. Selector
Info:
Shimza, real name Ashley Raphala, is one of South Africa's brightest young talents.
"Ascendent", his 4 tracks debut E.P. on Cadenza reveals solid production skills and
an innate instinct for peak-time bangers. The opening track, "Congo Congo" is a
dark ride over abysmal tom-tom drums, lively percussions and a gloomy bass lead,
ignited dramatically by an ensemble of wide synthetic stabs and chords. In its "Dub-
Mix", the drums and the percussion become lighter without diminishing its dynamic
tension. The overall weight of the leads and the stabs is reduced, leaving more space
to its intense piano and string chords and swinging sub bass. "Shimza - Secret
Melodies" starts with an obscure bass line, but the intense twist of fractioned rolls
and arpeggios bring an ascending piano progression that quickly blooms into an
uplifting symphony. "Selector" is a deeper cut that keeps the gaze on the dancefloor:
the incessant hand clapping and a cloud of low frequencies bumps unexpectedly
drag its hypnotic harmonies into a breath-taking drop. More

Tracklist:
A. Tales of Roots
B. Makha Poetry
Info:
Swiss-based, Jamaican producer Ezikiel returns to Cadenza for his another outing,
this time dropping the ‘Tales Of Roots’ EP. With this new EP he demonstrates his
flair for the musical side of club compositions, imbibing his productions with sultry
atmospherics, deep emotion and organic keys and strings.
The title track ‘Tales of Roots’ is a 15-minute opus, which unravels slowly but
surely, working from a soft yet persistent bassline and a hypnotic rhythm. Samples of
tribal singers add a distinct human element, entrancing you with their organic
vibrations. As the voices continue to sing out you’re transported to a vibrant sub-
Saharan landscape, captivated by the irresistible guitar riff…
On the flip we have ‘Makha Poetry’, a more experimental workout with a variety of
warped and twisted effects spluttering and wobbling away at its foundation. The
jaunty yet slightly eerie low end gives this track a naughty allure, as those strange
bleeps and whirrs continue to bounce in and out of the background. There’s a
controlled restraint about ‘Makha Poetry’ which gives it a devastating simplicity and a
very unique aesthetic. More

Tracklist:
A. Soul Rain (Original Mix)
B. Soul Rain (Paco Osuna Remix)
Info:
Pablo Cahn is a talented producer hailing from and currently residing in Bogota,
Colombia. "Soul Rain" is his third release on Cadenza, and it comes with a massive
remix by the Spanish don Paco Osuna.
The original mix of Pablo is a long attractive dance floor tune textured by an
overwhelming bass line and a deluge of vocal grains that shapes a large number of
fills and break downs all over the track. As the journey go further, a complex twist of
harmonies and resonances arise from the rhythmic grounds, shining over a blissful
body of beats.
Paco Osuna's remix recap all the rhythmic elements and shrink the vocal drizzle
maintaining their relevance to the building of the track. The bare inter-twin of its
relentless bass line and its stinging hi-hats works out a magnificent outbreak of the
dense original tissue of chords. More

Tracklist:
A. Esperanza (Luciano Flow Latino Mix)
B. Esperanza (David Morales Red Zone Mix)
Info:
Cadenza´s head honcho Luciano teams with House music legend David Morales
up for “Esperanza” a long awaited release that will fire up the summertime. David
and Luciano composed the track together but then each one refined his own personal
mix.
Luciano ´s “Flow Latino Mix” is a long tribalistic ground moving crescendo with a
sub-frequency dense kick and sparkling nuyorican flavoured percussions. The hand
drums ensemble ride a magnetic bass provoking a state of hypermnesia slowly
reaching a climax of celestial chords. This subtle spectral progression finally breaks
down a feeling of positive trust and spiritual healing.
David Morales' "Red Zone Mix" is a lengthy dramatic ascension with a darker
feeling. Stretched textures are the background of a constellation of scattered
percussions, over which fast paced hi-hats subliminally introduce evocative strings
and arpeggios, as they were coming out, at last, as the Hope from the Pandora's
Box. More

Tracklist 12":
A. Audion's Backward Melody Remix
B. Moffa X Troxler LSOS LOVE/GOD Mix

Short info:
Originally released in 2014, Luciano's 'The Great Amael' is an enchanting and endearing trip; a lo-fi bubbling groove and dusted Hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. Two years on, and Cadenza Music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in Luciano's catalogue.

Having recently released his first album in over 10 years, Matthew Dear AKA Audion boldly steps up to the mantle and stamps his intelligent techno sound all over 'Amael' in the first of our remixes. Cutting a sprightly pace from the off, Audion melts stuttering sine waves and bulging tones over concrete beats, tweaking in the original organ riff and fathoms deep pads whilst adding additional vocal refrains as he playfully teases the arrangement before dropping a superb riff in his 'Backward Melody' Remix, which takes a most psychedelic and unexpected twist!

Two other musical heavyweights collaborate on the second of the remixes; Phil Moffa and Seth Troxler are no studio strangers, having released a joint project on the British Hypercolour label last year, and remixed for Tiga a few months back. Their LSOS LOVE/GOD Remix builds from ambient beginnings, save for a rhythm carved out of spongy electronics, a sturdy beat kicking in and setting the controls destination unknown, as the duo steer through breathy vocal cuts and propelling bass, stripping the remix back before leaping back into hyperspace with some adventurous and dubbed out vibes, before coming back down for landing with those unmistakable pads from Luciano's original.

A fitting remix package that brings together four of the electronic music scene's most dynamic talents, Luciano's music is given that extra special touch by respected and like minded individuals that will continue it's work on the more discerning dancefloors this Autumn.
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Tracklist 12":
A. Solitaire B1. Mystic B2. Mystery

Short info:
Philippe Quenum returns to Cadenza Music with 'Solitaire', some thirteen years after helping kick start the Swiss label with the 2003 release 'Orange Mistake'/'Funky Dandy'. This groundbreaking single, co-produced with Luciano, has since become a landmark release, not just for the label, but also as the benchmark for the micro-house and minimal tech-house genre that developed over the decade.

With a music career than spans back to the mid-80s (dancing in NYC as part of the breakdance troupe, The Magnificent Force), Quenum found his forte with house music, both as a DJ, and as a producer and label owner. Setting up the Access 58 label in 1998 as a platform for his music and collaborations, Quenum has consistently released over the years for labels like Crosstown Rebels, Soma, alphahouse, Thema and Trapez LTD.

'Solitaire' finds Quenum on fine form; on the lead track, dubby FX and bass shaking shots roll out over an urgent disco beat, muted brass and technoid stabs fire from all directions as the tension building pads flourish. Shadowy forces are at play on 'Mystic'; discordant sounds echo and bellow over reverberating percussion and a dense back beat that fire into life with shuffling hi-hats. Wrapping up this welcome return to the label is 'Mystery'; whipping snares and industrial clangs rumble over the urgent drums for more hypnotizing dancefloor work from Philippe!
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Tracklist 12":
A1. Luciano - Orion (Luci's Travel) B1. Felipe Venegas - ALMA Gama B2. Diego Errázuriz - ALMA Piano

Short info:
Electronic music has always had a special affiliation with space, and the sounds of the cosmos. An inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so it's always a pleasure to come into greater contact with the science of these sounds when creating new music.
Project ALMA is a new collaboration between Luciano's Cadenza Records label and the ALMA Sounds initiative that bridges two sets of individual passions; that of Luciano's love for music, and ALMA astronomer Antonio Hales' love of the universe. Their 20 years + relationship has finally had the opportunity to cross paths, and Luciano, alongside fellow producers Felipe Venegas and Diego Errázuriz, have produced this special release using sounds collected from the ALMA resource library.
Each producer worked with various source sounds, incorporating these planetary samples into their compositions; Luciano takes us on a trip to Orion in his own inimitable style, whilst Felipe Venegas goes deeper with a truly spatial piece. Diego Errázuriz opts for a beatless excursion that marrys soft and atmospheric piano to the planetary tones.
The ALMA observatory is an astronomical interferometer of radio telescopes in the Atacama Desert of northern Chile. The collection of 66 telescopes provides an insight into star birth, and detailed imaging of local star and planet formations, by observing millimeter and submilimeter wavelengths.
ALMA Sounds is an initiative that seeks to interpret and decode the frequencies of the Universe, transforming them into sounds that can then be used by artists around the world to compose, share and create a community united around a search that has captivated humans for thousands of years.
Feedback:
Reboot - Wonderful!
Basti (Tiefschwarz) - 10/10!
Robbie Akbal (Get Physical) - Amazing record, massive!
Shane (Fish Go Deep) - All three tracks are full of interesting sounds and shapes
gAs (Cadenza) - Super nice atmosphere
John Tejada - Nice EP, enjoying ALMA Gama
Nick Warren - ALMA Gama is very cool
Cesar Merveille - Great project and music
Bushwacka - Orion for me, great
Monika Kruse - Nice!
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Tracklist 12":
A1. Venus (Sebastian Mullaert Remix Phaze One)
A2. Venus (Sebastian Mullaert Remix Phaze Two)
B. U Special feat. JAW (Brett Johnson Remix)

Short info:
Swiss DJ & producer, Mirko Loko, continued to indulge in his intergalactic persuasions on last year's long player "Comet Plan". Released on Cadenza, Mirko's second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. Featured guests on the album included dOP's vocalist, JAW, and Francesco Tristano.

12 months on, and "Comet Plan" gets revisited and remixed by two stellar names from the electronic dance community.

Sebastian Mullaert is well known for partnership with Marcus Henriksson as Minilogue, the Swedish duo responsible for killer albums & singles for the likes of Cocoon, Silver Planet and Wagon Repair. Mullaert plumps for a solo remix of "Venus" of epic proportions, split into two versions; "Phaze One" and "Phaze Two". An organic trip through the cosmos, Mullaert tweaks and teases over two seductively trippy versions, showing us a master class in minimal electronics.

Hailing from Dallas, Brett Johnson has become synonymous with masterful jackin house music via singles for Derrick Carter's Classic, DJ Sneak's Magnetic, Freerange and Visionquest. Brett tackles "U Special" featuring JAW, and turn in a very tasty Remix and Instrumental version. Soulful, spacey and groovy in equal doses, Brett delivers the goods in abundance on these mixes.

A tight remix package that bows respectfully to Mirko's original visions, and a timely reminder, to the uninitiated, to check out the album for further inspection.
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Tracklist 12":
A. Dopeman B1. Anando B2. TH01
Short info:
Sebastian Fiegen rolls out his debut solo release for Cadenza Records this Spring, with a trio of excellent house cuts on the 'Theofidelity' EP. The German producer has been crafting quality productions for some time now under aliases and collaborations, and it's on Luciano's label where he makes his mark as a solo artist.
'Dopeman' opens the EP with a rolling Chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. Fiegen keeps up the pace with 'Anando', more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes.
Closing the EP is 'TH01', again coming correct with the 'feel good factor' with its use of the looped sample and lazy, hypnotizing drums. A cracking debut production from Fiegen, and a well rounded release for Cadenza.
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Tracklist 12":
A. Anima Animus
B. North Pole
Short info:
Spanish DJ & producer, Eduardo De La Calle, has continued to explore the outer limits of the electronic palette since his Cadenza Records debut back in 2013, clocking up stellar releases for the likes of Mule Musiq, Hivern Discs, Be As One and Nonplus over the last couple of years.
Eduardo returns to Cadenza in February with the 'Anima Animus' single, coupling two tracks of refined techno for your listening pleasure. Taking inspiration from the psychologist/philosopher Carl Jung's concept of anima and animus (and do take the time to explore this), Eduardo marries arpeggiated synths and melodic chords with a soft kick and tantalizing hats, producing a slick piece of reflective techno that's alive with melody and groove.
On 'North Pole', we get more of the signature 'De La Calle' sound; subaquatic bass and searing, melancholic strings play out over a steady mechanical beat, nodding its head not only to the Detroit masters but also to the European New Wave sounds that influenced the Motor City artists in the first instance.
Another assured single release from Eduardo that will further solidify his place in the current electronic music landscape.

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Tracklist 12":
A1. Rare 007 B1. Rare 011
Short info:
Cadenza Music opens up its 2016 account with the debut single from Swiss producers, Rare Movement feat. Disco Channel.
Cutting their teeth on the DJ circuit for many years, and playing alongside such esteemed jocks as Seth Troxler, Ricardo Villalobos (who mastered the audio on these tracks), Jamie Jones and Luciano (who ultimately signed this single to Cadenza), the guys have crafted a pair of tracks that sit right in the DJ sets of the aforementioned company.

'Rare 007' combines tension building synths and a wandering bassline, wrapped up tight in solid drum groove, its hypnotizing tones carving out a most useful club tool. On the flip side, 'Rare 011' digs deeper, with cinematic string sweeps over the sparse and bass heavy kick drum. Flashes of vocal refrains and micro percussion fly in and out of the arrangement as the melodic elements give this one a real sense of drama as the track blossoms into life. A very accomplished debut from the guys will no doubt provide a real 'dancefloor moment' in the right setting, and no surprise that Villalobos gave these tracks the audio master that they deserve.

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Tracklist 12":
A1. 7direction(s) (Original Mix)
B1. 7direction(s) (Dennis Ferrer Remix)
B2. 7direction(s) (Matthew Herbert One Direction Dub)

Short info:
You can guarantee that Luciano always comes through with a signature tune once a year, and of late has leisurely road tested singles like 'Rise Of Angel' and 'Cachai' at clubs, festivals and at his Ibiza residencies for full seasons, before releasing the fruits of his labor.

And so 2015 throws up "7directions" featuring JAW on the vocal, a mesmerizing and low-slung track that's already getting pole position in Luciano's sets, ending his momentous off-Sonar show at El Poble Espanyol with it, as well as becoming a staple at his weekly Vagabundos residency at Space in Ibiza this season.

New York house royalty, Dennis Ferrer, sprinkles the track with his own inimitable style, a sound that has crafted hit records and undergound bombs since the 90s, for labels like Nite Grooves, Defected, Ibadan and his own Objektivity label.

And to complete this huge package, Matthew Herbert joins the party with a head scrambling "One Direction Dub" mix. The UK sound designer has mesmerized and innovated over the last two decades with some stunning music on his own Accidental label as well as remixes for the likes of Moloko, Jamie XX, Björk and a host of others.

On the Original Mix, brooding pads and spikey synths linger over a spacious drum pattern, live drum fills and claps bouncing off the bass pulses, as wandering keys usher in the unmistakable tones of JAW AKA Jonathan Illel, the musician and vocalist extraordinaire who ply's his trade with the French electronic group DOP and as a guest on recordings from artists like Mirko Loko and Guillaume & The Coutu Dumounts amongst many others.

"7directions" is perhaps one of Luciano's more understated productions; it's a sprawling and sultry journey, with deft melodic touches and intricate production techniques, taking care not to become cluttered, rather using the space is enunciate the sheer hypnotism stored within and for JAWs vocals to glide over the listener without fanfare or dramatic clichés.

Luciano feat. JAW, "7directions", will be released in December 2015 on Cadenza. No doubt anyone who caught Luciano this Summer will already be acquainted with this infectious release…..
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Tracklist 12":
A1. gAs - Rack Attack A2. gAs - Agogo B1. Lino Pugliese - Banging On Your Door B2. Lino Pugliese - Aniwama
Short info:
Cadenza Records displays a deft touch in showcasing new talent, just as much as it leans on its core of established producers. The 'Split' EP shines a bright light on the musical endeavors of Enrico Gasperini AKA gAs, and fellow Italian, Lino Pugliese.
One side of vinyl each, and gAs opens up Side A with 'Rack Attack', its woody hits and scattering hi-hats holding a solid groove whilst gentle keys entwine a melodic touch with a stuttering synth riff that's designed to circulate around the brain. Splashes of cymbals and white noise provide the all important drama as the track rises to a crescendo. Enrico's second contribution, 'Agogo', keeps up the ante with another slice of exquisite house grooves. The inner-city street ambience opening gives way to an undeniably funky rhythm track, incessant spongy stabs and frenzied percussion that makes this one a sure fire winner.

Over on Side B, Lino Pugliese gets to flex his sonic palette after recent releases on Cadenza Lab and Memento. 'Banging On Your Door' takes its time to unfurl; a percussive swing not too dissimilar to the Stones' 'Sympathy For The Devil' sets the tone magnificently, as low frequency synth sweeps and distant vocal effects build, the kick drum jolting the track into life with bursts of furry snares and handclaps. More ambient soaked business on 'Aniwama' as Lino forges melodious piano and clanging ride cymbals with low end sonics as the track deconstructs as quickly as it builds, tearing up the arrangement rule books to create a unique cut that can perform as a mood-setting piece just as well as a peak time genre-shifter.
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2LP

A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue




For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking


On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.




















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Genres: Rock / Folk / Psych

2LP

Tracklist:

1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down

Short info:

A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
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2024 repress


The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!

WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie

Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?

"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).

The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.

At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.

Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
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NO RETURNS! -
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno

- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy



Tracklist 2x12":

A - Kuiper

B - Miranda

C - Ebulience

D - Niche


Short Info:

Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).

Cover illustration by David A. Hardy. Mastered by Redshape.

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Tracklist:

A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection

B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm



This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.

As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.

Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.

Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).

Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!



Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.






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Format: 4x12"LP

Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO



Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More