Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More

PLEASE NOTE THIS REPRESS WILL BE WITHOUT THE ETCHING ON THE B SIDE!
Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. More

Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. The first 500 copies are coming with a full size etching of his Watergate compilation artwork on the b-side! More

Hot on the heels of acclaimed releases for Four:Twenty, Dessous, Sonar Kollektiv, Buzzin’ Fly and his own Diynamic usic, house producer du jour Mladen Solomun returns with his second stunning single for Dessous after the sublime ‘Sambada EP’. ‘Woodstep’ is a percussive trip to the heart of house, a tech-tinged groove peppered with strange tribal rhythms, evoking a midnight trek into the sultry tropical rainforest. On the fl ip, ‘No Comment’, an analogue bubblebath of a bassline propels a techier cut, where Detroit washes do battle with stepping keys, a crisp beat and belches of hissing smoke. Halfway
through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. Combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic and dancefl oor-captivating way, Solomun once agains shows why he’s rapidly becoming one of the most in-demand producers in the game.

More

Tracklist 12":
A1. Double Dip
A2. Organism
B1. Soul Alive
B2. Playtime (Dub)
Info:
The UK's best kept secret Chocky returns to Dessous Recordings after the success of his first outing, the well received Self Knowledge EP. Here we see the talented DJ / producer drop four tracks via the Playtime EP - yet more sublime house music for Steve Bug's imprint.
'Double Dip' is a chunky, stripped down vibe, reduced the vitals that will slay dancefloors - firing percussion over a shuffling groove and a cut-up vocal reminiscent of Pepe Bradock.
'Organism' is a deep affair - spacy pads provide the counterbalance to the tough drum track, softening the edges but keeping the vibe high.
'Soul Alive' taps into Chocky's clear appreciation for the 90s, with a strong vocal, atmospheric strings and a loose yet crispy beat.
'Playtime (Dub)' brings the whole EP home with yet another stormer - beginning as a driving basement jam but then introducing an unexpected piano riff that flips the script and takes things in a welcome jazzy direction.


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Tracklist 12":
A. Self Knowledge
B1. A Reefa
B2. Casa De Estrela
Info:
London's Chocky joins the Dessous Recordings label and shares four tracks of sublime house music on Steve Bug's imprint.
'Self Knowledge' is a deep, techy roller clocking it at nearly 10 mins - plenty of space to expand into its full potential - the groove grows ever more hypnotic and engaging as the track unfolds.
Next up is 'A Reefa' - a non too subtle reference to a certain herb that might have inspired this loose yet highly funky deep house jam.
'Casa De Estrela' changes the vibe up with a more direct and jacking track - even though it would work at prime time, Chocky's feel for space and drama make sure the track will be heard in many diverse surrounding and sets this year.
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12" - EP , Limited Edition

Tracklist 12":
A. Art Of Flying
B1. Art Of Flying (Eddie Fowlkes Mix)
B2. Art Of Flying (Crazy Dub Mix)


IvanLatyshev is a record producer and DJ with more than 10-years experience, having grown up in Russia's cultural epicentre of St Petersburg. Developing a love for deep house, the young producer has been releasing his perfectly-realised club tunes on labels such as Toolroom, and now provides us with a second outing on Dessous Recordings. The Art of Flying EP presents two original tracks and a pair of remixes of the lead cut.
The original 'Art of Flying' is quite a statement - a jazzy, swingy beat introduces the track, before solidifying around punchy 4 / 4 groove. Restless synths drift in and out resulting in a track that is both exceptionally funky and deeply wonky - topped off with a killer spoken word vocal.
The ever-dependable Eddie Fowlkes steps up on remix duties and supplies a more jacking interpretation, adding a filthy bassline on his Fly Mix.
The same track also gets a 'Crazy Dub' rework which expands the space within the track and strips it down for maximum club effect.
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12" - EP , Limited Edition
Tracklist 12":
A1. Drift
A2. Take Me
B1. Whose Rules ?
B2. Disco Deep
Info:
James Dexter's star has been rising for a while now - the young Brit turning out killer tracks regularly on the back of hugely well received DJ sets. On his second outing for Dessous Recordings, Dexter does what he does best - four slices of deep, funky and vibing house music for the floor.
Lead track 'Drift' is typical of Dexter's flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. Elements come and go, but the shuffling, infection feel runs throughout.
'Take Me' is a more upfront vibe with a seriously bumping groove - Dexter clearly well versed in the roots of house music from Chicago.
'Whose Rules ?' is a snappy, bright and lively production, with a sub bass that will troubler some of the world's best club systems in the coming months. The light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of DJs.
The last track of the release is 'Disco Deep' - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.



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12" - EP , Limited Edition

Tracklist 12":
A. Be There
B1. Give Me
B2. Feel It Dizzy

Hailing from Japan, Iori Wakasa is a name that has been gathering a great deal of hype over the past few years - and with good reason. Having built up his skills as a majorly talented DJ in Tokyo spinning a wide range of sounds and styles, his reputation continues to grow at pace thanks to a string of amazing releases on labels such as Highgrade and WirSindEins in recent years - not to mention strong support by some of the scene's biggest names. Here he proves what all the fuss is about - a stunning three track EP on Steve Bug's Dessous Recordings.
'Be There' starts things off right - uber deep vibes throughout, with bubbling synths and spacey effects, all tied together by a hypnotic Chandler-esque rhythm track.
'Give Me' continues the vibe, deep and jazzy chords punctuate the shuffling rhythm and trippy vocal samples add a layer of wonkiness that will see this get a lot of attention.
'Feel It Dizzy' strips things down a notch, a bass heavy dancefloor filler with dubbed out percussion, effects and vocals snippets.
A triumphant EP from Iori Wakasa - truly one to watch.

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Tracklist:
A1. Jade A2. Room 210 A3. Groove 26
B1. Shadows feat. Blakkat B2. Never Worry
C1. Dreamliner C2. I´ll Be Late
D1. Planitz Proposal D2. Rain & Roses

After a considerable career releasing on numerous labels, as well as being co-founder of Essen based label Mild Pitch, Langenberg finally drops his first album under this alias. Max Heesen, (who is also one half of Ribn with Manuel Tur) delivers the smartly titled 'Central Heated House' for Steve Bug's Dessous Recordings.
The LP format suits Langenberg's hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl - working both for the DJs and perfect as a soundtrack for the autumn.
The LP kicks off with 'Jade', a melancholic, tape saturated introduction to Langenberg's deep tastes. 'Room 210' maintains this atmosphere, with fizzing percussion and warm Detroit-esque melodies.
'Groove 26' is perfectly timed for the hot summer, as lush Rhodes chords and KDJ style vocal snippets provide the heat for the openair vibes.
The single from earlier this year 'Shadows' features the talents of vocalist Blakkat, and caused some serious response when it hit airwaves and dancefloors alike.
'Never Worry' is a heads down roller, built around a simple but perfectly executed bassline, while 'Dreamliner' is trippy laidback sunshine house all the way. 'I'll Be Late' and 'Planitz Proposal' step back into the club, with Langenberg's signature crisp percussion, crunchy hits and analog synth wizardry on full display. 'Rain & Roses' closes out the album in a similar way to how it started wistful, thoughtful house music with soul.

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Tracklist 12":
A1. Grim Fandango
A2. Bosh
B1. Bosh (James Dexter Remix)
B2. Safety First
Info:
Timmy P's latest outing on Dessous Recordings continues the long list of illustrious labels that have been home to his house vision. Now based in London, Timmy has a string of emphatic releases under his belt, not least on influential imprints such as Local Talk, Extended Play, Dirt Crew and MadTech.
With Safety First, Timmy's playful approach to the deeper side of house shines though. The title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. The fantastically named 'Grim Fandango' is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. Timmy's balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes.
'Bosh' is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while James Dexter's remix is a robust, deep roller. This is house music made with joy and passion.
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Tracklist 12":
A. To My Youth
B1. Can't Go Away
B2. Old Ages
Info:
St. Petersburg talent Ivan Latyshev drops a killer EP on the ever-dependable Dessous Recordings.
Ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as What's in the Box, Street King and Spaghetti Monster - but this To My Youth EP sees the young Russian step up to another level. The title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. The sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. Can't Go Away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. Old Ages also highlights Ivan's love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - it's infectious stuff and suggests Ivan Latyshev is going to be name to watch in the next months and years.

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12" - EP , Limited Edition

Tracklist 12":
A1. Langenberg: Shadows feat. Blakkat A2. Langenberg: Shadows feat. Blakkat (Atjazz Remix)
B. Langenberg: Shadows feat. Blakkat (Frank & Tony Remix)
Long an unsung hero of the underground, Langenberg (a.k.a Max Heesen) has a string of quality releases to his name, both on his own solo as a part of his Ribn moniker with Manuel Tur. This outing on Dessous Recordings provides yet another string to his bow; 'Shadows' is a supremely soulful outing featuring the vocal talents of Blakkat. Liquid deep and balanced perfectly between euphoric and melancholic, 'Shadow' sees Mark Bell (Blakkat) deliver an emotional invocation over a beautifully crafted track, with echoes of the master Larry Heard clearly present.

Also included on the vinyl release are two extraordinary remixes - UK legend Atjazz providing a sumptuously realized fusion of melody and driving, dance-floor urgency.

Brooklyn's house veterans Frank & Tony (Scissor & Thread) drop a huge remix of their own to complete the package - serving up their distinctive and timeless NYC deep and raw vibes to complement Langenberg's original fully.
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Tracklist 12":
A1. Have It Like That A2. No Time B1. Get To This B2. 120
Info:
Sublime and slinky four tracker from James Dexter on Dessous Recordings - Steve Bug's label for the deeper side of house. The Young Brit shows his mastery of the form with an EP that combines effortlessly club-ready grooves with exceptional sound design and a strong melodic sensibility. Dexter clearly know a thing or two about creating dance floor moments, with each track exhibiting a classiness that belies his age. Have It Like That kicks things off with a chugging, hypnotic feel and crisp drums providing the basis for a cool vocal hook and thick, warm bass. No Time gets a shade deeper and no less funky, while Get To This points a little further towards the center of the dance floor. Closing track 120 goes even further into the late night vibes with a seriously infectious groove.
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Tracklist 12":
A1. Let's Talk
A2. Yearning
B1. Let's Talk (Nils Penner Remix)
B2. Sway (Vinyl Only Version)
Info:
Always eager to champion new talent, Dessous Recordings unearth a precious gem from Brussels-based Lockwood, a duo comprising childhood friends Gert-Jan Haegeman and Billy Hillaert. 'Let's Talk' sets out their stall: a shuffling, shimmying groove upon which an unruffled bassline and blue-tinged jazz chords blissfully coast. This is warm, dreamy, house so deliciously laidback and soulful that it never outstays its 9-minute running time. The choppy, busy handclaps and ridiculously over-the-top squidgy bass of "Sway" explore different territory - frenetic synth-funk shimmering with layers of synth and zingy repetitions. 'Yearning' for its part melds a tough, rubbery tick to cycling keys and choric pads. It's the bass that's the star here, bending the tune around its abrasive low-end. Meanwhile, Nils Penner underpins "Let's Talk" with a huge, booming bassline and brings its spoken-word sample to the fore: a treatment which somehow retains the magic of the original's vibe while lending it a dark, glittering technoid edge.
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ean barcode: 4250382427032 releasedate : 02.06.2014
Tracklisting: A. It's Been Done Before B1. Gilmore Heureux B2. All The Difference
Alex Blaxx drops three original tracks for Dessous Recordings following a couple of very well received releases on Buzzing Fly and Sccucci Manucci. Blaxx now resides in Manchester by way of Cape Town - both cities with strong house music credentials. Blaxx himself excels in lush house productions with plenty of soul and a lot of dance floor knowledge. The EP’s title track 'It’s Been Done Before' gives a healthy nod to the hugely fertile period of New York house in the 1990s, but retains a freshness and spark that sets it apart from many of his contemporaries. It’s highly musical and organic, with hugely effective hooks, builds and pads that will bring smiles to the faces of dancers worldwide. 'Gilmore Heureux' is a darker affair, with a raw evolving groove with a Detroit flavor. It’s got plenty of grit, and a few innovative twists and turns along the way. 'All the Difference' slows the pace slightly, unwinding a killer groove driven by a piano and punchy drums. About midway through a sublime synth bass joins the fray, and the track lifts off into the ether.

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ean barcode: 4250382426752 releasedate : 14.04.2014
Tracklisting: A1. Merry Go Round A2. Merry Go Round (Reprise Mix) B. Merry Go Round (Axel Boman Mix)
Vincenzo returns to Dessous Recordings with something a little special. 'Merry Go Round' features the stunning vocal talents of Language aka Kaori Kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else. Kaori already released two albums on Japanese Crue-L Records as Kaori and three albums with her band Language on Madoromi / Atari Productions and was also featured on the Chi Chi Squads classic 'Treat Me Right'. Built on dreamlike, evolving pads and textures, the vocals are reminiscent of the best work of Tracey Thorn, rising and falling over the 7-minute duration of the original mix. After some minutes a crisp, chugging, mid-tempo beat develops and lifts the track yet further, a moment perhaps best enjoyed at sunrise. The Reprise Mix is a totally beatless mix, emphasising the pads, guitar and piano work. The third track sees Axel Boman on remix duties, who primes it for the dance-floor with a loopy, hypnotic rework that retains the original character but adds a visceral, gritty quality for the dancers.
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BARCODE 4250382423928 REL DATE 03.03.2014
Tracklisting: A. Egregius B1. Madness B2. Bac A Sable
The young French producer and DJ Oliver Andrade returns to Dessous Recordings with his brand new, fresh for 2014 EP, 'Madness'. Madness kicks off with 'Egregius' – quite a statement for this rising talent in European house circles. The lead track evokes classic deep house from the US Mid-West, whilst never being defined by its influence. Synths bubble to the surface, pads wash over the raw and funky drum track, and a looped vocal ties the whole piece together. 'Madness' treads a similar path, but with a slightly tougher vibe. The atmospheric, late-night mood is enhanced with reversed samples, lush chords and the occasional robotic voice. 'Bac a Sable' shakes things up with an unsettling rhythm that works its way into an infectious driving groove, accentuated by jarring synths. It feels specifically tailored to pushing that early morning crowd to the next level.
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ean barcode: 4250382424406 releasedate : 03.02.2014
Tracklisting: A Workin B1 Mindflow B2 Release and Check Pt.1
Liverpool’s Andy Ash has been releasing finely crafted, authentic house music for a number of labels over the past few years, including appearances on StilLove4Music, Kolour and Quintessentials. Here he joins Steve Bug’s Dessous imprint and drops some of his best work yet - four
slices of deep and raw house grooves. 'Workin' shares a little headspace with that other Liverpudlian pioneer, John Heckle - emotionally uplifting electronic music that keeps things rough round the edges. 'Mindflow' references the classic sound of Chicago in the early 90s, a disco/funk vocal sample interplays with tightly woven percussion and an ever present bump - Mr. Ash clearly knows a thing or two about moving dance floors. 'Release and Check' makes up the remainder of the EP - a deep, rolling jam with live sounding keys, and a highly effective acidic bassline which send the whole to several both groovy and euphoric moments. More

ean barcode: 4250382419433 releasedate : 29.07.2013
Tracklisting: A Imagine B1 Eyes Wide Open B2 Eyes Wide Open (Alix Alvarez Remix)
Dessous Recordings team up with one of Berlin’s most talented and thoughtful producers for this sublime three tracker. Andre Lodemann has been quietly turning out deep classics for some years now, both on his own Best Works label and influential imprints such as Freerange and Room With a View. Here, Lodemann provides us with some perfect examples of why he’s held in such high regard by DJs, producers and clued up music lovers alike. 'Imagine' starts out with an insistent, nagging groove that’s counterbalanced with an ethereal, soulful vocal. Lodemann then allows the track to grow and evolve through a series of gear changes – a beautiful synth melody, string stabs and fizzing percussion all drift to the forefront and then recede. This is head music for the dance floor – Deep House with true feeling. 'Eyes Wide Open' also contains a wealth of melody, welded expertly to a groove that works the soul as much as the body. Lodemann’s knack for creating epically emotional house music is on full display here – 'Eyes Wide Open' will no doubt be the choice of many a DJ looking for that perfect sunrise record over the summer months. Likewise the stunning remix provided here by the Bronx’s Alix Alvarez - his reinterpretation maintains the gorgeous melodies but adds a little of that NY house bump to the groove – working up a highly infectious, heady dance floor potion.
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EAN: 4250382415992 Releasedate : 03.12.2012
Tracklisting: A1. The Finisher B1. Wait State B2. Sun & Sorrow
Langenberg has been busy releasing his distinctive brand of knowledgeable deepness for well over half a decade now. As co-founder of the Essen-based label Mild Pitch, the man otherwise known as Max Heesen has been responsible for some sublime moments in house, both on his own label, and for imprints such as Liebe*Detail, Drumpoet Community and Poker Flat. Here, Dessous Recordings get their hands on the sumptuous release ‘The Finisher‘. Informed and influenced by the classic Detroit sound, Langenberg produces yet another exceptional transmission. The title track is as smooth as liquid gold, yet contains a dub-tinged techno edge reminiscent of Langenberg’s Ribn project with Manuel Tur. The soulful piano interplay is pure Detroit meets Essen, and combines to produce one of the year’s standout moments. Next up is ‘Wait State‘, a bouncing groove featuring Langenberg’s trademark crisp drums and percussion, and a fantastic revolutionary vocal sample. ‘Sun and Sorrow‘ is on a more driving tip, but maintains a familiar minor key motor city deepness.
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A1. The Long Run (Steve Bug’s Vocal Mix) A2. The Long Run (Steve Bug’s Instrumental Mix) B1. The Long Run (Mr V’s Vocal Mix) B2. The Long Run (Mr V’s Instrumental Mix)
Release Date: 19.11.2012 Barcode: 4250382415961
Fresh on the trail of this year’s exceptional long player ‘Noir’, Steve Bug returns with perhaps his most deep house-oriented track in a while – ‘The Long Run’. Teaming up with US house legend Mr. V, who inititally donated vocals only, the collaboration brought up Mr V‘s own interpretation of Bug‘s track. This release is as delicious a serving of classic New York deep house as you will hear all year – or any year. The a-side is Dessous’ main man at the controls, riding out a sumptuous, Rhodes-driven groove that references golden era Kerri Chandler and friends, but remains completely rooted in 2012. Mr V’s spoken word vocal lays out the manifesto for these two house pioneers – both are committed to quality music, made with passion and respect. Flip this 12 and you get Mr. V’s stunning take on the same track. Ratcheting up the percussive elements, the New York native injects hints of the Latin rhythms that define many of his productions, making this into a stone-cold club banger whatever the party. Both tracks come with corresponding instrumental versions for the DJs, rounding out this irresistible 12“ that continues Dessous’ outstanding run of releases this year. More

PLEASE NOTE THIS REPRESS WILL BE WITHOUT THE ETCHING ON THE B SIDE!
Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. More

Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More

Hot on the heels of acclaimed releases for Four:Twenty, Dessous, Sonar Kollektiv, Buzzin’ Fly and his own Diynamic usic, house producer du jour Mladen Solomun returns with his second stunning single for Dessous after the sublime ‘Sambada EP’. ‘Woodstep’ is a percussive trip to the heart of house, a tech-tinged groove peppered with strange tribal rhythms, evoking a midnight trek into the sultry tropical rainforest. On the fl ip, ‘No Comment’, an analogue bubblebath of a bassline propels a techier cut, where Detroit washes do battle with stepping keys, a crisp beat and belches of hissing smoke. Halfway
through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. Combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic and dancefl oor-captivating way, Solomun once agains shows why he’s rapidly becoming one of the most in-demand producers in the game.

More