Label:Running Back
Cat-No:rb129
Release-Date:05.07.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144926
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1
Solomun - Can't Stop
2
Solomun - Follow The Disco Ball
3
Solomun - Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
More records from Solomun
Label:Watergate Records
Cat-No:wgvinyl08x
Release-Date:20.06.2012
Genre:House / Techno
Configuration:12" Excl
Barcode:827170460867
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Label:Watergate Records
Cat-No:wgvinyl08x
Release-Date:20.06.2012
Genre:House / Techno
Configuration:12" Excl
Barcode:827170460867
PLEASE NOTE THIS REPRESS WILL BE WITHOUT THE ETCHING ON THE B SIDE!
Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. More
Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. More
Label:Watergate Records
Cat-No:wgvinyl08
Release-Date:03.05.2012
Genre:House / Techno
Configuration:12" Excl
Barcode:827170453166
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Label:Watergate Records
Cat-No:wgvinyl08
Release-Date:03.05.2012
Genre:House / Techno
Configuration:12" Excl
Barcode:827170453166
Mladen Solomun, DIYNAMIC label head and man of the moment is presenting his 'Kackvogel' (shit bird) as the teaser for his forthcoming Watergate11 mix compilation, which will be released late June. This bird with the exclusive naming is a slow-mo funk monster in fine Solomun style and right here for the start of the summer season 2012. The first 500 copies are coming with a full size etching of his Watergate compilation artwork on the b-side!
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Last in:29.11.2011
Label:rebellion
Cat-No:rbl002
Release-Date:10.02.2011
Genre:Techno
Configuration:12"
Barcode:
Second release on the hot new RebelLION label. After SIS’s monstrous ‘Gallian’ release Solomun delivers another knock out blow in the Sonics with a heavy weight slab of electric moon groove. Pan-rattling percussion and a bass funkier than a trunk of funk underpins the stupendously catchy and incessant vocal licks, and then there’s the guitar.. oh my god, does it get any better than this? On the flip Parisian funkateer D’Julz hikes the tempo and kicks the groove headway into the bass bins as its heads down for some serious dancefloor action. A great second package on this rebellious new label! Please note this is a limited release, so get these hot puppies whilst you can.
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Last in:18.06.2015
Label:Dessous
Cat-No:des80
Release-Date:25.03.2008
Genre:House
Configuration:12" Excl
Barcode:
Hot on the heels of acclaimed releases for Four:Twenty, Dessous, Sonar Kollektiv, Buzzin’ Fly and his own Diynamic usic, house producer du jour Mladen Solomun returns with his second stunning single for Dessous after the sublime ‘Sambada EP’. ‘Woodstep’ is a percussive trip to the heart of house, a tech-tinged groove peppered with strange tribal rhythms, evoking a midnight trek into the sultry tropical rainforest. On the fl ip, ‘No Comment’, an analogue bubblebath of a bassline propels a techier cut, where Detroit washes do battle with stepping keys, a crisp beat and belches of hissing smoke. Halfway
through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. Combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic and dancefl oor-captivating way, Solomun once agains shows why he’s rapidly becoming one of the most in-demand producers in the game.
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through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. Combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic and dancefl oor-captivating way, Solomun once agains shows why he’s rapidly becoming one of the most in-demand producers in the game.
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Last in:19.06.2014
Label:Dessous
Cat-No:des74
Release-Date:20.08.2007
Genre:House
Configuration:12" Excl
Barcode:
Our new entrant Solomun aka Play has been one of the moving spirits in Hamburg’s electronic music scene for quite a few years now. He hosts the beloved DIY club series and runs his own label imprint Diynamic Music. He also produces music himself.This two-track EP features ”Samba“ on the A-side, spreading a warm, if twisted feeling, guaranteed to win over clubbers everywhere with its elaborate build-up. Little ups and downs keep the tension at maximum level, real edge of the seat stuff as you wonder what is going to happen next. Exciting times on the dancefloor!On the B-side ”Lambada“ keeps the good vibes coming. This track is based around a fresh and versatile percussion set-up, a nicely moving and grooving bassline plus a recurrent chord theme. All in all a very good reason to shake your booty! Nice one.
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More records from Running Back
Label:Running Back
Cat-No:rb131
Release-Date:21.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181365
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Label:Running Back
Cat-No:rb131
Release-Date:21.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181365
1
Gerd - Dance Of Enjoyment
2
Gerd - Let The Music Take Control
3
Gerd - Let The Music Take Control (DJ Tool)
4
Gerd - Change Of Heart
5
Gerd - Digital Illusion
6
Gerd - Digital Illusion (Bonus Beats)
Tracklist:
A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)
Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.
Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.
Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!
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A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)
Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.
Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.
Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!
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LP Excl
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Label:Running Back
Cat-No:rblp09
Release-Date:24.05.2024
Genre:House
Configuration:LP Excl
Barcode:4260038314128
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Cat-No:rblp09
Release-Date:24.05.2024
Genre:House
Configuration:LP Excl
Barcode:4260038314128
1
tornado wallace - Lonely Planet
2
tornado wallace - Trance Encounters
3
tornado wallace - Today ft. Sui Zhen
4
tornado wallace - Warp Odyssey
5
tornado wallace - Voices
6
tornado wallace - Kingdom Animalia
7
tornado wallace - Healing Feeling
2024 Repress
Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
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Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
More
Label:Running Back
Cat-No:rb132
Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181372
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Label:Running Back
Cat-No:rb132
Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181372
1
Robert Dietz - A1. Crane Song (HnH Mix)
2
Robert Dietz - A2. Deranged Self Therapy
3
Robert Dietz - B1. Crane Song (Dopanin Mix)
4
Robert Dietz - B2. Centro Di Gravita
5
Robert Dietz - B3. Any Plan(t)s This Weekend
12"
Tracklist
A1. Crane Song (HnH Mix)
A2. Deranged Self Therapy
B1. Crane Song (Dopanin Mix)
B2. Centro Di Gravita
B3. Any Plan(t)s This Weekend
Johann Wolfgang von Goethe is always a reliable source for a good quote: "We must always change, renew, rejuvenate ourselves; otherwise, we harden." Sure as death, there is an excerpt of his that states the opposite. In the case of Robert Dietz, it holds true. Since his first appearance on Running Back in 2009 (Forward Snipping), he did a marvelous job staying on his toes as a producer and DJ.
Rejuve-Nation showcases his talent in various alleys of electronic (dance) music with Crane Song being the prime cut here. You will get exposed to proggy house with an intelligent brush in two slightly different mixes. Imagine if Euro dance went to get a college degree or a bumper car floor and you are almost there: an almost irresistible sing a long without lyrics.
If you need help afterwards, Deranged Self Therapy is exactly what you need. IDM meets new wave drums, poignant synths mix with an upbeat hook to create a ballet piece for lovesick robots.
Centro Di Gravita reconnects those qualities with the aforementioned Crane Song ones, while giving it an acid spin, before the ambient salts of Any Plan(t)s This Weekend closes the EP off like a confident sketch for the end of a beautiful summer. A bouquet of bangers for different needs.
Short: One Rejuve-Nation EP under a groove with Robert Dietz' return on Running Back. Proggy meets acid house, IDM leanings mix with stylistic devices of new wave and extra special ambient aerobatics round out the EP. Special attention goes to Crane Song and its peak time perfection. A bouquet of bangers for different needs.
More
Tracklist
A1. Crane Song (HnH Mix)
A2. Deranged Self Therapy
B1. Crane Song (Dopanin Mix)
B2. Centro Di Gravita
B3. Any Plan(t)s This Weekend
Johann Wolfgang von Goethe is always a reliable source for a good quote: "We must always change, renew, rejuvenate ourselves; otherwise, we harden." Sure as death, there is an excerpt of his that states the opposite. In the case of Robert Dietz, it holds true. Since his first appearance on Running Back in 2009 (Forward Snipping), he did a marvelous job staying on his toes as a producer and DJ.
Rejuve-Nation showcases his talent in various alleys of electronic (dance) music with Crane Song being the prime cut here. You will get exposed to proggy house with an intelligent brush in two slightly different mixes. Imagine if Euro dance went to get a college degree or a bumper car floor and you are almost there: an almost irresistible sing a long without lyrics.
If you need help afterwards, Deranged Self Therapy is exactly what you need. IDM meets new wave drums, poignant synths mix with an upbeat hook to create a ballet piece for lovesick robots.
Centro Di Gravita reconnects those qualities with the aforementioned Crane Song ones, while giving it an acid spin, before the ambient salts of Any Plan(t)s This Weekend closes the EP off like a confident sketch for the end of a beautiful summer. A bouquet of bangers for different needs.
Short: One Rejuve-Nation EP under a groove with Robert Dietz' return on Running Back. Proggy meets acid house, IDM leanings mix with stylistic devices of new wave and extra special ambient aerobatics round out the EP. Special attention goes to Crane Song and its peak time perfection. A bouquet of bangers for different needs.
More
Label:Running Back
Cat-No:rb128
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144773
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Label:Running Back
Cat-No:rb128
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144773
1
Krystal Klear - Entity
2
Krystal Klear - Typhoon
3
Krystal Klear - Love Is All I Need
4
Krystal Klear - Rampage
Tracklist
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage
New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:
“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).
These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.
Short:
New Running Back by the ever-reliable Krystal Klear.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.
More
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage
New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:
“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).
These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.
Short:
New Running Back by the ever-reliable Krystal Klear.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.
More
Label:Running Back
Cat-No:rb130
Release-Date:12.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180832
in stock
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Label:Running Back
Cat-No:rb130
Release-Date:12.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180832
1
Raphael Schön - Baerhit
2
Raphael Schön - Do You Like That?
3
Raphael Schön - Breathe
4
Raphael Schön - Want Me
5
Raphael Schön - Distant City Tranceport
6
Raphael Schön - Sometimes I Miss You
mini-LP
Tracklist
A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You
Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.
Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?
More
Tracklist
A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You
Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.
Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?
More
Label:Running Back
Cat-No:rb127
Release-Date:28.03.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144766
in stock
Last in:08.03.2024
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Label:Running Back
Cat-No:rb127
Release-Date:28.03.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144766
1
Sascha Funke - Reality
2
Sascha Funke - Fantasy
3
Sascha Funke - Puzzle
4
Sascha Funke - Halle Weissensee
Tracklist
A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee
Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.
Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.
More
A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee
Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.
Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.
More
Label:Running Back
Cat-No:rb126
Release-Date:01.03.2024
Genre:House
Configuration:12" Excl
Barcode:4251804143677
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Label:Running Back
Cat-No:rb126
Release-Date:01.03.2024
Genre:House
Configuration:12" Excl
Barcode:4251804143677
1
Partiboi69 - Playin
2
Partiboi69 - Bodies
3
Partiboi69 - Feel This
4
Partiboi69 - Call Of The Void
Tracklist
A1. Playin’
A2. Bodies
B1. Feel This
B2. Call Of The Void
Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.
Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.
More
A1. Playin’
A2. Bodies
B1. Feel This
B2. Call Of The Void
Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.
Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.
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12" Excl
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Label:Running Back
Cat-No:rb002.1
Release-Date:23.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144988
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Label:Running Back
Cat-No:rb002.1
Release-Date:23.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144988
1
Mute - Ocha (Re-Edit)
2
Mute - Never (Re-Edit)
3
Mute - Direct Cut (Re-Edit)
4
Mute - Bensono (Re-Edit)
Tracklist
A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*
B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*
Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.
Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house
More
A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*
B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*
Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.
Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house
More
12" Excl
in stock
Label:Running Back
Cat-No:rb123-12
Release-Date:16.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144759
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Label:Running Back
Cat-No:rb123-12
Release-Date:16.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144759
1
Ede & Deckert feat. Sarglad - Immer (Narciss 'Venice' Remix)
2
Ede & Deckert feat. Sarglad - Immer (Cinthie Remix)
3
Ede & Deckert feat. Sarglad - Immer (Curses Remix)
4
Ede & Deckert feat. Sarglad - Immer (Narciss 'Salford' Remix)
5
Ede & Deckert feat. Sarglad - Kid Simius 'Bolero' Remix
Tracklist
A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix
Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.
Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.
Immer works its magic in every way for everyone and now on almost any dance floor.
More
A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix
Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.
Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.
Immer works its magic in every way for everyone and now on almost any dance floor.
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12" Excl
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Label:Running Back
Cat-No:rbacidep1.5
Release-Date:02.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144360
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Cat-No:rbacidep1.5
Release-Date:02.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144360
1
Space Dimension Controller - Kosmische Conga
2
Space Dimension Controller - Echopet
3
Space Dimension Controller - Minehead
4
Space Dimension Controller - Carinacid
Tracklist
A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid
Re-Dial 303.
The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.
Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.
More
A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid
Re-Dial 303.
The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.
Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.
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Label:Running Back
Cat-No:rb122
Release-Date:24.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142809
in stock
Last in:09.11.2023
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Label:Running Back
Cat-No:rb122
Release-Date:24.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142809
1
Fango - Sarcosuco
2
Fango - Dimetrodonte
3
Fango - Diplodoco
4
Fango - Gastonia
Tracklist
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
More
A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia
Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
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12" Excl
in stock
Label:Running Back
Cat-No:rb085.6
Release-Date:03.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141239
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Last in:03.11.2023
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Last in:03.11.2023
Label:Running Back
Cat-No:rb085.6
Release-Date:03.11.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141239
1
Llewellyn - For The Weekend
2
Stereocalypse - Mad Theory
3
Zillas On Acid - Pleatherhead
4
Storken & Hammer - Marabou
5
Ede - Radius
6
Señor Chugger & Count Van Delicious - Mickeys Vegan Fillet
Tracklist
A1. Llewellyn – For The Weekend
A2. Stereocalypse – Mad Theory
A3. Zillas On Acid – Pleatherhead
B1. Storken & Hammer – Marabou
B2. Ede – Radius
B3. Señor Chugger & Count Van Delicious - Mickeys Vegan Fillet
Numbers hold the key to unlock the universe. So, a six-pack can either consist of six bottles of beer, very well developed stomach muscles or in our case: a string of smash hits. To take it even further, it’s exactly six tracks for the sixth part of the VA-series that is One Swallow Doesn’t Make A Summer.
Hit men include friends new and old: Llewellyn, Stereocalypse, Zillas On Acid, Storken & Hammer, Ede, Señor Chugger & Count Van Delicious. The pace is cool and hot at the same time. Rave signals by Ede foil the nouveau disco by Stereocalypse or Storken & Hammer, Llewellyn does a classic house piano hop, Zilles On Acid deliver, well. mid-tempo acid, and last, but not least, Señor Chugger & Count Van Delicious strike a delicious pose.
One for almost everyone! And if not, let your body go with the flow!
More
A1. Llewellyn – For The Weekend
A2. Stereocalypse – Mad Theory
A3. Zillas On Acid – Pleatherhead
B1. Storken & Hammer – Marabou
B2. Ede – Radius
B3. Señor Chugger & Count Van Delicious - Mickeys Vegan Fillet
Numbers hold the key to unlock the universe. So, a six-pack can either consist of six bottles of beer, very well developed stomach muscles or in our case: a string of smash hits. To take it even further, it’s exactly six tracks for the sixth part of the VA-series that is One Swallow Doesn’t Make A Summer.
Hit men include friends new and old: Llewellyn, Stereocalypse, Zillas On Acid, Storken & Hammer, Ede, Señor Chugger & Count Van Delicious. The pace is cool and hot at the same time. Rave signals by Ede foil the nouveau disco by Stereocalypse or Storken & Hammer, Llewellyn does a classic house piano hop, Zilles On Acid deliver, well. mid-tempo acid, and last, but not least, Señor Chugger & Count Van Delicious strike a delicious pose.
One for almost everyone! And if not, let your body go with the flow!
More
Label:Running Back
Cat-No:rb124
Release-Date:13.10.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142861
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Last in:12.10.2023
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Last in:12.10.2023
Label:Running Back
Cat-No:rb124
Release-Date:13.10.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142861
1
Dusky - Wildfire
2
Dusky - Tea Cake
3
Dusky - High
4
Dusky - Hawthorn
Tracklist
A1. Wildfire
A2. Tea Cake
B1. High
B2. Hawthorn
Swapping BPM for GPM (Goosebumps per minute), Dusky’s Life Signs Vol.3 is made from the heart to nourish the soul. to a long-overdue journey to the uncharted territories of Planet Dusky. Completing their triptych for Running Back with four tracks, one of the UK’s most dependable duos shows once again how to connect fun with functionality and funk with efficiency. From the jacking rhythms of early Chicago to the emotive qualities of Detroit and the fever pitch aesthetics of the UK sounds of the 90s or the studies of the contemporary scene, it includes the right choice for each taste and need. Dusky, but not rusty.
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A1. Wildfire
A2. Tea Cake
B1. High
B2. Hawthorn
Swapping BPM for GPM (Goosebumps per minute), Dusky’s Life Signs Vol.3 is made from the heart to nourish the soul. to a long-overdue journey to the uncharted territories of Planet Dusky. Completing their triptych for Running Back with four tracks, one of the UK’s most dependable duos shows once again how to connect fun with functionality and funk with efficiency. From the jacking rhythms of early Chicago to the emotive qualities of Detroit and the fever pitch aesthetics of the UK sounds of the 90s or the studies of the contemporary scene, it includes the right choice for each taste and need. Dusky, but not rusty.
More
Label:Running Back
Cat-No:rb125
Release-Date:22.09.2023
Genre:House
Configuration:12" Excl
Barcode:4251804143660
in stock
Last in:14.09.2023
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Last in:14.09.2023
Label:Running Back
Cat-No:rb125
Release-Date:22.09.2023
Genre:House
Configuration:12" Excl
Barcode:4251804143660
1
Jordon Alexander - Seasonal
2
Jordon Alexander - Linea Rossa
3
Jordon Alexander - Winter
4
Jordon Alexander - Marathon
Tracklist
A1. Seasonal
A2. Linea Rossa
B1. Winter
B2. Marathon
Jordon Alexander (pen name Mall Grab) brilliantly carved out his very own niche in dance music. Influenced by hardcore punk skateboarding and high fashion (Linea Rossa!) in equal parts the young Australian delivers precise studies in house and techno. As entertaining as they are excitatory there hasn’t been a bump on his road so far. Alexander’s debut for Running Back proves this point. How The Dogs Chill Vol.2 delivers four high octane tracks whose DNA contains traces of deep house and a penchant for atmospheric and dulcet melodies. But they are also muscle-bound soaring and cater to the aptitude of shaking legs. Written in 2022 while he was around the flora and fauna of Australia these tracks are also supposed to sound somewhat botanical – or at least evoke the sensory experience of a visit to a greenhouse. Carefully sequenced and crafted one is left with an appetite as soon as the playtime is over. Proper nutriment for party people and serious music pendants alike.
More
A1. Seasonal
A2. Linea Rossa
B1. Winter
B2. Marathon
Jordon Alexander (pen name Mall Grab) brilliantly carved out his very own niche in dance music. Influenced by hardcore punk skateboarding and high fashion (Linea Rossa!) in equal parts the young Australian delivers precise studies in house and techno. As entertaining as they are excitatory there hasn’t been a bump on his road so far. Alexander’s debut for Running Back proves this point. How The Dogs Chill Vol.2 delivers four high octane tracks whose DNA contains traces of deep house and a penchant for atmospheric and dulcet melodies. But they are also muscle-bound soaring and cater to the aptitude of shaking legs. Written in 2022 while he was around the flora and fauna of Australia these tracks are also supposed to sound somewhat botanical – or at least evoke the sensory experience of a visit to a greenhouse. Carefully sequenced and crafted one is left with an appetite as soon as the playtime is over. Proper nutriment for party people and serious music pendants alike.
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Label:Running Back
Cat-No:rb123-7
Release-Date:08.09.2023
Genre:House
Configuration:7" Excl
Barcode:4251804143141
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Last in:01.09.2023
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Label:Running Back
Cat-No:rb123-7
Release-Date:08.09.2023
Genre:House
Configuration:7" Excl
Barcode:4251804143141
1
Ede & Deckert feat. Sargland - Immer – Club Version
2
Ede & Deckert feat. Sargland - Immer - Instrumental
Tracklist
A1. Immer – Club Version
B1. Immer - Instrumental
Release Info:
The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.
More
A1. Immer – Club Version
B1. Immer - Instrumental
Release Info:
The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.
More
Label:Running Back
Cat-No:rb119
Release-Date:11.08.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141505
in stock
Last in:20.07.2023
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Last in:20.07.2023
Label:Running Back
Cat-No:rb119
Release-Date:11.08.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141505
1
Katerina - Get To Know You
2
Katerina - Marsu (The Cat)
3
Katerina - Alone In Paris
4
Katerina - Time Machine
5
Katerina - Cats Of Yavorov
6
Katerina - Rain In Her Eyes
Tracklist
A1. Get To Know You
A2. Marsu (The Cat)
A3. Alone In Paris
B1. Time Machine
B2. Cats Of Yavorov
B3. Rain In Her Eyes
File under: Singer-songwriter house, outsider or campfire dance. Katerina’s full-blown debut EP for Running Back melds cultural images of both places she calls home. Alternatively hailing from Helsinki or Sofia, she serves ethereal vocals, heartbreaking melodies and the chilly melancholic strains of the north to meet an optimistic and at times cheerful mood, paired with pop music themes, heavy bass lines and an upbeat drum section. Six tracks of idiosyncratic and independent dance motifs (including two ambient takes) that all go against the grain of the fast pace of life today, cheap thrills and unnecessary kills. All symbolized in the lyrics of the lead song Get To Know You or the instrumental love ballad Rain In Her Eyes and bound together by Marsu The Cat or Time Machine. An EP with the depth of an LP, lots of weight and even more character. Powerful, wonderful and more durable than the remains of one day.
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A1. Get To Know You
A2. Marsu (The Cat)
A3. Alone In Paris
B1. Time Machine
B2. Cats Of Yavorov
B3. Rain In Her Eyes
File under: Singer-songwriter house, outsider or campfire dance. Katerina’s full-blown debut EP for Running Back melds cultural images of both places she calls home. Alternatively hailing from Helsinki or Sofia, she serves ethereal vocals, heartbreaking melodies and the chilly melancholic strains of the north to meet an optimistic and at times cheerful mood, paired with pop music themes, heavy bass lines and an upbeat drum section. Six tracks of idiosyncratic and independent dance motifs (including two ambient takes) that all go against the grain of the fast pace of life today, cheap thrills and unnecessary kills. All symbolized in the lyrics of the lead song Get To Know You or the instrumental love ballad Rain In Her Eyes and bound together by Marsu The Cat or Time Machine. An EP with the depth of an LP, lots of weight and even more character. Powerful, wonderful and more durable than the remains of one day.
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Label:Running Back
Cat-No:rb121
Release-Date:14.07.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142229
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Label:Running Back
Cat-No:rb121
Release-Date:14.07.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142229
1
Roman Flügel - A1. Lucky Charm - Main Mix
2
Roman Flügel - A2. Lucky Charm - Dub Mix
3
Roman Flügel - A3. Lucky Charm - Perc Mix
4
Roman Flügel - B1. Luv Armour
5
Roman Flügel - B2. Whatever This Is
6
Roman Flügel - B3. Film 4
Tracklist
A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4
Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.
Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.
If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out
Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.
More
A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4
Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.
Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.
If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out
Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.
More
Label:Running Back
Cat-No:rb120
Release-Date:16.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141895
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Label:Running Back
Cat-No:rb120
Release-Date:16.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804141895
1
DJ BORING - Beautiful Strangers
2
DJ BORING - Can't Fix A Broken Heart
3
DJ BORING - When I'm With You ft. Jasper Tygner
4
DJ BORING - False Attraction
5
DJ BORING - Memories Fade
Tracklist:
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
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Label:Tessellate
Cat-No:TESS020
Release-Date:26.07.2024
Genre:techhouse
Configuration:12"
Barcode:5050580829329
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Label:Tessellate
Cat-No:TESS020
Release-Date:26.07.2024
Genre:techhouse
Configuration:12"
Barcode:5050580829329
1
The Trip - Fantazia (Spray Remix)
2
The Trip - Don't Panic (Aldonna Remix)
3
The Trip - Big Buzz (Liquid Earth Remix)
4
The Trip - For the Record (Adam Collins Backspin Remix)
Off the back of their three releases in 2023, The Trip present their first remix EP. Inviting some of their favourite artists including Spray, Aldonna, Liquid Earth and Adam Collins, each have taken it in turn to remix a track from their back catalog on Tessellate. Got all bases covered here, a bit of tribal, bit of more techy stuff, some prog and some acid thrown in for good measure.
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2LP
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Label:Warp
Cat-No:WARPLP90R
Release-Date:10.01.2017
Genre:Electro
Configuration:2LP
Barcode:
- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More
Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
Barcode:
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Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
Barcode:
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
Label:Warp
Cat-No:WARPLP30
Release-Date:20.09.2012
Configuration:2LP
Barcode:
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Label:Balmat
Cat-No:BALMAT11
Release-Date:28.06.2024
Genre:Electronic
Configuration:LP
Barcode:
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Label:Balmat
Cat-No:BALMAT11
Release-Date:28.06.2024
Genre:Electronic
Configuration:LP
Barcode:
1
Bartosz Kruczynski - Dream I
2
Bartosz Kruczynski - Dream II
3
Bartosz Kruczynski - Dream III
4
Bartosz Kruczynski - Dream IV
5
Bartosz Kruczynski - V
6
Bartosz Kruczynski - VI
7
Bartosz Kruczynski - Dream VII
8
Bartosz Kruczynski - Whisper I
9
Bartosz Kruczynski - Whisper II
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Bartosz Kruczynski - Whisper III
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Bartosz Kruczynski - Whisper IV
12
Bartosz Kruczynski - Whisper V
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Bartosz Kruczynski - Whisper VII
We’ve always been careful not to call Balmat an ambient label, because we like having the freedom to move, to drift, to morph. But with our 11th release, we turn our ears—proudly, blissfully—to a strain of ambient at its most timeless. The appropriately titled Dreams & Whispers comes from Warsaw’s Bartosz Kruczynski, who has recorded under a number of guises, Earth Trax, as well as his own name. Over the years, he’s touched upon deep house, breakbeats, acid, techno, electro, IDM, and more; often, the throughline running through a given album is simply the refusal to remain in any one place for long—well, that, and his unusually nuanced ear for harmony and texture.
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
Label:Music From Memory
Cat-No:MFM071
Release-Date:19.07.2024
Configuration:LP
Barcode:0731628580833
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Label:Music From Memory
Cat-No:MFM071
Release-Date:19.07.2024
Configuration:LP
Barcode:0731628580833
1
Total Blue - The Path
2
Total Blue - Corsair
3
Total Blue - Heart Of The World
4
Total Blue - Jaguarundi
5
Total Blue - Dorian Dial
6
Total Blue - Chaparral
7
Total Blue - Bone Chalk
8
Total Blue - Pearl Plains
Introducing ‘Total Blue’, the Los Angeles-based trio of Nicky Benedek, Alex Talan, and Anthony Calonico. Despite collaborating for over a decade, ‘Total Blue’ represents a new chapter in their artistic journey together as a trio.
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis. More
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis. More
Label:Warp
Cat-No:WARPLP38R
Release-Date:28.09.2016
Genre:Electronic
Configuration:2LP
Barcode:801061803810
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Label:Warp
Cat-No:WARPLP38R
Release-Date:28.09.2016
Genre:Electronic
Configuration:2LP
Barcode:801061803810
Warp present the the first three full length offerings from Autechre; Incunabula, Amber & Tri Repetae. Having been unavailable on vinyl since 2001, these recordings reveal the geometry of the duo's early transcripts from post-acid house electronica through sparse, hypnotic ambience and into the b-boy flavour that characterised their mid-nineties excavations of jungle, industrial and hip-hop.
Tri Repetae, the third album from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. On reflection, Tri Repeate stands tall as one of the most out-there (and if you know what that means...) and boundary-pushing releases from Ae ever. Going back to the group's roots as b-boy's, Tri... features ten variations on street sounds from hip-hop and techno to industrial and jungle. Released at a time when producers were ripe with ideas for cosmic breakbeat experimentation, Tri... mixed the glitchy twisted dynamics of EPs such as the criminal justice bill protest Anti and sculpted a long player that resembles some of the most 'floor friendly' Ae to ever grace a packed nightclub soundsystem. The ten tracks pulled influence from previous outings, from the glacial Amber chug of Overand to the Incunabula acid of Leterel. But the overall sound is one of mixing influence from the avant-garde of Iannis Xenakis, Edgard Varese & Tod Dockstar with the mid 90's post-hardcore sound of jungle.For anyone looking to get to grips with Ae but wanting something that bridges the gap between the early analogue escapism and the latter deconstructionist stance of elseq, Tri Repetae is the perfect point to dive into. Mixing elements of groups such as Coil at their most industrial, the austere techno of the Downwards crew and the cold yet funky electro of Man Parrish, they composed an album that still, twenty one years since its release, has one of the most singular sounds for anything resembling electro techno, and what other group can you think of who have you can say have ever managed that?
Spec: 2LP in printed inners in widespine sleeve with postcard size download card More
Tri Repetae, the third album from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. On reflection, Tri Repeate stands tall as one of the most out-there (and if you know what that means...) and boundary-pushing releases from Ae ever. Going back to the group's roots as b-boy's, Tri... features ten variations on street sounds from hip-hop and techno to industrial and jungle. Released at a time when producers were ripe with ideas for cosmic breakbeat experimentation, Tri... mixed the glitchy twisted dynamics of EPs such as the criminal justice bill protest Anti and sculpted a long player that resembles some of the most 'floor friendly' Ae to ever grace a packed nightclub soundsystem. The ten tracks pulled influence from previous outings, from the glacial Amber chug of Overand to the Incunabula acid of Leterel. But the overall sound is one of mixing influence from the avant-garde of Iannis Xenakis, Edgard Varese & Tod Dockstar with the mid 90's post-hardcore sound of jungle.For anyone looking to get to grips with Ae but wanting something that bridges the gap between the early analogue escapism and the latter deconstructionist stance of elseq, Tri Repetae is the perfect point to dive into. Mixing elements of groups such as Coil at their most industrial, the austere techno of the Downwards crew and the cold yet funky electro of Man Parrish, they composed an album that still, twenty one years since its release, has one of the most singular sounds for anything resembling electro techno, and what other group can you think of who have you can say have ever managed that?
Spec: 2LP in printed inners in widespine sleeve with postcard size download card More
Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
Barcode:
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Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
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nu guinea - No Title
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nu guinea - No Title
3
nu guinea - No Title
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nu guinea - No Title
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nu guinea - No Title
6
nu guinea - No Title
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nu guinea - No Title
LP Excl
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Label:Squama Recordings
Cat-No:SQM026
Release-Date:12.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
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Label:Squama Recordings
Cat-No:SQM026
Release-Date:12.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
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Damian Dalla Torre - A1)Ago
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Damian Dalla Torre - A2) Solo
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Damian Dalla Torre - A3) Santi
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Damian Dalla Torre - A4) Battery
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Damian Dalla Torre - B1) I Can Feel My Dreams
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Damian Dalla Torre - B2) Soup
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Damian Dalla Torre - B3) Acryl
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Damian Dalla Torre - B4) Domenica
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Damian Dalla Torre - B5) Memo
LP
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
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Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
More
7"
pre-sale
Label:Major Keys
Cat-No:MK65005
Release-Date:06.09.2024
Genre:Jazz
Configuration:7"
Barcode:5060202598380
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Label:Major Keys
Cat-No:MK65005
Release-Date:06.09.2024
Genre:Jazz
Configuration:7"
Barcode:5060202598380
1
Gary Bartz - Music Is My Sanctuary
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Gary Bartz - Carnaval De L'Esprit
Major Keys return with another jazz funk gem that has never before been released on a 12 inch. We go back to 1977 for one of the era defining albums, Gary Bartz magnificent Music is My Sanctuary. The title track from the double Grammy award winning saxophonist’s LP is an evergreen floor filler, finally seeing it’s long overdue 12 inch debut; a remastered, high volume DJ’s delight. Featuring Syreeta Wright on vocals, Bill Summers & James Mtume on percussion with arrangement by the one and only Larry Mizell, we have an assembled players list at the top of their game. The lyrics, joyful and heartfelt sum up exactly what music means to people, all underpinned by that glorious sax. One for the Heads and the feet, it’s a record that you will go back to time and again.
On the flip is the lesser known Carnaval De L'Esprit, a masterclass in jazz funk, this truly is the sunshine sound. It will lighten the weariest of souls and signals Major Keys as a buy on sight label. More
On the flip is the lesser known Carnaval De L'Esprit, a masterclass in jazz funk, this truly is the sunshine sound. It will lighten the weariest of souls and signals Major Keys as a buy on sight label. More
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Last in:19.06.2024
Label:warp
Cat-No:WARPLP324
Release-Date:28.01.2022
Genre:Jazz
Configuration:LP
Barcode:
1
Nala Sinephro - Space 1
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Nala Sinephro - Space 2
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Nala Sinephro - Space 3
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Nala Sinephro - Space 4
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Nala Sinephro - Space 5
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Nala Sinephro - Space 6
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Nala Sinephro - Space 7
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Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
Label:Cupula Recordings
Cat-No:CUPULA005
Release-Date:30.08.2024
Configuration:12"
Barcode:
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Label:Cupula Recordings
Cat-No:CUPULA005
Release-Date:30.08.2024
Configuration:12"
Barcode:
1
Nuclear Waste - Bad Habit
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Nuclear Waste - Infinite Stroke
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Corp - 106 Program
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Corp - Unknown Desire
We are ecstatic to announce the fifth release on Cupula Recordings, featuring the powerhouse collaboration of Nuclear Waste and Corp. This release infuse the best elements of New Beat, EBM, and Synth Pop into a cohesive narrative.
“Nuclear Corporation" is an auditory explosion defying genre conventions. More
“Nuclear Corporation" is an auditory explosion defying genre conventions. More