TRACKLISTING:


1. Childhood
2. Heartstone
3. Heroes
4. Hotel Kalimba
5. Sonntag (Album Version)
6. Come Down (With Zera)
7. Super Cactus
8. Sin (Album Version)
9. No One Else (With Zera)
10. Climax
11. Garden Of Souls
12. Infinity Inside (With Alice Rose)
13. Utopia

RELEASE INFO:

Moments of unbridled creation often manifest themselves in rather eccentric ways. Be it a sudden eureka moment, where the internal light-bulb flickers on sharply, or the seamless state of flow that appears when writer and pen are in-tune. But what about electronic musicians and that of the equipment around them? In Robert Babicz’s instance, the very sounds produced by this relationship morph into shapes and colours; sonic frequencies become visible objects due to the rare phenomenon, and indeed gift, of synesthesia.

Evidenced by Robert Babicz ’s eighth album, Utopia , this inherent creative process has resulted in a body of work that embodies his own personal experiences, forming a life soundtrack to epitomise moments of both elation and hardship. Memories enjoyed contrast with those endured, interwoven in a tapestry of musical expression that encapsulates a human story we can all relate to. Set for release on Marc Romboy’s Systematic, a label of which the Polish-born artist is more than familiar with given his two previous ‘Butterfly’ LPs, the album touches upon some of society's fundamental challenges, most notable of which is our search for the ideal world. Perhaps most strikingly is Robert’s assertion that the ‘Utopia’ we seek is not in fact a destination; rather it is a journey, one in which we must introspectively assess the notion that to find “ a better world to live in, we must create it each day ourselves.

Each track therefore is a reflection of such a discovery, acting as an auditory representation of Robert’s personal tale and typifying the evolution that naturally ensues. In this instance the symbolic nature of the butterfly, showcased in the album’s cover artwork, represents this transformatory experience. The voyage soon begins with Childhood , an ambient introductory piece that blissfully sets the tone of the release with emotive keys and warm, ethereal pads. Heartstone soon takes the helm, as progressive synths converge on a rhythmic kick-hat backbone, before the instrument-dotted Heroes opens with a stunning guitar-riff lead and resonant snare patterns.

The subdued tones of Hotel Kalimba soon grace us, a beautiful interluding track that works to rise and fall simultaneously, paving the way for a reworked version of Sonntag, one of Robert’s most popular tracks previously released on the well-established Kompakt label. Come Down swiftly ups the tempo, featuring a compelling main bassline that accompanies the poignant storytelling of vocalist Zera , before the hypnotic hum of Super Cactus softens the pace and gifts us a glimpse into a world far-removed from ours.

We are graced with another bespoke offering in Sin , an enchanting seven-minute rework of Robert’s debut Systematic track of the same name, whilst the heartfelt sense of No One Else undulates with a gentle lucidity, as Zera’s docile tones shimmer amidst a saxophone solo that evokes feelings of contemplation and anguish in one. Climax soon emerges with its breaks-inspired drum patterns and ethereal synth pulses, before the cosmic notes of Garden of Souls leave us in a haze of starry, wide-eyed reflection. Alice Rose ’s mesmerising vocals amplify the meditative qualities of Infinity Inside , a delicate penultimate record that unfurls into the album’s eventual closing track: Utopia .








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Moments of unbridled creation often manifest themselves in rather eccentric ways. Be it a sudden eureka moment, where the internal light-bulb flickers on sharply, or the seamless state of flow that appears when writer and pen are in-tune. But what about electronic musicians and that of the equipment around them? In Robert Babicz’s instance, the very sounds produced by this relationship morph into shapes and colours; sonic frequencies become visible objects due to the rare phenomenon, and indeed gift, of synesthesia. Evidenced by Robert Babicz ’s eighth album, Utopia , this inherent creative process has resulted in a body of work that embodies his own personal experiences, forming a life soundtrack to epitomise moments of both elation and hardship. Memories enjoyed contrast with those endured, interwoven in a tapestry of musical expression that encapsulates a human story we can all relate to. Set for release on Marc Romboy’s Systematic, a label of which the Polish-born artist is more than familiar with given his two previous ‘Butterfly’ LPs, the album touches upon some of society's fundamental challenges, most notable of which is our search for the ideal world. Perhaps most strikingly is Robert’s assertion that the ‘Utopia’ we seek is not in fact a destination; rather it is a journey, one in which we must introspectively assess the notion that to find “ a better world to live in, we must create it each day ourselves. Each track therefore is a reflection of such a discovery, acting as an auditory representation of Robert’s personal tale and typifying the evolution that naturally ensues. In this instance the symbolic nature of the butterfly, showcased in the album’s cover artwork, represents this transformatory experience.

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After already four strong 12“es on Audiomatique we proudly welcome back Robert Babicz with his fifth Audiomatique release: „Dark Flower“ is a shiny groover accompanied y a beautiful remix from Rotterdam based Techno-veteran Joris Voorn. The A-side features two new tracks by Robert, „Dark Flower“ and „Spiralboogie“. „Dark Flower“ showcases Robert’s typical handwriting: a dry, but funky groove construct with melancolic and deep synths while some highly seductive bass slaps create this very special Babicz feeling. „Spiralboogie“ spreads its magic on A2. Slowly building, having the funk in the trunk and fully focussed on simple, but reliable qualities. Forward ever, backwards never. The flipside holds our chef’s suggestion: an extraordinary Joris Voorn remix of „Dark Flower“ which already stirred a huge buzz when Steve Bug tested it on his recent Japan-tour or Robert played it out in Brasil last month. Joris Voorn‘s mix perfectly combines floating harmonies with a thrilling drive. Simply irresistible.

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Robert Babicz is already up to his third release on Audiomatique. “Lidia” was the first, under his alias Rob Acid in October 2004, then “Prism” as Robert Babicz in December 2005 and now “Markatech”, to be released late May, 2006. It looks like Mr. Babicz, who hails from the Cologne region, is tuned in to the Audiomatique sound. “Markatech” on the a-side is an absolute club monster, whilst “Sleeping Beauty” comes along with a more relaxed and dreamy vibe. On the one hand, claps, hihats and acid bleeps push things forward, rave signals paired with seriously dark basslines, plus some of those unmistakeableingredients designed to drag you onto the dancefloor and propel you all the way to hysteria.
Mood-wise, the flip side couldn’t be more of a contrast. The ingredients may be fairly similar, but the composition is different. As titles go, “Sleeping Beauty” is a pretty accurate title, hinting at the un-clubby, relaxed and peaceful atmosphere . A really versatile 12“ courtesy of Robert Babicz, very nice indeed.

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Robert Babicz and Rob Acid are only two of the many aliases for a groundbreaking producer. After Rob Acid‘s „Lidia“ (am02) he now uses his real name for „Prism“ his second release on Audiomatique. „Prism“ includes two excellent tracks, mainly produced with the famous „Machinedrum“ and all brought into being by Robert as well as a fantastic Robag Wruhme (Wighnomy Brothers) remix. „Prism“ is an ode to acid, of course, but also to the psychedelic element Robert misses in current club music. Go with spiralling vox-snippets and the twinging acid bleeps and you will expierence some unexpected twitches and flashes on the dancefloor. This trippy monster track is directly followed by „Rock“ on A2, which can be described as „steamrolling minimal rock“. This one slowly but surely takes control of your heart rate, you exhale steam and the journey begins. Massive. The b-side features a stunning rework of „Prism“, coming right from the Musik Krause HQ. Remember Robag Wruhme‘s great remix of MŠrtini Bršs’ „Love The Machine“ (pfr41)? His editing on „Prism“ presents the unique style of our Wighnomy friends. Frisky arrangments and twinkle-toed sounds work like a charm. Solid.

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2023 repress

We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes and includes one extremely excellent exclusive track Trentemoellers hymn against global warming: A1: The Blacksmoke Organisation: Danger Global Warming (Trentmøller Remix) * , A2: Trentemøller: The Forest , B1: Mathias Schaffhäuser: Coincidance (Trentemøller Remix) , B2: Jokke Ilsøe: Feeling Good (Trentemøller Remix Chronicles Edit)*, C1: Röyksopp: What Else Is There? (Trentemøller Remix), C2: Trentemøller: Gush , D1: The Knife: We Share Our Mother‘s Health (Trentemøller Remix), D2: Trentemøller: Kink

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Tracklist 12":
A1. Homeless Hearts
A2. Undercover
B1. Silence feat. Raphael Hofman
B2. Creature
Info:
Berlin native Florian Kruse has been a key part of the underground house and tech house scene for years now, and his productions have rightfully been bringing him plaudits for their emotional maturity. Finding a kindred spirit in German vocalist Hendrik Burkhard, as TheGround the pair have crafted a killer new album - 'Dediction', including these four exceptional tracks that will appear on the vinyl edition 'Dediction EP'.
'Homeless Hearts' exemplifies the duo's effect on each other - the slick, nuanced and spacy production gives way to a powerful groove, providing the perfect backing for Burkhard's dreamy vocal.
'Undercover' is a clear dance-floor killer, with Kruse's exceptional flair for programming meeting Burkhard's understated delivery.
Co-written by Raphael Hofmann 'Silence' explores some melancholic terrain before finding its way back to the floor via Kruse's & Burkhard's lush production.
The EP is concluded with 'Creature' - featuring a thick growling bass and precise, arpeggiated synth lines that cut through the mix like lasers.


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Swedish phenomenon Tiger Stripes returns to Audiomatique with a funky little number indeed. Going by the name of ‚Glorified‘, this return to the fore (and of course the dancefloor) is a fitting addition to the Audiomatique
catalog, ever growing and pushing cutting-edge, techy house and techno. ‚Glorified‘ opens with a tight swinging groove, an easy going vibe and a light and airy positive vibe. As we get quickly drawn into Mr.Stripes‘ snaking arrangement, an uplifting speech arrives from a preacher from the House of Jack! Smooth organs and high-end production values wrap up this unavoidable winner. Acclaimed producer Rodriguez Junior lends his hand to remix ‚Glorified‘ and really delivers a stellar treatment - drawing out the introduction and adding tension. Pushing drums lead a pitching, super-stereo chord pattern as the filters open and evolved into an early morning anthem.
Tracklist:
A: Glorified
B: Glorified (Rodriguez Jr. Remix)



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We welcome a newcomer to the Audiomatique roster as talented Brazilian producer Wehbba comes to the fore with the glorious ‚3Days'.
Wehbba has explored many zones of the tech-house genre and now brings his expertly polished beats to Steve Bugs pioneering label. The groovy, sample-laden beats of ‚3Days' are a tribute to that very special 60s festival of fun and music. Now some 40 years on we are still finding ways to escape to other zones and Wehbba's solid grooves allow us to do just that!
Prolific minimal/techno producer Mihalis Safras engineers a crafty remix on the flip side, strengthening the groove further with dramatic snare shots and heavy bass surges. Trip-out FX and careful use of the sample material make this a reliably heavyweight tech-house journey.
As another solid stamp on the B side, ‚Balance' shimmers and shakes across the audio spectrum, showing off Wehbba's production skills once again. Smooth, immediate and functional, its spacey beats fuse with classic rhodes chords in a modern-deep house jam.
Tracklisting:
A1. 3Days
B1. 3Days (Mihalis Safras Remix)
B2. Balance




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One of the leading figures in the modern house and techno movement, Patrick Chardronnet returns to Audiomatique with another surefire weapon for the summer.
'Pleasant Day' is perfect for the open air season, yet contrary to what its title suggests, it's a dark, funky and freaky tune that carries many trademarks of the Audiomatique sound. Liquid synths and acidic bass fused with modern drums are all precision engineered to the super high quality level you'd expect from Chardronnet.
The lush and divinely deep 'Aim' takes us further into the sound capabilities of this seasoned studio hand. Fluttering, tropical moods soar through colourful layers of dubbed synth textures and strong, surging bass.
Tracklisting:
A. Pleasant Day
B. Aim


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Dutch producer van Dongen arrives back on Audiomatique - almost 5 years since his first outing - ‚Hate To Say O.K' in 2006 - we welcome back his tough, refined and urgent electronic stylings.
‚Vulcanic Ass' gets straight to the point with a gyrating, cyclic attitude that simply cannot be ignored. Bouncing bass, sharp drums and an anthemic pitching synth theme provide a blissful yet party-assured climax! Barcelona boys Audiofly hand in a dynamic and inventive remix that fuses live drum loops with drier, more resolute moments than the original. Carefully engineered and executed, it's a modern incarnation of the the duo's earlier tech-house sound.




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Cult Swedish producer and multi-instrumentalist Tiger Stripes arrives on Audiomatique with this incredible new three track EP. A monstrous lesson in modern minimalism, ‚AH-64‘ pumps with a dark yet funky inner power that‘s felt even stronger after the sinister string laden break. Slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. On a slightly lighter tip, ‚How We Feel‘ warms us with funky, energetic percussion in a modern and positive tech-house jam. With smooth future house keys and plenty of details it‘s a straight forward floor burner. ‚Back To Detroit City‘ takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. Continuing, elongating and drifting, it‘s a perfect conclusion to the EP.
Tracklist:
A: AH-64
B1: How We Feel
B2: Back To Detroit City



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Maetrik has enjoyed some hot releases of late, with heavy work released on Dumb- Unit, Mothership and Resopal Schallware. Now this big talent comes again on Audiomatique with a three track arsenal of audiomind games. ‚Marinda‘, featuring Sabb, throws us right into the current Maetrik sound with freaky vocal lines and solid nu-house vibes underpinning the hot‘n‘dirty bassline! Expertly executed, with full spectrum clarity as we can always expect from Maetrik, its a versatile track that melts deep house, techno and chicago booty action into one smooth ride! On the B side the deeper ‚Kemik‘ chugs along with sub-sonic freakiness and more classically rooted house references. One for those special, hot moments where tension and drama are key... its a big track for the morning floors! ‚Glider‘ seals the deal then, with rubbery bass energy and super funky grooves forming from a shifting, shimmering, tougher house pump. Again primed for the early morning, or indeed the peak time, as if we needed more confirmation of Maetrik‘s club mastermind.. here it is!
Tracklist:
A: Marinda feat. Sabb
B1: Kemik
B2: Glider

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Tigerskin aka Alex Kruger is certainly one of the most prolific artists releasing electronic music these days. His Tigerskin alias has released music on a plethora of respected platforms, far and wide across the spectrum of electronic music labels. Now we happily welcome him to Audiomatique, Steve Bug's imprint designed to support the techier, more intense end of his eclectic love of house and techno.
Lead cut 'Everybody Likes Ollie' whirls and skips across a liquid platinum backdrop of silky smooth grace and ecstatic wonder. Part tough pumping house, part disco, part future techno, its an anthemic track that throws the listener right in the middle of an epic, mind-blowing main event! Uplifting spaced-out synths sing and climb, augmented by funky percussion patterns and classic strings stabs. Pure quality, as if we expected anything less from this producer!
On the B-Side the longer and more tripped 'Supersonic' comes on strong like a techno classic. Bubbling and freaking in the background with off-kilter FX, and building slowly as a number of momentous synth elements mark its incline, its a building monster of the highest order.


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Maetrik heads up the next Audiomatique 12‘‘ with the stunning ‚Underrate Dis EP‘. Well known for his great work on labels like Mothership or Dumb Unit the man from Valencia continues to grow from strength to strength with this storming three tracker. Melting house, techno and sinister, super funky elements into a truly unique and unmissable package, there‘s sheer talent on display in unearthly amounts! Filling up the A side like a casually swung monster, ‚Relax‘ has all the qualities of a recording that actually makes you do the opposite - this cut urges you to party! Brooding, slow building and stone cold cool, the on-going narrative and freaky vocal motif get right inside your consciousness, literally dragging the dance out from inside. Carrying on that forward moving tip we encounter ‚Purr Baby‘ - a real mind melting slab of funk that sums up the magic of Maetrik‘s sound with tripped out synth warbles, rolling, intricate grooves and dramatic, unforgettable builds. Finally ‚Herb House‘ completes the package, and what a finale it is too! Heavy beats and deep swaying synth atmospheres revolve this one around a delicious hook constructed of sensual vocal snippets and rasping horns. Another prime time excursion from the up and coming Maetrik.

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NYC‘s Adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. Not interested in following the current pop-trends, Adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚Almost Nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. Haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. Poker Flat regular Patrick Chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. Dramatic, uplifting and main-room friendly Chardronnet‘s remix opens up the spectrum once again as Audiomatique continues to surprise. ‚White Fingers Black Hair‘ is the B side jam from Adultnapper. A skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. Super, off the wall stuff from NYC‘s chief mindwaper himself!

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Hamburg‘s very own Stimming arrives on the hospitable shores of a freshly cut Audiomatique with the wonderful ‚Buxton Pipes‘ EP. With releases on Diynamic, Freerange, Terminal M and Liebe*Detail Martin Stimming‘s carreer was boosted by the underground hit „Una Pena“ last year and peaked in his debut album ‚Refl ections‘ earlier this year. ‚Buxton Pipes‘, the lead track on the new EP, is a beautifully reduced, gentle roller that combines textural, shifting fi ltered percussion, phasing, effected melodies and a rich sub-room sound design that confi rms Stimming‘s talents at working those subliminal zones. Dainty, pretty and yet totally punchy at the right volumes, its a genuine slice of ultra modern micro-post-minimal- house. Continuing the trippy, time-melting vibe perfectly, ‚Kakusei‘ arrives with its pushing array of softened percussion and carefully extended spooky breakdowns. Sliding and squelching through 7 minutes of prime tracky workout territory its another stellar addition to the record. Finally the skipping ‚Seepferdchen‘ throws a spanner in the otherwise smooth grooves with delicately jacked drum patterns and controlled sub-bassline throwdowns. Super funky, ultimately reduced and sample-heavy it‘ll make those afterhours carry-ons all the more delicious. Simply superb work from Stimming on Audiomatique.
Tracklisting:
A: Boxton Pipes
B1: Kakusei
B2: Seepferdchen

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Already a mainstay in the scene with admired releases on brother label Poker Flat, and of course Connaisseur, Patrick Chardronnet returns with a wonderful 2 track EP on Audiomatique. A delightfully trippy, post-minimal adventure, ‚Piper‘ raises the brow for Chardronnet, dropping the big room synths this time in favour of a very organic, low-slung addictive groove. Sparse, tricky percussion underpins the headsdown late night vibe, as a drifting ensemble of mystic vocals and haunting horns unfolds over 11 minutes. Enchanting, mesmeric and deeply spaced, this reduced-percussive foray explores Chardronnet‘s more hypnotic side... a priceless cut of of hybrid house from a modern master. On the B side the driving, textural chimes of ‚Dropout‘ ensnare the listener into another beautiful and mysterious world. Solid-state, bass-led percussion and crisply-cut percussive fx remain subdued whilst an epic, swirling synth landscape weaves its dreamy tale. Suggesting moments of real drama, yet all the while maintaining an addictive, slow burning vibe, its a an amazing journey into this producer‘s remarkable, inimitable sonic world.
Tracklisting:
A: Piper
B: Dropout

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Fresh from his own stunning Audiomatique 2.0 mix, NYC‘s leader in hi-tech mindplay, Adultnapper, brings us more of his dark and addictive electronic funk! Two more brooding cuts await in the shifting shapes of ‚Madeleine‘ and ‚One Room‘, alongside a pushing, bouncing remix from Germany‘s own Gregor Tresher. Having already featured as a sneak preview on his own 2.0 mix, and teasingly mixed together on Steve Bug‘s Bugnology 3, the full version of ‚Madeleine‘ is now available. Its a cooly focused, dark, yet somehow sweet grind of the sort only Brooklyn‘s master of the black arts is capable. A tough percussive house grind slowly gives way to twisting wires and electro-acoustic energy as a strangely catchy theme is constructed from spooky broken stings and ghostly junked pianos - freaky yet decidedly fresh... With a little more light creeping in through the windows, ‚One Room‘ illustrates perfectly those special daybreak moments, where night stretches its rested limbs and rubs its tired eyes,
slowly morphing into day. The mode is continuation here, as if Adultnapper has captured us at his own special after party, and this is the soundtrack. Its a complex, jacked and blissfully melodic jam that is indeed versatile, but cries out to be played at sunrise! Gregor Tresher has risen to notoriety of late thanks to his impeccable song-writing and arrangement skills set alongside big-room club mechanics. Releasing hits like ‚A Thousand Nights‘ on Great Stuff or ‚Panchakarma‘ alongside Monika Kruse under their GTMK guise on Intacto, the man simply knows how to work it! His remix of ‚One Room‘ holds nothing back, and transforms the original‘s gentler sentiments into a peak time, bouncing techno treat. Skipping basslines and delayed micro-melodies surround us in a wave of unmissable energy.
Tracklisting:
A: Madeleine
B1: One Room
B2: One Roome (Gregor Tresher remix)

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The prolific DJ, producer and lord of the Slovenian undergound, Umek has been a long standing figure on the international Techno scene and produced countless EPs and remixes since his production debut over a decade ago. Now, freshly primed for action in today‘s high-tech club culture, Umek brings us three exclusive tracks full of funk, attitude and substance! The title track, ‚Intense Emotion‘ is an energetic, bouncing bomb that relies on sharp synth stabs to flavour an already delicious concoction of tight beats and cooly refined basslines. The wandering synths fill the spectrum and really lift things off as the track picks up speed, throwing us toward the pushing climax. With a much dryer, minimal approach, ‚Take A Look‘ burns brightly at the other end of the sonic spectrum, with its careful fills, effects and tripped out bending synth mayhem. Its a killer track for the more demented dancers out there, and shows how Umek‘s unique understanding of the dancefloor extends to all corridors of the four-tothe-
floor genre! ‚Dialogue Occurs‘ is a tough, skipping techy cut that rolls from floor to ceiling with bass heavy electronic action. Paranoid, bending and bleeping hooks combine with the busy groove to create a pumping, pushing party track that is as cruel as it is kind! Tracklisting: A: Intense Emotion B1: Take A Look B2: Dialogue Occurs

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After some very well received releases for the likes of Renaissance and Kickboxer records, Stephan Hinz, who has also turned out some hot tracks alongside Martin Eyerer, presents ‚Bacala‘. Its a cheekily warped excursion into Hinz‘s deep and melancholic dancefloor world, spurred on by a great theme melody, as if you found yourself in the middle of a medieval rave after a long and victorious battle! Tight, familiar percussion works the groove, building towards a dramatic break which introduces more layers of synthesised wonder! Check this in the main room for maximum effect. Audiomatique key player Adultnapper‘s remix comes on strong, with a tougher drive and a slightly more freaked out vibe. Trademark hissing percussion works over a finely tuned minimal groove, eventually allowing that haunting melody to show its colours. Designed for the more freaky floors, yet still focused on melody and progression, its another great example of Adultnapper‘s remixing skills.
Tracklisting: A: Bacala B: Bacala (Adultnapper remix)

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Following the recent and astonishing ‚Audiomatique 2.0‘ mixed by N.Y.C‘s Audultnapper, we present one more helping of glistening fresh house and techno, in the shape of remixes by Samuel L Session and Ben Watt. Joel Mull‘s ‚Red Light of Dawn‘, featured on the ‚Audiomatique 2.1‘, is remixed here by the insatiable and constantly evolving might of Samuel L Session. SLS turns in two peak time, driving techno tools, overloaded with power and energy throughout. Tightly compressed pumping beats throb and skip, building satisfying through every pass of his trademark fills and FX. ‚The Drums‘ holds things steady, keeping things moving and providing DJs with an unmissable percussive workout. ‚The Melody‘ mix fills the room with swirling, emotive synth melodies that will appeal to the lovers of more uplifting sentiments, whilst keeping the rest of track firmly grounded in techno. London based Ben Watt‘s Buzzin‘ Fly label is amongst the most highly regarded platforms for new and exciting music today. His edit of
The Viewers ‚Streethorn‘ is a beautifully crafted journey track, carrying playful, melodic instrumental elements along through a deep surging world of hissing percussion and skipping synth hooks.

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