Superb late 70's soul set for all the steppers out there. Bill Brandon's sole long player is a truly rare beast to spot in the wild. Having never been repressed on vinyl since it's 1977 release, this s/t effort is a true soul connoisseur's dream and features a plethora of noted session players and of course the production prowess of the cult Jesse Boyce and Moses Dillard partnership. All in all a top top shelf addition to any self-respecting soul fans collection and selection. Fully and legitimately reissued here in its entirety to help ring in Canadian music powerhouse Unidisc's 40th anniversary. This one is an essential and will certainly be on a lot of people's wants lists - do not sleep! More

Repress!
Serious holy grail business on this rare 12-inch extended disco version of Lorraine Johnson - The More I Get, The More I Want on Prelude Records. Original copies of this promo-only cut will set you back £400+ and it doesn’t take a genius to work out why. Produced by Jesse Boyce and Moses Dillard and mixed by Rafael Charres the man behind the mixing desk for classics such as Rare Pleasure - Superfine Feeling and Keith Barrow - Turn Me Up, it’s a dream team cohort that created this Paradise Garage classic.

Backed with equally enthralling, Boyce and Dillard produced, Francois K mixed ‘Feed The Flame’, also loved by the Garage dance floor. More

A must-have Prelude classic, Starshine - All I Need Is You is a boogie masterpiece that deserves a place in every collection. Original’s regularly trade hands for £35+ so an officially licensed, remastered reissue was on high demand. The perfect marriage of synth mastery, slap bass funk fever and sun-soaked vocals all mixed to magnificence by the mighty Francois K. More

What can be said about this monstrous Disco Funk extravaganza from 1982? Well, plenty actually... the only entry in the mighty Prelude back catalogue from Michael Wilson, 'Groove It To Your Body' is what this music is all about, a proper dance record, drenched in the funk, a groove that just doesn't stop. The A-side is incredible, but it's really the b-side dub mix that steals the show. Francois Kevorkian, who was Prelude's A&R man at the time, mans the desk on both mixes, but for a truly stellar work-out the dub flips all of the essential ingredients into a stew of rumbling synth and tape feedback and deep space delay and echo. This mix could be seen as the template of what was to come, and is an all-out dancefloor wrecker. Try it! It doesn't get any better than this. A Disco essential. 2nd hand copies of this nugget go for serious wedge these days, now's your chance to snag an *official* licensed reissue from Prelude direct. All totally Above Board! Do it! A. Groove It To Your Body (Vocal), B. Groove It To Your Body (Instrumental)
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The very first legitimate reissue of this stellar 1977 Disco set on the legendary NYC Prelude label. 'Disconnection' is a rare beast, a studio group effort headed up by Robert Lee Holmes Jr., a man who had worked on numerous Soul, Funk & even Jazz titles in his native Nashville and beyond. A true underrated stalwart of Southern R&B, Holmes assembled a still mystery cast of musicians to craft this strange one-off LP. Who were the players? Where were they from? The whole release comes off as an almost 'Library' style LP with tracks short, and to the point. There is not a second or drop of Funk that is wasted throughout, proving that a little can go a long way! The music contained within is masterfully produced and arranged, it's obvious that whoever was drafted in by Holmes to realise his vision was the creme of the crop in terms of musicianship. This be the sound of the dancefloor, or the food for the starving sampler right here. Brilliant. The mystery around this fantastic LP is retained, even now in 2019 where this record is much sought after by collectors and diggers across the world. It's understandable why, this one has it all on paper, but most importantly it has the Funk in spades! Often bootlegged, to very low standards, here is your chance to own a truly unique record - fully legit! An Above Board distribution / Prelude Records collaboration. The first of many, keep them peeled! More

Collecting Orders For Repress!

It's always great to have access to quality masters from some of the world's greatest-ever artists and Gladys Knight hits that spot, especially via the original 12 inch version of Love Is Always On Your Mind is another one of those impossibly rare Buddah 12 inch from the mid-70s.

This is really a 10 minute plus tour-de-force of relentless Disco with Gladys's impassioned vocals doing their usual superlative job. Mint 12 inch copies are reputedly worth £200 but the fact is that there's no mint original ones left anymore.

Until now. Additionally we've cheated slightly by including one of Gladys Knight & The Pips in-demand Columbia recordings on the flip - the Ashford & Simpson penned classic Bourgie Bourgie on which Gladys laid down the definitive vocal to this club classic on the full 4.37 original 12 inch mix.

Two definitive dancefloor gems on one 12 inch pressing mastered from the original tapes. What more could you want ? More

Back To Life transports you to a new stunning acid-tinged deep house journey
Officially licensed from F-Communications / Pias.
A truly gem from 1995 that also includes a remix by Shazz. More

Two sublime deep house cuts from the sorely missed Mike Huckaby - one of the true greats of electronic music. More

For over twenty years on the turntables, I.G.N.A has imposed his sound in the best clubs in Europe. Born in Sicily and raised in Emilia, I.G.N.A’s music is appreciated by many important artists with whom he shares the main stages. As a producer he has released successful EPs on labels such as Deeperfect, Moan and Greatstuff.

This new single is inspired by old school sounds and synths combined with house in a future perspective.
The remix was entrusted to two masters of house music: Ricky L and MarcoRadi. With the intention of spreading new emotions everywhere, looking where no one else lingers, surprising oneself as the music moves in new directions. More

Massive mix alert! "It's party time tonight!" - NYC Mix maestro Mike Maurro has turned in a storming, 14+ minute version of Patrick Adams' classic "Weekend" by Phreek, a true blue club classic from 1978 (Later covered by Class Action, sampled by Todd Terry etc) "Weekend" was an absolutely huge Paradise Garage staple getting unlimited spins from Larry Levan during the club's lifespan, the definition of a "Garage" record indeed. Maurro's new mix rearranges and deconstructs the original version with so much style, respect and feeling, using unheard synth vamps, string sections, percussions and breakdowns pushing it into a whole new direction while retaining the feel of the original mix. The track is already electric in it's original form but here Mike Maurro pushes the energy levels right through the roof, birthing a fresh new mix of a stone cold classic!
On the B-side we have the low slung funk of The New Birth's killer "Deeper", released in '77 as a single on promo 12" this cut gets the MM mix treatment, with the intro extended and the drums brought fully upfront in the mix Mike has teased out all the best parts of the original arrangement while managing to stamp his always unique style on this new version. This midtempo groover is pure Soul all the way, one for the serious dancers that keeps rolling itself along into one of the most solid, funkiest grooves ever! Simply put, another set of essential mixes from a modern day master! More

Repress!
Serious holy grail business on this rare 12-inch extended disco version of Lorraine Johnson - The More I Get, The More I Want on Prelude Records. Original copies of this promo-only cut will set you back £400+ and it doesn’t take a genius to work out why. Produced by Jesse Boyce and Moses Dillard and mixed by Rafael Charres the man behind the mixing desk for classics such as Rare Pleasure - Superfine Feeling and Keith Barrow - Turn Me Up, it’s a dream team cohort that created this Paradise Garage classic.

Backed with equally enthralling, Boyce and Dillard produced, Francois K mixed ‘Feed The Flame’, also loved by the Garage dance floor. More

1970’s Cloud One disco brilliance and one of P&P’s most well-known cuts gets a much-needed official reissue. A studio project masterminded by the legendary Patrick Adams and P&P Records’ Peter Brown, Cloud One’s ‘Disco Juice’ showcases the genius of Adams’ songwriting and production prowess. A bundle of joy from start to finish, every element is given space and arranged exquisitely from the soaring strings and Venus Dodson’s celestial vocals, to the vibraphone twinkles and power piano keys. Deliriously good grooves.

On the B side, ‘Charleston Hopscotch’ a cosmic funk-fuelled jam bouncing guitar riffs, sweltering synths and piano stabs out to the stratosphere and back again, returning with another Patrick Adam’s masterclass. More

Two years on from their widely acclaimed third album, This Bit of Earth, Greg Dowling and Shane Johnson are back on the Go Deep label with their latest long player. What I Mean By Beautiful touches on the previous collection’s themes of upheaval and dislocation, digging through the lost and found of modern life and always looking for light in dark places.

The album marks something of a return to the duo’s house music roots, with a four-to-the-floor foundation underpinning many of the eleven tracks. It exudes a warm, natural sound, where samples sit with modular synths, programmed drums with live loops, and quirky plugins with obscure outboard gear.

Opening track, ‘I Float in the Clouds’, sets a dramatic tone with intricately interwoven guitar and keyboard lines, fragmented, spectral vocals and deep, melodic bass. Tempos range widely throughout the record, from the loose, low-slung grooves of ‘So They Were Changed’ and ‘High Wire’, to the infectious, mid-paced title track, to the intense house workouts of ‘You Came Into My Life’ and ‘All In Everything’. Greg and Shane’s long established dub leanings are also in evidence, especially on the slow motion churn of ‘Low Tide Dub’ and spacious atmospherics of ‘South Gate Step’. The album closes on an open and optimistic note with the soothing pads and deep electronic pulse of ‘Be Brave’, the result of a collaborative project with author Lisa McInerney and actor, Hillary Rose.

DJ Feedback:

CHARLES WEBSTER / MISO RECORDS
‘Beautiful album....so much depth and emotion in the music with impeccable sonics and attention to the all-important details.’

HOT TODDY / CRAZY P
‘Lush and immersive with an emotional, melancholic tug.’

LAURENT GARNIER
‘Pure beauty.’

COFLO / OCHA
‘Awesome, love Fish Go Deep and this is a lovely new sonic excursion for them!’

MASSIMILIANO PAGLIARA
‘This is indeed very beautiful.’

BILL BREWSTER / DJ HISTORY
‘Love these guys and loved the last album. Standouts on first listen: Love The Other, What I Mean By Beautiful, High Wire.’

MR V / SOLE CHANNEL
‘Love this album and where Fish went musically.’

SUBATOMIC / AFTERLIFE
‘This is a truly beautiful album, a breath of fresh air in a world that looks to the past so often rather than forward for inspiration. I loved This Bit of Earth but love this album even more. Full radio support all year.’

BILLY SCURRY
‘Bleedin sensational… like Basic Channel meets The Tom Tom Club!’

CLIVE FROM ACCOUNTS
‘Deep, rich with ideas and beautifully produced.’

FEEL FLY / INTERNATIONAL FEEL
‘Wow! An exciting and magnificent record, masterful work!’

KEN FAN / CAFE DEL MAR
‘Wow wasn’t expecting that, amazing.’

JERRY BOUTHIER / CONTINENTAL RECORDS
‘Very well put together and inspired all the way, bravo!!’

TREVOR FUNG / THE PROJECT
‘Fabulous LP…All tracks…Love it!!’

KEVIN REYNOLDS / TRANSMAT
‘Fish Go Deep produced a stunning complete album. The drift of Larry Heard, dubbed notes grazing Burger / Ink ethos and one can feel clouds of The Orb. 10 out of 10 for me.’

SEAN JOHNSTON / A LOVE FROM OUTER SPACE
‘Great stuff! Lovely production.’ More