Track list:
A1. Bella Boo & KURT - Shake Down
A2. Bella Boo & KURT. - Shake Down (Regrette Rien Mix)
A3. Bella Boo & KUR.T - Shake Down (No Regrette Acapella)
B1. Bella Boo - Alex
B2. Bella Boo - 8Ball

Highlight:
Bella Boo lands on Aus Music with a mix of party-starting and heart-racing house jams

Swedish artist KURT. brings her characterful style to the title cut

Bella Boo has lit up the house world since breaking through in 2018. She has become a Studio Barnhus mainstay with a sound that is both emotional and energetic in the way it contrasts light and dark. It's built on solid grooves with fresh sound designs and has taken her to dj everywhere from Panorama Bar to Printworks. Her debut LP, as well as follow-up EPs, have seen her nominated for several Swedish Grammys and seen her profile grow around the world. KURT. is a rising star from Stockholm with an electric sound that blends club, r&b, pop and soul. It's high on attitude and laced with her own provocative vocals. She guests on opener 'Shake Down', which is a chunky, bass-first rhythm packed with character: hints of jungle breaks, heat-damaged synths and blasts of gloopy bass all bring the fun before KURT.'s vocal motifs - which are variously sultry, whispered and visceral - inject even more heat. The Regrette Rien Mix takes on a late-night feel with sustained chords and a silky smooth vocal from KURT. that turns you inwards. Bella Boo then goes solo for the super vibey 'Atlas', a deep, cruising house cut with catchy percussion and lush, layered bells. The golden chords and shimmering pads are immersive and expansive as the bass powered on. Lastly, '8Ball' quickens your step with bumpy kicks and increasingly detuned, wonky synths that bring a future feel to a punchy yet cuddly and feel-good groove.




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Territories: WORLD minus FR

2 x Vinyl LP, Gatefold, OBI, Printed innersleeves


Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.

The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “N?u Anh V? Bên Em” by Mai Huong and “Hình ?nh Ngu?i Em Không Ð?i” by Thanh Lan.

Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn M?c T?” sang by Trúc Mai, as well as, “N?ng Chi?u” by Lê Tr?ng Nguy?n.

In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Gi?c M?ng Bình Yên” by Thanh Tuy?n, witty music in “C?u C? Lên Thành” by Connie Kim.

Volume 3 closes with the song “Xuân Mu?n” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come.

Finally, the face of the movie star Ki?u Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Ki?u Chinh's image appeared many times on the covers of various music sheets. The image of Ki?u Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s.

Tracklist:

A1. Thý T.nh Cho Em - Mai L. Huy.n
A2. Tu. Anh Tu. Em - Hùng Cý.ng
A3. Anh Ðâu Em Ðó - Connie Kim
A4. Ði.u Ru Ný.c M.t - Carol Kim
A5. Ngý.i Hành Hýõng Trên ..nh Núi - Khánh Ly
B1. B.c Thý T.nh Trên Lô C.t - Ban Sao Bãng
B2. C.u C. Lên Thành - Connie Kim
B3. T.nh Reo Trên Sóng Lúa Vàng - Thanh Lan
B4. Xin Cho Tôi Gi.c M.ng B.nh Yên - ThanhTuy.n
B5. N.ng Chi.u - Sõn Ca
C1. Ð.ng Quên Anh Là Lính - Trý.ng H.i
C2. B.n nh.c không tên - Ban Nh.c Lê Vãn Thi.n
C3. Mýa Bay Trong Ð.i - Duy Khánh
C4. Hàn M.c T. - Trúc Mai
C5. N.u Anh V. Bên Em - Mai Hýõng
D1. G.i Ngý.i Em Nh. - Duy Quang
D2. H.nh .nh Ngý.i Em Không Ð.i - Thanh Lan
D3. Trách Yêu - Hùng Cý.ng & Mai L. Huy.n
D4. T.nh Anh T.nh Em - Túy Phý.ng
D5 .Xuân Mu.n (Chi.u 30 T.t) - Hoàng Oanh

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UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

Tracklist:

A1. What Could Happen
A2. Be Loved
A3. Be Loved - LADYMONIX Scat Dub Remix

B1. Waaalk
B2. HA HA HA
B3. HA HA HA - Blackmoonchild Remix



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12" - 2024 Limited Re Editiion in "Superman" Red Vinyl and Yellow Label

Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)

Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.

Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.

Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn.

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12"
Tracklisting:

a1. Indoctrinated
a2. Ignorance Is Keelleeng
b1. True Majority
b2. Additive Integration

Text:

The 41st release on TECHNO Records marks a defining milestone: the first full- scale solo record by the label’s founder, Nastia, in her music career. It opens up a new depth of detail within the character and identity of both the artist and the catalogue.

Rather than making a loud statement, Nastia focuses on a restrained and functional approach to techno, shaped through subtle shifts in tension, texture, and rhythm. The tracks move with intention, avoiding obvious peaks in favour of gradual development and controlled energy—a familiar methodology and a direct analogy to the evolution of the label itself. Crafted with dancefloor energy in mind but not bound by it, the release offers a fresh perspective on the author’s persona, stripping away excess and overexplanation. It leaves ample room for the listener’s imagination and a versatile, expert application within a DJ set.

The trajectory of ascents and shifting attention in an artist’s career is the only honest path, providing material for reflection and the anchoring of values. This depth of experience cannot be replicated by overnight success or short-lived peaks—only decades of exploration, trial, and error can forge a work built to endure. Studio work becomes a new instrument for Nastia to build value capital, while her debut solo EP stands as an artefact marking a historic point for the author and the label.

[TECH041]

A1 “Indoctrinated” — a masterclass in rhythmic interplay used as a narrative device. It functions as a sonic manifesto: universally accessible yet distinctly individual. A process-driven track, its strength lies in its ability to repeatedly shift the listener’s focus. It serves as an ideal transitional tool, offering a calculated awakening from a hypnotic state.

A2 “Ignorance Is Keelleeng” — a structured dancefloor powerhouse built on a precise understanding of peak-time energy. Functioning as a set-defining anchor, it allows the DJ to pivot the mix in any direction without losing momentum. A true catalyst track that opens up new sonic horizons.

B1 “True Majority” — the most forward-thinking cut on the record, providing a definitive blueprint for the hypnotic techno sound of summer 2026. It presents a multi-layered, all-encompassing sonic tapestry that interacts with the listener while maintaining a strictly restrained narrative. A motif-driven track that subtly exposes an underlying tension.

B2 “Additive Integration” — best conceptualised within an extended set where the goal is to gradually establish the atmosphere and dictate the rules of the journey. A track built on anticipation, it conserves energy and conceals its inner mechanics until the final acts. It compels the listener to decode its sonic language for full comprehension.


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