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Coki’s seminal double A, “Tortured/Shattered”, finally repressed,

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Originally produced during 2003-2006, 6 Coki cult classics finally available on vinyl

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Introspekt’s hotly anticipated debut album Moving The Center comes nearly a year after the release of her latest EP Tectónica. Set to be released on June 20th, Moving the Center sees Introspekt play homage to dubstep’s point of genesis in South London in order to then shift the center of focus from a singular point of origin, to a more global narrative of bass and vibration. The album blends UK bass with contrasting genres like garage and ballroom, creating the perfect feminine blend of these historically masculine genres. The album merges the Black diaspora from across the Atlantic, crafting a sonic world where past, present and future are parallel and immersed in an early millennium type dubstep soundscape. Speaking about the album, Introspekt says, “‘Moving The Center’ embodies an alternate perspective to that which has been dominant in dance music, particularly so-called ‘bass music’. The narrative it presents is one which throws a wrench in the seemingly common perception of Dubstep as a masculinist sensibility. ‘Moving The Center’ pushes a feminine physicality to the front of the bassbins. Femmes to the front!”

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3 heavyweight tracks from the collaborative duo of Jossy Mitsu and Bluetoof. Following their recent tour of China, Japan and Korea, BLUMITSU make their debut on Tempa with three club focused, hard-hitting tracks.

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Manchester native Alex Coulton has nurtured a reputation for creating sub-heavy rollers thanks to 12"s for the likes of Black Acre, Livity Sound and Bloc. With Gamma Ray Burst, the next in his series of releases on London low-end specialists Tempa, Coulton consolidates his sound to deliver some of the most sparse, rhythmic work of his career. With the record's title track, Coulton weaves from hard-hitting kicks, through to dizzying tribal polyrhythms the whole time maintaining a minimal, space driven atmosphere that remains omnipresent throughout the track's most intense moments. 'Ground Zero' revels in its spaciousness, allowing reverb to flood into the negative space between flashes of heavyweight techno percussion and saturated ripples of synth while the pulsating kicks that underpin 'Alpha Decay' are punctuated with bleak, discordant bells, rhythmic bass hits and hypnotic filtered percussion. Showing his diverse abilities, 'Phase Two' is an exercise in measured restraint, as a cacophony of clicks and hisses come together to disorientate before forming a driving rhythm section before Coulton maximises his expansive elements on the fog-tinged 'Ascent'. Closing with the steady flowing, brighter-hued melodic work of 'Distant Resonance', Alex Coulton has created a masterful collection of experimental tech-focused electronica that bewilders, intrigues and will draw the listener in with each play.



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Appleblim's third 12" for Tempa touches on the sonic territories explored on his first 12" (the experimental and amorphus 'Wandered' from Tempa101) while expanding on those ideas. The first track 'Minus Degree' is Appleblim at his most experimental. A beatless affair of sparse soundscapes and atmospheres. Full of tension, and crucially no release, you are swept away by the waves of synths and sub bass. Next track 'Move Them' is more traditional Appleblim - 4x4 and dub techno chords build a sense of momentum over the space of 7 minutes. A traditionally leaning techno tune with a UK twist, Appleblim's use of space and tension will keep any raver entranced. Final track 'Twist It Down' rounds out the EP with a subtle roller. Broken drum patterns and bright synths help in stripping away some of the darker undertones prevalent in the previous tracks.




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Appleblim's third 12" for Tempa touches on the sonic territories explored on his first 12" (the experimental and amorphus 'Wandered' from Tempa101) while expanding on those ideas. The first track 'Minus Degree' is Appleblim at his most experimental. A beatless affair of sparse soundscapes and atmospheres. Full of tension, and crucially no release, you are swept away by the waves of synths and sub bass. Next track 'Move Them' is more traditional Appleblim - 4x4 and dub techno chords build a sense of momentum over the space of 7 minutes. A traditionally leaning techno tune with a UK twist, Appleblim's use of space and tension will keep any raver entranced. Final track 'Twist It Down' rounds out the EP with a subtle roller. Broken drum patterns and bright synths help in stripping away some of the darker undertones prevalent in the previous tracks.




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Kosheen member Markee Ledge, making the most of the groups hiatus, brings forward three solo productions for his debut release on Tempa.



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Appleblim and October - two key figures in the Bristol electronic music scene - reunite forces to deliver 'Other Side of The Sky' for Tempa. A melodic and cycling kick drum and sub-bass pattern propels the spectral, white-noise hiss of the Original Mix forward on side A. Appleblim breaks apart and refixes the track for his remix found on the flip, in a style reminiscent of label mates Horsepower Productions - all dubbed-out tape echo and amped up paranoia.



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From across the pond, US producer Andrew Howard a.k.a AxH lines up another 12" on Tempa after his lauded first outing on the label back in February in 2014. Having also released records on Elk Beats and Dubs Alive - his latest 'Numbskull' 12" charters a familiar murky territory to his previous and features a brawny collaboration with Toronto based Gremlinz. The title track kicks things off with a lively melodies set tumbling over driven kicks, dramatic ride pings and fierce, roaring bass tones before 'Gem Tone' melds off-kilter and vaguely arabesque tones over capacious percussion that sits the tone comfortably in big room spaces. 'Hacker' then shoots off the blocks with mangled feedback signals and sharp, effective rim shots, while dense subs tremble beneath spectral reverberated atmospherics


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Manchester born Alex Coulton has steadily garnered a following throughout a slew of lauded 12”s on Hype LTD, Black Acre, Idle Hands, Livity Sound sub Dnous Ytivil and Bloc’s new imprint. Derivative of the sound championed by Bristol’s Hodge and Peverelist, Coulton has nestled himself in amongst the ranks
and successfully branded his own stamp on the tougher strands of UK-centric Bass music. Now - in the follow up to his Freefall EP on Bloc, Coulton lines up his next 12” on Tempa, his second outing on London’-s stalwart institute that comes in the form of a burly two-tracker titled Hand To Hand Combat / Concealed Weapon. Packed with pugnacious bass tones and dystopian drones - ‘Hand To Hand Combat’ kicks things off. Driven, steely toms and pellucid rim shots scatter across the mix in a high pressure affair before ‘Concealed Weapon’ demonstrates the droit management of atmospherics that’s propelled Coulton’s production path thus far. Dense, throbbing subs form an underbelly whilst menacing growls are intertwined with reverberated claps and snares that work to dial an urgent sense of tension and wrap up another fine addition to Tempa’s ever-expanding catalogue.

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Next on Tempa comes the label's landmark 100th release -- a double pack of essential classics to mark the occasion. 500 COPIES ONLY Founded in London in 2000, Tempa swiftly evolved to become one of the most vital and influential labels in the last 15 yearsof UK dance music. At the epicentre of dubstep as it evolved from a mutant offshoot of garage into its own unique sceneand sound, Tempa has fostered many of the genre's best-known names and some of its most powerful So for our 100th release, we're marking that legacy by casting an ear back into our rich archives. Across two 12"s we're re-pressing a selection of pivotal tracks from Horsepower, Skream, Digital Mystikz, Benga & Coki, DJ Abstract and SP:MC,which together chart the history of dubstep's emergence. Tempa100's first disc gathers together the heady, dark percussivesounds of the genre's early years, rich in smoky atmosphere. It opens with a track from the very first Tempa 12", the slinkilyrobotic freakout of Horsepower Production's 'When You Hold Me', before drifting through DJ Abstract's humid and romantic'Touch', High Plains Drifter's 'Sholay (Epic Mix)' and Digital Mystikz's ultra stripped-back early roller 'Give Jah Glory'. Thesecond plate ups the ante with a clutch of dubstep's most iconic dancefloor bruisers - Skream's seminal 'Midnight RequestLine', Benga & Coki's anthemic 'Night', the cybernetic halfstep of SP:MC's 'Trust Nobody' and the dub disorientation ofCoki's 'Tortured'. Just as powerful as when they were first released, the music on Tempa100 is both a celebration and a reminder of thelabel's ten-tons-heavy contribution to UK music history. Designed by long time collaborator and art director Give Up Art, the packaging contains two unique printed inner sleeves, and includes previously unpublished photos from the archives of photographer Shaun Bloodworth


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Somewhat mystifyingly, Appleblim has throughout his career remained one of the great unsung artists to emerge from Bristol's late-noughties golden era of producers. His collaboration with Ramadanman on 'Void 23' remains a club staple, his work with Komon mines the deeper shades of house, while he touches on tightly woven techno with Peverelist on 'Over Here'. A defiantly singular producer, Appleblim's latest for Tempa is a three tracker that opens with the idiosyncratic 'Avebury', whose momentum builds steadily towards the track's apex before a rude bassline plunges the skittering keys into a deep, measured lull. The 12's centerpiece is its most challenging offering, with the almost ten minute 'Wandered' not possessing a kick of any sort, but instead chooses to bubble menacingly under the surface for the duration, recalling some of Actress' more thought provoking work. The greyscale 'Auburn Blaze' rounds off an eclectic selection of tracks that as a whole feel most at home reverberating off the walls of a dank south London club, or on the night bus home across a buzzing metropolis.




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Originally released on Firstcask Records 2006 played by a dj like Aphex Twin at Field Day 2023, Ceephax essential oils ! Acid Varsity !

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The in demand breakbeat hardcore debut from the reclusive Synthasy. Engineered by Jezz Wright (the man behind the men behind Liquid’s Sweet Harmony and Lemon D’s Toxic Rhythms and Pursuit Of A Vision EPs) at Blockhouse Studios, a private press white label EP was self-distributed across London record shops and received additional exposure courtesy of Entity Records distribution arm. Growing demand warranted a subsequent full artwork label repress, but the record soon evaporated becoming the thing of legend, and now commands big money.

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Downtown E-Style Sound Crawlers

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One of the biggest tunes of 2011 gets a reload on Hotflush with a brand new remix from house legend Mr. G.Hotflush label boss Scuba was a dubstep exile in Berlin running parties at Berghain in 2011, following the release of his landmark album Triangulation the previous year. The SCB project had been launched as a platform for his productions outside of the 140 realm, anticipating a stylistic move that would make a serious impact on the dance scene at large.‘Loss’ was released on Aus Music that March, proceeded to destroy dancefloors across the globe, and ended the year at number 7 in RA’s ‘Top Tracks of 2011’. In 2025, it retains the unique combination of minimal elegance and trance power that gave it such impact all those years ago.UK house mastermind Mr. G steps up with a trademark remix - uncompromising in groove and structure, guaranteed to do the business on the floor.And to round off the package, a previously unreleased version of the original b-side, FutureUnknown is included. The ‘Voxattack’ made many appearances in the Scuba DJ set at the time and qualifies for ‘sought-after lost dub’ status.

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Tracklisting:
A1 Interplanetary Criminal - Who On Da Mic
A2 Interplanetary Criminal - Supreme Level
B1 Interplanetary Criminal - Darkside
B2 Interplanetary Criminal - The Way

Release Note:
Interplanetary Criminal returns to Time Is Now with four killer UKG cuts.

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Repress.

The Velvets legendary debut album with the Warhol's Banana cover art printed on vinyl. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico performed on this album. However, this does not detract from the fact that when this album was made the Red Sea parted, and the Velvet Underground crossed into the Promised Land. 180 gram picture disc LP in deluxe sleeve, with 2 bonus tracks.

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LB0097LP-NDC (Non Die Cut) Floating Points, Pharoah Sanders & The London Symphony Orchestra "Promises" will be the new standard product moving forward

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Tracklisting
A1 Unknown Artist - What Times Are Love
B1 Unknown Artist - The Chimes

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Tracklisting
A1 Jeremy Sylvester - The Lights
A2 Jeremy Sylvester - Tings a Gwarn
B1 Jeremy Sylvester - Falling
B2 Jeremy Sylvester - The Lights (Soul Mass Transit System remix)

Sales Note
Bass music OG Jeremy Sylvester returns to Shall Not Fade sister label Time Is Now for his second full EP on the label.

Jeremy again shows on The Lights EP why is highly regarded as one of the OG's of bass music, having been a producer of non stop consistent releases for the last 20+ years. The Lights EP has everything from dreamy synths, bass warpers, choppy breaks and infectious vocals, all merging together to create a truly unique take on bass music. All topped off with a weighty remix from artist of the moment Soul Mass Transit System on the B-SIDE. BIG TIP!

The Lights EP drops December 6th via Time Is Now.

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Tracklisting
A1 Blame the Mono - Podgorica
A2 Blame the Mono - Flip The Phase
B1 Blame the Mono - Digital Diva
B2 Blame the Mono & Lifka - Molly Pop

Sales Note
After persistently fine crafting their sound in the studio for two years, the dynamic duo Blame The Mono return to Molekul with a powerful second opus.
Pulse Persisters is an explosive 4-track EP showcasing their vision of fun, creative and genre-bending techno.

Podgorica sets the tone of the EP with its swelling lowend, 2000s evocative acid bassline and intense breakbeat build-up.

Flip The Phase sends you on a face melting journey strewn with stuttering dub chords, playful vocal chops and a jungle section that completely flips the script.

Digital Diva loops a catchy 80s pop diva vocal and combines it with a frantic dub-tinged groove for effective dancefloor results.

Molly Pop sees the duo collaborate with German producer Lifka on an unrelenting psy-influenced peaktime weapon that closes the EP on a strong note.

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Tracklisting
A1 Bushbaby - Roll To The Rhythm
A2 Bushbaby - Shine Together
B1 Bushbaby - Groundsman

Sales Note
Bass music royalty Bushbaby joins the Time Is Now family with his Roll To The Rhythm EP, delivering three colossal bass-driven rollers that are sure to shake the dancefloor.

Once again, Bushbaby proves why he's at the forefront of bass music, consistently pushing boundaries and setting the standard for the genre. His unique ability to blend raw, infectious UKG rhythms with cutting-edge sound design makes this EP a standout in the current UKG revival-original, unforgettable, and destined to make waves. With support already rolling in from bass heavyweights like Interplanetary Criminal and Bakey, this 3-track banger is primed to dominate club sound systems and sounds absolutely massive on big speakers.

Whether you're digging through your record bag or prepping your USB for the next club night, Roll To The Rhythm is a must-have record.

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