Introspekt’s hotly anticipated debut album Moving The Center comes nearly a year after the release of her latest EP Tectónica. Set to be released on June 20th, Moving the Center sees Introspekt play homage to dubstep’s point of genesis in South London in order to then shift the center of focus from a singular point of origin, to a more global narrative of bass and vibration. The album blends UK bass with contrasting genres like garage and ballroom, creating the perfect feminine blend of these historically masculine genres. The album merges the Black diaspora from across the Atlantic, crafting a sonic world where past, present and future are parallel and immersed in an early millennium type dubstep soundscape. Speaking about the album, Introspekt says, “‘Moving The Center’ embodies an alternate perspective to that which has been dominant in dance music, particularly so-called ‘bass music’. The narrative it presents is one which throws a wrench in the seemingly common perception of Dubstep as a masculinist sensibility. ‘Moving The Center’ pushes a feminine physicality to the front of the bassbins. Femmes to the front!”

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For their second release of 2023, T4T LUV NRG present the “Temptation E.P.” by breakout L.A. based producer and DJ Introspekt. Between sets at West Coast renegades, Introspekt has caught the attention of DJs the world over with her heavy and beautifully crafted UKG productions on Gimme A Break and Shall Not Fade, including a forthcoming release on Interplanetary Criminal’s compilation for Locked On. T4T LUV NRG label heads Octo Octa and Eris Drew were introduced to Introspekt through Bored Lord and eagerly signed the Temptation e.p. on a first listen, already having been fans of her music. Their imaginations were immediately captured by this U.S. artist’s fresh take on UKG, which borrows certain motifs from Ballroom culture and classic house sounds. All of the tracks on “Temptation” utterly rip in a playful way but they also have a genuine emotion and narrative that Introspekt weaves through all the swingin’ beats and bass. We can’t wait to hear these juicy tunes work the bins over the coming months!

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Tracklisting:
A1 Introspekt - Starved
A2 Introspekt - Forlorn
B1 Introspekt - Style So Hot
B2 Introspekt - What Target (2003 Mix)
B3 Introspekt - It's Cold Up North

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Los Angeles' UKG stalwart brings us the latest Time Is Now release: a 140BPM 5-track special sure to rip open any dancefloor.

Although Sage Hunt wasn't born into the UK hardcore continuum, the UK hardcore continuum was decidedly born into her. In the space of her relatively short career, she has fast become one of the scene's most recognised names, having shared lineups with the likes of Conducta, Sam Binga, collaborated with Oakland badgal bored lord, and appeared on our last TIN compilation alongside Soul Mass Transit System with Sexy Thing. Forlorn EP showcases what else the UKG fanatic has tucked up her sleeve, slammed with big and bad warped basslines, raga vocals, eski samples and saxophone atmospherics. Strap in!

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Coki’s seminal double A, “Tortured/Shattered”, finally repressed,

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Originally produced during 2003-2006, 6 Coki cult classics finally available on vinyl

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Bristol heavyweight K-Lone, arrives on Tempa with his 'Pressure EP'.

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Introspekt’s hotly anticipated debut album Moving The Center comes nearly a year after the release of her latest EP Tectónica. Set to be released on June 20th, Moving the Center sees Introspekt play homage to dubstep’s point of genesis in South London in order to then shift the center of focus from a singular point of origin, to a more global narrative of bass and vibration. The album blends UK bass with contrasting genres like garage and ballroom, creating the perfect feminine blend of these historically masculine genres. The album merges the Black diaspora from across the Atlantic, crafting a sonic world where past, present and future are parallel and immersed in an early millennium type dubstep soundscape. Speaking about the album, Introspekt says, “‘Moving The Center’ embodies an alternate perspective to that which has been dominant in dance music, particularly so-called ‘bass music’. The narrative it presents is one which throws a wrench in the seemingly common perception of Dubstep as a masculinist sensibility. ‘Moving The Center’ pushes a feminine physicality to the front of the bassbins. Femmes to the front!”

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3 heavyweight tracks from the collaborative duo of Jossy Mitsu and Bluetoof. Following their recent tour of China, Japan and Korea, BLUMITSU make their debut on Tempa with three club focused, hard-hitting tracks.

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Manchester native Alex Coulton has nurtured a reputation for creating sub-heavy rollers thanks to 12"s for the likes of Black Acre, Livity Sound and Bloc. With Gamma Ray Burst, the next in his series of releases on London low-end specialists Tempa, Coulton consolidates his sound to deliver some of the most sparse, rhythmic work of his career. With the record's title track, Coulton weaves from hard-hitting kicks, through to dizzying tribal polyrhythms the whole time maintaining a minimal, space driven atmosphere that remains omnipresent throughout the track's most intense moments. 'Ground Zero' revels in its spaciousness, allowing reverb to flood into the negative space between flashes of heavyweight techno percussion and saturated ripples of synth while the pulsating kicks that underpin 'Alpha Decay' are punctuated with bleak, discordant bells, rhythmic bass hits and hypnotic filtered percussion. Showing his diverse abilities, 'Phase Two' is an exercise in measured restraint, as a cacophony of clicks and hisses come together to disorientate before forming a driving rhythm section before Coulton maximises his expansive elements on the fog-tinged 'Ascent'. Closing with the steady flowing, brighter-hued melodic work of 'Distant Resonance', Alex Coulton has created a masterful collection of experimental tech-focused electronica that bewilders, intrigues and will draw the listener in with each play.



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Appleblim's third 12" for Tempa touches on the sonic territories explored on his first 12" (the experimental and amorphus 'Wandered' from Tempa101) while expanding on those ideas. The first track 'Minus Degree' is Appleblim at his most experimental. A beatless affair of sparse soundscapes and atmospheres. Full of tension, and crucially no release, you are swept away by the waves of synths and sub bass. Next track 'Move Them' is more traditional Appleblim - 4x4 and dub techno chords build a sense of momentum over the space of 7 minutes. A traditionally leaning techno tune with a UK twist, Appleblim's use of space and tension will keep any raver entranced. Final track 'Twist It Down' rounds out the EP with a subtle roller. Broken drum patterns and bright synths help in stripping away some of the darker undertones prevalent in the previous tracks.




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Appleblim's third 12" for Tempa touches on the sonic territories explored on his first 12" (the experimental and amorphus 'Wandered' from Tempa101) while expanding on those ideas. The first track 'Minus Degree' is Appleblim at his most experimental. A beatless affair of sparse soundscapes and atmospheres. Full of tension, and crucially no release, you are swept away by the waves of synths and sub bass. Next track 'Move Them' is more traditional Appleblim - 4x4 and dub techno chords build a sense of momentum over the space of 7 minutes. A traditionally leaning techno tune with a UK twist, Appleblim's use of space and tension will keep any raver entranced. Final track 'Twist It Down' rounds out the EP with a subtle roller. Broken drum patterns and bright synths help in stripping away some of the darker undertones prevalent in the previous tracks.




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Kosheen member Markee Ledge, making the most of the groups hiatus, brings forward three solo productions for his debut release on Tempa.



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Appleblim and October - two key figures in the Bristol electronic music scene - reunite forces to deliver 'Other Side of The Sky' for Tempa. A melodic and cycling kick drum and sub-bass pattern propels the spectral, white-noise hiss of the Original Mix forward on side A. Appleblim breaks apart and refixes the track for his remix found on the flip, in a style reminiscent of label mates Horsepower Productions - all dubbed-out tape echo and amped up paranoia.



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From across the pond, US producer Andrew Howard a.k.a AxH lines up another 12" on Tempa after his lauded first outing on the label back in February in 2014. Having also released records on Elk Beats and Dubs Alive - his latest 'Numbskull' 12" charters a familiar murky territory to his previous and features a brawny collaboration with Toronto based Gremlinz. The title track kicks things off with a lively melodies set tumbling over driven kicks, dramatic ride pings and fierce, roaring bass tones before 'Gem Tone' melds off-kilter and vaguely arabesque tones over capacious percussion that sits the tone comfortably in big room spaces. 'Hacker' then shoots off the blocks with mangled feedback signals and sharp, effective rim shots, while dense subs tremble beneath spectral reverberated atmospherics


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Manchester born Alex Coulton has steadily garnered a following throughout a slew of lauded 12”s on Hype LTD, Black Acre, Idle Hands, Livity Sound sub Dnous Ytivil and Bloc’s new imprint. Derivative of the sound championed by Bristol’s Hodge and Peverelist, Coulton has nestled himself in amongst the ranks
and successfully branded his own stamp on the tougher strands of UK-centric Bass music. Now - in the follow up to his Freefall EP on Bloc, Coulton lines up his next 12” on Tempa, his second outing on London’-s stalwart institute that comes in the form of a burly two-tracker titled Hand To Hand Combat / Concealed Weapon. Packed with pugnacious bass tones and dystopian drones - ‘Hand To Hand Combat’ kicks things off. Driven, steely toms and pellucid rim shots scatter across the mix in a high pressure affair before ‘Concealed Weapon’ demonstrates the droit management of atmospherics that’s propelled Coulton’s production path thus far. Dense, throbbing subs form an underbelly whilst menacing growls are intertwined with reverberated claps and snares that work to dial an urgent sense of tension and wrap up another fine addition to Tempa’s ever-expanding catalogue.

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Next on Tempa comes the label's landmark 100th release -- a double pack of essential classics to mark the occasion. 500 COPIES ONLY Founded in London in 2000, Tempa swiftly evolved to become one of the most vital and influential labels in the last 15 yearsof UK dance music. At the epicentre of dubstep as it evolved from a mutant offshoot of garage into its own unique sceneand sound, Tempa has fostered many of the genre's best-known names and some of its most powerful So for our 100th release, we're marking that legacy by casting an ear back into our rich archives. Across two 12"s we're re-pressing a selection of pivotal tracks from Horsepower, Skream, Digital Mystikz, Benga & Coki, DJ Abstract and SP:MC,which together chart the history of dubstep's emergence. Tempa100's first disc gathers together the heady, dark percussivesounds of the genre's early years, rich in smoky atmosphere. It opens with a track from the very first Tempa 12", the slinkilyrobotic freakout of Horsepower Production's 'When You Hold Me', before drifting through DJ Abstract's humid and romantic'Touch', High Plains Drifter's 'Sholay (Epic Mix)' and Digital Mystikz's ultra stripped-back early roller 'Give Jah Glory'. Thesecond plate ups the ante with a clutch of dubstep's most iconic dancefloor bruisers - Skream's seminal 'Midnight RequestLine', Benga & Coki's anthemic 'Night', the cybernetic halfstep of SP:MC's 'Trust Nobody' and the dub disorientation ofCoki's 'Tortured'. Just as powerful as when they were first released, the music on Tempa100 is both a celebration and a reminder of thelabel's ten-tons-heavy contribution to UK music history. Designed by long time collaborator and art director Give Up Art, the packaging contains two unique printed inner sleeves, and includes previously unpublished photos from the archives of photographer Shaun Bloodworth


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Somewhat mystifyingly, Appleblim has throughout his career remained one of the great unsung artists to emerge from Bristol's late-noughties golden era of producers. His collaboration with Ramadanman on 'Void 23' remains a club staple, his work with Komon mines the deeper shades of house, while he touches on tightly woven techno with Peverelist on 'Over Here'. A defiantly singular producer, Appleblim's latest for Tempa is a three tracker that opens with the idiosyncratic 'Avebury', whose momentum builds steadily towards the track's apex before a rude bassline plunges the skittering keys into a deep, measured lull. The 12's centerpiece is its most challenging offering, with the almost ten minute 'Wandered' not possessing a kick of any sort, but instead chooses to bubble menacingly under the surface for the duration, recalling some of Actress' more thought provoking work. The greyscale 'Auburn Blaze' rounds off an eclectic selection of tracks that as a whole feel most at home reverberating off the walls of a dank south London club, or on the night bus home across a buzzing metropolis.




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Acclaimed electronic artists Paranoid London land on cult NYC label Nu Groove with ‘Talk Dirty / Revolution’, on wax for the first time. Known for their dynamic, hybrid sets combining experimental DJing with live electronics, Paranoid London are a firm favourite of heads in the know thanks to their impeccable, eclectic taste that honours house’s underground roots. The duo are sonically at home on Nu Groove, originally created in 1988 as an outlet for The Burrell Brothers’ avant-garde house sound. Title track ‘Talk Dirty’ demonstrates the unique power that Paranoid London cultivate on the dancefloor, inspired by the original sound of Chicago house; featured on the record is their frequent collaborator Josh Caffe, a prolific house and techno vocalist who has also worked with icon of the scene Honey Dijon. What follows is ‘Revolution’, an essential DJ tool for the more underground dancefloors that shows off the group’s raw, acidic sound, before instrumental and accapella versions of ‘Talk Dirty’ complete the four-track vinyl.

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Founded in 1988 by Frank and Karen Mendez as a vehicle for The Burrell Brother’s prolific creative output, the legendary NYC label Nu Groove was relaunched in 2021, reinstating its cult status and quickly becoming a home for genre pioneers. Today its impressive catalogue continues to grow with New York’s own Jovonn returning to the label with his ‘Syndicate Deep EP’, a four-track release showcasing the house master’s deep, pioneering and eclectic electronic grooves, including his Comon Remix update of ‘Random’, one of the tracks that relaunched the label.

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Tracklisting
A1 INVEXIS - MORPHIUM
A2 INVEXIS - NORDIC NOISE
B1 INVEXIS - INSTINCT
B2 INVEXIS - RS

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Germany's Invexis comes back to the Manchester-based Scrap & Delete label with the 'Morphium' EP, arriving 19th September 2025. The four tracks follow up his remix for label founder Dorbachov's 'Ellesmere Street' EP earlier in 2025, which won support from Luke Slater, Jako Jako, Dave Clarke, and more.

Title track 'Morphium' opens the EP in unexpected territory: an emotive, melodic crossover track that retains Invexis' mechanical backbone while reaching for something more transcendent. With soaring synth layers and expertly balanced weight, it's a rare euphoric moment in his catalogue; one destined to erupt across festival tents.

'Nordic Noise' pulls things back into colder, rawer terrain, a frostbitten slab of functional minimalism with raw textures, fizzing hi-hats, and relentless groove cycles.

'Instinct' channels classic loop techno through a modern lens, driven by restless percussion and syncopated punch.

Finally, 'RS' pays tribute to late-'90s groove science with complex, kinetic motion and heads-down intensity, reimagined for a new generation of warehouse punters.

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Tracklisting
A1 Hurdslenk - Warped
A2 Hurdslenk - Recheck
B1 Hurdslenk - Vyrex
B2 Hurdslenk - Rider

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Coki’s seminal double A, “Tortured/Shattered”, finally repressed,

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Originally produced during 2003-2006, 6 Coki cult classics finally available on vinyl

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Part 3 of 3 opens with an absolute weapon of a track from Medlar, ‘Hardly Workin’ is a peak time track of the highest order fusing straight up House with a UK baseline to rattle any system. Next up is Texan Father Sheed (full EP from him coming very soon) with a jack track to get the body moving.

Over on the B-side Kenny Blacksmith takes us in a deeper direction with ‘Church’ full of lush pads and warming baselines. To close out the record Dim City takes it up a notch with an end of the night rave anthem.

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Transmissions from a lost tape by the enigmatic Italian producer CVE, recorded in Naples, 1996. Hypnotic 303 acid lines ripple through the mix — a raw, Rephlex-era pulse bridging UK and Italy. No frills, just pure, unshakable dancefloor heat.

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Part 2 of 3 welcomes some new faces to the M.A.D fold, as well as collaboration track between label boss Josh Ludlow and D.A.S of Devon Analogue fame along side tracks from underground legend Lipelis, Italian stallion Issam Dahmani, Bristolian new comer Meggy Mac and whiz kid Bogdan Ra.

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Effective Well Dressed Dhampires

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Part 1 of 3 of the ‘A M.A.D 5 YEARS’ comp perfectly shows what label bosses Make A Dance are trying to achieve with their label. A broad selection of forward thinking cuts drawing inspiration from all corners of the electronic spectrum.

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