1
Noboot - Call And Pulsate
2
Noboot - Meter Tired
3
Noboot - Oscillant
4
Noboot - Timer Set
5
Noboot - Desolated Delay
6
Noboot - 106 Explorer
7
Noboot - Lustre Machine
8
Noboot - At Night I Walk
9
Noboot - Call Forward
The Comfort enters the double digits of its catalogue with the label’s most ambitious release to date by Saudi Arabian artist Noboot, titled “Call and Pulsate”.
Fluid in genre yet wholeheartedly electro in spirit, Noboot’s creative output shapeshifts across the record: from four-to-the-floor acid-tinged propulsion to time-freezing illuminations, with neon-coloured synths, body-twisting low ends and piercing drum hits mutating throughout the album, and often within the tracks themselves.
Noboot’s capacity for sonic manipulation is on full display here with the pieces moving with a captivating direction and command. Sometimes gentle, sometimes dramatic, but always carried with a particular elegance and poise. To listen to the record from start to finish is to step into Noboot’s own conceptual world, one in which the artist has the confidence to take floor-oriented dance music and elevate it both in spirit and form.
There is composure and ambition in this approach. Tracks move the listener from one emotional state to another in the span of six minutes: not merely teasing transformation, but by fully taking the listener there. To deliver on that ambition requires control and idiosyncratic intuition. If “Desolated Delay” and “Timer Set” are striking examples of Noboot’s capacity for propulsion, “Meter Tired” shows the other side of their talent: the ability to make time feel briefly suspended in a weightless flux of cybernetic psychedelia.
To achieve this once or twice would already be impressive. To sustain it across an album of this scale is rare in electronic dance music, and makes The Comfort’s tenth release a defining moment in the label’s catalogue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Fluid in genre yet wholeheartedly electro in spirit, Noboot’s creative output shapeshifts across the record: from four-to-the-floor acid-tinged propulsion to time-freezing illuminations, with neon-coloured synths, body-twisting low ends and piercing drum hits mutating throughout the album, and often within the tracks themselves.
Noboot’s capacity for sonic manipulation is on full display here with the pieces moving with a captivating direction and command. Sometimes gentle, sometimes dramatic, but always carried with a particular elegance and poise. To listen to the record from start to finish is to step into Noboot’s own conceptual world, one in which the artist has the confidence to take floor-oriented dance music and elevate it both in spirit and form.
There is composure and ambition in this approach. Tracks move the listener from one emotional state to another in the span of six minutes: not merely teasing transformation, but by fully taking the listener there. To deliver on that ambition requires control and idiosyncratic intuition. If “Desolated Delay” and “Timer Set” are striking examples of Noboot’s capacity for propulsion, “Meter Tired” shows the other side of their talent: the ability to make time feel briefly suspended in a weightless flux of cybernetic psychedelia.
To achieve this once or twice would already be impressive. To sustain it across an album of this scale is rare in electronic dance music, and makes The Comfort’s tenth release a defining moment in the label’s catalogue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Noboot
Label:Undersound Recordings
Cat-No:USR029
Release-Date:01.03.2024
Genre:House / Techno
Configuration:12"
Label:Undersound Recordings
Cat-No:USR029
Release-Date:01.03.2024
Genre:House / Techno
Configuration:12"
1
Noboot - 404
2
Noboot - Weather System
3
Noboot - Glumnite
4
Noboot - Sing And Cry
Directly from Saudi Arabia, Noboot delivers a 4 tracker ep as his first solo 12” ever released.
The Ep opens with “404,” a nocturnal ambiance takes center stage. The synthesizer tones weave a captivating tapestry, initiating a profoundly gratifying journey through pulsating acid 4/4 rhythms. Following “Weather Systems,” cosmic dreaminess evokes pure contentment, with a neon-hued, blissful ambient backdrop.
The B side takes an even more melancholic direction with “Glumnite” that brings a dark midnight vibe, blending tempos into a mix of blue acid Electro and techno. In “Sing & Cry,” the music unfolds organically, sidestepping predictable crescendos to create a melancholic atmosphere. The result is a truly poignant track that evokes genuine sadness and emotional resonance.
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Germany
Contact: [email protected]More
The Ep opens with “404,” a nocturnal ambiance takes center stage. The synthesizer tones weave a captivating tapestry, initiating a profoundly gratifying journey through pulsating acid 4/4 rhythms. Following “Weather Systems,” cosmic dreaminess evokes pure contentment, with a neon-hued, blissful ambient backdrop.
The B side takes an even more melancholic direction with “Glumnite” that brings a dark midnight vibe, blending tempos into a mix of blue acid Electro and techno. In “Sing & Cry,” the music unfolds organically, sidestepping predictable crescendos to create a melancholic atmosphere. The result is a truly poignant track that evokes genuine sadness and emotional resonance.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from The Comfort
1
Titino - Shblazted
2
Titino - Ouachita
3
Titino - Sun Splicer
4
Titino - Existenz
Italy via Atlanta, say hello to Titino and “Sun Splicer”, the latest release on The Comfort. Three separate ideas connect this EP across 4 tracks. It toys with the expectations of its listener — core features morph as tracks progress, stable kick patterns turn to breaks and in reverse, simple stabs progress to melodic junctions. Acid permeates this record, not as a clear motif but a tinged essence. And it’s sincere, both to the setting of these pieces and where they’ll be listened to and what it honors.
“Shblasted” — a back-and-forth groove machine filled with dub sirens and stepped up acid. Clubby introduction meant for sacred dance floors.
“Ouachita” on the A2 is controlled chaos, snares fly around, synth lines seem to want to escape their own confines and it just bursts onto the listener. Then the keys come in, the groove stabilizes, pads become bigger and new life is given.
The B-side is playful. “Sun Splicer” is perhaps most aptly categorized by a now notorious idea of ‘electro house’, and the pure aggressive euphoria this track carries just might be that, but as we all know the Italians do it differently — it’s a heady dark excursion. “Existenz” is all-smiles no matter how menacing its first contact, a hook of a track that reimagines the weirder side of Italian trance — think Interactive Test at its most wonderful. The dusty snares feel like a balancing tool instead of an homage.
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Germany
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“Shblasted” — a back-and-forth groove machine filled with dub sirens and stepped up acid. Clubby introduction meant for sacred dance floors.
“Ouachita” on the A2 is controlled chaos, snares fly around, synth lines seem to want to escape their own confines and it just bursts onto the listener. Then the keys come in, the groove stabilizes, pads become bigger and new life is given.
The B-side is playful. “Sun Splicer” is perhaps most aptly categorized by a now notorious idea of ‘electro house’, and the pure aggressive euphoria this track carries just might be that, but as we all know the Italians do it differently — it’s a heady dark excursion. “Existenz” is all-smiles no matter how menacing its first contact, a hook of a track that reimagines the weirder side of Italian trance — think Interactive Test at its most wonderful. The dusty snares feel like a balancing tool instead of an homage.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Oskar Offermann - Planet Interface
2
Oskar Offermann - Televise Improvise
3
Oskar Offermann - Accepting
4
Oskar Offermann - Sei Mai Nur Lieb
To submit or to surrender? Robert Johnson resident Oskar Offermann doesn’t have the answers, and that’s kind of the point. Things change: one moment you’re touring the globe as a recognizable face of one of the greatest clubs in the world, the next you’ve started a new life as a teacher. How do you handle that shift? On this record, Offermann doesn’t offer solutions so much as trace his own way through it, reflecting the whole process in his music and creative work.
Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.
Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.
Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.
Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.
Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Putsch '79 - Estrange
2
Putsch '79 - Calma
3
Putsch '79 - Aves
4
Putsch '79 - Birdz
The seventh release on The Comfort comes from a legendary Finnish electro-disco duo known to any music nerd worth their salt: Putsch’79, the pair of Sami Liuski and Pauli Jylhänkangas. Across their shared catalog and solo projects, most notably Sami’s work as Bangkok Impact and 8Bit Rockets, their music has found a home on some of the most inspiring platforms and labels, including Creme Organization, WeMe, Viewlexx, Clone, Bunker, Klang Elektronik, and Klakson.
Heavy on bliss and warmth, the four tracks sit elegantly between italo, house, and disco, featuring sleek vocoders, beautiful arpeggios, soft percussion, gentle plucks, and just the right amount of low-end to hold it all together. Each track feels like being dropped into a different dream-state: from the bubbly B2 “Birdz” to the racy, forward-driving A1 “Estrange.” The grooves and soundscapes never resolve—they simply unfold—perfect for open-airs, afters, and hazy loft parties.
Some records are born on the dancefloor, some from vivid visions, and some—like this one—from the beauty of birdsong. Tracing its origin to a moment suspended between night and morning, sometime around 2016 or 2017, Birdz emerged from a shared experience: Sami and Pauli listening in awe as the world slowly woke up. This EP is their attempt to translate that fleeting encounter into music.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Heavy on bliss and warmth, the four tracks sit elegantly between italo, house, and disco, featuring sleek vocoders, beautiful arpeggios, soft percussion, gentle plucks, and just the right amount of low-end to hold it all together. Each track feels like being dropped into a different dream-state: from the bubbly B2 “Birdz” to the racy, forward-driving A1 “Estrange.” The grooves and soundscapes never resolve—they simply unfold—perfect for open-airs, afters, and hazy loft parties.
Some records are born on the dancefloor, some from vivid visions, and some—like this one—from the beauty of birdsong. Tracing its origin to a moment suspended between night and morning, sometime around 2016 or 2017, Birdz emerged from a shared experience: Sami and Pauli listening in awe as the world slowly woke up. This EP is their attempt to translate that fleeting encounter into music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cesare Muraca - Calabrian Flow
2
Cesare Muraca - Cosmic Odyssey
3
Cesare Muraca - Dynamic Dance
4
Cesare Muraca - Working
The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.
Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
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Germany
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1
New Ordinament - Superclarke
2
New Ordinament - Discolion
3
New Ordinament - Bad Spencer
4
New Ordinament - Souvenirs D'Enfance (Summer 1984)
The next release from The Comfort comes from one of Italy’s most enduring dance music producers, the ever-evolving and influential Paolo Alberto Lodde, with this tracks that were produced before he started his career as Dusty Kid. This is no ordinary record, either. Under his New Ordinament alias, he delivers a tour de force of Italo disco meets electroclash, with a record produced two decades ago that is finally repressed in late 2024.
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WAS - Word and Sound Medien GmbH
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1
Terraflow - Dysania
2
Terraflow - Clay
3
Terraflow - 5am Gillian House
4
Terraflow - Intergalactic Space Time Travel
The Comfort continues on their mission to release heady, innovative dance music of the upmost quality and their fourth release comes from Terraflow aka Alasdair Jenkins, a Reading-born, London-based young English producer debuting with his first release “Mystic Vista”. A record that drew inspiration from the sets of The Comforts founder and it definitely shows.
The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out.
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Germany
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The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out.
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Customers who bought this also bought this
Cat-No:FFP019
Release-Date:26.06.2026
Configuration:12"
Cat-No:FFP019
Release-Date:26.06.2026
Configuration:12"
1
The Salsoul Edits - Bunny Singler By The Way You Dance (Pablo & Shoey Big Bear Tribute Dub)
2
The Salsoul Edits - First Choice Hold Your Horses (Pablo and Shoey Tribute to Baldelli Cosmic Dub)
The latest edition of 'Downtownsounds Classics' arrives from Dublin disco messers Fatty Fatty, just in time for the summer sunshine !
Fully licensed and cut loud on 12 inch vinyl the way God (aka Walter Gibbons) intended, it sees in-house producers Pablo and Shoey take on two choice cuts from the legendary Salsoul label.
Salsoul was the very first label to release a commercially available 12 inch remix - the aforementioned Gibbons and his 9 minute extension of Double Exposure's '10 Per Cent'. They would go on to issue a raft of underground disco classics with mixes by the legendary likes of Larry Levan, Tom Moulton and Shep Pettibone. Having robbed the famous 'Baker-Harris-Young' rhythm section from Philadelphia Records, they defined the disco sound in the second half of the 1970's and kept roaring well into the next decade.
The new mixes pay explicit tribute to two hugely formative influences on the Fatty fellas - The A extends the mysterious and wondrously wonky Big Bear edit of Bunny Sigler's 'By The Way You Dance'. Back in the day, these cosmic under-the-counter 12s helped show the Fatties how to disco real right, and they've stood the test of time wonderfully. This one has been at the front of Pablo's bag for longer than he cares to remember, and now the rest of the world can enjoy it, with some extra Pablo and Shoey disco magic thrown in for good measure...
Speaking of cosmic, the flip sees the lads turn in a stripped-back, ever-building mix of First Choice 'Hold Your Horses'. Having first heard this played by the Cosmic King himself, Danielle Baldelli, they found themselves let down by the commercially available mix. Through the disco haze, and with some subtle stemming, several outer-space whooshes and a string/vocal climax to die for, they've tried to recreate the way they heard Baldelli play it...
With the classic Salsoul artwork also present and correct, this is a love letter to perhaps the most important label in dance music history, with music that still sounds amazing five decades on... Don't sleep!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Fully licensed and cut loud on 12 inch vinyl the way God (aka Walter Gibbons) intended, it sees in-house producers Pablo and Shoey take on two choice cuts from the legendary Salsoul label.
Salsoul was the very first label to release a commercially available 12 inch remix - the aforementioned Gibbons and his 9 minute extension of Double Exposure's '10 Per Cent'. They would go on to issue a raft of underground disco classics with mixes by the legendary likes of Larry Levan, Tom Moulton and Shep Pettibone. Having robbed the famous 'Baker-Harris-Young' rhythm section from Philadelphia Records, they defined the disco sound in the second half of the 1970's and kept roaring well into the next decade.
The new mixes pay explicit tribute to two hugely formative influences on the Fatty fellas - The A extends the mysterious and wondrously wonky Big Bear edit of Bunny Sigler's 'By The Way You Dance'. Back in the day, these cosmic under-the-counter 12s helped show the Fatties how to disco real right, and they've stood the test of time wonderfully. This one has been at the front of Pablo's bag for longer than he cares to remember, and now the rest of the world can enjoy it, with some extra Pablo and Shoey disco magic thrown in for good measure...
Speaking of cosmic, the flip sees the lads turn in a stripped-back, ever-building mix of First Choice 'Hold Your Horses'. Having first heard this played by the Cosmic King himself, Danielle Baldelli, they found themselves let down by the commercially available mix. Through the disco haze, and with some subtle stemming, several outer-space whooshes and a string/vocal climax to die for, they've tried to recreate the way they heard Baldelli play it...
With the classic Salsoul artwork also present and correct, this is a love letter to perhaps the most important label in dance music history, with music that still sounds amazing five decades on... Don't sleep!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Hudson People - Trip To Your Mind
2
Hudson People - Trip To Your Mind (Remix)
Following the success of the rework releases of Trip To Your Mind by Delfonic, LTJ Xperience, and DJ Friction, the time has finally come to reissue the original mixes of this essential and still highly sought-after Disco Funk classic.
Both the original Hithouse Mix and the re-mix by Chris Hill & Robbie Vincent were released in 1979. However, newly uncovered evidence has revealed that the track was actually recorded much earlier. After extensive research, including the rediscovery of Reginald Hudson's original flight ticket dated September 7, 1976, from Los Angeles to London, proof has emerged that the recording sessions took place in late 1976.
Due to unfortunate circumstances, the track remained shelved for several years and did not see release until 1979. By that time, the original backing band, Body Heat-a group of U.S. Army musicians stationed in Germany-had already disbanded. As a result, the record was released under the project name Hudson People.
Reg Hudson has since shared additional photographs and previously unknown information, which will be revealed in the coming months. To further celebrate the record's legacy, an official music video is currently in production and is scheduled for release this summer, marking the track's 50th anniversary.
As the original master tapes have unfortunately been lost, the audio has been transferred and restored using highest end equipment from the best available sources. In particular, the original Hithouse Mix now sounds better than ever before.
The 12-inch release will be presented in a faithful reproduction of its rare original "Disco 45" sleeve, believed to have been included only with the earliest pressings.
The Story Behind the Record
For decades, Trip To Your Mind was celebrated as a Brit Funk classic, although its true origins remained largely unknown. While the track was recorded at London's Advision Studios, Hudson People were neither a British group nor a London-based project-a fact first brought to light through the official 2022 reissue on Backatcha Records.
In interviews with label owner DJ Scientist, songwriter and producer Reg Hudson revealed that the musicians behind the recording were actually members of Body Heat, a GI band based in Germany. Like Hudson himself, most of the musicians originally came from the Chicago area.
"The band included Tony Palmer on guitar, Herva Middleton on drums and lead vocals, Charles Walker on saxophone, Harvey Perry on trumpet and trombone, and Rickey on bass-a five-man lineup," Hudson recalls.
Recorded in late 1976, the track remained unreleased for several years. By the time it finally appeared in 1979, Body Heat was already on the verge of breaking up, prompting the decision to release it under the Hudson People name.
Since the late 1990s, Trip To Your Mind has been heavily bootlegged, widely compiled, and continuously championed by DJs and collectors worldwide, cementing its reputation as one of the most enduring and in-demand Disco Funk records of its era.
50 year anniversary edition! Recorded in 1976, first released in 1979.
- Essential and classic Disco Funk / Dancefloor Jazz-Funk masterpiece
- Contains the original full length Hithouse version as well as the remix version by Chris Hill & Robbie Vincent
- Comes with original "Disco 45" label sleeve
- Fully licenced from composer Reginald Hudson
- Quality lacquer cut by SST
Side A
Trip To Your Mind
Side B
Trip To Your Mind (Remix)
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WAS - Word and Sound Medien GmbH
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Both the original Hithouse Mix and the re-mix by Chris Hill & Robbie Vincent were released in 1979. However, newly uncovered evidence has revealed that the track was actually recorded much earlier. After extensive research, including the rediscovery of Reginald Hudson's original flight ticket dated September 7, 1976, from Los Angeles to London, proof has emerged that the recording sessions took place in late 1976.
Due to unfortunate circumstances, the track remained shelved for several years and did not see release until 1979. By that time, the original backing band, Body Heat-a group of U.S. Army musicians stationed in Germany-had already disbanded. As a result, the record was released under the project name Hudson People.
Reg Hudson has since shared additional photographs and previously unknown information, which will be revealed in the coming months. To further celebrate the record's legacy, an official music video is currently in production and is scheduled for release this summer, marking the track's 50th anniversary.
As the original master tapes have unfortunately been lost, the audio has been transferred and restored using highest end equipment from the best available sources. In particular, the original Hithouse Mix now sounds better than ever before.
The 12-inch release will be presented in a faithful reproduction of its rare original "Disco 45" sleeve, believed to have been included only with the earliest pressings.
The Story Behind the Record
For decades, Trip To Your Mind was celebrated as a Brit Funk classic, although its true origins remained largely unknown. While the track was recorded at London's Advision Studios, Hudson People were neither a British group nor a London-based project-a fact first brought to light through the official 2022 reissue on Backatcha Records.
In interviews with label owner DJ Scientist, songwriter and producer Reg Hudson revealed that the musicians behind the recording were actually members of Body Heat, a GI band based in Germany. Like Hudson himself, most of the musicians originally came from the Chicago area.
"The band included Tony Palmer on guitar, Herva Middleton on drums and lead vocals, Charles Walker on saxophone, Harvey Perry on trumpet and trombone, and Rickey on bass-a five-man lineup," Hudson recalls.
Recorded in late 1976, the track remained unreleased for several years. By the time it finally appeared in 1979, Body Heat was already on the verge of breaking up, prompting the decision to release it under the Hudson People name.
Since the late 1990s, Trip To Your Mind has been heavily bootlegged, widely compiled, and continuously championed by DJs and collectors worldwide, cementing its reputation as one of the most enduring and in-demand Disco Funk records of its era.
50 year anniversary edition! Recorded in 1976, first released in 1979.
- Essential and classic Disco Funk / Dancefloor Jazz-Funk masterpiece
- Contains the original full length Hithouse version as well as the remix version by Chris Hill & Robbie Vincent
- Comes with original "Disco 45" label sleeve
- Fully licenced from composer Reginald Hudson
- Quality lacquer cut by SST
Side A
Trip To Your Mind
Side B
Trip To Your Mind (Remix)
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1
Al Wootton - Xana
2
Al Wootton - Tone Circle
3
Al Wootton - River Song
4
Al Wootton - Hechicera
Repress!
River Songs sees Al Wootton head deeper into esoteric rhythmic territory. Polyrhythmic hand percussion and bells are offset with modular synthesis and narcotic sound design that evokes the mysteries of the rainforest and the inherent psychedelia of nature. A heady dance floor river ride through unknown and uncharted spaces.
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WAS - Word and Sound Medien GmbH
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Germany
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River Songs sees Al Wootton head deeper into esoteric rhythmic territory. Polyrhythmic hand percussion and bells are offset with modular synthesis and narcotic sound design that evokes the mysteries of the rainforest and the inherent psychedelia of nature. A heady dance floor river ride through unknown and uncharted spaces.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Kerri Chandler - You Are In My System (ft Mic Murphy) (Original Deluxe)
2
Kerri Chandler - You Are In My System (ft Troy Denari) (Original Deluxe)
3
Kerri Chandler - You are In My System (ft Mic Murphy) (623 Deluxe Vocal)
4
Kerri Chandler - You Are In My System (ft Mic Murphy) (Original Deluxe) - Instrumental
Is this the greatest US Deep House track of all time? It's certainly a contender and arguably one of Kerri Chandler's finest productions.
A true Deep House classic, "You're In My System" has stood the test of time for more than 25 years, remaining a fixture in sets from the biggest DJs around the world. Now, Kerri Chandler brings this iconic release back to his own label in a deluxe edition featuring both beloved originals and previously unreleased vinyl versions.
Opening the A-side is a brand-new version featuring Mic Murphy, the legendary vocalist and songwriter behind The System, who co-wrote the original "You're In My System." It is followed by Kerri's timeless original mix featuring Troy Denari a staple for many in House music for over 25 years, a record that perfectly encapsulates the soul of house and Kerri’s distinctive sound.
The B-side opens with the previously vinyl-unreleased "623 Deluxe Vocal" featuring Mic Murphy. Driven by Kerri's signature soulful keys, rolling bassline, and expressive synth work, it offers a fresh perspective on a much-loved classic. Completing the package is the stripped-back Instrumental, delivering all the groove and energy of the original without the vocals.
Whether you're a longtime fan or discovering Kerri Chandler for the first time, this is an essential release for DJs, collectors, and House music lovers alike. A record that should never leave your bag!
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DE - 22113 Hamburg
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A true Deep House classic, "You're In My System" has stood the test of time for more than 25 years, remaining a fixture in sets from the biggest DJs around the world. Now, Kerri Chandler brings this iconic release back to his own label in a deluxe edition featuring both beloved originals and previously unreleased vinyl versions.
Opening the A-side is a brand-new version featuring Mic Murphy, the legendary vocalist and songwriter behind The System, who co-wrote the original "You're In My System." It is followed by Kerri's timeless original mix featuring Troy Denari a staple for many in House music for over 25 years, a record that perfectly encapsulates the soul of house and Kerri’s distinctive sound.
The B-side opens with the previously vinyl-unreleased "623 Deluxe Vocal" featuring Mic Murphy. Driven by Kerri's signature soulful keys, rolling bassline, and expressive synth work, it offers a fresh perspective on a much-loved classic. Completing the package is the stripped-back Instrumental, delivering all the groove and energy of the original without the vocals.
Whether you're a longtime fan or discovering Kerri Chandler for the first time, this is an essential release for DJs, collectors, and House music lovers alike. A record that should never leave your bag!
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DE - 22113 Hamburg
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2LP Gatefold EcoRecord
Listening link: https://listen.k7.com/6785299e-07e2-474f-8a2f-f64c579a1117
LP & CD TRACKLIST
A1/01 Emergence
A2/02 Spiral
B1/03 Drift
B2/04 Off Axis
C1/05 Swarm
C2/06 Flicker
D1/07 Exhale
D2/08 Bloom
TEXT
Bridging the sound of two distinctive auteurs within modern electronic music, Exhale is the natural convergence of Batu and Donato Dozzy's revered, distinctive sonic signatures. With techno in the broadest sense as a framework, the pair have created an immersive listening experience that celebrates the flashpoint of inspiration and thrives on experimentation.
As Batu, Omar McCutcheon has made a huge impression on modern club music by channeling the soundsystem-rooted principles of dubstep into inventive mutations that defy easy categorisation. Donato Dozzy has been a leading figure in European techno since the mid 00s, helping pioneer a culture of deeply immersive, subtle dance music charged with ambient atmospheres. The pair first connected in Japan in 2019, discovering a mutual appreciation for each others' work and a curiosity about how their distinct sounds might intersect.
In February 2025 Batu visited Dozzy's studio in Rome. Within that Aladdin's cave of hardware, the pair mapped out a continuous, instinctive flow of sketches that became the bedrock of Exhale.
Between Dozzy's gear-focused practice and Batu's detailed software manipulations a dialogue emerged between the duo's distinct styles, making space for each other and learning along the path to a record both unique and innately connected to their respective musical legacies.
The eight fully-formed pieces that make up Exhale bear the hallmarks of both creators in equal measure. True to their musical mission, there are no one-dimensional approaches taken throughout Exhale. Transcendental sequences are laser-guided by kinetic drum science, and even the most bruising moments are balanced with a delicacy that leads straight to the heart of both producers' profound appeal. The album that has emerged feels like an honest, instinctive celebration of Batu and Dozzy's respective strengths, made all the sharper in unison.
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Listening link: https://listen.k7.com/6785299e-07e2-474f-8a2f-f64c579a1117
LP & CD TRACKLIST
A1/01 Emergence
A2/02 Spiral
B1/03 Drift
B2/04 Off Axis
C1/05 Swarm
C2/06 Flicker
D1/07 Exhale
D2/08 Bloom
TEXT
Bridging the sound of two distinctive auteurs within modern electronic music, Exhale is the natural convergence of Batu and Donato Dozzy's revered, distinctive sonic signatures. With techno in the broadest sense as a framework, the pair have created an immersive listening experience that celebrates the flashpoint of inspiration and thrives on experimentation.
As Batu, Omar McCutcheon has made a huge impression on modern club music by channeling the soundsystem-rooted principles of dubstep into inventive mutations that defy easy categorisation. Donato Dozzy has been a leading figure in European techno since the mid 00s, helping pioneer a culture of deeply immersive, subtle dance music charged with ambient atmospheres. The pair first connected in Japan in 2019, discovering a mutual appreciation for each others' work and a curiosity about how their distinct sounds might intersect.
In February 2025 Batu visited Dozzy's studio in Rome. Within that Aladdin's cave of hardware, the pair mapped out a continuous, instinctive flow of sketches that became the bedrock of Exhale.
Between Dozzy's gear-focused practice and Batu's detailed software manipulations a dialogue emerged between the duo's distinct styles, making space for each other and learning along the path to a record both unique and innately connected to their respective musical legacies.
The eight fully-formed pieces that make up Exhale bear the hallmarks of both creators in equal measure. True to their musical mission, there are no one-dimensional approaches taken throughout Exhale. Transcendental sequences are laser-guided by kinetic drum science, and even the most bruising moments are balanced with a delicacy that leads straight to the heart of both producers' profound appeal. The album that has emerged feels like an honest, instinctive celebration of Batu and Dozzy's respective strengths, made all the sharper in unison.
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1
The Mountain People - For What it’s Worth
2
The Mountain People - I Was You
3
The Mountain People - The Cat The Guru
4
The Mountain People - No Thing Every Thing
2026 repress
Played by Sven Vath
Genre: House
TRACKLISTS:
A1 For What it’s Worth
A2 I Was You
B1 The Cat The Guru
B2 No Thing Every Thing
SHORT INFO:
«Mega Platte. Gefällt mir richtig gut» - Edward
The Cat The Guru is a track from the DJ mix for Fuse London from 2015.
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Played by Sven Vath
Genre: House
TRACKLISTS:
A1 For What it’s Worth
A2 I Was You
B1 The Cat The Guru
B2 No Thing Every Thing
SHORT INFO:
«Mega Platte. Gefällt mir richtig gut» - Edward
The Cat The Guru is a track from the DJ mix for Fuse London from 2015.
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1
Kai Alcé - Dirty South Dirt
2
Kai Alcé - Dirty South Dirt (String Version)
3
Kai Alcé - Late Night Theme
4
Kai Alcé - Work Them Dub
Repress 2026 of Kai Alcé’s classic.
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DE - 22113 Hamburg
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1
Gideon Jackson - Helpless (Original Mix)
2
Gideon Jackson - Helpless (Freeform Mix) Unreleased
3
Gideon Jackson - Sales In The Wind
Hot on the heels of the massive Grant Dell release, GEMS Delivers another slice of underground house excellence, continuing its relentless journey of showcasing both timeless and forward-thinking underground house music with a powerful new release from Gideon Jackson.
A 3 track EP featuring Helpless (Original Mix) — The standout cut from Gideon’s Outa The Blue EP (1996), capturing the raw, hypnotic energy of the era. Helpless (Freeform Mix) — A previously unreleased 1996 remix, unearthed from the vaults yet sounding as fresh and relevant as ever. Sales In the Wind — A brand new production (2025), proving Gideon remains at the top of his game with a refined yet unmistakable sound.
true underground figure, Gideon Jackson has been deeply embedded in the scene since the formative days of tech house. Renowned for his vinyl-driven approach to house and techno, Gideon blends styles seamlessly, creating a distinctive and instantly recognisable sound.
Widely regarded as one of the key pioneers of the London tech house movement, his productions helped define the genre’s early blueprint — fusing bass-heavy rhythms with hypnotic grooves. His work has appeared on respected labels including Loaded, Pagan, and his own imprint Outa The Blue.
After stepping away from the spotlight, Gideon resurfaced in 2017 with a standout podcast for Strange, reaffirming his influence and deep-rooted musical identity.
His long-awaited return to the decks came in October 2025 at Archivio presents Wiggle in New York, followed by a November appearance at Wiggle at Gaffe — marking a powerful resurgence for one of the scene’s original innovators.
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A 3 track EP featuring Helpless (Original Mix) — The standout cut from Gideon’s Outa The Blue EP (1996), capturing the raw, hypnotic energy of the era. Helpless (Freeform Mix) — A previously unreleased 1996 remix, unearthed from the vaults yet sounding as fresh and relevant as ever. Sales In the Wind — A brand new production (2025), proving Gideon remains at the top of his game with a refined yet unmistakable sound.
true underground figure, Gideon Jackson has been deeply embedded in the scene since the formative days of tech house. Renowned for his vinyl-driven approach to house and techno, Gideon blends styles seamlessly, creating a distinctive and instantly recognisable sound.
Widely regarded as one of the key pioneers of the London tech house movement, his productions helped define the genre’s early blueprint — fusing bass-heavy rhythms with hypnotic grooves. His work has appeared on respected labels including Loaded, Pagan, and his own imprint Outa The Blue.
After stepping away from the spotlight, Gideon resurfaced in 2017 with a standout podcast for Strange, reaffirming his influence and deep-rooted musical identity.
His long-awaited return to the decks came in October 2025 at Archivio presents Wiggle in New York, followed by a November appearance at Wiggle at Gaffe — marking a powerful resurgence for one of the scene’s original innovators.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Thoma Bulwer - Work It
2
Thoma Bulwer - Bits 'n' Bobs
3
Thoma Bulwer - Situation Escalation
4
Thoma Bulwer - Home Wrecker
Thoma Bulwer delivers a solo EP and part of his soul in this diverse 4 tracker with titles conceived in his studios at different points in his life and studio engineering career, all revamped or freshly written to this ‘mini-album’. The A1 kicks off with ‘Work It’ a 4×4 house n techno roller you’d be familiar hearing at Starlane Pizza Bar, something like Hackney Wick meets Perlon. A2 ‘Bit’s n Bobs, is an electro, 2Step garage deep roller inspired by his time at Freerotation festival and digging their at Template of Vinyl. B1 ‘Situation Escalation’ is exactly what is says on the tin and captures at intense night and time in his life. The EP rounds off with B2 ‘Home Wrecker’, a wonky garage and breaks track with dental vocal clicks from the past fused in to nasty UK bass n drums and write raw to the floor.
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1
Satoshi Tomiie - Thursday, 2AM (Ron Trent Remix Main)
2
Satoshi Tomiie - Thursday, 2AM (Ron Trent 7AM Dub)
3
Satoshi Tomiie - Thursday, 2AM (Ron Trent Remix Dub)
Timeless remixes by Ron Trent, reissued in a special limited edition.
Featuring three versions of Ron’s signature deep vibe — including “7AM Dub,” appearing on vinyl for the first time.
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Featuring three versions of Ron’s signature deep vibe — including “7AM Dub,” appearing on vinyl for the first time.
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1
Thrill - The Voices
2
Thrill - Down The Burrow
3
Thrill - Globelite
4
Thrill - Day Dreamer
Thrill by name, thrill by nature, Will Howard christens a new alias on his Kalahari debut.
Spitting venom straight out of the gate, this is boisterous sci-fi dramatixxx delivered with chest-out conviction. Dancefloor accelerators built for big rooms and planet-ending cataclysm. Fully letting the handbrake off.
An unfurling odyssey with noirish narrative and cybernetic detail woven throughout. Triumphant and exhilarating, yet an ominous thread runs beneath. The end times are nigh but we dance to ignore the coming storm.
Not your cookie cutter stuff. This is proper character – raw, fronted up and packing vigour for days. A boiling tempest throughout.
Turbulent velocity, but brimming with nuance and explorative detail. Afterburners deployed as we escape orbit at the last possible moment. Pure rocket fuel.
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Spitting venom straight out of the gate, this is boisterous sci-fi dramatixxx delivered with chest-out conviction. Dancefloor accelerators built for big rooms and planet-ending cataclysm. Fully letting the handbrake off.
An unfurling odyssey with noirish narrative and cybernetic detail woven throughout. Triumphant and exhilarating, yet an ominous thread runs beneath. The end times are nigh but we dance to ignore the coming storm.
Not your cookie cutter stuff. This is proper character – raw, fronted up and packing vigour for days. A boiling tempest throughout.
Turbulent velocity, but brimming with nuance and explorative detail. Afterburners deployed as we escape orbit at the last possible moment. Pure rocket fuel.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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