1
Oskar Offermann - Planet Interface
2
Oskar Offermann - Televise Improvise
3
Oskar Offermann - Accepting
4
Oskar Offermann - Sei Mai Nur Lieb
To submit or to surrender? Robert Johnson resident Oskar Offermann doesn’t have the answers, and that’s kind of the point. Things change: one moment you’re touring the globe as a recognizable face of one of the greatest clubs in the world, the next you’ve started a new life as a teacher. How do you handle that shift? On this record, Offermann doesn’t offer solutions so much as trace his own way through it, reflecting the whole process in his music and creative work.
Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.
Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.
Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.
Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.
Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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More records from Oskar Offermann
1
Oskar Offermann - No Title
2
Oskar Offermann - No Title
3
Oskar Offermann - No Title
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Germany
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1
oskar offermann - Motikids im Swingerclub
2
oskar offermann - Moments Later
3
oskar offermann - Dopey
As a Frankfurt native, Oskar Offermann has of course been a longtime friend of the Robert Johnson club, first as a regular guest and later as a regular DJ. After spending 15 years in exile (Berlin, where else?) and putting out music on his own (White and Rimini) as well as befriended labels (Mule Musiq, Aim and Hardworksoftdrink), the long-lost son has finally come back home (Offenbach, where else?) and will debut on Live At Robert Johnson with three tracks that bring together Oskar's melodic approach and the bleepy sound of Frankfurt's new school.
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Germany
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1
oskar offermann - Bubbles
2
oskar offermann - Vibers
3
oskar offermann - Flight Mode On
4
oskar offermann - Diagramtisch
5
oskar offermann - Stranded
6
oskar offermann - Drifty Trees
7
oskar offermann - Silent Prayers
8
oskar offermann - Troubles Living
germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets.
as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.
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as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
oskar offermann - Bananuamas (Yoruba Soul Rmx )
2
oskar offermann - Koleu ( Edward Rmx )
3
oskar offermann - Le Grand To Do ( Bodin & Jacob Rmx )
4
oskar offermann - Lost In The Fog (Metamatics Rmx)
after excellent debut album on mule musiq,oskar is back with four remixed tracks. legendary osunlade remixed most club friendly track on the album and it’s more dj tool jazzy deep house. oskar’s buddy edward remix is simply epic.very imaginative breakbeats track. frankfurt’s bodin&jacob’s remix is kind of mash up of some tracks on the album. it’s kind of early electro stuff. metamatics is well known in the end of 90’s.we like his moniker norken. hope you dig some of remixes!
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After efforts by Legowelt and Behling & Simpson, Berlin based Oskar Offermann comes up with the 3rd installment in the Riverette series.
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Oskar Offermann with a good mixture of early New York House sound and German Nu School deep house sound.
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More records from The Comfort
1
Putsch '79 - Estrange
2
Putsch '79 - Calma
3
Putsch '79 - Aves
4
Putsch '79 - Birdz
The seventh release on The Comfort comes from a legendary Finnish electro-disco duo known to any music nerd worth their salt: Putsch’79, the pair of Sami Liuski and Pauli Jylhänkangas. Across their shared catalog and solo projects, most notably Sami’s work as Bangkok Impact and 8Bit Rockets, their music has found a home on some of the most inspiring platforms and labels, including Creme Organization, WeMe, Viewlexx, Clone, Bunker, Klang Elektronik, and Klakson.
Heavy on bliss and warmth, the four tracks sit elegantly between italo, house, and disco, featuring sleek vocoders, beautiful arpeggios, soft percussion, gentle plucks, and just the right amount of low-end to hold it all together. Each track feels like being dropped into a different dream-state: from the bubbly B2 “Birdz” to the racy, forward-driving A1 “Estrange.” The grooves and soundscapes never resolve—they simply unfold—perfect for open-airs, afters, and hazy loft parties.
Some records are born on the dancefloor, some from vivid visions, and some—like this one—from the beauty of birdsong. Tracing its origin to a moment suspended between night and morning, sometime around 2016 or 2017, Birdz emerged from a shared experience: Sami and Pauli listening in awe as the world slowly woke up. This EP is their attempt to translate that fleeting encounter into music.
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Heavy on bliss and warmth, the four tracks sit elegantly between italo, house, and disco, featuring sleek vocoders, beautiful arpeggios, soft percussion, gentle plucks, and just the right amount of low-end to hold it all together. Each track feels like being dropped into a different dream-state: from the bubbly B2 “Birdz” to the racy, forward-driving A1 “Estrange.” The grooves and soundscapes never resolve—they simply unfold—perfect for open-airs, afters, and hazy loft parties.
Some records are born on the dancefloor, some from vivid visions, and some—like this one—from the beauty of birdsong. Tracing its origin to a moment suspended between night and morning, sometime around 2016 or 2017, Birdz emerged from a shared experience: Sami and Pauli listening in awe as the world slowly woke up. This EP is their attempt to translate that fleeting encounter into music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Cesare Muraca - Calabrian Flow
2
Cesare Muraca - Cosmic Odyssey
3
Cesare Muraca - Dynamic Dance
4
Cesare Muraca - Working
The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.
Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
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DE - 22113 Hamburg
Germany
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Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
New Ordinament - Superclarke
2
New Ordinament - Discolion
3
New Ordinament - Bad Spencer
4
New Ordinament - Souvenirs D'Enfance (Summer 1984)
The next release from The Comfort comes from one of Italy’s most enduring dance music producers, the ever-evolving and influential Paolo Alberto Lodde, with this tracks that were produced before he started his career as Dusty Kid. This is no ordinary record, either. Under his New Ordinament alias, he delivers a tour de force of Italo disco meets electroclash, with a record produced two decades ago that is finally repressed in late 2024.
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1
Terraflow - Dysania
2
Terraflow - Clay
3
Terraflow - 5am Gillian House
4
Terraflow - Intergalactic Space Time Travel
The Comfort continues on their mission to release heady, innovative dance music of the upmost quality and their fourth release comes from Terraflow aka Alasdair Jenkins, a Reading-born, London-based young English producer debuting with his first release “Mystic Vista”. A record that drew inspiration from the sets of The Comforts founder and it definitely shows.
The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out.
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Germany
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The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
A1. Le Fouet version
A2. Grosse Bite version
B1. Sac plain version
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Info:
Fellow long time in the disco trench dweller his graciousness Dimitri of Paris kindly offered us employment on a remix for him as his friend Malik, after doing said job we asked if we could impose a tariff of releasing our unused mixes, because he’s a super nice guy he complied with our art of the deal for art….Welcome to another EDM banger from BTD.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
A1. Le Fouet version
A2. Grosse Bite version
B1. Sac plain version
B2. Sac vide version
Info:
Fellow long time in the disco trench dweller his graciousness Dimitri of Paris kindly offered us employment on a remix for him as his friend Malik, after doing said job we asked if we could impose a tariff of releasing our unused mixes, because he’s a super nice guy he complied with our art of the deal for art….Welcome to another EDM banger from BTD.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Michael Gray - The Weekend (Extended Vocal)
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Michael Gray - The Weekend (Original 12" Mix)
3
Michael Gray - The Weekend (Glitterbox Mix)
Blue Marbled Vinyl Repress
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DE - 22113 Hamburg
Germany
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Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
Trentemøller - A Different Light
2
Trentemøller - Nightfall
3
Trentemøller - Dreamweavers
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Gigi Galaxy - Interview With An Alien
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Gigi Galaxy - Interview With An Alien (Delano Smith Remix)
12" non-returnable!
Special Clear Vinyl Repress!
A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special Clear Vinyl Repress!
A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Source Records
Cat-No:SOURCE000535
Release-Date:12.12.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Source Records
Cat-No:SOURCE000535
Release-Date:12.12.2025
Genre:Electronic, Electronica
Configuration:2LP
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Alex Cortex - A1 Untitled
2
Alex Cortex - A2 Untitled
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Alex Cortex - A3 Untitled
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Alex Cortex - B1 Untitled
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Alex Cortex - B2 Untitled
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Alex Cortex - B3 Untitled
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Alex Cortex - B4 Untitled
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Alex Cortex - C1 Untitled
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Alex Cortex - C2 Untitled
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Alex Cortex - C3 Untitled
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Alex Cortex - C4 Untitled
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Alex Cortex - D1 Untitled
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Alex Cortex - D2 Untitled
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Alex Cortex - D3 Untitled
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Alex Cortex - D4 Untitled
last original stock of legrndary Source Records, founded by Move D and Jonas Grossmann!
First come - first serve!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
First come - first serve!
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DE - 22113 Hamburg
Germany
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Listen: https://open.spotify.com/album/3KdYXyQFMJcVztymJP5ELB?si=Wzm3HzxQSYmOYsxkwRA91A
The Meth Lab returns for its third instalment with "Meth Lab Season 3: The Rehab," a sharp, hard-hitting chapter that cements Method Man's place as one of hip-hop's most consistent and enduring voices. Executive produced by longtime collaborator Handz On, this project finds the Wu-Tang legend in rare form-polished, precise, and laser-focused.
"The Rehab" pulls listeners back into the world Meth has been building since the first Meth Lab sessions: a mixtape-style showcase blending razor-sharp lyricism with streetwise storytelling, packed with energy and attitude. Method Man's flow remains timeless, weaving between gritty boom-bap, polished modern production, and the unmistakable Wu-Tang aesthetic. A strong lineup of guests brings extra fire to the set-Cappadonna, RJ Payne, Redman, KRS-One, JoJo Pellegrino, Jadakiss, Carlton Fisk, Hanz On, Intell, Iron Mic, 5th Pxwer, Chunk Bizza, Eddie I, Cortez, and more-each stepping into Meth's world with their own hard-edged energy. Behind the boards, producers like P. Version, Rockwilder, Eric Sermon, Adam McLeer, Daniel C. Wells, Darnell Norman McConnell, and Joshua D. Zimmerman craft a gritty yet refined sonic framework that elevates every performance.
More than just another chapter, Season 3: The Rehab feels like a victory lap: a culmination of decades of craft, a celebration of the Staten Island movement, and a reminder that Method Man still out-rhymes rappers half his age. It's a must-own for Wu-Tang fans, East Coast purists, and anyone who appreciates sharp writing and decades-deep mastery.
Tracklisting
A1. Stop Crying - feat. Cappadonna & Elaine Kristal
A2. Butterfly Effect - feat. RJ Payne
A3. Black Ops - feat. Hanz On
A4. Guillotine
A5. Live From The Meth Lab - feat. Redman, KRS-One & Jojo Pellegrino
A6. Switch Sides - feat. Jadakiss, Eddie I, 5th PXWER
B1. Act Up - feat. 5th PXWER
B2. Training Day - feat. Cortez
B3. King Of New York - feat. Carlton Fisk & Chunk Bizza
B4. Find God - feat. Intell & Iron Mic
B5. Last 2 Minutes - feat. Iron Mic
B6. K.A.S.E. - feat. Hanz On & Carlton Fisk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Meth Lab returns for its third instalment with "Meth Lab Season 3: The Rehab," a sharp, hard-hitting chapter that cements Method Man's place as one of hip-hop's most consistent and enduring voices. Executive produced by longtime collaborator Handz On, this project finds the Wu-Tang legend in rare form-polished, precise, and laser-focused.
"The Rehab" pulls listeners back into the world Meth has been building since the first Meth Lab sessions: a mixtape-style showcase blending razor-sharp lyricism with streetwise storytelling, packed with energy and attitude. Method Man's flow remains timeless, weaving between gritty boom-bap, polished modern production, and the unmistakable Wu-Tang aesthetic. A strong lineup of guests brings extra fire to the set-Cappadonna, RJ Payne, Redman, KRS-One, JoJo Pellegrino, Jadakiss, Carlton Fisk, Hanz On, Intell, Iron Mic, 5th Pxwer, Chunk Bizza, Eddie I, Cortez, and more-each stepping into Meth's world with their own hard-edged energy. Behind the boards, producers like P. Version, Rockwilder, Eric Sermon, Adam McLeer, Daniel C. Wells, Darnell Norman McConnell, and Joshua D. Zimmerman craft a gritty yet refined sonic framework that elevates every performance.
More than just another chapter, Season 3: The Rehab feels like a victory lap: a culmination of decades of craft, a celebration of the Staten Island movement, and a reminder that Method Man still out-rhymes rappers half his age. It's a must-own for Wu-Tang fans, East Coast purists, and anyone who appreciates sharp writing and decades-deep mastery.
Tracklisting
A1. Stop Crying - feat. Cappadonna & Elaine Kristal
A2. Butterfly Effect - feat. RJ Payne
A3. Black Ops - feat. Hanz On
A4. Guillotine
A5. Live From The Meth Lab - feat. Redman, KRS-One & Jojo Pellegrino
A6. Switch Sides - feat. Jadakiss, Eddie I, 5th PXWER
B1. Act Up - feat. 5th PXWER
B2. Training Day - feat. Cortez
B3. King Of New York - feat. Carlton Fisk & Chunk Bizza
B4. Find God - feat. Intell & Iron Mic
B5. Last 2 Minutes - feat. Iron Mic
B6. K.A.S.E. - feat. Hanz On & Carlton Fisk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Steve Bug & Pornbugs - ON THE SWING
2
Steve Bug & Pornbugs - ON THE SWING (MIHAI POPOVICIU REMIX)
3
Steve Bug & Pornbugs - BEHIND THE GLASS
4
Steve Bug & Pornbugs - BEHIND THE GLASS (MARKUS HOMM REMIX)
Special remarks: LIMITED SPLATTER EDITION // 180G VINYL
Tracklist 12":
A1 ON THE SWING
A2 ON THE SWING (MIHAI POPOVICIU REMIX)
B1 BEHIND THE GLASS
B2 BEHIND THE GLASS (MARKUS HOMM REMIX)
Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm.
Unsung House hero, Steve Bug has been there and done it all. Arguably Germany's most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.
Opening with 'On The Swing' we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride.
Next up, 'Behind The Glass' takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 ON THE SWING
A2 ON THE SWING (MIHAI POPOVICIU REMIX)
B1 BEHIND THE GLASS
B2 BEHIND THE GLASS (MARKUS HOMM REMIX)
Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm.
Unsung House hero, Steve Bug has been there and done it all. Arguably Germany's most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.
Opening with 'On The Swing' we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride.
Next up, 'Behind The Glass' takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Idjut Boys - Full Whip Version
2
Idjut Boys - Severe Itching Mix
3
Idjut Boys - Strip Off Dub
4
Idjut Boys - Whizbang Mix
2026 re-release
Tracklist
A1-Full Whip Version
A2-Severe Itching Mix
B1-Strip Off Dub
B2-Whizbang Mix
The overexcited young men at the Droid factory up the beats per minute and channel the spirit of other sensible chaps a la John Belushi, River Phoenix and John 'I chose the best exit' Entwhistle on our latest audio laboratory assault. Less terminal, with careful use, perhaps, than a fat fully loaded speedball, we hope man and beast find some musical justice or bemusement in the latest hoedown on offer. We have various takes at various tempos, so bar mitzvah's, weddings and indeed acid house events should be covered for those game enough to get on the Droid bucking bronco....
Enjoy the relaxing, meditative sound of Droid !
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1-Full Whip Version
A2-Severe Itching Mix
B1-Strip Off Dub
B2-Whizbang Mix
The overexcited young men at the Droid factory up the beats per minute and channel the spirit of other sensible chaps a la John Belushi, River Phoenix and John 'I chose the best exit' Entwhistle on our latest audio laboratory assault. Less terminal, with careful use, perhaps, than a fat fully loaded speedball, we hope man and beast find some musical justice or bemusement in the latest hoedown on offer. We have various takes at various tempos, so bar mitzvah's, weddings and indeed acid house events should be covered for those game enough to get on the Droid bucking bronco....
Enjoy the relaxing, meditative sound of Droid !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
pdqb - I-1 Sixfold Radianz (G-MAN Remix) - 7:18 (from '8 1/2 BIT' )
2
pdqb - I-2 Frontera Extraterrestre (Hardfloor Remix) - 5:55 (from 'The Psychonautic...)
3
pdqb - II-1 Hypothermia (34,8) (Silicon Scally Remix) - 6:58 (from 'Wetware Unveiled')
4
pdqb - II-2 Mäckchen (Annie Hall Remix) 5:30 (from 'Wetware Unveiled')
5
pdqb - III-1 Pseudoliparis Swirei (Electro Nation Remix) - 5:23 (from 'The Electrifying
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pdqb - III-2 Reklonstrusion (Martin Matiske Remix) - 5:00 (from 'Sermans of the...)
7
pdqb - IIII-1 Verquerer Weise (Lloyd Stellar Remix) - 4:47 (from 'Sermans of the Electr
8
pdqb - IIII-2 Sycorax (DJ Di'jital Remix) - 5:17 (from 'Wetware Unveiled')
Double LP - white vinyls in a Gatefold-Cover
2. GENRE/S: Techno, Electro
3. TRACKLIST:
I-1 Sixfold Radianz (G-MAN Remix) - 7:18
from '8 1/2 BIT'
I-2 Frontera Extraterrestre (Hardfloor Remix) - 5:55
from 'The Psychonautic Adventures of the 187 Year Old
EDM Intolerance Survivor Gunnar Oliasson'
II-1 Hypothermia (34,8) (Silicon Scally Remix) - 6:58
from 'Wetware Unveiled'
II-2 Mäckchen (Annie Hall Remix) 5:30
from 'Wetware Unveiled'
III-1 Pseudoliparis Swirei (Electro Nation Remix) - 5:23
from 'The Electrifying Dojo'
III-2 Reklonstrusion (Martin Matiske Remix) - 5:00
from 'Sermans of the Electrofying Messiah'
IIII-1 Verquerer Weise (Lloyd Stellar Remix) - 4:47
from 'Sermans of the Electrofying Messiah'
IIII-2 Sycorax (DJ Di'jital Remix) - 5:17
from 'Wetware Unveiled'
4. SHORT INFO:
pdqb, the producer whose name sounds like a coded message, has surpassed the need for introduction. It emerged from nowhere, becoming omnipresent almost instantly, leaving every electronic music producer eager - if not obsessed - to work with it. Its original tracks are raw and elegant with warm synth lines, pulsing rhythms, and melodies that feel like echoes from forgotten futures. They always carry a strange magnetic pull.
Presented here are eight stunning remixes of its already-released tracks. Each one its own universe, each one remarkable in its own way, each one crafted by an expert in their field. The eight pieces twist, stretch, break apart, and rebuild the originals. They mutate into technoid creatures, melodies dissolve into vapor, and rhythms reorganize themselves into something alien and alive, yet each still holds a faint spark of pdqb's DNA, buried beneath layers of transformation.
Listeners will understand: this isn't just a remix album. It is an evolution - eight reinterpretations of the same musical core, each pushing pdqb's world into a new dimension.
SC019
5. VITAL SALES POINTS:
" white vinyls in a Gatefold-Cover
" mastered by the infamous Mike Grinser
" remixed by ice-cold legends
" cover with artworks by blue-chip artist Erwin Wurm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Techno, Electro
3. TRACKLIST:
I-1 Sixfold Radianz (G-MAN Remix) - 7:18
from '8 1/2 BIT'
I-2 Frontera Extraterrestre (Hardfloor Remix) - 5:55
from 'The Psychonautic Adventures of the 187 Year Old
EDM Intolerance Survivor Gunnar Oliasson'
II-1 Hypothermia (34,8) (Silicon Scally Remix) - 6:58
from 'Wetware Unveiled'
II-2 Mäckchen (Annie Hall Remix) 5:30
from 'Wetware Unveiled'
III-1 Pseudoliparis Swirei (Electro Nation Remix) - 5:23
from 'The Electrifying Dojo'
III-2 Reklonstrusion (Martin Matiske Remix) - 5:00
from 'Sermans of the Electrofying Messiah'
IIII-1 Verquerer Weise (Lloyd Stellar Remix) - 4:47
from 'Sermans of the Electrofying Messiah'
IIII-2 Sycorax (DJ Di'jital Remix) - 5:17
from 'Wetware Unveiled'
4. SHORT INFO:
pdqb, the producer whose name sounds like a coded message, has surpassed the need for introduction. It emerged from nowhere, becoming omnipresent almost instantly, leaving every electronic music producer eager - if not obsessed - to work with it. Its original tracks are raw and elegant with warm synth lines, pulsing rhythms, and melodies that feel like echoes from forgotten futures. They always carry a strange magnetic pull.
Presented here are eight stunning remixes of its already-released tracks. Each one its own universe, each one remarkable in its own way, each one crafted by an expert in their field. The eight pieces twist, stretch, break apart, and rebuild the originals. They mutate into technoid creatures, melodies dissolve into vapor, and rhythms reorganize themselves into something alien and alive, yet each still holds a faint spark of pdqb's DNA, buried beneath layers of transformation.
Listeners will understand: this isn't just a remix album. It is an evolution - eight reinterpretations of the same musical core, each pushing pdqb's world into a new dimension.
SC019
5. VITAL SALES POINTS:
" white vinyls in a Gatefold-Cover
" mastered by the infamous Mike Grinser
" remixed by ice-cold legends
" cover with artworks by blue-chip artist Erwin Wurm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Artist - Rich In Paradise
2
Unknown Artist - Keep On
3
Unknown Artist - Joy-Us
4
Unknown Artist - Melting Pot
Loftsoul Re-Works returns with its eighth installment, delivering a vibrant 4-track EP that blends house, disco, and funky grooves with unmistakable style. warm, soulful energy, infectious rhythms, and refined production that stays true to the timeless sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Evelyne / Masao - Ich Weiß Nicht Mehr
2
Evelyne / Masao - Watashino Shonen
3
Evelyne / Masao - Paradis Perdu
4
Evelyne / Masao - Sakuramochi
5
Evelyne / Masao - Le Soleil Se Leve
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Evelyne / Masao - La Jungle En Folie
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Evelyne / Masao - Au Clair De La Lune
8
Evelyne / Masao - Singin In The Rain
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Evelyne / Masao - Bird Island
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Evelyne / Masao - Alien Go Home
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Evelyne / Masao - Tu Te Fous De Moi
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Evelyne / Masao - Time Out
13
Evelyne / Masao - Drole Doiseau
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Evelyne / Masao - Time To Party
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Evelyne / Masao - Tabac
16
Evelyne / Masao - Tale Of A Lizard
17
Evelyne / Masao - Moonman
Evelyne/Masao bring TESTPATTERN to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album TESTPATTERN comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But TESTPATTERN is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. TESTPATTERN will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dj Skelet - Judas Cradle
2
Dj Skelet - Beat 1
3
Dj Skelet - Demons Taking Over Me
4
Grim Phunk - Hell Over Me
5
Dj Skelet - Beat 2
6
Grim Phunk - Money Don't Sleep
7
Dj Skelet - Beat 3
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Dj Skelet - Laying Lavish
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Dj Skelet - Beat 4
Since its inception, Klasse Wrecks has always flirted with rap music flavours. Whether it's Luca Lozano's DJ Cabbage alter ego or the raw beats of the Grafiti Tapes series. Both label owners are big rap fans, with one (Mr. Ho) even being an ex-DMC scratch champ. It makes sense then that the last release from KW in 2025 is the heavily Memphis-inspired 'Straight From Hell' EP, brought to you by the two mysterious producers DJ Skelet and Grim Phunk. To use the term 'stripped down' would be an overstatement in regards to this EP, skeletal drums, booming kicks and frantic vocal loops done right make for a simple yet perfect mix. Tape hiss, MPC crunch and catchy loops are all integral to the vibe and music, tracks keep to a punchy 3-4 minutes and are interspersed by dreamy bonus beats just like in the old days.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More