Mateo Dufour hails from Argentina and runs a number of his own labels but here finds himself on Politics Of Dancing with an irresistible new hand-stamped white label 12". It's direct to dancefloor business from the off with the bristling drums and perc powering along 'Let Yourself Go' beneath snatched vocal yelps. There is just as much silvery metallic texture on show in 'Power Of Them', a jacked-up house sound with more vocal encouragement and neon melodic phrases panning about the mix. 'Dashed Street' is a third and final steel-plated house cut before cultured Frenchman D'Julz remixes 'Dashed Street' into a smoother tech house cruiser.

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Politics Of Dancing once again gets our vote here with some balmy deep house propositions from the eponymous production team working alongside French stylist Djebali. 'Close To Gate' layers balmy pads and smeared chords over punchy and dynamic drums with plenty of cosmic effects up top. There is a little more urgency to 'Soul Brothers' which skates and skips along nicely beneath shimmering vocals sounds and wispy melodies. 'Simple Minds' brings more physical drum work and infectious finger clicks while the Franco Cinelli remix gets things on more of a breezy and rolling tip. A useful, heartwarming EP of modern deep house music.

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The ever wonderful Politics Of Dancing come with four remixes of label stalwart Tommy Vicari Jnr jumping, pumping house stormer 'Look I Your Eyes', each carefully crafted to cover slightly different areas of the dancefloor. The Silverlining Night dub remix takes pride of placer on side A, a mix of two halves for sure - it starts of all full pelt, adds a subtle layer of disco-style strings and then drops to a dramatic breakdown before re-building brick by brick. Josh Baker's version has a slightly 80s feel with its mechanised handclaps and swooping synths wrapped in echoey vocals, the Lowris mix is arguably the most no nonsense, straight ahead thumper and then we're left to luxuriate in the sumptuous ooze of Cosenza's dub house re-reub, taking us all the way back to the days of Guerrilla at their h=eight. Capital!

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Another pumping package from Politics Of Dancing, with original tracks from the eponymous label boss and Ray Mono, and a pair of remixes from Cab Drivers and Cuartero respectively to boot. You know what to expect - smooth pads, subtle acid squelch and wriggling, irresistible teccy beats, relentless and super-playable, but with an ear for detail that makes sure they stay fresh right to the runout groove.

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Sheffield based Tommy Vicari Jnr's chunky, tribal and vocal house tune 'Look In Your Eyes' has been big ever since it surfaced in 2004, and it still gets great crowd reactions to this day. Politics of Dancing now re-issue it with a fine selection of new remixes. The original still sounds future with its silky synths and metallic drums, and the bassline really is killer. Silverlining steps up with a 90's house version that is all slick electronic funk. Sweely then speeds it up further, allowing the original vocal to really tug at the heart strings. Politics Of Dancing & Djebali link for a final stripped down version that is deep as you like.

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Following the release of a handful of fifth anniversary EPs, France's Politics Of Dancing Records has decided to kick-start a new era for the label via a joint EP from serial collaborator Stephan Bazbaz and sometime Discotech Wax/4Plae Records contributor Alessio Viggiano. To our ears, the undisputed EP highlight is smooth, spacey and rolling opener 'Mogora', a late '90s style UK tech-house/deep house crossover cut that comes accompanied by a smoother and more hypnotic rework by Arapu. Over on the flip, the pair first offer up the more driving, angular and peak-time ready bounce of 'Immortal', before wrapping sharp, angular electronic melodies and warming chords around more bustling beats on bold closing cut 'Amaro'.

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Politics Of Dancing's popular P.O.D Edits series returns for the first time in three years to deliver two more peak-time reworks, this time courtesy of scalpel fiends Olivier Romero and John Richard. To be honest, we have no idea what they've re-edited, but the results are undeniably impressive. Romero handles side A and serves up a dark, dense and intense epic - all deep, loopy bass, percussion-rich tribal house grooves, wonky spoken word snippets and pitch-black aural textures. Richard takes a different approach, successfully tooling up a roling house excursion rich in wayward acid lines, layered speech samples, half-whispered vocal and undulating lead lines.

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SMALL and Paco together make the Politics Of Dancing project, a Parisian duo who operate their label under the same name, offering deep and funky house cuts aimed at the dancefloor. This time they've brought the legendary Hector Moralez along with them "No Pressure", a percussion-heavy house tool with a bumping Chicago bassline and a deep, menacing offspring of a dub mix, to boot! There's a couple of remixes, too, the first coming from John Dimas who strips things down to their bare bones, and Paris' own Franck Roger, master of funky yet dark club house.



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Few artists can conjure up the sort of spirituality that Fred P manages whenever he turns on his machines - and this brand new label from the artist means we'll be getting a shedload more of it. Sometimes it's deep, muggy, insular, at others more outward-looking and cosmic. And that's what we have here - emotionally dense sounds on 'Galaxy Walk (Journey mix)' with jazzy motifs off in the distance, spoken words in the foreground and dancing percussion that is optimistic and hopeful. 'Modern Art Talk' is just as balmy as you journey through a sound world that feels as infinite as space itself, while Fred himself muses on his art. 'Inner Channels (edit 4)' is a dusty shuffler marbled with muted chords and brighter melodic stars that feel impromptu and layered in live.

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The Gods Must Be Angry comprises 3 tracks that have been doing the rounds with some of
the heaviest-of-the-heavy house DJs, available for the first time on vinyl. We’ve combined
these into one release and added a new track - What I Know - as a vinyl-only exclusive.
Across all four tracks there’s a balanced mix of headiness and body-jerking funk.

A1. Stop:Start
A2. ZEUS
B1. Yagota
B2. What I Know (Vinyl Exclusive)

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Stevie Cox and Ansboy: two powerhouses of the Glaswegian club scene join forces for their collaborative debut EP on Rhythm Section INTL- ‘Twice Like Rice’. It’s a weighty four-track EP designed for the dancefloor, taking in myriad influences from dub techno, breaks, trance and good old fashioned house music. The Ep is full of deep, pulsating rhythms, lush textures and emotive peaks - all road tested in Stevie’s Iconic home turf: Sub Club.

Stevie Cox has long been a name long ruminating on everyone's lips, as a resident DJ of the iconic ‘Sub Club’ with an ever-growing tour schedule and back catalogue of releases via the likes of Klasse Wrecks and Optimo. Whilst the name Ansboy may be new to some, it is a fresh alias for the grammy nominated producer and mixdown engineer Robert Etherson who has long been a staple in the Scottish scene with an international touring repertoire under his belt.

The two friends met in their hometown of Glasgow and began their musical journey together last year after Robert taught Stevie how to do mixdowns. The pair clicked effortlessly, quickly discovering they shared the same passion for emotive, deep and progressive dance music. Their first track together - which took shape in the form of ‘Drift’ - a high-energy synth led anthem, came out with a special selection of tracks curated by Bradley Zero for his exclusive SHOUTS Summer sampler in 2025.

For the Twice Like Rice EP, their work evokes all corners of the dancefloor, kicking things off with ‘GC’ - a peak time breaks-infused trancey-heater - a master class in building dancefloor tension which gives way into a searing crescendo. Things spin towards a darker percussive focus on the more intense ‘Twice Like Rice’.

On the b-side things return to blissful euphoria with ‘Virgil’ - a warm up dub-techno ballad, before the emotional release of ‘Subculture closure’ inspired ‘Carter21’

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Atjazz presents his long-awaited 27-track long player "Starbase 17" — an epic odyssey through song and sound, offering a rich tapestry of styles that draws listeners into a wondrous sonic realm where rhythm, harmony, and imagination intertwine.

Taking inspiration from his extensive body of work, Martin "Atjazz" Iveson fuses his signature deep musicality with cutting-edge production to reach new creative heights. This time, he brings an exceptional ensemble of world-renowned collaborators aboard his cosmic vessel, each adding their own distinct brilliance to the voyage

Together, this stellar lineup consisting of Fred Everything, Nathan Haines, Sio, Karizma, LyricL, Peacey, Pete Simpson, OVEOUS, Charles Webster, Kaidi Tatham, Clyde Beats, Natasha Watts, Omar, Max Beesley, Josh Milan, Rona Ray, Osunlade, and Clara Hill joins Atjazz on a journey through sound, space, and emotion — where each track is a world of its own, yet all are united by a shared creative vision and boundless imagination.

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King Street Remixed – Dam Swindle revisits classic material from the legendary King Street Sounds catalogue, with Dutch duo Dam Swindle delivering three fresh interpretations of timeless house cuts.

Featuring vocals and productions from house mainstays Arnold Jarvis, DJ Pierre and 95 North, the EP blends classic King Street with Dam Swindle’s signature deep house sound.

Warm basslines, musical chords and groove-driven drums give these remixes strong crossover appeal between soulful house fans and modern deep house DJs, with all three cuts built for dancefloor play.

Importantly, this marks the first time these Dam Swindle remixes have been available on vinyl, making the release appealing for both DJs and collectors of the King Street catalogue.

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The next 12" from ROOTS RECORDINGS is from LA's MULLIE GRAFF with remixes from fellow Los Angelese house heads NATURAL RHYTHM. Original and remix versions of "ONE MORE CHANCE" and "HANG ON". Bumpin' deep house with that West Coast flavor, a mix of "grit and grace".

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A dynamic DJ and producer, the Galway-born, Berlin-based artist is driven by mood not genre, gleefully scribbling outside the lines to craft rhythmic, high-vibration dancefloor cuts that make them a delicious match for the Chunkers. Just reference their pin-sharp releases on Radiant, Punctuality, Planet Euphorique and their own World of Worlds imprint. While anyone who’s caught their throwdowns at Draaimolen’s legendary forest stage, Horst Festival or London’s infamous queer party Club Are already knows what’s up.

Their contribution to the BSC catalogue is bang on. Lead cut ‘Track Like’ is a straight-up Chunker. Beginning life as an instrumental, it’s a pumping house cut marked by a grooving bassline, tight drums and a contained ravey energy, before Eoin DJ added that vocal that took the production into peak-time party territory.

A producer who requires no introduction – Jennifer Loveless join the Chunkers fold with a full-bodied remix of ‘Track Like’. Lock in for a funky maximal re-rub with the attitude turned up to 11. Back in Eoin DJ’s corner, the crisp ‘n’ punchy ‘Pure U’ is driven by fat kick drums, euphoric chords and a chunky rolling bassline. Exquisite stuff. A tight Dub version is included in the pack. The EP rounds out with the perky ‘Feel Deeper’, which channels ‘90s New York house and circuit sounds and is built around a hooky vocal line and rhythmic drums.

Eoin DJ follows BELLA, Eliza Rose, Papa Nugs, Paperkraft and remixes Peach and CARISTA in joining the Big Saldo’s Chunkers family as Sally C delights in growing the label via a carefully curated roster of artists.

“I loved the label already, so I was super stoked when Sally asked me to do a release. Chunkers is always

so on-point and consistent with its output. All of the releases are certified party starters – fat basslines, catchy vocals, full of energy and tuned to perfection to hit on the soundsystem. I used that as a jumping off point when making the EP. You could say it’s Chunkers – Eoin DJ style.” – Eoin DJ

“I was hooked on Eoin’s sound since they released ‘Ode to Beachball’ in 2024 on Punctuality Records. I love their ability to weave emotion and groove so seamlessly. It’s been a pleasure working on this EP – I’ve been endlessly rinsing all of the tracks. Such a great producer!” – Sally C

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