The A side kicks off with an infectious bass-heavy hypnotizer from DEMARKUS LEWIS. FRANK AMODO's remix adds a funky twist with a rubbery bass line and filtered keys. JOSH STONE crafts an absolute masterpiece of chunky disco that will be played for years to come on the B side.

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ROOTS RECORDINGS takes some of their stand out digital releases and drops them on this 4 track EP. LOVE ATHLETICS & SEAN MCNULTY's "QUEEN" is on here in two bumpin' tech house mixes b/w DAN LAINO's bumpin' house track "UNDER THE LIGHT", original mix and the CORY WELLS remix. Funky, jackin' and deep!

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ROOTS RECORDINGS' debut vinyl release is from English DJ/producer ANDREW MACARI (GREENHOUSE RECORDINGS) and features PAKA PROJECT. Classic house beats mixed with 1920s speakeasy vibes for a juke joint house banger. JASON MERLE's remix unleashes a solid kickdrum and melodies that just grab you and bring you in. The groove is just pure shuffle and style.

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A house music tribute to the underground. A perfect cut for late night club vibes or daytime beach adventures. Along with the original on the A-side, there's a remix from TREASURED GROOVES label boss, GIL AGUILAR on the flip. Deep and soulful. Don't miss it.

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NEW DELANO SMITH !

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Michigander Music again sets the pace with another future classic, D Send to Asend, a powerful 4-track EP from Canada's Greg Gow and Detroit's Brian Kage. Rooted in Detroit techno at its finest hour, this release is strictly for the true heads combining Gow’s techno sensibilities and driving textures with Kage’s raw, soulful energy. Together, they break down borders and deliver a timeless, late-night sound that feels both refined and uncompromising.

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Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and
vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending
analogue hardware and live musicianship with deep, groove-driven production, the release
showcases a confident and colourful voice in contemporary underground house.
Hailing from Sydney and now based in Berlin, Declan McDermott has quietly evolved into one of the
most intriguing new names in left-of-centre house music. A lifelong instrumentalist and vintage gear
authority he shifted from producer/musician-for-hire, to step into his own spotlight after falling in love
with the hypnotic pull of late-night deep house and dub-influenced dance records. His studio work
draws on analogue synths, vintage drum machines, field recordings, and his own understated vocal
delivery, forming a sound that’s warm, textural, and effortlessly soulful. With his debut release turning
heads among selectors who value emotion as much as groove, this EP marks his development as
one to watch.
Why Don’t You Believe Me? is a slow-mo deep-house meditation wrapped in warmth and weight.
Declan and his featured vocalists lay down their spoken and vocodered vocals across minimal,
stripped-back house drums, weaving through DX7 and OBX-a melodies with subtle dubby inflections.
It’s intimate but floor-friendly - an introspective nocturnal groove that sways rather than shouts.
Next up we have a remix from the revered French luminary I:Cube who lifts the BPM and launches
the track straight onto the club floor. Leaning into cosmic-disco and classic filter house, the remix is
propelled by a rolling, hypnotic bassline and warm Rhodes chops that drive the groove along. It’s a
classy, elevated rework with the signature I:Cube balance of drive and dreaminess.
Flipping over we have the legendary NYC-based DJ Nature (founding member of Bristol’s Wild
Bunch crew and sound system) who injects raw soul into the original, keeping things crunchy, real,
and deeply felt. Clipped drums, dusty organ textures, and a warm, human touch guide this version -
equal parts basement grit and emotive mood. It’s the kind of remix that feels like it could only come
from a seasoned hand.
The EP floats to a close on a serene, atmospheric note with Yara-Kimba (Lindeman Island).
Named after Yara-Kimba, the Indigenous name for Lindeman Island in the Ngaro Nation /
Whitsundays region of Australia, given by the Ngaro people, the traditional custodians of the land
meaning ‘place of the snapper fish. Echoes of Ron Trent’s spacious, spiritual deep house permeate
the arrangement, with gentle percussion, tropical tones, and a calm-breathing groove. As Declan
says “This track is a tribute to Yara-Kimba, inspired by childhood memories, the island’s natural
soundscape, and my vision of a distinctly Australian / Oceanic house sound.”

A1 - Why Don’t You Believe Me?
A2 - Why Don’t You Believe Me? (I:Cube ‘Pourquoi’ Remix)
B1 - Why Don’t You Believe Me? (DJ Nature Remix)
B2 - Yara-Kimba (Lindeman Island)

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Genres: Jazz, House, Pop, Funk, Soul, Hip-Hop, Rap

Freerange Records proudly presents SUN, the brand-new album from Crackazat - a radiant, genre-spanning statement and the long-awaited follow-up to his critically acclaimed 2021 LP Evergreen. SUN is Crackazat’s fourth album and his most expansive work to date: a rich blend of jazz, house, hip-hop, soul, and funk that fully steps into his own lane as a musician, bandleader, collaborator, song writer, and producer. Early radio support from 6 Music (Craig Charles), NTS and Jazz FM. Press/online support from Notion, Electronic Groove, Atwood, Earmilk & Magnetic Magazine.

A1 - Promised Right
A2 - Grey
A3 - Watchu Say

B1 - Sanity ft. Lyric
B2 - Crouching Tiger ft. Lyric Jones
B3 - Set My Sun ft. Eva Lazarus

C1 - Pick Me Up
C2 - The Way We Go ft. Cap1talA
C3 - Shine

D1 - Who's Boss?
D2 - Nothing But Love ft. Oliver St. Louis
D3 - Waiting
D4 - Night Child



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Genres: Jazz, House, Pop, Funk, Soul, Hip-Hop, Rap

Freerange Records proudly presents SUN, the brand-new album from Crackazat - a radiant, genre-spanning statement and the long-awaited follow-up to his critically acclaimed 2021 LP Evergreen. SUN is Crackazat’s fourth album and his most expansive work to date: a rich blend of jazz, house, hip-hop, soul, and funk that fully steps into his own lane as a musician, bandleader, collaborator, song writer, and producer. Early radio support from 6 Music (Craig Charles), NTS and Jazz FM. Press/online support from Notion, Electronic Groove, Atwood, Earmilk & Magnetic Magazine.

A1 - Promised Right
A2 - Grey
A3 - Watchu Say

B1 - Sanity ft. Lyric
B2 - Crouching Tiger ft. Lyric Jones
B3 - Set My Sun ft. Eva Lazarus

C1 - Pick Me Up
C2 - The Way We Go ft. Cap1talA
C3 - Shine

D1 - Who's Boss?
D2 - Nothing But Love ft. Oliver St. Louis
D3 - Waiting
D4 - Night Child



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The A side kicks off with an infectious bass-heavy hypnotizer from DEMARKUS LEWIS. FRANK AMODO's remix adds a funky twist with a rubbery bass line and filtered keys. JOSH STONE crafts an absolute masterpiece of chunky disco that will be played for years to come on the B side.

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Repress!

Outstanding selection from diggin' fanatics OBSCURE & OBSOLETE with their EP "COLLECTOR'S ITEM #1". 5 smooth & groovy cuts featuring space disco, French boogie, German cheesecake, and calypso steel drum madness. This outfit is surely one to watch in 2019. Color vinyl, paper sleeves.

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Parisian house priestess SERIOUS A makes her STARCREATURE/GLOBAL CARESS debut with a deeply dreamy 7". This record finds Chicago somewhere between Detroit and Vancouver as an ethereal strand of synths and funky hypnosis. Highly serious, highly fun tracks to make you bounce

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NYC's FUGITIVE ARTIFACT delivers a twisted tribute to the Windy City sound. Fiercely minimal old-school house music taking cues from Chicago legends, FUGITIVE ARTIFACT occupies the heady space around Chicago house and builds a dark, trancey world around these simple sounds.

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Fela Kuti in Dub is a showcase album containing four essential songs by Fela Kuti in the style of a Jamaican Discomix, evolving from an instrumental cover version to a dub version, celebrating the musical heritage of Nigeria and Jamaica likewise. Please understand this work as a hommage to both musical cultures. The four tracks were chosen because they are a timeless witness to the political potential of music, that being proofed by their actuality. The songs feature essential dub e?ects like echoes, reverb and filtering but also feature analogue sound e?ects underlining and sonically illustrating the missing lyrical content. These vary from thundery spring reverbs and percussion instruments imitating the pouring rain on „Water No Get Enemy“ to marching soldiers and shot gun like reverbs on „Zombie“. From a cash register on „Expensive Shit“ to the dub sirens created live on a Korg MS10 on „Everything Scatter“.

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This year marks the 20th anniversary of ‘Dirty Old Hip Hop’, so we celebrate with a repress of what is now considered a stone cold classic. Originally released in 2006 this Worldwide Awards nominated album is a masterful collection of tunes from 4hero’s Marc Mac. With musicians Somatik and Luke Parkhouse on board and rappers Voice and Capital A, Marc has re-imagined Hip-Hop breaks and beats and placed them into grooves that pay homage to the tunes from which those beats were originally sampled. A very post-modern approach has resulted in an album of timeless music which transcends eras and has the ability to sound as fresh as it does familiar. Moreover it works. Bob Hill Remasted & Pressed on heavy weight double 12" vinyl.

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