As we reach the 10th release milestone for the STRWB00 series, we proudly present nothing short of some of the best tracks to ever land in our inbox.
Dedicated to his first-born Laura, Philip takes us on a journey through his curation of dubbed out atmospheric deep house and techy goodies. Sub-heavy bass notes, hypnotic conga grooves & echo-chambered pads, moans & tones, this EP is built for those blue bird happy hours, sunrise sessions or any deep club journey in between.

A very special first release from Mr. Chernikov!

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down2present the fifth release.
d2e005: matthias’ beat of blades

three deep cuts by the one at the helm, which without doubt will throw you into a whirl.

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the third release came down2earth.
d2e003: keep creepin’
a combined effort of percussion driven shakers by naone and denial.

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the first release came down2earth.

d2e001: controlled entry
a 5 track vinyl only EP by Naone.

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the first release came down2earth.

d2e001: controlled entry
a 5 track vinyl only EP by Naone.

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Detroit’s Brian Kage returns on his imprint Michigander with 909 Days, a focused and intentional EP that taps into the emotional core of Detroit house and techno while quietly reflecting on the current state of the dance music world. In a time where the culture is increasingly shaped by algorithms, social media noise, and constant opinion, 909 Days serves as a reminder of what truly matters: positivity, presence, and the shared release of losing ourselves on the dancefloor.

The title track, “909 Days,” sits at the intersection of house and techno, driven by a steady 909 pulse, sweeping Detroit-style strings, and an infectious piano and synth melody. Playful sine waves and a proper 303 line add depth and movement, creating a track that resonates equally at home or on the dancefloor.

“JAX (Type-303 Remix)” flips the original into an upbeat, Balearic-leaning groove. Type-303 brings analog warmth and rolling sub-bass, mixed with classic 909/303 interplay, crafting a relaxed yet forward-moving version built for open-air settings and late-night transitions.

Closing the EP is “909 Nights (Josh Wink Remix),” a standout collaboration that began when the legendary Josh Wink personally reached out after hearing the original track. His remix builds patiently before unleashing a powerful drop, expanding the emotional arc with Detroit-inspired strings and a massive snare crescendo designed to move intelligent dancers on both club and festival floors.

909 Days is concise, emotional, and purposeful. A release that honors Detroit’s legacy while gently reminding us that not everything needs to be analyzed, posted, or debated. Some moments are meant to be felt together before we realize what we had is already gone.

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Brand new music/previously unreleased.

Another tuff new single of modern roots in a classic style from Jerry Harris, top shelf as usual.

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Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records



Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.



Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.



The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.



w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds



Tracklist

A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business

B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up

C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start

D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This


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Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.

For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.

The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.

On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.

Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.

Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.

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The 3rd instalment of the heavily sort after Lextended series on M.A.D EDITS. As always its vinyl only and as always they sell out quickly so be quick. No one does edits like our boy Lex.

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NRV010 welcomes back Jay Tripwire with a focused, four-track EP that leans into what he does best: groove-led, understated club tools built for long blends and sound systems. The release is anchored by Tripwire’s signature restraint and flow, alongside a Sublee remix that strips the material back even further, emphasizing hypnosis, reduction, and low-swing momentum. This is functional, confident material — no excess, no forced moments — designed for selectors who value flow, patience, and control over obvious drops. For DJs who play: minimal / microhouse / deep tech-influenced selectors who prioritize groove, tension, and longevity over peak-time theatrics.

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For the first time in more than a decade, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki.
Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others.
However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock.
Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag.
Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct
baritone.
Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three And A Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings.


TRACKLIST

A1 Bedroom In My Bag (4:37)
A2 Little Way (3:13)
A3 Keep Safe (3:36)
B1 Bright One (5:45)
B2 The Weather Man (5:02)
C1 In Fortis (5:24)
C2 Ten To One (4:34)
D1 In Door (7:03)
D2 Three And A Half (4:03)


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DJ Support: Ben UFO, Palms Trax and more…

Alex Kassian reunites with Hiroaki Oba as Opal Sunn. Following on from their massive 2024 hit Elastic this latest offering ‘Liquid’ is the second in a trilogy of releases on the ‘buy on sight’ Test Pressing Records. Having taken their live set to the world finest clubs & with Elastic being an end of night anthem for DJ’s such as Palms Trax and Ben UFO. This highly anticipated new release builds on their sound and is sure to be another hit with DJ’s and record buyers alike

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Spazio Disponible's Afterhouse series are back. After two earlier drops by Donato Dozzy, their third edition welcomes Roman club icon Mary Genhyei with an excellent slab of her percussive house grooves. She delivers four highly effective drum tracks with additional production and mixdown by Donato Dozzy for that fine afterhouse mood.

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