Tracklisting
A1 Jay Tripwire - Bad Bad Cricket Man
A2 Jay Tripwire - Trans Boreal
B1 Jay Tripwire - Mongrosis

Sales Note
New EP from Polish label Kooky is a challenging and ambitious one. Jay Tripwire, Canada's finest DJ and producer, offers a solid set of 3 minimal (techno) tracks, crafted with a unique passion for detail, raw energy and dark soundscapes. Every track differs in intensity and dynamics, but all of them are a feast for the ears to demanding music lovers. If you are searching for the true beauty of minimal and want to escape from modern dance music that is unfortunately more and more generic these days, this release is just for you.

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Canadian artist Jay Tripwire delivers his new three-track EP ‘Gone Insane’ via Jamie Clarke’s Either imprint this February. Vancouver, Canada’s Jay Tripwire has long been a beloved producer in the world of stripped back house and techno with releases dating back to the turn of the millennium on the likes of Steve Bug’s Pokerflat, D’Julz’ Bass Culture, Roger Gerressen’s Irenic and of course his own Witching Hour among many others. Here though, we see him joining the roster of Irish artist Jamie Clarke’s Either imprint which has played host to numerous releases from the label boss himself and featured remixes from Silverlining, Ryan Crosson, Barac and more. Title track ‘Gone Insane’ opens the release and perfectly sets the tone with Tripwire’s signature murky atmospheric style, crisp driving rhythm, gritty bass and intricately programmed effects. ‘Workhorse’ follows next and diverges into haunting minimal realms with swirling synth textures, glitched out bass flutters and crunchy low-slung drums. ‘Still A Raver’ then rounds out the EP, shifting things back up a gear with bouncy, twitchy synth melodies, twisted vocal murmurs and pulsating subs all underpinned by heavily shuffled, raw percussion.

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vinyl only / hand-stamped / incl. insert

Tracklisting:
A1 Jay Tripwire - Mary Wanna
B1 Jay Tripwire - Iwontstop

Release Note:
FR015 by Jay Tripwire, 12" Hand stamped, tracks from the vaults. Includes an unreleased mix of 'I wont Stop' by Sounds of the suburbs.

Special collectors insert inside >l

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Jay's productions have been featured on numerous commercially released mix CD's, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock by many major artists, and is supported by a diverse spectrum of dance culture from house luminaries such as Doc Martin and Mark Farina to techno legends such as MR C and Laurent Garnier to progressive innovators as John Digweed and Danny Howells that illustrates Jays long term mass appeal amongst dj's and fans alike.

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_NRV011 welcomes Romanian craftsman Firesc for a deep, stripped and deliberate three-track journey built for long blends and late-hour tension. “Traveling Monk” unfolds across eleven patient minutes — a rolling, meditative groove anchored by subtle low-end pressure and finely detailed percussion. The arrangement breathes, evolves and locks into a steady hypnotic stride designed for extended transitions and heads-down floors. “Resiclaps” tightens the focus. Snapping drums and elastic rhythm work drive the groove forward with crisp minimal precision, balancing restraint with just enough swing to keep things playful. On remix duties, Andrei Ciubuc reinterprets “Resiclaps” with a darker, more driving edge. His version sharpens the rhythmic framework and reinforces the low-end weight, turning it into a focused, late-night weapon without sacrificing the original’s subtlety. A refined, functional release that stays true to the understated aesthetic _NRV is becoming known for — built for selectors who value patience, space and control.

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For the ninth installment of the _NRV series, Romania’s Cosmjn delivers The Music Behind EP — four hypnotic cuts that showcase his trademark swing and subtle intensity. Cosmjn is a name most in the minimal circuit perk up just seeing on the sleeve. He runs the Radial imprint together with LIZZ — who appeared on _NRV006, in case you missed that. “Doom Alarm” sets the tone with driving percussion and a shadowy groove, while “Dirty Wob” leans into gritty bass pressure and late-night warehouse energy. On the flip, “Nancy Byoss” pushes forward with a heavy, propulsive workout built for maximum floor impact, before “The Music Behind” closes the record with a spacious, dynamic trip that stretches into the after-hours. A versatile EP, primed for the booth and the bag alike.

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NRV008 delivers two immersive tracks from Za__Paradigma, elevated by a standout remix from Romania’s minimal maestro, Cezar Lazar.Za__Paradigma’s "Pianeta Extrasolare" opens with hypnotic rhythms and lush textures, ideal for intimate dancefloors. "Senza di te" follows with minimalistic grooves and a compelling, building energy.Cezar Lazar’s remix of "Pianeta Extrasolare" is an 11-minute journey, blending intricate rhythms with subtle orchestral undertones, showcasing his visionary mastery.A must-have for minimal, deep tech, and electronic audiophiles.

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Romanian groove technician SEPP lands on _NRV with a trio of high-powered, floor-primed cuts. 'Feeling Ma Bass' opens up with weighty low-end pressure and a hypnotic pulse that locks you in early. 'Body Language' twists with crisp percussion and a woozy sense of movement, keeping tension tight throughout. 'Do You Love Me’ dips into moodier territory, with dusty textures and a vocal loop that cuts just enough to keep the floor leaning in.

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Following his appearance on _NRV001, Dragomir returns with his solo debut for the label—a deep and driving four-tracker, backed by two standout remixes from Lizz. ‘Elisabeth’ sets the tone with a tense, stripped groove that slowly uncoils across the A1, while ‘Freaks’ rides a more playful, shifty rhythm laced with micro stabs and broken vocal hints. On the flip, Lizz reshapes ‘Elisabeth’ into two distinct versions—first with the ‘Straight Remix,’ a sharp and focused reinterpretation made for the peak hours, then closing out with the ‘Disconnected Remix,’ which takes a moodier, more deconstructed approach.

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_NRV is back with some fresh, off-kilter rhythms from newcomer Me&MyDog, delivering a deep and hypnotic take on breakbeats and groove-driven experimentation. With _NRV005, Me&MyDog fuses rolling low-end, skittering drum patterns, and atmospheric textures—built for late-night sessions and deep selectors. The record moves seamlessly between breakbeat-driven movement and rhythmically rich explorations, keeping things raw and understated while bringing a fresh, groove-heavy approach to the _NRV catalog.

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_NRV returns with a new EP from Miller. A regular at DC-10 Ibiza and Fabric in London, Miller continues to impress with his dynamic range and deep understanding of the dancefloor. A1, "Liquid Realm," echoes the pulse of early 2000s Nubreaks with driving breakbeats and a modern twist, delivering a track that will resonate with nostalgic fans and new listeners alike. B1, "Hydrate," shifts gears into a sleek, futuristic soundscape. Crisp percussion, deep ocean melodies, and a groove-driven bassline create an engaging play between tension and release, pulling the listener in deeper. B2, "There Are Tribes Out There," transports us to a primal, rhythmic space. The subtle mix of organic influences and modern production distances the track from easy categorization. Miller's ability to flow between styles and genres while pushing sonic boundaries is on full display.

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Next up on _NRV, CHKLTE takes us on a mesmerizing journey. "Enchanted Alley" establishes a hypnotic groove with deep basslines, perfect for late-night sets. "Fallen Algorhythm" delivers a dynamic auditory experience with a driving tempo and ethereal synths. "The Other One Follows" features a rolling bassline and snapping percussion, a straight groove torpedo launched from the kind of sub we'd rather be around. Cristi Cons's remix of "Fallen Algorhythm" adds a pulsating bassline and slicing percussion, creating a high-energy rave weapon sure to vaporize anyone standing in front of the speakers, all while maintaining the essence of the original, if you were at Sunwaves 32, there's no way you didn't hear this bomb drop.

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Next up on _NRV we have Alexis Cabrera, an artist who defies genre boundaries, and showcases his musical diversity. Each track on the EP is a testament to his innovative spirit and unique style. He takes us on a sonic journey that is both familiar and groundbreaking, transcending typical genre constraints.

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A Declaration of Pure Sound

At Nervous, we believe in keeping our music authentic. We don't add any fancy extras or hidden meanings. What you hear is exactly what the artist intended—pure, unfiltered sound, straight from them to you - and our goal remains unchanged with the launching of our new sub-label, _NRV

We're all about minimalism, our music speaks for itself without any unnecessary embellishments. It's a celebration of simplicity and purity

We're a label that blends tradition with innovation, creating music that's both familiar and cutting-edge — "what you hear is what you hear." We're all about focusing on the pure essence of sound and the genuine experience it brings.

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The 3rd instalment of the heavily sort after Lextended series on M.A.D EDITS. As always its vinyl only and as always they sell out quickly so be quick. No one does edits like our boy Lex.

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Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records



Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.



Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.



The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.



w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds



Tracklist

A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business

B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up

C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start

D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This


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Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.

For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.

The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.

On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.

Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.

Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.

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down 2 release the fourth one:

d2e004: philip chernikov’s green directions

ace masta bass with a four tracker that spreads an electric blanket over any dance floor.

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DJ Support: Ben UFO, Palms Trax and more…

Alex Kassian reunites with Hiroaki Oba as Opal Sunn. Following on from their massive 2024 hit Elastic this latest offering ‘Liquid’ is the second in a trilogy of releases on the ‘buy on sight’ Test Pressing Records. Having taken their live set to the world finest clubs & with Elastic being an end of night anthem for DJ’s such as Palms Trax and Ben UFO. This highly anticipated new release builds on their sound and is sure to be another hit with DJ’s and record buyers alike

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For the first time in more than a decade, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki.
Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others.
However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock.
Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag.
Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct
baritone.
Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three And A Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings.


TRACKLIST

A1 Bedroom In My Bag (4:37)
A2 Little Way (3:13)
A3 Keep Safe (3:36)
B1 Bright One (5:45)
B2 The Weather Man (5:02)
C1 In Fortis (5:24)
C2 Ten To One (4:34)
D1 In Door (7:03)
D2 Three And A Half (4:03)


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