Detroit’s own Brian Kage returns with Timeless Times Remixed, a interstellar re-imagination
of his album "Timeless Times" featuring an all-star lineup of remixers. Timeless Times
Remixed brings together some of the finest minds in house and techno, delivering deep,
timeless grooves with Detroit soul.
Tracklist:
A1. Brian Kage – Detroit Techno City (Delano Smith Remix)
A2. Brian Kage – Just The Groove (Milton Jackson Remix)
B1. Brian Kage – Nordhouse (Luke Hess & Brian Kage's Reference Remix)
B2. Brian Kage – Galaxian (Max Watts Remix)
About the EP
Brian Kage, a staple of Detroit’s electronic music scene, brings together a heavyweight
lineup of producers to rework key tracks from his latest album. The legendary Delano Smith
infuses Detroit Techno City with his signature deep and hypnotic touch, while Scotland's
Milton Jackson reworks Just The Groove with a dose of his classic rolling house energy. The
collaborative Reference (Luke Hess & Brian Kage) Remix of Nordhouse leans into peak time
dub-techno atmospheres, while Detroit's newest and finest young talent from the Submerge
crew Max Watts takes Galaxian into raw, driving 808 Electro terrain.
This essential four-tracker bridges deep house, techno, electro, and dub, while staying true
to the classic and timeless sounds of Detroit’s roots.
For Fans Of:
• Deep Detroit Techno & House
• Dub-infused grooves
• Classic yet forward-thinking electronic musi

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Michigander Music again sets the pace with another future classic, D Send to Asend, a powerful 4-track EP from Canada's Greg Gow and Detroit's Brian Kage. Rooted in Detroit techno at its finest hour, this release is strictly for the true heads combining Gow’s techno sensibilities and driving textures with Kage’s raw, soulful energy. Together, they break down borders and deliver a timeless, late-night sound that feels both refined and uncompromising.

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Detroit’s own Brian Kage returns with Timeless Times Remixed, a interstellar re-imagination
of his album "Timeless Times" featuring an all-star lineup of remixers. Timeless Times
Remixed brings together some of the finest minds in house and techno, delivering deep,
timeless grooves with Detroit soul.
Tracklist:
A1. Brian Kage – Detroit Techno City (Delano Smith Remix)
A2. Brian Kage – Just The Groove (Milton Jackson Remix)
B1. Brian Kage – Nordhouse (Luke Hess & Brian Kage's Reference Remix)
B2. Brian Kage – Galaxian (Max Watts Remix)
About the EP
Brian Kage, a staple of Detroit’s electronic music scene, brings together a heavyweight
lineup of producers to rework key tracks from his latest album. The legendary Delano Smith
infuses Detroit Techno City with his signature deep and hypnotic touch, while Scotland's
Milton Jackson reworks Just The Groove with a dose of his classic rolling house energy. The
collaborative Reference (Luke Hess & Brian Kage) Remix of Nordhouse leans into peak time
dub-techno atmospheres, while Detroit's newest and finest young talent from the Submerge
crew Max Watts takes Galaxian into raw, driving 808 Electro terrain.
This essential four-tracker bridges deep house, techno, electro, and dub, while staying true
to the classic and timeless sounds of Detroit’s roots.
For Fans Of:
• Deep Detroit Techno & House
• Dub-infused grooves
• Classic yet forward-thinking electronic musi

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Both a fan of the number and the machine, Michigander Music boss Brian Kage has always related eight to the paths we take in life — and being on the right one. For the label's eighth release, Kage pays homage to electronic music's futuristic past by bringing it up to speed with the present, including reimagining one of his own releases from when net labels were a thing.

Opening with "808 and the Great Lakes State," there's a clear influence — in title and sound — from a certain seminal pioneering Manchester techno group, 808 State — who formed and debuted in '88, by the way. With the recent passing of one of its members, Andy Barker, the track exists as a tribute to the formative moments and blissful memories of those '90s experience. The most iconic touches of this new age techno and acid sound are all there, but the end result is something more subtle, more spacious, and more patient for the modern ear.

Kage follows up with a new mix, re-envisioning "Eight Ways" — a deep, pulsating techno journey originally released on Thinner almost 20 years ago. With the "808 Mix," Kage takes the mentally stimulating hypnotism of the original and emboldens it into something more body driven by way of 808 bass kicks and sharpened hi-hats — a matured version begging for immediate dance floor play. The underlying liquid pads remain, with symphonic layers of increasingly dramatic piano chords, fluttery synth lines, and a heavens-opening ebb and flow of angelic melodies.

Finishing off the release, "Learn to Surrender" is pure electronic Detroit techno through and through. Electrically charged dub chords build on top of a revolving synth and rhythmic bass line, interwoven to constantly propel the track forward. Midway through, meditative vocals provide a mantra for surrendering to life, having already led listeners to becoming lost in the fully immersive sea of sounds.

“808 and the Great Lakes State” is a purposeful, mental, and physical trip connecting the many points of electronic music — and of life itself — as only a truly timeless approach can.

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Coming off a successful transatlantic exchange, Brian Kage and his Michigander label keep the momentum, and the collaborative spirit, moving with an EP that hits closer to home. For any Detroit artist, working with Delano Smith would be on the bucket list, as one of the city's original, more influential DJs — before the D developed any of its "waves" — who would come into his own as a producer later to, once again, help mold the Techno City's sound. Make no mistakes about it, this tastemaker had a ripple effect back before techno even had a name, when it was just "progressive" music and mixing. The thing is, the feeling of admiration and respect here is mutual, from the moment Smith first stumbled across one of Kage's records and had to know who was making these sounds. This meeting of the minds happened organically and timely, with Keep 'em Movin’ as the result.

Opening the release is the title track, a driving number with pulsating synth tones and deep, call and response piano stabs. The ever so slightly pitched down vocals are modern and effortlessly cool, a style that resonates with today's dancefloors, but done tastefully, and with lyrical content that sets the record straight about what it really means to represent Detroit.

"D Spirit" takes an ancestral turn. This is spaced-out Detroit techno meets afro deep at its finest. Forward moving keys are bathed in deep, celestial pads as shuffling hats accented by light hand percussion beckon the body to move. Lively marimbas cut through the hypnotic undertones and awaken the senses with soulful appeal. A fluid bassline rumbles beneath while baroque pianos add tension and heighten the atmosphere.

The final track rounds the release out with an exclamation mark. For lovers of Delano Smith's infamous remix of "A Message for the DJ," "For the Music" will feel instantly familiar, if not almost its closely related deeper, distant cousin. Many will recognize its meditative musings, but here it's been re-contextualized into some true school, bumping, real-deal, dynamic Detroit shit.

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Detroit producers Omar S & Brian Kage team up to bring you “Thru the Madness EP.” “Thru the Madness” has all the elements of a classic dance music collaboration. The tune showcases Omar S raw and funky analog bass playing and drum programming combined with Brian Kage signature warm melodic synth lines and chord structures. The clever use of a catchy 90’s vocal sample helps solidify and unify the composition. “Thru the Madness (Honk & Nik Mix)” takes a deeper approach by adding a deep Detroit-style DX pad, Nile Rodger-esque funk guitars parts, and vintage drum breaks that will keep the party moving into the late night hours. Like Dutch & Dillon from Predator, some times you gotta “Get Thru the Madness!”

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Brian Kage returns on Michigander with the, “Best Kept Secret EP.” Kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and Michigan’s natural splendor. Best Kept Secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. Lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. Lost on Old Free-soil Road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . Suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. Cruise Control on US-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. All these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. This tune is the perfect tool for any DJ interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside.

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After releases on FXHE, Deeplabs, and Planet-E, Brian Kage returns with “The Arc EP,” a new record on his new label, Michigander. “The Arc EP” is dedicated to celebrating hopeful and inspiring times in the city of Detroit. The Arc - Dark minor chord stabs emerge and echo around a solid concrete foundation of classic 909 style drum patterns and deep pulsating bassline hits. The structure builds until giving way to a break of lush symphonic strings that pay tribute to Detroit in a nostalgic manner. The Arc (Stringless Mix) has been crafted for creating and releasing cascades of tension in the darkest of warehouses. D Drive – A saturated synth lead effortlessly bounces through two octaves in a classic groove that is unmistakably from an alternative universe where the 80s never ended. This feel-good jam will get even the toughest of crowds smiling and rocking out. Transcending – This contemplative soundscape flings percussive hisses rippling through a deep melodic realm. An atmosphere of timeless synthesis provides reassurance that it was a great decision to come out wearing comfortable shoes and dressed to sweat.

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Brand new music/previously unreleased.

Another tuff new single of modern roots in a classic style from Jerry Harris, top shelf as usual.

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down 2 release the fourth one:

d2e004: philip chernikov’s green directions

ace masta bass with a four tracker that spreads an electric blanket over any dance floor.

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The Coastal Commission “The Conversation” Le Conversation was a French bakery located right across the street from the old PCH studio “The Hall of Records” situated at the end of Melrose Avenue on the edge of Hollywood. I had relocated from the Sunny shores of Carpinteria and brought all the gear with me right on the edge of Hollyweird. Often times you would find me stumbling over there on a Saturday & Sunday at the break of day, blood shocked eyes and whiskey on my breath for a fresh coffee and chocolate eclair after an all-night sesh making beats.
Around that time we had started working on Drum & Bass tunes for my label CRIMESCENE and were experimenting with different techniques. One weekend I was hosting Goldie’s old producer and Moving Shadow label boss Rob Playford alongside Mc Jakes, EZ Rollers and Calyx for a festival just outside of LA. After taking them for breakfast at Le Conversation we all piled over to mine for a smoke and Rob gave me some tips on making Growly Basslines. That next week we got to work. During the process we watched Gene Hackman in “The Conversation” about a crazy spy setting up microphones outdoors to entrap a bad guy and also caught Optical Dj’ing with Ed Rush up the street at Johnny Depp’s Viper Room. After an all-night sesh of “Soul Caliber” Matt & Ben gave us some pointers & not long after “the Conversation “was born.
An overdriven Bassline, Dubbed out bleeps sampled from a New Zealand crosswalk layered thru Space echoes and old Roland Delays gave the track an other-worldly feel.
The 303 chugs along breaking down into haunting Zulu choruses while the bleeps roll in and out and the track growls like you’re drifting through space. Definitely a late night affair. Originally on the Beat nonstop label and fetching a pretty penny on Discogs we’ve
brought it back on Pacific Coast House remastered my the Mighty Martin Iveson. Enjoy.
Boing “Currency” Finally this one has been unearthed. Boing originating from Argentina blessed us with this & it was a secret weapon of DJ Doc Martin for years. I paired in with The
Conversation on this slab of wax as it too has an other-worldly feel of dancing in outer space. The B-line is absolutely massive on a rig this and the wiggly bleeps keep splashing in & out before the monster synth line comes in and lifts you up to the rafters. Word has it the Wiggle boys hammered this alongside Swag lad Grant Dell. This was only available on 10 white labels prior to getting this full release.
Run don’t walk to cop this, an absolute gem in your arsenal!

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The Gods Must Be Angry comprises 3 tracks that have been doing the rounds with some of
the heaviest-of-the-heavy house DJs, available for the first time on vinyl. We’ve combined
these into one release and added a new track - What I Know - as a vinyl-only exclusive.
Across all four tracks there’s a balanced mix of headiness and body-jerking funk.

A1. Stop:Start
A2. ZEUS
B1. Yagota
B2. What I Know (Vinyl Exclusive)

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Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and
vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending
analogue hardware and live musicianship with deep, groove-driven production, the release
showcases a confident and colourful voice in contemporary underground house.
Hailing from Sydney and now based in Berlin, Declan McDermott has quietly evolved into one of the
most intriguing new names in left-of-centre house music. A lifelong instrumentalist and vintage gear
authority he shifted from producer/musician-for-hire, to step into his own spotlight after falling in love
with the hypnotic pull of late-night deep house and dub-influenced dance records. His studio work
draws on analogue synths, vintage drum machines, field recordings, and his own understated vocal
delivery, forming a sound that’s warm, textural, and effortlessly soulful. With his debut release turning
heads among selectors who value emotion as much as groove, this EP marks his development as
one to watch.
Why Don’t You Believe Me? is a slow-mo deep-house meditation wrapped in warmth and weight.
Declan and his featured vocalists lay down their spoken and vocodered vocals across minimal,
stripped-back house drums, weaving through DX7 and OBX-a melodies with subtle dubby inflections.
It’s intimate but floor-friendly - an introspective nocturnal groove that sways rather than shouts.
Next up we have a remix from the revered French luminary I:Cube who lifts the BPM and launches
the track straight onto the club floor. Leaning into cosmic-disco and classic filter house, the remix is
propelled by a rolling, hypnotic bassline and warm Rhodes chops that drive the groove along. It’s a
classy, elevated rework with the signature I:Cube balance of drive and dreaminess.
Flipping over we have the legendary NYC-based DJ Nature (founding member of Bristol’s Wild
Bunch crew and sound system) who injects raw soul into the original, keeping things crunchy, real,
and deeply felt. Clipped drums, dusty organ textures, and a warm, human touch guide this version -
equal parts basement grit and emotive mood. It’s the kind of remix that feels like it could only come
from a seasoned hand.
The EP floats to a close on a serene, atmospheric note with Yara-Kimba (Lindeman Island).
Named after Yara-Kimba, the Indigenous name for Lindeman Island in the Ngaro Nation /
Whitsundays region of Australia, given by the Ngaro people, the traditional custodians of the land
meaning ‘place of the snapper fish. Echoes of Ron Trent’s spacious, spiritual deep house permeate
the arrangement, with gentle percussion, tropical tones, and a calm-breathing groove. As Declan
says “This track is a tribute to Yara-Kimba, inspired by childhood memories, the island’s natural
soundscape, and my vision of a distinctly Australian / Oceanic house sound.”

A1 - Why Don’t You Believe Me?
A2 - Why Don’t You Believe Me? (I:Cube ‘Pourquoi’ Remix)
B1 - Why Don’t You Believe Me? (DJ Nature Remix)
B2 - Yara-Kimba (Lindeman Island)

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Limited Rusty Red Vinyl repress !

Part 3 in the Instruments of Rapture saga. It expands with Corporate Cosmology — three starlit excursions for boardroom-weary, night-shift dreamers!

A1 – You Could Be Hiding
B1 – Do It To The Max
B2 – Light Vacation

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NUTRIA Sounds proudly welcomes Leo Kal to the family with his debut EP, The Roots EP (NUTRIA 004). Across five tracks, Leo Kal delivers a deeply musical statement—grounded, expressive, and rich with intention—perfectly aligning with what NUTRIA Sounds continues to cultivate: organic sound, essential rhythm, and soulful movement.

The Roots EP showcases Leo Kal’s true musicianship, blending groove, harmony, and texture into a body of work that feels both timeless and forward-thinking. Each track is driven by feel and craft, emphasizing connection over excess and allowing the music to breathe naturally on the dancefloor and beyond.

Celba opens the EP with an uplifting, bouncy groove—light on its feet yet firmly rooted, setting a joyful and inviting tone.

Station Verlaine soars effortlessly, carried by smooth, flowing keys that glide across a warm, rhythmic foundation.

Roots, the EP’s title track, shines with warm piano lines and earthy percussion, embodying the spirit and intention behind the project.

Round 50 delivers the EP’s most club-friendly moment, channeling a spacey, late-’90s feel with a modern, refined touch.

Second Eyes closes the EP on a downtempo, junglesque note, wrapping the listener in texture and atmosphere while leaving them wanting more.

With this release, NUTRIA Sounds continues its mission to highlight nutrient sounds for the soul and the feet—music that is honest, rooted, and deeply connected. Leo Kal’s debut stands as a confident and inspired entry into the catalog, reinforcing the label’s commitment to artistry, balance, and musical integrity.

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This 4-track vinyl from Isaac Carter & Biyi on Carter’s own OCHI imprint, has been a long time
coming, hence the name. You will no doubt have heard the likes of Ben UFO, Seth Troxler, Floating
Points, Raresh, Joy Orbison, Moxie and Bradley Zero to name few, spinning these over the past 18
months and by popular demand they are now available for the first time ever on wax.
Built around warm, rolling grooves, the record sits somewhere between deep US house and early 00s
tech house with a contemporary UK Vocal from long term collaborator Biyi to create something
completely unique that has typified the OCHI releases to date. This release marks the new dawn of
OCHI with more vinyl releases due from the label, whilst label boss Carter’s own DJ career flourishes
globally.
Four tracks, tested in the club and finally pressed to wax. Long ‘Overdue'.

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Legendary Chicago house producer GLENN UNDERGROUND drops another one of his specially curated and re-edited EPs of classic disco and funk tracks. He has given them his personal stamp of approval and made them even more dancefloor friendly. Cuts by SLAVE, TWO TONS O' FUN and more. Don't sleep!

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Sean Green - Press Release
Soul Quest Records celebrates its 20th release with a striking debut from the enigmatic Sean
Green!
Soul Quest Records reaches a milestone moment with its 20th release, welcoming a debut that
feels anything but new. Enter Sean Green… a mysterious new name whose sound suggests
deep roots, sharp instincts, and the quiet confidence of a seasoned producer operating under a
fresh alias. While details remain deliberately sparse, the music speaks volumes.
This four-track EP is a journey through deep, soulful house and broken beat, threaded together
by warmth, musicality, and an unmistakable sense of craft.
Opening track “Really Love” ft. Will Heard sets the tone beautifully. A deep and soulful house cut
driven by a funky, rolling bassline, it’s elevated by Will Heard’s silky-smooth vocal
performance… emotive, effortless, and perfectly at home on the Soul Quest imprint. It’s the kind
of track that works just as well on a late-night dancefloor as it does in a more intimate setting.
“Green Alot” shifts gears, stepping confidently into broken beat territory. Jazzy keys dance over
a syncopated groove, revealing Green’s love for classic bruk influences while keeping things
forward-looking and fluid.
With “I’d Rather Be With You”, the EP digs deeper. Grittier with electro break-beat energy with
equal measures of soul. Sublime vocal work and lush keys create a rich, emotional atmosphere
that lingers long after the track fades.
Closing cut “Hold On” pushes further into darker broken beat territory… tense, driving, and
hypnotic, rounding off the release with purpose and depth.
Marking 20 releases of Soul Quest Records, this ep feels like both a celebration and a
statement of intent. Whether Sean Green is a new voice or a familiar hand in disguise, one thing
is clear: this is a debut that demands attention.

A1 – Really Love ft. Will Heard
A2 – Green Alot
B1 – I’d Rather Be With You
B2 – Hold On

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London DJ/producer WILL B. and singer/songwriter YEUKAI fuse diverse influences to birth a truly special debut. Thick, soulful organ & ethereal vocals take this one so deep it should come with a lifeguard. Remixes from GLENN UNDERGROUND & ORLANDO VOORN make this an instant classic.

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Top tier contemporary analog disco boogie powered by a stellar array of vintage gear and a shared fascination with the grooves of yesteryear, the California duo delivers an 8-track album composed of 5 vocal cuts and 3 instrumentals. Heavyweight reverse board, full art sleeves. Two songs from this record (“NITE LITE” & “FAN OUT”) were prominently featured on a recent February 2026 GILLES PETERSON special “WINTER IN CHICAGO, WITH GILLES”!

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