down 2 release the fourth one:

d2e004: philip chernikov’s green directions

ace masta bass with a four tracker that spreads an electric blanket over any dance floor.

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Way back in 1998, following five years DJing and organising free parties as part of Sheffield's Smokescreen Soundsystem, Andy Riley and Laurence Ritchie joined forces in the studio as Inland Knights. They went on to deliver a huge amount of high-grade UK house music, but it was on this EP - here reissued for the first time in remastered form - that they first showcased their distinctively chunky, DIY-influenced sound. Check first the squelch-and-bump of soul-flecked late-night roller 'Mud Substance', before getting your ears around the dubby bass, hypnotic beats and spacey licks of 'Souldoubt'. 'Deep In' is a strutting, energetic affair full of raw analogue bass and mind-mangling effects, while 'Spent Up' is a tougher and looser slab of deep house funk.


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Coastal Commission “Bring Down the Walls”
“Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring
Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One.”
We gave the tune a Californian psychedelic twist with conga laden drums, a moody
synth, low pulsing 303 patterns + Benjamin Zephaniahs patois call to “Move the Body
Rhythmwize!”
The first PCH releases had dropped Worldwide to International acclaim from DJ’s far
and wide across the Globe with support in London, Paris & New York. However the
local scene here in L.A that preached “Love, inclusion & Unity” was anything but that.
L.A at that time was very tribal & divided up into 3 camps. If you weren’t affiliated with
any of them (aka independent) then you were pretty much locked out of getting any kind
of gig support or the Dj’s from those camps actually playing the music.
The local feedback from Dj’s was that what we were making wasn’t “house,” but
“Techno” which was absurd to me. “Bring Down the Walls” was a mantra to “move the
bod”y and in doing so “bring down the walls” of separation not just in L.A but throughout
society in general. Thank goodness for support from people like Terry Francis, Eddie
Richards, DJ Deep & Philly Stalwart King Britt.
After years of copies going for upward of $100+ on Discogs the now freshly remastered
copies by At Jazz’s Martin Iveson are finally hitting the platters this Spring.
Jesse Outlaw “Let it Go”
I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late
90’s. Miguel (RIP) was a mainstay in the Underground scene and had always been very
supportive of my endeavors. He had had success with a huge release on Yellow
Orange and was working with Jesse under the moniker “When Worlds Collide.” I signed
“Brighter Days” & “Set you Free” from them and released the tracks on my Seductive
imprint. They told me that they were making the tracks on a Sony Playstation “Music
Now” program and I was like FFS “What.s more Underground than that!?”
Later Jesse gave me some of his solo work. The track “Let it Go” was never mastered &
only ever cut to Dub-plate and featured on my 1st PCH mix “Pacific Coast House
Sounds.”
It has now been mastered by Martin Iveson and is available in all it’s glory.
The dreamy vocal “You need to let it go” beckons over the top of driving percussive
Latin beats and church organ which is a great compliment to the flip side of “Bring down
the Walls.”
All in all two West Coast stompers now finally available remastered on PCH in Orange
vinyl.

A - The Coastal Commission - Bring Down The Walls
AA - Jesse Outlaw - Let It Go

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RAHAAN…..SUPER DOPE collection of REMIXES & EDITS. Do Not Sleep on this very Limited Run of DJ Only Promo Vinyl.

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Marlon George is a British DJ and producer based in London renowned for his "slightly spacey, casually jazzy, and fully groovy house music," with support from names as illustrious as Kyle Hall and Jimpster. But really, if he's getting signed by the legendary Trelik, then that's all you need to know about his skills. He lays them bare across three tasteful cuts here, starting with the liquid dub of 'My Secrets Are Safe With Me' with its wispy shards of light piercing the water's surface and glistening against the dusty hi-hats. 'Najagen' has more drive but no less depth and warmth to it and 'Do The Rha!' is another smoky, minimal, heady dub house roller that sneaks right under your skin.

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