1
Per Hammar - Ohm Alone
2
Per Hammar - Tempo
3
Per Hammar - Orbit
4
Per Hammar - Bump
Scandi figurehead Per Hammar switching things up for the Kalahari debut.
No stranger to a curveball, as demonstrated here. The dub techno donny goes anthemic, bouyant and triumphant on the first one, full frontal techno tessellations for the rest.
Flashes of braindance, the groove militant where it’s required and he goes liberal with the samples. Earworm potential and sound sensitive inclinations on display, as we’ve come to expect, but always on the front foot. Rude, direct and never at risk of taking itself too seriously.
Time-stretched modulations and head-spinnin’ flourishes of hauntological detail underpin the insistent technoid throb. A masterful balance between dancefloor utility, dubwise dynamixxx and sheer variety.
Absolutely zero bloat, every track a stone-cold killer. Proper ruff ’n’ ready torque.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
No stranger to a curveball, as demonstrated here. The dub techno donny goes anthemic, bouyant and triumphant on the first one, full frontal techno tessellations for the rest.
Flashes of braindance, the groove militant where it’s required and he goes liberal with the samples. Earworm potential and sound sensitive inclinations on display, as we’ve come to expect, but always on the front foot. Rude, direct and never at risk of taking itself too seriously.
Time-stretched modulations and head-spinnin’ flourishes of hauntological detail underpin the insistent technoid throb. A masterful balance between dancefloor utility, dubwise dynamixxx and sheer variety.
Absolutely zero bloat, every track a stone-cold killer. Proper ruff ’n’ ready torque.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Per Hammar
1
Per Hammar - Prologue UHF
2
Per Hammar - Generation Drive
3
Per Hammar - Mojave 24 Feat. Jannik Jivung
4
Per Hammar - Juvial Feat. Jannik Jivung
5
Per Hammar - TX Files
6
Per Hammar - Teleferico
7
Per Hammar - Defender Feat. Malin Genie
8
Per Hammar - Office Perform Feat. Malin Genie
9
Per Hammar - Link
10
Per Hammar - Representant Dubb
11
Per Hammar - Gem Deska
12
Per Hammar - Prognos Dubb
After two years in the making, the long anticipated Per Hammar album on Sushitech is finally here!
Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Per Hammar - Side Effects
2
Per Hammar - Document Save
3
Per Hammar - Remote Dubb
Following his collaborative ‘Conscious’ EP alongside Rossko earlier this year, Per Hammar returns to FUSE sub-label Infuse with three more standout offerings this September. Swedish don Per Hammar has been turning out quality dub, house and techno with a dusty sense of atmosphere for more than a decade. In that time, he has established a number of his own labels including Dirty Hands and 10YEARS, while most recently founding De Vloer with Mandar member Malin Genie. Now firmly established as a key protagonist in the underground scene, the Berlin-based talent reasserts that position once more here as he returns to Infuse with his slick three-track ‘Side Effects’ EP. ‘Side Effects’ is a sublime 10-minute excursion into warm depths. Sustained pads drift in the distance as subtle percussion rolls in the foreground keep you locked, whilst soft-edged chords bring colour and soul and ensure this is a warm and hypnotic cut. Next, ‘Document Save’ is a more edgy affair with subtle synth details, samples and trippy pads all weaving in and out of the busy, fluttering drum line that keeps you on your toes. Last of all, ‘Remote Dubb’ is the most visceral on the EP: employing coarse synth textures and bustling drums that are expertly designed to enliven the ‘floor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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Special Remarks: includes a remix from Malin Génie
Tracklist 12":
A1 Per Hammar – Passing By 06:53min
B1 Per Hammar – Passing By (Malin Génie Remix) 05:50
B2 Per Hammar – 4444 Dubb 06:23min
info:
Ruff dubb house cuts from Per Hammar’s Dirty Hands imprint. Wrapped up by Malin Génie’s stripped
remix work. Dedicated to Anders Salomonsson a.k.a. 4444, who also did the cover artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Per Hammar – Passing By 06:53min
B1 Per Hammar – Passing By (Malin Génie Remix) 05:50
B2 Per Hammar – 4444 Dubb 06:23min
info:
Ruff dubb house cuts from Per Hammar’s Dirty Hands imprint. Wrapped up by Malin Génie’s stripped
remix work. Dedicated to Anders Salomonsson a.k.a. 4444, who also did the cover artwork.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
per hammar - dixie's dubb
2
per hammar - dixie's dubb, argy rmx
3
per hammar - severnaja
Tracklist 12":
A1 Per Hammar - Dixie’s Dubb 6:48 B1 Per Hammar - Dixie’s Dubb (Argy Hypnomix) 07:56min B2 Per Hammar – Severnaja 07:37min
Info:
The Swedish label is back with a three tracker Valvet studio’s production, featuring Per Hammar’s
sound of dusty dub house. Dixie’s Dubb is a straight forward and warm cut with a good amount of
chamber-sounding ingredients. Argy’s take on the track is a timeless piece of dubby, stripped and
sparkling techno. Just as obvious as it is venturous.
As the last track on the flip, we find Severnaja, that takes us on a mission over an icy surface. The
travelling bassline and overheated drums in symbiosis with the melody brings the listener to
uninhabited places.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Per Hammar - Dixie’s Dubb 6:48 B1 Per Hammar - Dixie’s Dubb (Argy Hypnomix) 07:56min B2 Per Hammar – Severnaja 07:37min
Info:
The Swedish label is back with a three tracker Valvet studio’s production, featuring Per Hammar’s
sound of dusty dub house. Dixie’s Dubb is a straight forward and warm cut with a good amount of
chamber-sounding ingredients. Argy’s take on the track is a timeless piece of dubby, stripped and
sparkling techno. Just as obvious as it is venturous.
As the last track on the flip, we find Severnaja, that takes us on a mission over an icy surface. The
travelling bassline and overheated drums in symbiosis with the melody brings the listener to
uninhabited places.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12": A1 Dirty Hands (Original Mix) 7:17min // B1 Scavanger Hunt (Original Mix) 8:37min // B2 Tanja’s Dubb (Original Mix) 7:42min
UPC: 827170554061; Releasedate: 01.09.2014
Since I started to produce music in the mid 00's, I undoubtedly bought the idea of puzzling my productions into nice labels like a Tetris game. This "survival of the fittest" thinking has under the years resulted in a whole bunch of works that I made a strong connection to, but that no one else never got the chance to do, ending up in an empty folder. There are so many times that I just feel to open up my heart and brain and let people that I have a connection to take part of it, and this is the closest that I can get. The sounds that I like: the warmth, the dust, the ugly, the distorted, broken and worm has been privileged for certain kind of music. Music that I love, but that I maybe not always can play when I got the chance. Those two ideas combined gave me the idea to set up a little imprint. I'm gonna name it Dirty Hands. What that mean is up to you. What it sounds like is also up to you, and that's why I wrote this instead of thoroughly describing the tracks.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
UPC: 827170554061; Releasedate: 01.09.2014
Since I started to produce music in the mid 00's, I undoubtedly bought the idea of puzzling my productions into nice labels like a Tetris game. This "survival of the fittest" thinking has under the years resulted in a whole bunch of works that I made a strong connection to, but that no one else never got the chance to do, ending up in an empty folder. There are so many times that I just feel to open up my heart and brain and let people that I have a connection to take part of it, and this is the closest that I can get. The sounds that I like: the warmth, the dust, the ugly, the distorted, broken and worm has been privileged for certain kind of music. Music that I love, but that I maybe not always can play when I got the chance. Those two ideas combined gave me the idea to set up a little imprint. I'm gonna name it Dirty Hands. What that mean is up to you. What it sounds like is also up to you, and that's why I wrote this instead of thoroughly describing the tracks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Kalahari Oyster Cult
Label:Kalahari Oyster Cult
Cat-No:OYSTER69
Release-Date:17.04.2026
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER69
Release-Date:17.04.2026
Genre:House / Techno
Configuration:12"
1
S.A.M. - Right To Disobey
2
S.A.M. - Cute Little Trance
3
S.A.M. - Mastermind
4
S.A.M. - Crush
Repress!
It’s a properly transcendent Kalahari debut as S.A.M. makes nods to ’90s Eurodance and deeper, spiritual invocations.
At the helm of multiple labels, but this marks a Kalahari debut for the Danish artist. Sometimes anthemic, sometimes operating from a more meditative space, but always serving as an outlet for ecstatic release. Rapturous big room ascension into more contemplative territory.
Channelling some divine NRG in the vocal hooks, like much of their work, an air of blissed intent cloaks the whole thing. This is a suite of tech and deep house that strikes a balance between the introspective and direct, the metaphysical and corporeal.
Pitting sonic immersion against forward momentum has almost become a blueprint for any Kalahari release, and here, we bear witness to a prime example. Heady stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It’s a properly transcendent Kalahari debut as S.A.M. makes nods to ’90s Eurodance and deeper, spiritual invocations.
At the helm of multiple labels, but this marks a Kalahari debut for the Danish artist. Sometimes anthemic, sometimes operating from a more meditative space, but always serving as an outlet for ecstatic release. Rapturous big room ascension into more contemplative territory.
Channelling some divine NRG in the vocal hooks, like much of their work, an air of blissed intent cloaks the whole thing. This is a suite of tech and deep house that strikes a balance between the introspective and direct, the metaphysical and corporeal.
Pitting sonic immersion against forward momentum has almost become a blueprint for any Kalahari release, and here, we bear witness to a prime example. Heady stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER67
Release-Date:29.03.2026
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER67
Release-Date:29.03.2026
Genre:House / Techno
Configuration:12"
1
Juaan - O Bianco O Negro
2
Juaan - Ladron
3
Juaan - Puntual
4
Juaan - Apego
Repress!
Ruff n’ ready torque collides with the nocturnal as Argentinian donny JUAAN enters the fray.
A properly intoxicating melange of boisterous, straight-for-the-jugular biz and late-night seduction. Four distinct, durable traxxx tailor-made for the witching hour. Icily moody with a bit of menace and dread about it. It’s also very slick, optimised and fine-tuned for maximum dancefloor impact.
Critics often highlight his ‘90s-indebted approach, and while those influences remain ever-present, this one has more in common with dancefloor styles prevalent a decade prior. Shades of darkwave, Detroit In Effect and the nascent years of Chi-Town house depending on the track, but never do we run the risk of falling into pastiche.
Pure forward momentum with a decidedly mean streak coursing throughout. Plenty of sci-fi flourish, funked-out where it counts. Flush with dystopian romance and a decent dose of weirdo flex.
Quintessentially Kalahari.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ruff n’ ready torque collides with the nocturnal as Argentinian donny JUAAN enters the fray.
A properly intoxicating melange of boisterous, straight-for-the-jugular biz and late-night seduction. Four distinct, durable traxxx tailor-made for the witching hour. Icily moody with a bit of menace and dread about it. It’s also very slick, optimised and fine-tuned for maximum dancefloor impact.
Critics often highlight his ‘90s-indebted approach, and while those influences remain ever-present, this one has more in common with dancefloor styles prevalent a decade prior. Shades of darkwave, Detroit In Effect and the nascent years of Chi-Town house depending on the track, but never do we run the risk of falling into pastiche.
Pure forward momentum with a decidedly mean streak coursing throughout. Plenty of sci-fi flourish, funked-out where it counts. Flush with dystopian romance and a decent dose of weirdo flex.
Quintessentially Kalahari.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER65RP
Release-Date:30.01.2026
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER65RP
Release-Date:30.01.2026
Genre:House / Techno
Configuration:12"
1
Edward - Tentacle
2
Trybet - Moodsetter
3
Edward - Dr Octo
Repress!
Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).
Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.
The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.
The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).
Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.
The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.
The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Blu:sh - Trick Speech
2
Blu:sh - Full Of Fools
3
Blu:sh - Red Cocktail (K-Hole Dub)
4
Blu:sh - 1000
5
Blu:sh - Again (Serious Mix)
Repress landing end of march.
Blu:sh back in Kalahari orbit for a third bite of the cherry.
This one’s dark and dank, with sultriness off the scales. The antithesis of the Frenchman’s output as Terra Utopia, it’s everything we’ve come to love from the project in 6 deadly traxxx.
Moody but never unruly. Taught, tough and rendered in the same seductive, turbulent vortex that’s defined all the Blush material to date.
Strapping earworm grooves set pace, as is tradition with these records. Not sparing on the menace either. Some of it sounds like Blu:sh on a villain arc. Whether you’re a cut-throat stalking the backstreets or looking for a mean streak of pure sci-fi dystopia, we got you covered.
Proper late nite hedonism. Oscillating between sensuous clubland fantasy and a volatile astral kinda flex, the sense of impending danger is unabating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Blu:sh back in Kalahari orbit for a third bite of the cherry.
This one’s dark and dank, with sultriness off the scales. The antithesis of the Frenchman’s output as Terra Utopia, it’s everything we’ve come to love from the project in 6 deadly traxxx.
Moody but never unruly. Taught, tough and rendered in the same seductive, turbulent vortex that’s defined all the Blush material to date.
Strapping earworm grooves set pace, as is tradition with these records. Not sparing on the menace either. Some of it sounds like Blu:sh on a villain arc. Whether you’re a cut-throat stalking the backstreets or looking for a mean streak of pure sci-fi dystopia, we got you covered.
Proper late nite hedonism. Oscillating between sensuous clubland fantasy and a volatile astral kinda flex, the sense of impending danger is unabating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER58
Release-Date:09.01.2026
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER58
Release-Date:09.01.2026
Genre:House / Techno
Configuration:12"
1
Placid Angles - Who We Are
2
Placid Angles - Sun's Poem
3
Placid Angles - You're Becoming Everything I Hoped You Would
4
Placid Angles - That Feeling Again
Straight from the pantheon of techno greats, John Beltran’s Placid Angles project enters Kalarahi orbit.
Revived after a 22 year hiatus, PA has since become our main source for new Beltran material. Buy-on-sight stuff for those seeking ambient techno of a rarified calibre. There’s an inevitable pinch-me moment whenever a producer of undeniable influence jumps on the label, and safe to say, this is one of those moments.
Expect sun-kissed Balearica and sublime, acid-fuelled romance. Sometimes we levitate, bathing in the glow of JB’s beatific harmony and sanguine tenderness. The slow-burn simmer of 303, the lithe gliding of his breaks; all of it demonstrating effortlessness of execution.
Choral vocals ascend, vistas pristine and closer listens reveal even greater levels of detail. You might say it’s the gift that keeps on giving.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Revived after a 22 year hiatus, PA has since become our main source for new Beltran material. Buy-on-sight stuff for those seeking ambient techno of a rarified calibre. There’s an inevitable pinch-me moment whenever a producer of undeniable influence jumps on the label, and safe to say, this is one of those moments.
Expect sun-kissed Balearica and sublime, acid-fuelled romance. Sometimes we levitate, bathing in the glow of JB’s beatific harmony and sanguine tenderness. The slow-burn simmer of 303, the lithe gliding of his breaks; all of it demonstrating effortlessness of execution.
Choral vocals ascend, vistas pristine and closer listens reveal even greater levels of detail. You might say it’s the gift that keeps on giving.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER59
Release-Date:28.11.2025
Genre:House / Techno
Configuration:2LP
Label:Kalahari Oyster Cult
Cat-No:OYSTER59
Release-Date:28.11.2025
Genre:House / Techno
Configuration:2LP
1
Aquafaba - Romantic
2
Aquafaba - Tayuo
3
Aquafaba - Plak
4
Aquafaba - Plura
5
Aquafaba - Tik Tak
6
Aquafaba - Let's Go
How about a volley of hydraulic heaters from one of Denmark’s finest?
Already a man of many projects, both on the label side and in the studio, Natal Zaks has minted a brand-new alias… Enter Aquafaba, the ocean floor operator kicking it on a subaqueous tip.
Not many moving like this today. Properly submerged techno, masterful and ultra-essential by Aquafaba, self-monikered after the starchy, liquid byproduct of cooking chickpeas. Patrick Star would be proud for sure.
From Aarhus to the deepest ocean trenches in pursuit of that fathoms-below sound. Nods to the Midwest – chiefly mid-’90s Robert Hood and Cajmere’s ‘Percolator’ – felt in parts, but it’s also riddled with ultra-engrossing detail. Zaks goes heavy with the effects as tracky rollers are propelled to new mesmeric heights, even allowing for a moment of proper widescreen ascension.
Heads-down dynamixxx in full effect as we harness immense hydraulic power. Eschewing instant dancefloor gratification, Zaks emerges with tension and funk, like only the finest strains of techno can achieve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Already a man of many projects, both on the label side and in the studio, Natal Zaks has minted a brand-new alias… Enter Aquafaba, the ocean floor operator kicking it on a subaqueous tip.
Not many moving like this today. Properly submerged techno, masterful and ultra-essential by Aquafaba, self-monikered after the starchy, liquid byproduct of cooking chickpeas. Patrick Star would be proud for sure.
From Aarhus to the deepest ocean trenches in pursuit of that fathoms-below sound. Nods to the Midwest – chiefly mid-’90s Robert Hood and Cajmere’s ‘Percolator’ – felt in parts, but it’s also riddled with ultra-engrossing detail. Zaks goes heavy with the effects as tracky rollers are propelled to new mesmeric heights, even allowing for a moment of proper widescreen ascension.
Heads-down dynamixxx in full effect as we harness immense hydraulic power. Eschewing instant dancefloor gratification, Zaks emerges with tension and funk, like only the finest strains of techno can achieve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Klon Dump - As
2
Klon Dump - Soon
3
Klon Dump - As 2
4
Klon Dump - Possible
Latest record off the Kalahari production line comes courtesy of a real one. Klon Dump in the building, moving like a madman across four barrelling tech house scorchers.
Part-producer, part-engineer and a long time co-conspirator of A Colourful Storm’s Moopie. Better known to some under the alias Mark, but always surefire for some serious dancefloor potency. Doubters, look no further-this is another demonstration of his mastery.
Big with the radiant stabs, even bigger on the earworm groove. Ploughing the furrow of tough, direct but deft as the Klon Dump faithful will have come to expect by now. Proper belters.
Always flexing outstanding rhythmic ingenuity, whether it’s hardcore hybridity as Mark or the tech house innovation shown here. If anything in life is certain, it’s that a KD record will lay down some serious torque.
There’s also an off-kilter playfulness that kinda feels reminiscent of T+++’s ‘Space Pong’ or Fiedel and Errorsmith’s MMM project. Another ace in the hole from the Antipodean shapeshifter.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Part-producer, part-engineer and a long time co-conspirator of A Colourful Storm’s Moopie. Better known to some under the alias Mark, but always surefire for some serious dancefloor potency. Doubters, look no further-this is another demonstration of his mastery.
Big with the radiant stabs, even bigger on the earworm groove. Ploughing the furrow of tough, direct but deft as the Klon Dump faithful will have come to expect by now. Proper belters.
Always flexing outstanding rhythmic ingenuity, whether it’s hardcore hybridity as Mark or the tech house innovation shown here. If anything in life is certain, it’s that a KD record will lay down some serious torque.
There’s also an off-kilter playfulness that kinda feels reminiscent of T+++’s ‘Space Pong’ or Fiedel and Errorsmith’s MMM project. Another ace in the hole from the Antipodean shapeshifter.
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Germany
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1
Inner Lakes - EMEM
2
Inner Lakes - Showyu
3
Inner Lakes - Half Based
4
Inner Lakes - Stray5
Big one from Milanese maestro Inner Lakes. Hell-bent on making 2025 his year, the Kalahari debutant maintains form and momentum with the latest in a flurry of vital releases.
A meticulously-crafted 4-tracker imbued with menace and urgent, late nite throb, it’s precisely the spiralling, nocturnal kinda style that has become his hallmark. Streetwise, upfront and packing a sizeable amount of f*ck-off NRG.
Expect noirish, night-stalking rave suspense and hardware-fuelled, high-velocity torque. Best heard in the company of shadow-dwelling spectres, or perhaps, at the event horizon of a black hole.
DJ tools reveal greater depth and nuance upon closer inspection, and disembodied vocals lure inquisitive ears deep into the dream state. Finely measured throughout, it’s a masterful balance between functionality and full-blown dancefloor immersion, all courtesy of a fella at the top of his game.
Written and Produced by Inner Lakes.
Mastered and cut by Kassian Troyer at Dubplates & Mastering.
Artwork by S.O.N.S
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Germany
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A meticulously-crafted 4-tracker imbued with menace and urgent, late nite throb, it’s precisely the spiralling, nocturnal kinda style that has become his hallmark. Streetwise, upfront and packing a sizeable amount of f*ck-off NRG.
Expect noirish, night-stalking rave suspense and hardware-fuelled, high-velocity torque. Best heard in the company of shadow-dwelling spectres, or perhaps, at the event horizon of a black hole.
DJ tools reveal greater depth and nuance upon closer inspection, and disembodied vocals lure inquisitive ears deep into the dream state. Finely measured throughout, it’s a masterful balance between functionality and full-blown dancefloor immersion, all courtesy of a fella at the top of his game.
Written and Produced by Inner Lakes.
Mastered and cut by Kassian Troyer at Dubplates & Mastering.
Artwork by S.O.N.S
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DE - 22113 Hamburg
Germany
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1
Sleep D - Hypno
2
Sleep D - Triptronic
3
Sleep D - Reward Chemicals
The dons from Down Under have only gone and done it again. Demonstrating the breadth of the Sleep D sound, the ever-prolific duo dish out a 3-track invocation of mesmeric techno and trance.
Following a remix cameo on Alfred Czital and Ayu’s recent ‘Talk To Me’ EP, this is the fully fledged label debut. A truly engrossing triple-pronged attack from two intrepid explorers of the “rave unconscious”.
Celebrated for live hardware sets and in-the-moment improvisation, that same freeform NRG courses throughout. Synapses firing on all cylinders as we’re caught somewhere between the warped, direct and emosh.
Pivoting from cybernetic meltdown to sci-fi dystopia before finally settling on some full-blown trance ascension. Proper techno freak-out into the levitational and sublime, all primed for the big room.
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Liebigstrasse 2-20
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Germany
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Following a remix cameo on Alfred Czital and Ayu’s recent ‘Talk To Me’ EP, this is the fully fledged label debut. A truly engrossing triple-pronged attack from two intrepid explorers of the “rave unconscious”.
Celebrated for live hardware sets and in-the-moment improvisation, that same freeform NRG courses throughout. Synapses firing on all cylinders as we’re caught somewhere between the warped, direct and emosh.
Pivoting from cybernetic meltdown to sci-fi dystopia before finally settling on some full-blown trance ascension. Proper techno freak-out into the levitational and sublime, all primed for the big room.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Robert Dietz - Stoffel
2
Robert Dietz - Goblin Bell
3
Robert Dietz - Kesstech
4
Robert Dietz - Throne (Ultimo Mix)
Venerated clubland legend Robert Dietz graces Kalahari territory with a clutch of sinister techno-trance variants.
The evolution of the Dietz sound continues unabated as he pivots from minimal scene mainstay to purveyor of big techno dramatixxx. Still just as finely-tuned and potent as he’s always been though, and this is no means a drastic departure from more recent work.
Running tempestuous heaters from the eye of a storm, there’s a tough, menacing edge coursing throughout. Four decidedly Euro spins offering visions of dystopia and ominous portent, but we forge ahead unperturbed, headfirst into the shadowy void.
Gone is the playfulness of releases past, set aside in favour of heat-seeking ballistics. Strapping accelerators big on drama while allowing space for a bit of dancefloor introspection. More of that all thrills, no frills kinda flex as the Frankfurt native goes about his business like it’s effortless.
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Germany
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The evolution of the Dietz sound continues unabated as he pivots from minimal scene mainstay to purveyor of big techno dramatixxx. Still just as finely-tuned and potent as he’s always been though, and this is no means a drastic departure from more recent work.
Running tempestuous heaters from the eye of a storm, there’s a tough, menacing edge coursing throughout. Four decidedly Euro spins offering visions of dystopia and ominous portent, but we forge ahead unperturbed, headfirst into the shadowy void.
Gone is the playfulness of releases past, set aside in favour of heat-seeking ballistics. Strapping accelerators big on drama while allowing space for a bit of dancefloor introspection. More of that all thrills, no frills kinda flex as the Frankfurt native goes about his business like it’s effortless.
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DE - 22113 Hamburg
Germany
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1
Volodymyr Gnatenko - Torni
2
Volodymyr Gnatenko - Nsumuna
3
Volodymyr Gnatenko - AfGui
4
Volodymyr Gnatenko - Eh U
5
Volodymyr Gnatenko - Mershiy
6
Volodymyr Gnatenko - Hiisi
It’s a follow-up long in the making as Ukrainian artist Volodymyr Gnatenko re-enters Kalahari orbit.
Somewhere between submerged video game OST and ritual incantation, Mershiy LP recalls the finest psychoacoustic ambient dub the ‘90s had to offer. Less direct than the previous album, allowing space for IDM introspection and some proper contemplation. A mind-melt but keeping it widescreen and pretty meticulous throughout.
Imagined vistas shot in pristine 4K, impeccably crafted with close listening in mind. Repeated listens reveal more insectoid detail and a knack for detailed sonic immersion.
A 6-track zone-out where diaphanous texture makes way for ominous dread as the narrative unfurls. Balancing urges and inclinations with a fathomless churn of acid, trance, dub and pointelist electronics.
Written and Produced by Volodymyr Gnatenko
Design by Susanne Janssen.
Mastered and cut by Anne Taegert at Dubplates And Mastering.
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Somewhere between submerged video game OST and ritual incantation, Mershiy LP recalls the finest psychoacoustic ambient dub the ‘90s had to offer. Less direct than the previous album, allowing space for IDM introspection and some proper contemplation. A mind-melt but keeping it widescreen and pretty meticulous throughout.
Imagined vistas shot in pristine 4K, impeccably crafted with close listening in mind. Repeated listens reveal more insectoid detail and a knack for detailed sonic immersion.
A 6-track zone-out where diaphanous texture makes way for ominous dread as the narrative unfurls. Balancing urges and inclinations with a fathomless churn of acid, trance, dub and pointelist electronics.
Written and Produced by Volodymyr Gnatenko
Design by Susanne Janssen.
Mastered and cut by Anne Taegert at Dubplates And Mastering.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER68
Release-Date:07.03.2025
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER68
Release-Date:07.03.2025
Genre:House / Techno
Configuration:12"
1
Alfred Czital & Ayu - Hypnotize
2
Alfred Czital & Ayu - Talk To Me
3
Alfred Czital & Ayu - Talk To Me (Sleep D Remix)
4
Alfred Czital & Ayu - Talk To Me (Roza Terenzi Remix)
With Roza Terenzi and Sleep D on the remix, Alfred Czital & Ayu summon divine frequencies across a debut recalling the finest turn-of-the-millennium trance.
Spirits are high as we strive for utopia. Like relics of times passed – a bygone era where the free party reigned supreme – this is a union forged out of a mutual affinity for trippy dancefloor dynamics and live performance.
Rapturous and ecstatic, both originals evoke pure club hedonism. Sensual, sultry gear made of euphoric melodrama, close sweat and lysergic throb. Wide-eyed optimism coursing throughout, but like any good proggy majick, it’s not without a decent dose of shadow and ritual.
Coming in hottt with the remixes and both are befitting a release bent on traversing the wormhole interior. Oyster Cult acolyte Roza Terenzi keeps it taught and tightly-coiled on her rugged, propulsive re-fit, and not to be outdone, Butter Sessions founders Sleep D let atmosphere pull focus with a sprawling, dubby workout.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spirits are high as we strive for utopia. Like relics of times passed – a bygone era where the free party reigned supreme – this is a union forged out of a mutual affinity for trippy dancefloor dynamics and live performance.
Rapturous and ecstatic, both originals evoke pure club hedonism. Sensual, sultry gear made of euphoric melodrama, close sweat and lysergic throb. Wide-eyed optimism coursing throughout, but like any good proggy majick, it’s not without a decent dose of shadow and ritual.
Coming in hottt with the remixes and both are befitting a release bent on traversing the wormhole interior. Oyster Cult acolyte Roza Terenzi keeps it taught and tightly-coiled on her rugged, propulsive re-fit, and not to be outdone, Butter Sessions founders Sleep D let atmosphere pull focus with a sprawling, dubby workout.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER63R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER63R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
1
Priori - Lexica
2
Priori - Tropeware
3
Priori - Sub Lux
4
Priori - Sub Lux (Sansibar Remix)
Repress!
With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.
Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.
This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.
Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. .
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.
Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.
This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.
Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. .
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kalahari Oyster Cult
Cat-No:OYSTER55R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER55R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
1
Kosh - Human Condition
2
Kosh - The Chopper
3
Kosh - Come On
4
Kosh - The Zinger
Repress!
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DE - 22113 Hamburg
Germany
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Germany
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1
S.O.N.S - Nite-Club
2
S.O.N.S - Drive
3
S.O.N.S - Crystal Rhythms
Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.
Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.
Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.
Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.
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DE - 22113 Hamburg
Germany
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1
Blu:sh - Temptations And Destructions
2
Blu:sh - Fly And Mimi
3
Blu:sh - Rave Up
4
Blu:sh - What Do Dreams Mean?
5
Blu:sh - Buzz Boyz
Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.
Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Nathan Melja - Synesthesia
2
Nathan Melja - Synesthesia (Anthony Naples Remix)
3
Nathan Melja - Synesthesia (Pariah Remix)
Repress!
“Empty your mind, be formless, shapeless – like water. Now you put water into a cup, it becomes the cup, you put water into a bottle, it becomes the bottle, you put it in a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend.” The steadily brilliant French producer Nathan Melja – who’s made the rounds between choice outlets over the past half decade, from Mister Saturday Nights to Antinote, via Ninja Tune offshoot Technicolour and Opal Tapes, seems to have learnt Bruce Lee’s lesson by heart, and his seamlessly fluid, no-nonsense debut foray on K.O.C. is here to potently cement his status as one of Europe’s number one club trailblazers, and one that knows all too well how to turn any dancefloor into an infinity pool of pure liquid euphoria.
Drawing its name from the physiological and psychological process that results in a confusion of one’s sensory perceptions, ‘Synesthesia’ is indeed the kind of club single that shall trigger off massive reaction amongst right-minded bipeds and chromakey house suckers. Straightforward club business done right, Melja’s original is a vivid kaleidoscope of skittish drums, swampy bass stabs and a well-rounded, supremely curvy synthwork, tailored to take ravers on a flash journey through space and time without the help of Richard Branson or Elon Tusk (pun intended).
Called in on remix duty, TTT affiliate and Incienso co-founder Anthony Naples delivers a more fragmented and ambientish variation, though functional and club-ready in its own right. Brushing even wider verbed-out pad tapestries for your brain to wander in, the track expands to deeper organic horizons with a field-depth that can not but recall that of the KLF and Bochum Welt’s emotional soundscaping. Meanwhile, Karenn half Pariah takes care of whelming us deep into more techno-friendly terrains, true to his ever masterly touch for epic buildups and multi-level textural innovation, bringing up the acidic phlegm of Melja’s original as he treats us to a carefully orchestrated ballet of synthetic whorls, contemplative chords and propulsive drum programming.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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“Empty your mind, be formless, shapeless – like water. Now you put water into a cup, it becomes the cup, you put water into a bottle, it becomes the bottle, you put it in a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend.” The steadily brilliant French producer Nathan Melja – who’s made the rounds between choice outlets over the past half decade, from Mister Saturday Nights to Antinote, via Ninja Tune offshoot Technicolour and Opal Tapes, seems to have learnt Bruce Lee’s lesson by heart, and his seamlessly fluid, no-nonsense debut foray on K.O.C. is here to potently cement his status as one of Europe’s number one club trailblazers, and one that knows all too well how to turn any dancefloor into an infinity pool of pure liquid euphoria.
Drawing its name from the physiological and psychological process that results in a confusion of one’s sensory perceptions, ‘Synesthesia’ is indeed the kind of club single that shall trigger off massive reaction amongst right-minded bipeds and chromakey house suckers. Straightforward club business done right, Melja’s original is a vivid kaleidoscope of skittish drums, swampy bass stabs and a well-rounded, supremely curvy synthwork, tailored to take ravers on a flash journey through space and time without the help of Richard Branson or Elon Tusk (pun intended).
Called in on remix duty, TTT affiliate and Incienso co-founder Anthony Naples delivers a more fragmented and ambientish variation, though functional and club-ready in its own right. Brushing even wider verbed-out pad tapestries for your brain to wander in, the track expands to deeper organic horizons with a field-depth that can not but recall that of the KLF and Bochum Welt’s emotional soundscaping. Meanwhile, Karenn half Pariah takes care of whelming us deep into more techno-friendly terrains, true to his ever masterly touch for epic buildups and multi-level textural innovation, bringing up the acidic phlegm of Melja’s original as he treats us to a carefully orchestrated ballet of synthetic whorls, contemplative chords and propulsive drum programming.
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Germany
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1
Spray - VT Trad
2
Spray - Q3projz
3
Spray - Zippycher
4
Spray - Slipped
another repress coming mid/end of january 2025.
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1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
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Susumu Yokota - A3. Meijijingu (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Susumu Yokota - F1. F (2024 Remaster)**
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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: WORLD EXCL UK,US,CA,BENELUX,NZ,AU
LP - Clear 180gram vinyl with Obi-strip and added Insert
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
File under: Ambient
Side 1:
Swaledale to Blakeney Straits
Side 2:
Laugharne Estuary to Welcombe Mouth
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.
Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.
"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something [legendary hip hop producers] The Bomb Squad might make - if ambient music was the only material in their sample library."
Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.
Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.
"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."
Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP - Clear 180gram vinyl with Obi-strip and added Insert
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
File under: Ambient
Side 1:
Swaledale to Blakeney Straits
Side 2:
Laugharne Estuary to Welcombe Mouth
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.
Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.
"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something [legendary hip hop producers] The Bomb Squad might make - if ambient music was the only material in their sample library."
Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.
Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.
"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."
Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Boards Of Canada - Ready Lets Go
2
Boards Of Canada - Music Is Math
3
Boards Of Canada - Beware The Friendly Stranger
4
Boards Of Canada - Gyroscope
5
Boards Of Canada - Dandelion
6
Boards Of Canada - Sunshine Recorder
7
Boards Of Canada - In The Annexe
8
Boards Of Canada - Julie And Candy
9
Boards Of Canada - The Smallest Weird Number
10
Boards Of Canada - 1969
11
Boards Of Canada - Energy Warning
12
Boards Of Canada - The Beach At Redpoint
13
Boards Of Canada - Opening The Mouth
14
Boards Of Canada - Alpha And Omega
15
Boards Of Canada - I Saw Drones
16
Boards Of Canada - The Devil Is In The Details
17
Boards Of Canada - A Is To B As B Is To C
18
Boards Of Canada - Over The Horizon Radar
19
Boards Of Canada - Dawn Chorus
20
Boards Of Canada - Diving Station
21
Boards Of Canada - You Could Feel The Sky
22
Boards Of Canada - Corsair
23
Boards Of Canada - Magic Window
Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year.
Each Warp reissue comes with a download code and an original BOC sticker design from the era.
More about the formatting of each item: http://boardsofcanada.com
In June this year, Boards of Canada released their 4th studio album, Tomorrow’s Harvest to considerable and widespread acclaim.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year.
Each Warp reissue comes with a download code and an original BOC sticker design from the era.
More about the formatting of each item: http://boardsofcanada.com
In June this year, Boards of Canada released their 4th studio album, Tomorrow’s Harvest to considerable and widespread acclaim.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://open.spotify.com/album/6r4A1kEu3HAGMpEYBqocVl?si=fikPJqQAThGhjPYgUQaQkA
Originally released in 2012, Lord Giveth, Lord Taketh Away captures a defining early chapter in Freddie Gibbs' rise, pairing his unfiltered street narratives with Statik Selektah's raw, boom-bap-driven production. Stripped of excess and heavy on realism, the project reflects an era where Gibbs' sharp lyricism and moral tension took center stage.
The original seven-track lineup features a strong cast of underground heavyweights including Slaine, Daz Dillinger, Reks, PUSH! Montana, Termanology, Fred The Godson, Trae Tha Truth, Smoke DZA, and Chace Infinite-anchoring the album firmly in the early 2010s hip-hop underground.
This limited edition vinyl reissue expands the original release with three bonus tracks: "Carry On" featuring Joey Ba-da$$, "Serve Or Get Served" (available on vinyl for the first time ever), and "Crushin' Feelings." Featuring brand new artwork by Alejandro Torrecilla and mastered for vinyl by Davide "Bassi Maestro" Bassi, this edition stands as an es-sential archival release for fans of Freddie Gibbs, Statik Selektah, and uncompromising hip-hop.
Tracklisting
A1. Intro (feat. Slaine)
A2. Lord Giveth Lord Taketh Away
A3. Rap Money (feat. Daz)
A4. Affiliated (feat. Reks & PUSH! Montana)
A5. Wild Style (feat. Termanology & Fred The Godson)
B1. Already (feat. Trae Tha Truth)
B2. Keep It Warm For Ya (feat. Smoke DZA & Chace Infinite)
B3. Carry On (feat. Joey Bada$$)
B4. Serve Or Get Served
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally released in 2012, Lord Giveth, Lord Taketh Away captures a defining early chapter in Freddie Gibbs' rise, pairing his unfiltered street narratives with Statik Selektah's raw, boom-bap-driven production. Stripped of excess and heavy on realism, the project reflects an era where Gibbs' sharp lyricism and moral tension took center stage.
The original seven-track lineup features a strong cast of underground heavyweights including Slaine, Daz Dillinger, Reks, PUSH! Montana, Termanology, Fred The Godson, Trae Tha Truth, Smoke DZA, and Chace Infinite-anchoring the album firmly in the early 2010s hip-hop underground.
This limited edition vinyl reissue expands the original release with three bonus tracks: "Carry On" featuring Joey Ba-da$$, "Serve Or Get Served" (available on vinyl for the first time ever), and "Crushin' Feelings." Featuring brand new artwork by Alejandro Torrecilla and mastered for vinyl by Davide "Bassi Maestro" Bassi, this edition stands as an es-sential archival release for fans of Freddie Gibbs, Statik Selektah, and uncompromising hip-hop.
Tracklisting
A1. Intro (feat. Slaine)
A2. Lord Giveth Lord Taketh Away
A3. Rap Money (feat. Daz)
A4. Affiliated (feat. Reks & PUSH! Montana)
A5. Wild Style (feat. Termanology & Fred The Godson)
B1. Already (feat. Trae Tha Truth)
B2. Keep It Warm For Ya (feat. Smoke DZA & Chace Infinite)
B3. Carry On (feat. Joey Bada$$)
B4. Serve Or Get Served
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scan 7 - Random Soul
2
Scan 7 - Invisible Invasion
3
Scan 7 - Black Wall
4
Scan 7 - Sound Escape
5
Scan 7 - Unit Seven
6
Scan 7 - Digital Dreams
7
Scan 7 - The Craft
8
Scan 7 - Twisted Groov
Territory: WORLD minus UK
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Random Soul 07:46
2. / A2 Invisible Invasion 07:45
3. / B1 Black Wall 08:14
4. / B2 Sound Escape 06:21
5. / C1 Unit Seven 08:41
6. / C2 Digital Dreams 06:25
7. / D1 The Craft 07:15
8. / D2 Twisted Groov 06:50
Info:
As the label turns 35 years, Tresor Records’ ongoing reissue series comes round to Scan 7’s 1999 album, Resurfaced.
A true exemplar in the canon of Detroit techno, the LP is a further reminder of Scan 7’s confidence to patiently let the music unfold, never needing to overplay their hand. This is demonstrated from the first second as Random Soul opens with a slow downbeat and soft, almost imperceptible synths before quickly settling into a perfect groove whose power is present without the need for a hard edge. This strategy is utilised throughout the album in tracks like Black Wall and Unit , while Invisible Invasion and Twisted Groov add in some intensity for deeper moments in the club.
Remastered by Mike Grinser from the original DATs, the double vinyl features the original eight tracks from the album, while the digital version (and cassette tape) includes two bonus tracks: Custom Made and Mind Trap.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Random Soul 07:46
2. / A2 Invisible Invasion 07:45
3. / B1 Black Wall 08:14
4. / B2 Sound Escape 06:21
5. / C1 Unit Seven 08:41
6. / C2 Digital Dreams 06:25
7. / D1 The Craft 07:15
8. / D2 Twisted Groov 06:50
Info:
As the label turns 35 years, Tresor Records’ ongoing reissue series comes round to Scan 7’s 1999 album, Resurfaced.
A true exemplar in the canon of Detroit techno, the LP is a further reminder of Scan 7’s confidence to patiently let the music unfold, never needing to overplay their hand. This is demonstrated from the first second as Random Soul opens with a slow downbeat and soft, almost imperceptible synths before quickly settling into a perfect groove whose power is present without the need for a hard edge. This strategy is utilised throughout the album in tracks like Black Wall and Unit , while Invisible Invasion and Twisted Groov add in some intensity for deeper moments in the club.
Remastered by Mike Grinser from the original DATs, the double vinyl features the original eight tracks from the album, while the digital version (and cassette tape) includes two bonus tracks: Custom Made and Mind Trap.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Boards Of Canada - Wildlife Analysis
2
Boards Of Canada - An Eagle In Your Mind
3
Boards Of Canada - The Color Of The Fire
4
Boards Of Canada - Telephasic Workshop
5
Boards Of Canada - Triangles & Rhombuses
6
Boards Of Canada - Sixtyten
7
Boards Of Canada - Turqoise Hexagon Sun
8
Boards Of Canada - Kaini Industries
9
Boards Of Canada - Bocuma
10
Boards Of Canada - Roygbiv
11
Boards Of Canada - Rue The Whirl
12
Boards Of Canada - Aquarius
13
Boards Of Canada - Olson
14
Boards Of Canada - Pete Standing Alone
15
Boards Of Canada - Smokers Quantity
16
Boards Of Canada - Open The Light
17
Boards Of Canada - One Very Important Thought
Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year. Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year. Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
ATA Records are proud to present the new release by Work Money Death, A Portal to Here. This album continues WMD’s exploration of Spiritual Jazz and the sounds and styles that evolved out of the 60s New Thing, particularly the recordings of Alice Coltrane and Pharaoh Sanders.
Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
G-MAN - MoonBase Alpha
2
G-MAN - Fidus Tempas
3
G-MAN - Moon Dust
4
G-MAN - Mon Cherie
5
G-MAN - Paris 92
6
G-MAN - Scarbeck
7
G-MAN - Space Charmer
8
G-MAN - 989
"The order of the day is bass, sub-sub-bass, trowel-in-your-ear-hole bass,
enema-bass, internal injuries bass." - Simon Reynolds, 1994
Double LP is released on 140gm black vinyl in a transparent gloss foil sleeve,
artwork and design by Ian Anderson for Designers Republic.
Circuitry Electronic launches with a release that stands as a statement of intent -
an artist with few true peers within English electronic music, with an album that
jumps out of the speakers and slaps you around the chops.
G-Man is Gez Varley - one half of Sheffield pioneers LFO, and thirty years into his
solo career, with his first vinyl album release since Avanti on Force Inc way back in
2002.
Speaking to DJ magazine in 2014 Gez recalled his early days working with Mark Bell
as LFO: "We were influenced by groups like 808 State. Unique 3, Nightmares On
Wax and also stuff like Kraftwerk, Detroit techno and early electro. So when we first
hooked up and made tunes together we just wanted to rock the dancefloor at our
local club The Warehouse". Their eponymous track 'LFO' - a classic of the bleep
and bass techno movement - was one of the first releases on the Warp label, gate-
crashing the UK's Top 20 whilst annoying Simon Mayo along the way.
Having worked with the likes of Richie Hawtin, Karl Bartos, Laurent Garnier, Art of
Noise, Radiohead, YMO and Alan Wilder, in addition to the LFO output, you'd expect
Gez to know his way around a techno dancefloor rhythm and drum pattern, and this
is an inventive funk-filled journey that never veers too far into experimental territory
yet avoids the cliches and generic tropes that too often lose the listener when techno
manifests in album form.
As the inaugural release on the Circuitry Electronic label this album plugs all the right
sockets; stay close for further electronic expansions on the theme on the label in the
coming months.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
enema-bass, internal injuries bass." - Simon Reynolds, 1994
Double LP is released on 140gm black vinyl in a transparent gloss foil sleeve,
artwork and design by Ian Anderson for Designers Republic.
Circuitry Electronic launches with a release that stands as a statement of intent -
an artist with few true peers within English electronic music, with an album that
jumps out of the speakers and slaps you around the chops.
G-Man is Gez Varley - one half of Sheffield pioneers LFO, and thirty years into his
solo career, with his first vinyl album release since Avanti on Force Inc way back in
2002.
Speaking to DJ magazine in 2014 Gez recalled his early days working with Mark Bell
as LFO: "We were influenced by groups like 808 State. Unique 3, Nightmares On
Wax and also stuff like Kraftwerk, Detroit techno and early electro. So when we first
hooked up and made tunes together we just wanted to rock the dancefloor at our
local club The Warehouse". Their eponymous track 'LFO' - a classic of the bleep
and bass techno movement - was one of the first releases on the Warp label, gate-
crashing the UK's Top 20 whilst annoying Simon Mayo along the way.
Having worked with the likes of Richie Hawtin, Karl Bartos, Laurent Garnier, Art of
Noise, Radiohead, YMO and Alan Wilder, in addition to the LFO output, you'd expect
Gez to know his way around a techno dancefloor rhythm and drum pattern, and this
is an inventive funk-filled journey that never veers too far into experimental territory
yet avoids the cliches and generic tropes that too often lose the listener when techno
manifests in album form.
As the inaugural release on the Circuitry Electronic label this album plugs all the right
sockets; stay close for further electronic expansions on the theme on the label in the
coming months.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:RRC Music Co.
Cat-No:RRC-081-A-BK
Release-Date:17.10.2025
Genre:HipHop / Beats
Configuration:2LP Excl
Label:RRC Music Co.
Cat-No:RRC-081-A-BK
Release-Date:17.10.2025
Genre:HipHop / Beats
Configuration:2LP Excl
Listen: https://open.spotify.com/album/3Xlj3nsNxAruZ3b72nOju2?si=hMjRmqAbRaC7RPc84y3q8w
Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available. The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.
With roots in New York's revered '90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre's most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern un-derground renaissance, Knowledge fuses golden-age grit with new wave innovation-bridging generations while stay-ing firmly rooted in New York's timeless sound.
Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Enter-tainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.
The Round Table stands as a testament to his evolution-an uncompromising body of work laced with Roc Marciano's signature production and Knowledge's lived-in lyricism. It's not just a record-it's a meeting of the minds, an audio council of kings.
"The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life" Knowledge professes. "This album is like an Honorable Elijah Muhammad book; How To Eat To Live. Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance."
Tracklisting
1. Eating Etiquette
2. Golden Rules
3. Takes A Ten
4. The Outfit (feat. Roc Marciano)
5. Magic & Kareem
6. Addicted To Danger
7. Ride Wit A P
8. Food For Thought
9. Forks And Knives
10. Gut Feeling
11. 1 On Me
12. Young Thugs
13. Servitude
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available. The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.
With roots in New York's revered '90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre's most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern un-derground renaissance, Knowledge fuses golden-age grit with new wave innovation-bridging generations while stay-ing firmly rooted in New York's timeless sound.
Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Enter-tainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.
The Round Table stands as a testament to his evolution-an uncompromising body of work laced with Roc Marciano's signature production and Knowledge's lived-in lyricism. It's not just a record-it's a meeting of the minds, an audio council of kings.
"The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life" Knowledge professes. "This album is like an Honorable Elijah Muhammad book; How To Eat To Live. Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance."
Tracklisting
1. Eating Etiquette
2. Golden Rules
3. Takes A Ten
4. The Outfit (feat. Roc Marciano)
5. Magic & Kareem
6. Addicted To Danger
7. Ride Wit A P
8. Food For Thought
9. Forks And Knives
10. Gut Feeling
11. 1 On Me
12. Young Thugs
13. Servitude
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW127
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW127
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Circle Limit - Insence
2
Led-M - 713AW
3
Missing Project - Poisson D'Avril
4
Virgo - Clear Columns
5
Tensor - Solar Eclipse
6
Tek Of 606 - Moment Of The Decay
7
Misty Fuzz - In The End Of The Trip
8
Fossil - Green Tectonics (Virgo Mix)
9
Modern Living - Snow Bird
10
Tensor - Balloon
11
Toh Chisei - Cubby
Territories: World
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Circle Limit - Insence
A2. Led-M - 713AW
A3. Missing Project - Poisson D'Avril
B1. Virgo - Clear Columns
B2. Tensor - Solar Eclipse
B3. Tek Of 606 - Moment Of The Decay
C1. Misty Fuzz - In The End Of The Trip
C2. Fossil - Green Tectonics (Virgo Mix)
D1. Modern Living - Snow Bird
D2. Tensor – Balloon
D3. Toh Chisei - Cubby
Info
WRWTFWW Records is very pleased to announce the first-ever vinyl release of Art Form 2, the seminal 1998 Various Artists compilation from Tokyo’s cult label FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve, as part of the ongoing collaborative series between the Swiss and Japanese labels.
Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory. The compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation. Both intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.
Flowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of Warp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. Timeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.
Following the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. It is released simultaneously with Art Form I (1997), further expanding this archival series, which will continue with the forthcoming vinyl edition of Re-Form Ver-1.0 (1999).
Points of interest
• For fans of Warp’s Artificial Intelligence series, Ken Ishii, Carl Craig, B12, Ian O’Brien, soulful electronic music, experimental soundscapes, and late ’90s underground movements, obscure compilations, good stuff.
• First ever vinyl release of the lost 1998 compilation Art Form 2, sourced directly from the vaults of FORM@ RECORDS.
• A deep and immersive dive into Tokyo’s electronic underground: IDM, techno, ambient, downtempo—timeless, introspective, and quietly forward-thinking.
• Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Circle Limit - Insence
A2. Led-M - 713AW
A3. Missing Project - Poisson D'Avril
B1. Virgo - Clear Columns
B2. Tensor - Solar Eclipse
B3. Tek Of 606 - Moment Of The Decay
C1. Misty Fuzz - In The End Of The Trip
C2. Fossil - Green Tectonics (Virgo Mix)
D1. Modern Living - Snow Bird
D2. Tensor – Balloon
D3. Toh Chisei - Cubby
Info
WRWTFWW Records is very pleased to announce the first-ever vinyl release of Art Form 2, the seminal 1998 Various Artists compilation from Tokyo’s cult label FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve, as part of the ongoing collaborative series between the Swiss and Japanese labels.
Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory. The compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation. Both intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.
Flowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of Warp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. Timeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.
Following the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. It is released simultaneously with Art Form I (1997), further expanding this archival series, which will continue with the forthcoming vinyl edition of Re-Form Ver-1.0 (1999).
Points of interest
• For fans of Warp’s Artificial Intelligence series, Ken Ishii, Carl Craig, B12, Ian O’Brien, soulful electronic music, experimental soundscapes, and late ’90s underground movements, obscure compilations, good stuff.
• First ever vinyl release of the lost 1998 compilation Art Form 2, sourced directly from the vaults of FORM@ RECORDS.
• A deep and immersive dive into Tokyo’s electronic underground: IDM, techno, ambient, downtempo—timeless, introspective, and quietly forward-thinking.
• Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Strut proudly presents the debut album from producer, songwriter and multi-instrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.
Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More