ATA Records are proud to present the new release by Work Money Death, A Portal to Here. This album continues WMD’s exploration of Spiritual Jazz and the sounds and styles that evolved out of the 60s New Thing, particularly the recordings of Alice Coltrane and Pharaoh Sanders.
Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
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Listen: https://listen.k7.com/5421fca2-61f3-44fb-bae9-6fc27f5d29c3
Tracklist:
1. Pain Becomes Prayer And The Prayer Becomes A Song
2. A Dance For The Spirits
3. Brother Earl
4. Sometimes It's Death
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DE - 22113 Hamburg
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More records from Work Money Death
1
Work Money Death - The Fast Flowing River
2
Work Money Death - Headwaters of the Soul
3
Work Money Death - We Are the People
4
Work Money Death - The River Becomes the Stream
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from ATA Records
The Flying Hats - the Leeds quartet responsible for one of the standout albums of the year - return in phenomenal form with Blender / Hot Cakes, two previously unreleased cuts of the highest calibre
Tracklist
1. Blender
2. Hot Cakes
Listen: https://listen.k7.com/37f72239-3d41-4cd6-90a6-34a68773f33b
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DE - 22113 Hamburg
Germany
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Tracklist
1. Blender
2. Hot Cakes
Listen: https://listen.k7.com/37f72239-3d41-4cd6-90a6-34a68773f33b
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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REPRESS!
Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2025 sees the release of the fourth volume of their regular soundtrack series, the Library Archives, out on ATA Records on October 24th. An honest and forthright homage to the golden age of library recording, this new release is no exception – with nods to David Shire, Roger Webb, 60s/70s Hollywood, early anime and golden era video games.
Listen: https://listen.k7.com/32199cc1-ab4c-4734-9b53-5c6f4c45fb3a
Track list
A1 The Galata Extraction
A2 Walter In Gabardine
A3 Roundtree
A4 Travers Popping
A5 Kien With The Iron Claw
A6 Dunaway’s Eyes
B1 A Dilemma For Holbrook
B2 Redford In Sheepskin
B3 Tatsuya, The Sword
B4 Greer’s Long Weekend
B5 Sutherland
B6 The Two Akiras
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://listen.k7.com/32199cc1-ab4c-4734-9b53-5c6f4c45fb3a
Track list
A1 The Galata Extraction
A2 Walter In Gabardine
A3 Roundtree
A4 Travers Popping
A5 Kien With The Iron Claw
A6 Dunaway’s Eyes
B1 A Dilemma For Holbrook
B2 Redford In Sheepskin
B3 Tatsuya, The Sword
B4 Greer’s Long Weekend
B5 Sutherland
B6 The Two Akiras
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DE - 22113 Hamburg
Germany
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The Sorcerers' latest long player lands in perfect time for the summer, offering a further progression into their unique take on Ethio-inspired jazz. Other Worlds and Habitats is, of course, released on ATA Records and is blessed with the analogue recording and painstakingly loving production we have come to expect from this boutique studio. This, The Sorcerers eagerly anticipated fourth LP, follows on from the success of I Too Am A Stranger, a record which garnered praise from BBC Radio 2’s Jamie Cullum, “I love this, this is so good!”, Ethio-jazz legend Mulatu Astatke, “I like the grooves, and it is good to see The Sorcerers interpret Ethio jazz in their own unique way”, and Nightmares on Wax, “This sounds great! Love the way it's recorded”.
Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://listen.k7.com/c818ca27-8f1b-41bc-aecb-b693b7c240f7
Tracklisting:
SIDE 1 (A)
1. ECHOES OF EARTH
2. ANCESTRAL MACHINES
3. ABANDONED SATELLITES
4. THE GREAT BELL
SIDE 2 (B)
1. BENEATH THE DUNES
2. THE GHOSTS OF THE BLACK
DRIFT 3. THE INFINITE
4. THE LAST TRANSMISSION
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of, by The Flying Hats they were building on twenty years of playing together; Innes’s years of nightclub residencies and love of Afro-American dance music, and Hobbs’s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil.
Listen: https://listen.k7.com/1fb00c14-960c-4d15-b4c7-02d0997070e4
Tracklist
1.1Night Bus
1.2Grafter
1.3An Autumn Sun
1.4Power Cut
1.5Strong Fish
1.6Bust Up
1.7Forward
1.8Tough Swagger
1.9Iron Fist
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DE - 22113 Hamburg
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Listen: https://listen.k7.com/1fb00c14-960c-4d15-b4c7-02d0997070e4
Tracklist
1.1Night Bus
1.2Grafter
1.3An Autumn Sun
1.4Power Cut
1.5Strong Fish
1.6Bust Up
1.7Forward
1.8Tough Swagger
1.9Iron Fist
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Orchestra have been a consistent presence on the u.k. music scene, touring constantly in promotion of their debut LP "Dilla" and follow up 45 "New Day feat. Illa J", steadily building a loyal and supportive fanbase. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures, breathing new life into familiar material. Abstract Orchestra"s MADVILLAIN Vol 1. explores the jazz, TV soundtrack and film score aspect of the original work, combining it with classic big band writing and a focus on improvisation.
Tracklist
1.1Accordion
1.2Curls
1.3All Caps
1.4Bistro
1.5Fancy Clown
1.6Raid
1.7Madmix 1
1.8Great Day
1.9Madmix 2
Listen: https://soundcloud.com/abstractorchestra/sets/madvillain-vol-1
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
1.1Accordion
1.2Curls
1.3All Caps
1.4Bistro
1.5Fancy Clown
1.6Raid
1.7Madmix 1
1.8Great Day
1.9Madmix 2
Listen: https://soundcloud.com/abstractorchestra/sets/madvillain-vol-1
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Work Money Death - The Fast Flowing River
2
Work Money Death - Headwaters of the Soul
3
Work Money Death - We Are the People
4
Work Money Death - The River Becomes the Stream
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Sorcerers & The Outer Worlds Jazz En - Exit Athens
2
The Sorcerers & The Outer Worlds Jazz En - Beg, Borrow, Play (feat. Chip Wickham)
ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble. Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike. On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds. Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Love Of The Brave - Find My Way
2
Love Of The Brave - The Untold Story Of The Love Of The Brave
3
Love Of The Brave - Hey Girl
4
Love Of The Brave - Champ De L'amore
5
Love Of The Brave - Dusted Off (feat. Tony Burkill)
6
Love Of The Brave - Infidel
7
Love Of The Brave - Gustav
8
Love Of The Brave - Heron (feat. Tony Burkill)
Love Of The Brave are a psyche folk group, based in Leeds, West Yorkshire, at the time this album was recorded, back in 2010. The founder of the group Neil Innes still runs the recording studio, ATA Records, an extremely well maintained all analogue set up, used primarily to record jazz, funk and library music. The short-lived Love Of The Brave outfit was the first project recorded at the famed studio. It brought together some of the most versatile artists in the north, many of who still work on projects with ATA today, both these factors give this release a landmark aspect for the label. The "Love Of The Brave" consists of eight tracks and draws on inspiration from artists such as Pentangle, Rotary Connection, Richie Havens, the Kinks, David Bowie and Joni Mitchell. Vocalist Fuzzy Jones features on all tracks, as does Neil, in his case playing a variety of instruments. They are joined throughout the album by a variety of musicians, including jazz drummer Joost Hendrickx, Work Money Death's Tony Burkill on sax, and famed pianist Matt Bourne on cello. The involvement of musicians such as these could give this album some crossover interest with jazz fans. Love Of The Brave's use of analogue recording techniques gives lends this album the authentic studio sound of a record from the late 60s coupled with lyrics touching on pertinent contemporary issues.
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DE - 22113 Hamburg
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Germany
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1
Abstract Orchestra & Ghost Life - Raid (Ghost Life Remix)
2
Abstract Orchestra & Ghost Life - Fancy Clown (Ghost Life Remix)
3
Abstract Orchestra & Ghost Life - Eye (Ghost Life Remix)
4
Abstract Orchestra & Ghost Life - Accordion (Ghost Life Remix)
5
Abstract Orchestra & Ghost Life - Curls (Ghost Life Remix)
6
Abstract Orchestra & Ghost Life - Bistro (Ghost Life Remix)
7
Abstract Orchestra & Ghost Life - Borrowed Time (Ghost Life Remix)
8
Abstract Orchestra & Ghost Life - Fire in the Hole (Ghost Life Remix)
9
Abstract Orchestra & Ghost Life - Figaro (Ghost Life Remix)
10
Abstract Orchestra & Ghost Life - Fluid (Ghost Life Remix)
Abstract Orchestra's composer, leader, arranger and producer Rob Mitchell has now added remixing to his already notable list of credits, in this case turning his hand to Abstract's MADVILLAIN project. Rob has worked with many artists during his busy career; The Haggis Horns, Rag 'n' Bone Man, Sharon Jones and the Dap–Kings, Brand New Heavies, and Slum Village, alongside many others but it was the orchestra's work he wanted to revisit. Seeing the pandemic as an opportunity to spend more time in the studio, Rob spent several months polishing his production skills before embarking on this remix project, he wanted to make sure he did it justice. Working under the moniker Ghostlife, a nod to the fabled anonymity of rapper MF DOOM, Rob has reworked the big band orchestration of Abstract, creating a beat led affair with greater dance floor appeal. For Abstract Orchestra MADVILLAIN REMIXES, Ghostlife cherry picked ten tracks from Abstract's two-album project and plays with a higher BPM count within the hip hop aesthetic of the original. The tracks include "Raid", "Fancy Clown", "Curls", and "Figaro" and in this case Ghostlife has forgone the big arrangements Abstract is known for, rather he has coaxed out hooks and samples from their tracks and produced something he hope will appeal to a different crowd. There is dancefloor potential in "Eye","Accordian" and bass heavy "Borrowed Time" while the reworks of 'Fancy Clown" and "Curls" would fit well into any radio show.
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1
ATA Records - The Glass Eye
2
ATA Records - Mosey Rambler
3
ATA Records - Windie Man
4
ATA Records - Ice Cool
5
ATA Records - Cleared for Launch
6
ATA Records - Swamp Cat
7
ATA Records - Fight or Fuzz
8
ATA Records - Mysterious Manor
9
ATA Records - Push and Go
10
ATA Records - Sensed Presence
11
ATA Records - The Actuator
12
ATA Records - Going Galtactic
The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack works of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express ('Theme From The Watcher'). It only seemed natural for the team at ATA Records to scratch their own Library itch and so last year's "The Library Archive Vol. 1" was born. Recorded over a series of sessions in the Alladins cave of vintage recording equipment that is ATA studios, it featured many of the stalwart musicians from the label who can also be found recording with The Sorcerers, Work Money Death and The Lewis Express. Garnering praise from Library aficionado Shawn Lee("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himsel fAlan Hawkshaw, "The Library Archive Vol. 1" was very well received and so a follow up was inevitable. Recorded during the Autumn of 2020, "The Library Archive Vol. 2" still has the golden age of European Library music squarely in it's sights, but this time the focus is drawn more to the wonky organ work of Italian quartet I Marc 4.
Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
1
Fabiano Do Nascimento & Vittor Santos Or - O Tempo (Foi O Meu Mestre)
2
Fabiano Do Nascimento & Vittor Santos Or - Spring Theme
3
Fabiano Do Nascimento & Vittor Santos Or - Tema Em, Harmonicos
4
Fabiano Do Nascimento & Vittor Santos Or - Uirapuru
5
Fabiano Do Nascimento & Vittor Santos Or - Trenzinho Imaginario
6
Fabiano Do Nascimento & Vittor Santos Or - Prelude 5
7
Fabiano Do Nascimento & Vittor Santos Or - Floresta Dos Sonhos
8
Fabiano Do Nascimento & Vittor Santos Or - Plateau
9
Fabiano Do Nascimento & Vittor Santos Or - Valsa
10
Fabiano Do Nascimento & Vittor Santos Or - Vittor E Fabi
Hidden away amidst the bustle of Rio de Janeiro’s Catete neighbourhood is a small alleyway behind a cast iron gate. At its end is Bairro Saavedra, the courtyard surrounded by Neo-colonial houses where Brazilian guitar virtuoso Fabiano do Nascimento spent much of his childhood. Built in 1928, this secluded neighbourhood with its wooden shutters, tiled floors and tranquil benches, provides the inspiration for the title of Do Nascimento’s new album VILA, a collaborative project with a sixteen piece orchestra led by trombonist and arranger Vittor Santos.
Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Record Makers
Cat-No:REC46LP
Release-Date:02.04.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Record Makers
Cat-No:REC46LP
Release-Date:02.04.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Territories: DE,AT,CH only
catalogue - available via WAS beginning by April 2
Tracklist:
A1. Roche
A2. Kilometer
A3. Look
A4. Divine
A5. Pomme
A6. Une Heure
B1. Sexual Sportswear
B2. Elle
B3. Fingers of Steel
B4. Manty
B5. L'Amour et la Violence
A special reissue of this album, released in 2008 on Record Makers and now considered a classic of its kind. The album was produced by Guy-Manuel de Homem-Christo (half of DAFT PUNK).
A talented eccentric, Sébastien Tellier began distilling his intimate pop sound in the early 2000s. His first album, L'Incroyable Vérité, released in 2001, was a huge success, gradually establishing him on the French music scene. After an unlikely foray into the Eurovision Song Contest, the release of Sexuality, also in 2008, marked a turning point in his songwriting.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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catalogue - available via WAS beginning by April 2
Tracklist:
A1. Roche
A2. Kilometer
A3. Look
A4. Divine
A5. Pomme
A6. Une Heure
B1. Sexual Sportswear
B2. Elle
B3. Fingers of Steel
B4. Manty
B5. L'Amour et la Violence
A special reissue of this album, released in 2008 on Record Makers and now considered a classic of its kind. The album was produced by Guy-Manuel de Homem-Christo (half of DAFT PUNK).
A talented eccentric, Sébastien Tellier began distilling his intimate pop sound in the early 2000s. His first album, L'Incroyable Vérité, released in 2001, was a huge success, gradually establishing him on the French music scene. After an unlikely foray into the Eurovision Song Contest, the release of Sexuality, also in 2008, marked a turning point in his songwriting.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: DE,AT,CH only
catalogue - available via WAS beginning by April 2
Tracklist:
A1. Prelude
A2. Blizzard
A3. ProtoVision
A4. Odd Look
A5. Rampage
A6. Suburbia
A7. Testarossa Autodrive
B1. Nightcall
B2. Deadcruiser
B3. Grand Canyon
B4. First Blood
B5. Roadgame
B6. Endless
How could we talk about Kavinsky without evoking the movie that introduced his music to the general public? Dazzling success of the independant film industry of the last decade, "Drive" is the kind of movies in which the soundctrack takes a front seat role. As in his previous realisations, Nicolas Winding Refn took great care, with the help of Cliff Martinez (former drummer of the Red Hot Chili Peppers) to select the tracks that would feature in his latest movie. It's in this way he picked Nightcall for the opening scene, and we soon cannot tell anymore if the music responds to the picture or the contrary...
Kavinsky's long-awaited debut album Outrun features 13 tracks, including 8 previously unreleased and some reworks. From the first notes, we can hear Paul Hahn (manager of Daft Punk) recounting an introduction to the adventures of Kavinsky. Warm and electric, Blizzard makes its entrance and sets the tone before allowing ProtoVision to take its place, which with its nervous and synthetic melody was the first excerpt of Outrun that whas released on an EP. Then arrives Odd Look, the first vocal song of the record, which unveils a mysterious funky voice that can remind the groove of Marvin Gaye or Prince. It's then Rampage's turn to take us with its menacing orchestral atmosphere like in Dragon Ball Z ; after what comes the persuasive beat of Suburbia on which notorious Havoc from Mobb Deep lent his voice. The upgraded version of Testarossa Autodrive confirms the efficacity of this unstoppable melody, and it's at this point we find Nightcall again, the famous ballad produced by Guy-Manuel from Daft Punk and featuring Lovefoxxx from CSS. Dead Cruiser arrives then, muscled yet melancholic, followed by Grand Canyon which takes us with its electrical ritournelle. The voice of Tyson, the funk revelation from UK, transformed the instrumental First Blood into a génuine hit. The rythmic and melodious Roadgame leads us to Endless, which gently closes this long-awaited revealing first opus, with as a conclusion a narrated epilogue by Paul Hahn again...
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
catalogue - available via WAS beginning by April 2
Tracklist:
A1. Prelude
A2. Blizzard
A3. ProtoVision
A4. Odd Look
A5. Rampage
A6. Suburbia
A7. Testarossa Autodrive
B1. Nightcall
B2. Deadcruiser
B3. Grand Canyon
B4. First Blood
B5. Roadgame
B6. Endless
How could we talk about Kavinsky without evoking the movie that introduced his music to the general public? Dazzling success of the independant film industry of the last decade, "Drive" is the kind of movies in which the soundctrack takes a front seat role. As in his previous realisations, Nicolas Winding Refn took great care, with the help of Cliff Martinez (former drummer of the Red Hot Chili Peppers) to select the tracks that would feature in his latest movie. It's in this way he picked Nightcall for the opening scene, and we soon cannot tell anymore if the music responds to the picture or the contrary...
Kavinsky's long-awaited debut album Outrun features 13 tracks, including 8 previously unreleased and some reworks. From the first notes, we can hear Paul Hahn (manager of Daft Punk) recounting an introduction to the adventures of Kavinsky. Warm and electric, Blizzard makes its entrance and sets the tone before allowing ProtoVision to take its place, which with its nervous and synthetic melody was the first excerpt of Outrun that whas released on an EP. Then arrives Odd Look, the first vocal song of the record, which unveils a mysterious funky voice that can remind the groove of Marvin Gaye or Prince. It's then Rampage's turn to take us with its menacing orchestral atmosphere like in Dragon Ball Z ; after what comes the persuasive beat of Suburbia on which notorious Havoc from Mobb Deep lent his voice. The upgraded version of Testarossa Autodrive confirms the efficacity of this unstoppable melody, and it's at this point we find Nightcall again, the famous ballad produced by Guy-Manuel from Daft Punk and featuring Lovefoxxx from CSS. Dead Cruiser arrives then, muscled yet melancholic, followed by Grand Canyon which takes us with its electrical ritournelle. The voice of Tyson, the funk revelation from UK, transformed the instrumental First Blood into a génuine hit. The rythmic and melodious Roadgame leads us to Endless, which gently closes this long-awaited revealing first opus, with as a conclusion a narrated epilogue by Paul Hahn again...
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gramophonedzie - Why Don't You (Original Mix)
2
Gramophonedzie - Why Don't You (Radio Edit)
3
Gramophonedzie - Why Don't You (Jude & Frank Remix)
4
Gramophonedzie - Why Don't You (DJ Sneak Remix)
OFFICIAL 2026 VINYL REPRESS INCLUDING NEW UNRELEASED REMIX BY JUDE & FRANK
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Trancemaster - Neptune's Orb
2
Trancemaster - Trance Xode
3
Trancemaster - Theme (3000)
4
Trancemaster - Nord-Spedition
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tiga vs Audion - Stabbed In The Back
2
Tiga vs Audion - Pink Bells
3
Tiga vs Audion - Non Stop
2020 Re Edition!
Tracklist
A1 Stabbed In The Back
B1 Pink Bells
B2 Non Stop
Following the mega-hit "Let's Go Dancing" and the micro-hit "Fever," Nightclub marks the third release from techno truth-tellers Tiga vs. Audion. To announce the EP, Tiga recently gave a lengthy audio press conference while driving a Turbo company car all the way down to City Hall. A partial transcript follows:
ON THE INSPIRATION
"Living in contemporary society? It's a joke. But what's no joke is that rough times call for rough customers, and this EP finds two top techno producers in the mood for ballsiness, reflecting the times with a harder-edged sound, harder-edged artwork, and harder-edged calls for our leaders to remember that the dance floor was built on unity, plurality, and unshacklable animality."
ON THE TRACK TITLES
"After careful study, we came to the conclusion that the worse the titles, the more 'techno' the tracks. A-side 'Stabbed in the Back' takes its name from the fact that the track has keyboard stabs in it. Maybe my least favourite title of anything I've ever done, which is remarkable considering the runner-up was an unreleased stab-free track called 'Doctors Without Keyboards.' 'Pink Bells' was originally called 'The Bells' but I was told that this guy Geoff had already used it. 'Nonstop' got its name from the fact that I was really on a roll with bad titles at the time."
ON THE CREATIVE PROCESS
"It's extremely challenging to make instrumental techno with enough of a hook and enough of a funk to stand out, and it's exponentially more difficult when I know deep down I could make everything alright so easily with just the sound of my voice. We bought a set of Bryan Adams Studio Flash Cards, which instructed us to make the kind of hyper-utilitarian dance tracks we could play in our own DJ sets. Sometimes, even musicians need to be reminded to put themselves first."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1 Stabbed In The Back
B1 Pink Bells
B2 Non Stop
Following the mega-hit "Let's Go Dancing" and the micro-hit "Fever," Nightclub marks the third release from techno truth-tellers Tiga vs. Audion. To announce the EP, Tiga recently gave a lengthy audio press conference while driving a Turbo company car all the way down to City Hall. A partial transcript follows:
ON THE INSPIRATION
"Living in contemporary society? It's a joke. But what's no joke is that rough times call for rough customers, and this EP finds two top techno producers in the mood for ballsiness, reflecting the times with a harder-edged sound, harder-edged artwork, and harder-edged calls for our leaders to remember that the dance floor was built on unity, plurality, and unshacklable animality."
ON THE TRACK TITLES
"After careful study, we came to the conclusion that the worse the titles, the more 'techno' the tracks. A-side 'Stabbed in the Back' takes its name from the fact that the track has keyboard stabs in it. Maybe my least favourite title of anything I've ever done, which is remarkable considering the runner-up was an unreleased stab-free track called 'Doctors Without Keyboards.' 'Pink Bells' was originally called 'The Bells' but I was told that this guy Geoff had already used it. 'Nonstop' got its name from the fact that I was really on a roll with bad titles at the time."
ON THE CREATIVE PROCESS
"It's extremely challenging to make instrumental techno with enough of a hook and enough of a funk to stand out, and it's exponentially more difficult when I know deep down I could make everything alright so easily with just the sound of my voice. We bought a set of Bryan Adams Studio Flash Cards, which instructed us to make the kind of hyper-utilitarian dance tracks we could play in our own DJ sets. Sometimes, even musicians need to be reminded to put themselves first."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
REPRESS!
Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recorded using the same techniques and equipment used to create the now legendary catalogues of music sold to the film and television industry of the 60's & 70's, The Library Archive could easily sit alongside the plain minimalist covers of KPM or Telesound.
TRACKLIST
1. Slap, Whack and Blow
2. Duck Strut
3. The Needle Nose
4. Wiretap
5. Wigged Out
6. Nuclear Wind I
7. Kaye Okay
8. Siren's Sea
9. Midnight Heist
10. Nuclear Wind II
11. Planet Nine
Listen: https://soundcloud.com/atarecords-music/sets/the-library-archive-vol-1
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tiga - There Is No Distance Between Us
2
Tiga - There Is No Distance Between Us (u.r.trax remix)
Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)
Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)
Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Akio Nagase - I Like Smoke
2
Akio Nagase - Night Time High Acid
3
Akio Nagase - Creation Dub
4
Akio Nagase - Harmonica Dub
Repress coming end of March!
Especial is delighted to reprise the label’s relationship with Osaka’s acid master, Akio Nagase. Following his debut, Global Acid EP and follow up African Acid EP covered a range of influences, all with the heavy dose of Roland TR-303, here he completes a trilogy of EPs, culminating in a homage to his love of dub reggae.
Having made reggae influenced dance music under the Makedub alias for decades, here he takes it a step further, utilising a knack for catchy hooks and acid lines, while fusing reggae and live desk-dub mixing.
I Love Smoke, a chant, the stand-out, those classic vocals flowing in and out with a 3AM (Eternal) bump. Riotously expounding the virtues of smoking ’Mari Jane’, the hypnotic stoner vibes are wrapped around Nagase’s meditative and dancefloor heartbeat.
Night Time High Acid swings, the low-end rumble and kick build before the TR-303 and harmonica lead interweave, samples and sirens encase in an ethnic, tribal slo-mo dub flow.
Things shift with the 4/4 bump of Creation Dub. A call to rise wrapped in the warmth of Dub House beats. Melody and dub flow, no need for 303. Vox are space echo’d to the limit. Keys stab, horns call, slip side away.
To finish, Harmonica Dub is just that. Heavy mouth organ solo, the blues calling atop a dub-techno stepper beat. Rimshot, stabs, echo. All encompass that psychedelic flavour of Akio. Dub, Love and Respect. Thank you Mr Kikumoto for the acid, thank you Mr Nagase for beats
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Especial is delighted to reprise the label’s relationship with Osaka’s acid master, Akio Nagase. Following his debut, Global Acid EP and follow up African Acid EP covered a range of influences, all with the heavy dose of Roland TR-303, here he completes a trilogy of EPs, culminating in a homage to his love of dub reggae.
Having made reggae influenced dance music under the Makedub alias for decades, here he takes it a step further, utilising a knack for catchy hooks and acid lines, while fusing reggae and live desk-dub mixing.
I Love Smoke, a chant, the stand-out, those classic vocals flowing in and out with a 3AM (Eternal) bump. Riotously expounding the virtues of smoking ’Mari Jane’, the hypnotic stoner vibes are wrapped around Nagase’s meditative and dancefloor heartbeat.
Night Time High Acid swings, the low-end rumble and kick build before the TR-303 and harmonica lead interweave, samples and sirens encase in an ethnic, tribal slo-mo dub flow.
Things shift with the 4/4 bump of Creation Dub. A call to rise wrapped in the warmth of Dub House beats. Melody and dub flow, no need for 303. Vox are space echo’d to the limit. Keys stab, horns call, slip side away.
To finish, Harmonica Dub is just that. Heavy mouth organ solo, the blues calling atop a dub-techno stepper beat. Rimshot, stabs, echo. All encompass that psychedelic flavour of Akio. Dub, Love and Respect. Thank you Mr Kikumoto for the acid, thank you Mr Nagase for beats
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 – Easy (Héctor Oaks Difficulty Adjusted Mix)
B1 – Easy (Der Zyklus - Quantum Matrix)
B2 – Easy (Decius Remix)
Release Info:
We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a
massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and
Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop
a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat
equity vacuumed up off the dance floor by corporate parasites when the real future’s
in decentralized skanking? But that’s why people in my position - the top one-percent
in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket
packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation
was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to
flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has
been described as “operating at the absolute vanguard of rave.” Please remember
that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the
epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought,
Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out
the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted
to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 – Easy (Héctor Oaks Difficulty Adjusted Mix)
B1 – Easy (Der Zyklus - Quantum Matrix)
B2 – Easy (Decius Remix)
Release Info:
We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a
massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and
Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop
a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat
equity vacuumed up off the dance floor by corporate parasites when the real future’s
in decentralized skanking? But that’s why people in my position - the top one-percent
in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket
packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation
was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to
flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has
been described as “operating at the absolute vanguard of rave.” Please remember
that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the
epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought,
Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out
the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted
to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scan 7 - Random Soul
2
Scan 7 - Invisible Invasion
3
Scan 7 - Black Wall
4
Scan 7 - Sound Escape
5
Scan 7 - Unit Seven
6
Scan 7 - Digital Dreams
7
Scan 7 - The Craft
8
Scan 7 - Twisted Groov
Territory: WORLD minus UK
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Random Soul 07:46
2. / A2 Invisible Invasion 07:45
3. / B1 Black Wall 08:14
4. / B2 Sound Escape 06:21
5. / C1 Unit Seven 08:41
6. / C2 Digital Dreams 06:25
7. / D1 The Craft 07:15
8. / D2 Twisted Groov 06:50
Info:
As the label turns 35 years, Tresor Records’ ongoing reissue series comes round to Scan 7’s 1999 album, Resurfaced.
A true exemplar in the canon of Detroit techno, the LP is a further reminder of Scan 7’s confidence to patiently let the music unfold, never needing to overplay their hand. This is demonstrated from the first second as Random Soul opens with a slow downbeat and soft, almost imperceptible synths before quickly settling into a perfect groove whose power is present without the need for a hard edge. This strategy is utilised throughout the album in tracks like Black Wall and Unit , while Invisible Invasion and Twisted Groov add in some intensity for deeper moments in the club.
Remastered by Mike Grinser from the original DATs, the double vinyl features the original eight tracks from the album, while the digital version (and cassette tape) includes two bonus tracks: Custom Made and Mind Trap.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Random Soul 07:46
2. / A2 Invisible Invasion 07:45
3. / B1 Black Wall 08:14
4. / B2 Sound Escape 06:21
5. / C1 Unit Seven 08:41
6. / C2 Digital Dreams 06:25
7. / D1 The Craft 07:15
8. / D2 Twisted Groov 06:50
Info:
As the label turns 35 years, Tresor Records’ ongoing reissue series comes round to Scan 7’s 1999 album, Resurfaced.
A true exemplar in the canon of Detroit techno, the LP is a further reminder of Scan 7’s confidence to patiently let the music unfold, never needing to overplay their hand. This is demonstrated from the first second as Random Soul opens with a slow downbeat and soft, almost imperceptible synths before quickly settling into a perfect groove whose power is present without the need for a hard edge. This strategy is utilised throughout the album in tracks like Black Wall and Unit , while Invisible Invasion and Twisted Groov add in some intensity for deeper moments in the club.
Remastered by Mike Grinser from the original DATs, the double vinyl features the original eight tracks from the album, while the digital version (and cassette tape) includes two bonus tracks: Custom Made and Mind Trap.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Boards Of Canada - Wildlife Analysis
2
Boards Of Canada - An Eagle In Your Mind
3
Boards Of Canada - The Color Of The Fire
4
Boards Of Canada - Telephasic Workshop
5
Boards Of Canada - Triangles & Rhombuses
6
Boards Of Canada - Sixtyten
7
Boards Of Canada - Turqoise Hexagon Sun
8
Boards Of Canada - Kaini Industries
9
Boards Of Canada - Bocuma
10
Boards Of Canada - Roygbiv
11
Boards Of Canada - Rue The Whirl
12
Boards Of Canada - Aquarius
13
Boards Of Canada - Olson
14
Boards Of Canada - Pete Standing Alone
15
Boards Of Canada - Smokers Quantity
16
Boards Of Canada - Open The Light
17
Boards Of Canada - One Very Important Thought
Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years.
On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year. Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.
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On 21st October the albums Music Has The Right To Children (originally released in 1998), Geogaddi (2002) and The Campfire Headphase (2006) will be reissued. These will be followed on 18th November by the mini-album Twoism (1995) and EPs In A Beautiful Place Out In The Country (2000) and Trans Canada Highway (2006). Also, look out for a vinyl reissue of Hi Scores EP (1996) through Skam later this year. Each Warp reissue comes with a download code and an original BOC sticker design from the era. More about the formatting of each item: http://boardsofcanada.com In June this year, Boards of Canada released their 4th studio album, Tomorrow?s Harvest to considerable and widespread acclaim.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More