The 5 track cult classic EP from 2014 finally repressed! MERWYN SANDERS of OG house group VIRGO FOUR lends vocals to INKSWEL'S early drum machine experiments. Backed with outer worldly remix from UK enigma LINKWOOD, and STONES THROW alum GB. Xtra dope pic sleeve by DISCREET UNIT.

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This collaboration between DJ MOPPY & vocalist LAILAH REICH, originally a 2022 cassette only release, sees it's first vinyl release in 2024. 4 tracks, featuring remixes from ANTHONY NICHOLSON and DEZ ANDRES.

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10 track LP of beat forward, no-nonsense classic hip hop with tinges of soul and funk, from illustrious UK producer WIPE THE NEEDLE (with releases on GAMM, LOCAL TALK and SLIP ‘N SLIDE) and Atlanta's STAN "STEAM" SMITH, with an appearance from the late great TY. A project that's throwback in theory but forward thinking by design.

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Groove-laden remix of the standout track from ERIN BUKU's self-titled debut LP on this 2 track single-sider. SAI GALAXY bridges the gap between the soulful introspection of the original, and the infectious, danceable grooves he's known for, with an Afro-disco/boogie flair.

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After an extended break from vinyl releases, Mothball Record is back with a long awaited Italo-disco reissue.

A longtime passion project of label owner Hysteric, “Take Me… Mr Love” is something of a unique entry in the later years of Italo-disco, forgoing the typically smooth and processed sound in favour of a rough and low budget production, making up in charm what it lacks in polish.

The release is completed by a powerful remix from the Dutch Italo sensation Luca Dell’Orso. Coming off the back of a string of successful releases on Bordello A Parigi, Red Laser Records and Ritmo Fatale, here he brings new life into the track and takes it into well and truly to the dancefloor.

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Another dyed-in-the-wool house classic here, from all the way back in the golden mists of 1987 on the tiny, cult Danica label. Don't forget, Mint Condition's mission is to bring you the classics too, a nice, new copy to play out in the club so you can keep your original nice and fresh! We care about these things. That's why we're happy to present this monumental slab of Chicago house history from one of the absolute gods of this culture - Mr. Frankie Knuckles - this time operating under his Night Writers alias. We're not sure too much needs to be said about this one, it's all here really, that classic Knuckles deep touch, the musicality, the vibe... Ricky Dillard's vocals encapsulating that feeling when the music takes over, pure abandon. The pairing of these two talents results in what would eventually become a bona-fide house CLASSIC. No arguments. If you're not familiar you're in for a treat, if you already know then you're nodding your head and agreeing with everything you've just read. Simple really - YOU NEED THIS ONE!

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Tracklist:
1.Weejuns (intro) ft. Will Stowe
2.Beautiful BLACK
3.One Hand Washes The Other feat. lojii
4.Crossroad(s)
5.Negroni (Skit)
6.FireFly feat. Fatima
7.Nothin’ to Say
8.UPtown Mami (Skit)
9.Manuva(s) feat. Joe Armon-Jones
10.Driftin’ Interlude feat. Pearl De Luna
11.Chase The Sunrise feat. Yaya Bey, lojii, Fatima 05:01
12.First Dates
13.Quiz Interlude feat. Salimata
14.Lizards / Dancin' With The Devil feat. Jaydonclover & The Hotel
15.Mind, Body, Spirit feat. Seafood Sam
16.FOREVER POOH


Preview: https://www.youtube.com/watch?v=rESM76i97BM

Goya Gumbani loves getting dressed, guided not by stylists or trends but by his own research and self-expression, an excitement for fabrics, fits, and fundamentals. The Brooklyn-born, South East London-based artist approaches Warlord of the Weejuns, his first LP on Ghostly International, after years of acclaimed self-releases with the same mentality. Rather than simply recruit beats to rap over, he's now embodied both the narrator and the conductor, developing a shared musicality with various changes in scenery, players, producers, and guests — including Fatima, lojii, Seafood Sam, Yaya Bey, and many others — outfitting his flow between London's new jazz generation and New York City's hip-hop storytelling legacy. Goya borrows the album title from a magazine headline once placed upon Mile Davis (given how well he wore the iconic Weejun loafers). Here, he channels not just that storied style from the king of cool but an artistic ingenuity and timeless sensibility, redefining his recording project with rich, full-band arrangements. Marked by unguarded ambition and introspection, Warlord of the Weejuns is a triumph of taste, heritage, and pride from one of rap music's most dexterous talents.

Before and during sessions spread across London, Philadelphia, New York, and Los Angeles, Goya leaned into his jazz collection with a heightened sense of awareness, reflecting on Davis' legacy in the context of intention and growth. "His appreciation and love for music but also clothes, taking pride in your image. Not feeling restricted in your music or your fashion. He kept redefining himself, moving the goalposts. It just opened my eyes to the ideology that there are no bounds; you can't get boxed in, there's no wrong turns. Every turn just leads you somewhere else."

Taking cues from the intuitive and often wordless expressions of jazz as well as the rhythmic meditations of reggae, Goya let the music lead. "I didn't want to fit 100 words in 16 bars; it was more about making the voice part of the instrumentation, to sit at ease in the mix, like laying in the water, letting the current wash over." Even when more reclined at the mic, he remains an evocative and boldly vulnerable lyricist, allowing the material to form around life's impressions — "slight changes to the input," he says. "The things that I would pour into myself, my views, my mornings waking up, breaking up with girls, meeting new people, it's all these things. When I listen back to it, I can hear where I was, and I can hear where I'm going."

Threads of affirmation and self-worth — unlearning past constructs, manifesting knowledge and power from within — run throughout Warlord of the Weejuns. After the swaggering, a capella intro ("All I do is write, rap, scribble, scat, wear long coats with pressed slacks…."), the horn-backed "Beautiful BLK" sets the celebratory tone. Produced by Franky Bones, the track radiates pride with lush keys, bass, and brass as Goya declares, "It's time to redefine" above emboldened excerpts from a speech by Yosef Ben-Jochannan. He wrote the song after visiting his mom's birthplace far outside of London, and his uncle's recording studio in Nottingham and hearing him talk about Bob Marley's influence, realizing the lineage of it all. "I was just looking at him and looking at myself, and I thought, this is generational." He further unpacks the track: "I wanted to make something that could speak to Black kids from anywhere in the world, just love yourself, know your worth. Like, you got it. What I would have told myself: you are beautiful."

Goya welcomes a wide range of artistry across the spacious collection, replete with vibe-shaping skits and interludes. "I feel honored to have everyone on this album and understand how all these elements, these ingredients, come together to make the greatest gumbo. These collaborations made me remember the importance music has not only to me but to all of us."

London-based Swedish soul singer Fatima appears in two singles: first, there's "Firefly," a cosmic R&B groove that captures the rawness of a recent breakup. "Fatima came and just laid the hook, and I was like, damn, you're embodying how I'm feeling," says Goya, who built it out with contributions from Swarvy, Omari Jazz, Les Lockheart, and his Ghostly labelmate quickly, quickly. Fatima returns for the crew jam, "Chase Tha Sunrise," joined by Yaya Bey and lojii (also in his second appearance). Hovering above guitar lines and beats, they take turns in a weave of gratitude. Goya explains, "Yaya recently lost her father, a hip-hop legend ??[Grand Daddy I.U.]. He influenced one of my favorite rappers, Roc Marciano, who made me really get into lyricism and rapping and speaking. Then to get lojii on there, and Roc also influenced him, so it felt like the fullest circle moment just to give that kind of ode to the parents, to our ancestors."

He recorded the hypnotic "Crossroads" with Maxwell Owin in his South London studio at 4am; "It was winter time, and a window was broke, and it was f*cking cold, but something in my head was like like these are the hard times in the dirt that you're gonna look back on and be like, bro, you made a diamond."

Goya wraps Weejuns on the gospel-tinged outro, "FOREVER POOH," produced with Omari Lyseight. Surrounded only by soulful hums and strums, his closing remarks cross the looseness of a freestyle with the poignance of something greater, a 21st-century artist deeply in the pocket of his pleated craft.

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A deluxe 16 track DLP edition of AMERIGO GAZAWAY's cult classic reimagining of his fav D'ANGELO cuts includes all the original tracks alongside their corresponding instrumentals, plus a few unreleased gems. A perfect mixture of hip-hop, gospel, house, neo-soul and R&B. Awesome full pic sleeve.


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Repress!

Tracklist:

1. Sabu Martinez - Hotel Alyssa-Sousse, Tunisia (Danny Krivit Edit)
2. Nico Gomez And His Afro Percussion Inc – Lupita (Danny Krivit Edit)

How do you breathe new life into a treasured, classic track? Answer: let Danny Krivit loose on it!

Who better to inaugurate our Mr Bongo Edit Series than one of the bosses of the art of the edit. More than just simple re-touches or loops to make the track easier to mix, Danny works his magic by employing all those years of studying and working with music as a remixer, producer and DJ. He has been honing his craft since the art form began and he seems to have a natural intuition for what works on the dancefloor.

When we asked Danny if he would be interested in reworking some tracks from Mr Bongo's back catalogue we knew the edits would be special, but Danny has outdone himself with these beauties, and arguably they are more than just edits.

By sheer chance, Danny had already worked on a rough personal mix of Sabu Martinez's 'Hotel Alyssa-Sousse, Tunisia’, a track taken from the treasured 'Afro Temple' album originally released in 1973. Danny just needed to freshen and tighten it up to a standard he was happy with, and the result is pure Latin fire.

The Belgian / Dutch orchestra leader Nico Gomez's 'Lupita' from 1971 is an undisputed banger, this underground Latin-crossover favourite has been causing mayhem on dancefloors for years. Here Danny takes it into another sphere adding extra drama and build-ups, adding and overlaying fresh percussion which sounds like it could have been taken from lost outtakes. Even those who may have heard 'Lupita' countless times, are sure to be impressed by the new lease of life that Danny has breathed into it.

2 huge tracks and 2 killer edits from a master of the craft.

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Originally stated to be released sometime during the year 2019 here you have what was originally planned to be the last of an iconic series of unofficial edits & overdubs produced and performed by Joaquin Joe Claussell. This release will also mark the end of a concept that has garnered massive interest and till this day highly sought after, but also the beginning of what’s coming next.
Stay Tuned

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Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting nearly 50 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.

Vinyl LP features a tip-on sleeve.

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