By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. Negrea Love Dub', originally released in 1978, is a cornerstone in the reggae dub scene. Linval Thompson produced riddims which were laid at Channel One studio by The Revolutionaries – at the time a celebrated studio band led by drum and bass partners Sly Dunbar & Robbie Shakespear – and mixed at King Tubby's renown studio at 18 Dromilly Avenue in Kingston by Prince Jammy. The sound of the ten dubs featured here is hypnotic and its effects are euphoric to say the least.

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Lloyd Parks, born on May 26, 1948, in Kingston, Jamaica, is a renowned reggae icon known for his soulful melodies and skillfully played bass lines. In the late 1960s, he performed with the Invincibles band, which included notable talents such as Ansell Collins, Sly Dunbar, and Ranchie McLean, before joining forces with Wentworth Vernal to form The Termites. He launched a successful solo career, releasing a series of self-produced singles, including the massive hit "Officially" in 1973; this single also provided the title for the legendary and and highly sought-after 1973 album, now reissued for the first time. Acknowledged as a talented studio bassist, Parks supported various reggae artists, including Justin Hinds on Duke Reid's Treasure Isle label. He was a member of Skin, Flesh and Bones, alongside Ansell Collins and Ranchie MacLean, contributing to Al Brown's hit "Here I Am Baby." When the group began recording for Channel One Studios, Parks renamed them The Revolutionaries and later joined Joe Gibbs' house band, The Professionals, showcasing his skills on hits like Althea & Donna's "Uptown Top Ranking." Throughout the 1970s, he collaborated with prominent artists such as Dennis Brown, The Abyssinians, The Itals, The Gladiators, Culture, and Prince Far I. In 1974, Parks founded the We The People Band, accompanying Dennis Brown on tours and regularly performing at festivals like Reggae Sunsplash and Reggae Sumfest.A long career studded with many important awards. "Officially" is his most cherished personal gem that, after too long, finally shines once more thanks to the discovery of the quarter-inch AMPEX tapes now owned by BMG (UK) and licensed to Jamdung Records.



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LIMITED EDITION RED VINYL
Drum and bass reggae legends, Sly Dunbar and Robbie Shakespear, are the featured strongholds of The Revolutionaries, a conglomeration of many of reggae's finest studio musicians, brought together to create some of the best dub of the late 70's. "Black Ash Dub" is a wonderful example of the group at its peak. Sly's drumming prowess is at its best on this lp, complete with his famous crash cymbals on the 4th beat in 4/4 time versus the 1st beat. His skills are legendary due in large part to the bass playing of Robbie. His grooves are intense, yet very supple, and perfectly augment Sly's grooves. Each track is a tribute to a drug; the 2 major club hits are "Marijuana" and "Cocaine". All cut at the legendary Channel One recording studio in Kingston and mixed by the genius touches of dub masters Scientist and Prince Jammy. Originally released in 1980 on the mighty Trojan Records, "Black Ash Dub" is today widely heralded as one of the finest dub collections of the era and considered an essential addition to the collections of all serious fans of the genre. PRODUCED BY: Jah Thomas RECORDED AT: Channel One MIXED BY: Prince Jammy, Scientist [MUSICIANS] BASS: Robbie, "Flabba" DRUMS: Sly Dunbar, "Santa" RHYTHM GUITAR: Bo Pee, Bingy Bunny HORNS: Bobby Ellis, Deadly Headley PIANO: Gladdy ORGAN: Ansel Collins PERCUSSION: Sticky, Skully

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"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for JAMDUNG distributed exclusively by KUDOS in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

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The LP includes an insert/poster 60x30cm

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers.

Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'.

The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs.

'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

Musicians:

Bass Guitar – Aston "Family Man" Barrett

Drums – Carlton "Carly" Barrett

Keyboards – Earl Lindo

Lead Guitar – Junior Marvin

Percussion – Alvin "Seeco" Patterson

Synthesizer [Minimoog] – Akira Ito

Vocals – Joe Yamanaka

Lisensed by Teichiku Enterteinment. From Original Master Tapes

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Repress!

Offroad Swingin Herbal Jams



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Repress!

Dreamy Far Out Soul Shakers

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Repress coming beginning of February.

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Uprising Space Bass Dubplate

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Tracklisting
A1 Calibre - Little Blend
A2 Calibre - Free One
A3 Calibre - Tricklemore Sea
A4 Calibre - Deflower
B1 Calibre - Living In Your Head
B2 Calibre - Modest
B3 Calibre - Able Son Dub
C1 Calibre - Pigeon Luncheon
C2 Calibre - Hyndsight
C3 Calibre - United Pull
D1 Calibre - Bit Broken Stream
D2 Calibre - Mizzle Mine
D3 Calibre - Inbetween

Sales Note
Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

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Ecstatic Elevating Neapolitan Romance

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