Mika Vainio started making a new Ø album in 2014. He almost finalized the record before his too early passing in 2017. The album Sysivalo is the 9th out of 8 full scale albums, released under the Ø alias by Vainio. Ø was his longest running project from 1993 to 2017. Sysivalo was recorded during 2014-2017 and is 60 min long album with 20 tracks, produced by Vainio. He described the record as a distinct Ø album that was going to include several shorter tracks, etudes. The title, Sysivalo, is invented by Vainio by combining the Finnish words sysi (dark or sinister) and valo (light).

Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.

The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.

Mika Vainio biography

Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.

Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.

As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.

Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.

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3 contemporary electronic jazz tracks from the artist that are aware of bass music and Jon Hassell's City: Works Of Fiction.

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A 12" outing for the Ø:'s excellent Fermionit + the unreleased Kulmamomentti coming in the form of edits from members of the sähkö recordings crew (Kaukolampi & Jimi Tenor). Huge Tip!

Mika Vainio was recording a new Ø-album since 2014. He almost got it ready before his too early passing in 2017. Mika's girlfriend Rikke Lundgreen from Oslo has been going through Mika's notes, numerous versions and takes of the album tracks. Now the collection of the tracks is completed, there were two tracks that Mika thought should not be included the album. They make this release. The shoter track Kulmamomentti is edited slightly longer by Jimi Tenor and Timo Kaukolampi.

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CIRE NOIR is a compilation of contemporary electronic sounds by parallel thinking agents from Europe and US.

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Written and produced by Manfredas Bajelis and Marijus Aleksa from Lithuania. Driving Vladimir Tarasov influensedpercussionist jazzfunk.

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Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin. Most of the composers involved in this project are all working in the field of cinema. Jean-Yves Leloup is a Paris-based french sound artist/DJ, curator and music writer. He is the curator of various music exhibitions (Electro at Paris Philharmonie, London Design Museum and Düsseldorf Kunst Palast) and the author of various books such as " Digital Magma ", " Global Techno ", " Techno 100 ", " Music Non-Stop " and t " Ambient Music : avant-garde, new age, chill-out & cinema " (2021). He teaches sound in cinema at Paris Esra cinema School, and has released four albums with the RadioMentale duo.

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Warm acidic oldschool tehno and balearic downbeat from Italy.

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21.
To the extent that necessity is socially dreamed, the dream becomes necessary. The spectacle is the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep. The spectacle is the guardian of sleep.

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Stephen Bishop is a Newcastle based producer behind the label Opal Tapes. As a solo artist he is called Basic House.

Crown Ever Remain is a contemporary bass heavy magical masterpiece in a tradition of the black experimental electronic noise of the North England.

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Æternum Music head and co-owner celebrates the 10th release with his first solo release on the imprint. 2 tracker with a brilliant aditional remix from the Giegling crew member Edward..

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