12"
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Label:Sähkö Recordings
Cat-No:PUU59
Release-Date:09.05.2025
Configuration:12"
Barcode:5050580849631
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Bruno Pronsato, Roméo Poirier & Memotone - Above The Laundrette (Manières Bizarres Mix)
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Bruno Pronsato, Roméo Poirier & Memotone - Thalassocratie (Extended Version)
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Bruno Pronsato, Roméo Poirier & Memotone - The Way In(side)
3 contemporary electronic jazz tracks from the artist that are aware of bass music and Jon Hassell's City: Works Of Fiction.
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More records from Sähkö Recordings
Label:Sähkö Recordings
Cat-No:SAHKO00612
Release-Date:14.02.2025
Configuration:12"
Barcode:5050580843653
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Label:Sähkö Recordings
Cat-No:SAHKO00612
Release-Date:14.02.2025
Configuration:12"
Barcode:5050580843653
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Ø - Kuvio 12
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Ø - Scene 1 Original (Original Version of Sähkö Movie Soundtrack Scene 1)
Kuvio is one of the all time classic techno tracks.
B-side is Mika Vainio's richer original veresion of Sähkö Movie soundtrack Scene 1.
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B-side is Mika Vainio's richer original veresion of Sähkö Movie soundtrack Scene 1.
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Label:Sähkö Recordings
Cat-No:SAHKO006LP
Release-Date:07.02.2025
Genre:Electro
Configuration:2LP
Barcode:5050580836754
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Label:Sähkö Recordings
Cat-No:SAHKO006LP
Release-Date:07.02.2025
Genre:Electro
Configuration:2LP
Barcode:5050580836754
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Ø & Mika Vainio - Sisn
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Ø & Mika Vainio - Hornitus
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Ø & Mika Vainio - Kuvio
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Ø & Mika Vainio - JL-CSG-1
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Ø & Mika Vainio - Muuntaja
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Ø & Mika Vainio - Hion
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Ø & Mika Vainio - Twin Bleebs
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Ø & Mika Vainio - Erit-samat
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Ø & Mika Vainio - Lasi
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Ø & Mika Vainio - JL-CSG-2
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Ø & Mika Vainio - Radio
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Ø & Mika Vainio - Asuntola
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Ø & Mika Vainio - Kentt
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Ø & Mika Vainio - Halli
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Ø & Mika Vainio - Dayak
1st time ever on vinyl, this minimal masterpiece from finlands masterminds
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Label:Sähkö Recordings
Cat-No:PUU58
Release-Date:24.11.2023
Configuration:LP
Barcode:5050580814974
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Label:Sähkö Recordings
Cat-No:PUU58
Release-Date:24.11.2023
Configuration:LP
Barcode:5050580814974
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Egg Meat - - Milton/Earth (Massive Bereavement Mix)
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Umfang - - Baby Blue (Drone Edit)
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Disinformation & Savion Glover - - Doppelgänger Variations
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Nuke Watch - - NWPJS Perc
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Georgia - - Mekael
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Ana Fosca - - ANIMA (Novus)
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Rafael Toral - - Mixed States Uncoded
CIRE NOIR is a compilation of contemporary electronic sounds by parallel thinking agents from Europe and US.
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WAS - Word and Sound Medien GmbH
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Label:Sähkö Recordings
Cat-No:SAHKO035
Release-Date:03.11.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5050580812390
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Label:Sähkö Recordings
Cat-No:SAHKO035
Release-Date:03.11.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5050580812390
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Osmo Lindeman - Kinetic Forms
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Osmo Lindeman - Variabile
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Osmo Lindeman - Mechanical Music for Stereophonic Tape
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Osmo Lindeman - Is This the World of Teddy?
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Osmo Lindeman - Tropicana
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Osmo Lindeman - Midas
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Osmo Lindeman - Sunkist (TV Commercial)
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Osmo Lindeman - Fin-Humus (TV Commercial)
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Osmo Lindeman - Theme.......
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Osmo Lindeman - Ritual
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Osmo Lindeman - Spectacle
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Label:Sähkö Recordings
Cat-No:PUU57
Release-Date:05.05.2023
Genre:Electro
Configuration:12"
Barcode:5050580805972
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Label:Sähkö Recordings
Cat-No:PUU57
Release-Date:05.05.2023
Genre:Electro
Configuration:12"
Barcode:5050580805972
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Memotone - Measure for Measure
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Memotone - Moving Shadows
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Memotone - Niigghht
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Memotone - DroneX-7 (Extended Mix)
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Memotone - Blackcap Crossing
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Memotone - New Peace
Bristol multi-instrumentalist and producer William Yates combines electronic jazz, bass, beats, loops and samples in the masterly ethereal and hypnotic way.
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Label:Sähkö Recordings
Cat-No:PUU55
Release-Date:10.03.2023
Genre:Eclectic
Configuration:12"
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Label:Sähkö Recordings
Cat-No:PUU55
Release-Date:10.03.2023
Genre:Eclectic
Configuration:12"
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Santaka - Burning Head
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Santaka - Love Kilimanjaro
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Santaka - Kaukas
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Santaka - Receiver
Written and produced by Manfredas Bajelis and Marijus Aleksa from Lithuania. Driving Vladimir Tarasov influensedpercussionist jazzfunk.
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Label:Sähkö Recordings
Cat-No:PUU56
Release-Date:10.03.2023
Configuration:12"
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Quiet Voices - Story of New Ancestors
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Quiet Voices - When Computers Began to Misbehave
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Quiet Voices - And Time Went By
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Quiet Voices - Quiet Voices of the Ether
Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin. Most of the composers involved in this project are all working in the field of cinema. Jean-Yves Leloup is a Paris-based french sound artist/DJ, curator and music writer. He is the curator of various music exhibitions (Electro at Paris Philharmonie, London Design Museum and Düsseldorf Kunst Palast) and the author of various books such as " Digital Magma ", " Global Techno ", " Techno 100 ", " Music Non-Stop " and t " Ambient Music : avant-garde, new age, chill-out & cinema " (2021). He teaches sound in cinema at Paris Esra cinema School, and has released four albums with the RadioMentale duo.
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Label:Sähkö Recordings
Cat-No:PUU54
Release-Date:10.02.2023
Configuration:12"
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1
DDAA - - Now It's Time Now
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Konstruktivists - - Opening Singns
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Ramleh - - Black Ark
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Neljän Seinän Jumalat - - TV-orgasmi
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Corum - - Hecate's Swaying Garden
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CLAIR - - Magick Garden Rebirthed
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Jimi Tenor - - Ainon kyynel
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Tasaday - - Il Rito
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Odal - - Flaming Piano
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Pekka Airaksinen - - Untitled
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Label:Sähkö Recordings
Cat-No:PUU52
Release-Date:10.12.2021
Genre:Techno
Configuration:12"
Barcode:5050580772458
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Label:Sähkö Recordings
Cat-No:PUU52
Release-Date:10.12.2021
Genre:Techno
Configuration:12"
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NBI - Night Howl
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NBI - What About You
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NBI - Long Distance
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NBI - Balance
Warm acidic oldschool tehno and balearic downbeat from Italy.
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Label:Sähkö Recordings
Cat-No:PUU53
Release-Date:03.12.2021
Genre:Electro
Configuration:12"
Barcode:5050580770768
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Label:Sähkö Recordings
Cat-No:PUU53
Release-Date:03.12.2021
Genre:Electro
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Death Poems - - Guilty
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Howes - - Double Well (Clover Mix)
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Freestyle Man - - Locus Pullum
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Bianca Warlord - - Bois de Pavel
21.
To the extent that necessity is socially dreamed, the dream becomes necessary. The spectacle is the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep. The spectacle is the guardian of sleep.
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To the extent that necessity is socially dreamed, the dream becomes necessary. The spectacle is the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep. The spectacle is the guardian of sleep.
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Label:Sähkö Recordings
Cat-No:sahko034
Release-Date:04.06.2021
Configuration:12"
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Basic House - Crown Ever Remain"
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Basic House - Mechanical Nudes
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Basic House - Alphabet (Swallowing Gold)
Stephen Bishop is a Newcastle based producer behind the label Opal Tapes. As a solo artist he is called Basic House.
Crown Ever Remain is a contemporary bass heavy magical masterpiece in a tradition of the black experimental electronic noise of the North England.
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Crown Ever Remain is a contemporary bass heavy magical masterpiece in a tradition of the black experimental electronic noise of the North England.
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Label:Trule
Cat-No:TRULE031
Release-Date:30.05.2025
Genre:Techno
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Al Wootton - a1. March
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Al Wootton - a2. Slow Rock
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Al Wootton - a3. Foxtrot
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Al Wootton - a4. Beguine
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Al Wootton - b1. Shuffle
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Al Wootton - b2. Bajon
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Al Wootton - b3. Swing
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Al Wootton - b4. No Selected
In January 2025 Al Wootton was invited to Melbourne Electronic Sound Studio in Australia, home to a unique collection of rare vintage drum machines. Al made recordings of multiple drum machines utilising their individual rhythms, characteristics and quirks. These recordings were taken back to the UK and treated with various processes and additions to create Rhythm Archives.
The resulting record is a minimal exploration of rhythm via industrial, dub, post-punk and proto-techno sonics. It is a tribute to these machines and their creators, and resources such as Melbourne Electronic Sound Studio who maintain a huge archive of these and other instruments, prioritising public access and education.
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The resulting record is a minimal exploration of rhythm via industrial, dub, post-punk and proto-techno sonics. It is a tribute to these machines and their creators, and resources such as Melbourne Electronic Sound Studio who maintain a huge archive of these and other instruments, prioritising public access and education.
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WAS - Word and Sound Medien GmbH
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Vinyl Album Excl
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Label:Strut Records
Cat-No:strut187lp
Release-Date:29.06.2018
Configuration:Vinyl Album Excl
Barcode:730003318719
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Cat-No:strut187lp
Release-Date:29.06.2018
Configuration:Vinyl Album Excl
Barcode:730003318719
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Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late ‘50s, the label and studio has continued for over 50 years, releasing over 300 7” singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae.
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Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late ‘50s, the label and studio has continued for over 50 years, releasing over 300 7” singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae.
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LP
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Label:Mieruba
Cat-No:MRB-ML01-021
Release-Date:10.01.2025
Genre:World Music
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Cat-No:MRB-ML01-021
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1
Nfaly Diakité - Negue Tigui
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Nfaly Diakité - Ngon
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Nfaly Diakité - Donso
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Nfaly Diakité - Mougoukan
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Nfaly Diakité - Nankama
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Nfaly Diakité - Mogote Diabeye
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Nfaly Diakité - Sadionan
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Nfaly Diakité - Ngoni
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Nfaly Diakité - Dounoukan
Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters. Nfaly Diakité is named after his grandfather, the late Nfaly Diakité, one of Mali’s most respected donso chiefs. His grandfather did not play, but as a leading figure in the donso brotherhood, he was always accompanied by musician Yoro Sidibé. Nfaly grew up alongside Yoro Sidibé, who became his first master of the donso ngoni, a type of eight-stringed antelope skin harp. After leaving school to devote himself to his instrument, Nfaly continued his apprenticeship with Diakaria Diakité and Oumar Sidibé, two donso masters from the Wassolo region.
He quickly made a name for himself in the donso community and was much asked to play at the traditional ceremonies of his brotherhood. He then met percussionist Ibrahim Sarr and joined the BKO Quintet, with whom he recorded an album and toured Europe and the United States. His virtuosity on the donso ngoni soon attracted attention, and he took part in numerous music and dance festivals in Mali and abroad, with the aim of raising awareness of this little-known traditional instrument.
Nfaly Diakité is also a Kônô, meaning that he is responsible for passing on the history and culture of the Bambara people through music and song. He pursues his mission by combining tradition with more contemporary sounds and by collaborating with artists from a wide range of musical backgrounds. For him, music is a means of conveying messages of peace, love and harmony, and his compositions evoke the values of respect, tolerance and open-mindedness.
‘Tribute to Toumani Koné’ is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama. Nfaly Diakité is a representative of the new generation of donso ngoni players and he wishes to pay tribute to Toumani Koné, who throughout his long career has been a symbol of courage, daring, loyalty and honesty.
The nine-track of this solo album leaves no room for hesitation. Three instruments (donso ngoni, voice and keregne) manage to carry one into another dimension without ever tiring. The fitting and precise rhythm is a deep but melodious transe. Nfaly’s voice plays between expressive urgency and calm wisdom, and the choruses with his own voice multiply the planes of dimension of the music. The donso n’goni, of which Nfaly is an excellent player, sounds rough and earthy but always clear and sharp. All the strength of a music that does not belong to a single musician but to a long cultural tradition of which he is the spokesman is expressed here. The young Nfaly, thanks to his experience and sensitivity, succeeds on his own in pushing us into this world without feeling the weight of tradition but only the liberation of music that sounds all the more contemporary. This album is to be listened to in its entirety as one tight journey between repeated formulas, highlights and moments of rest within the same relentless rhythm. The densest moment is probably found in the heart of the album, between the tracks Nankama (the predestined one) and Mogote Diabeye (no one can please everyone). Here, the message, which can be deciphered from the translation of the lyrics, seems to transcend language barriers and intepret us directly about our human condition, urging us to move our bodies to the dense rhythm of life.
A1 - Negue Tigui
A2 - Ngon
A3 - Donso
A4 - Mougoukan
A5 - Nankama
B1 - Mogote Diabeye
B2 - Sadionan
B3 - Ngoni
B4 - Dounoukan
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He quickly made a name for himself in the donso community and was much asked to play at the traditional ceremonies of his brotherhood. He then met percussionist Ibrahim Sarr and joined the BKO Quintet, with whom he recorded an album and toured Europe and the United States. His virtuosity on the donso ngoni soon attracted attention, and he took part in numerous music and dance festivals in Mali and abroad, with the aim of raising awareness of this little-known traditional instrument.
Nfaly Diakité is also a Kônô, meaning that he is responsible for passing on the history and culture of the Bambara people through music and song. He pursues his mission by combining tradition with more contemporary sounds and by collaborating with artists from a wide range of musical backgrounds. For him, music is a means of conveying messages of peace, love and harmony, and his compositions evoke the values of respect, tolerance and open-mindedness.
‘Tribute to Toumani Koné’ is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama. Nfaly Diakité is a representative of the new generation of donso ngoni players and he wishes to pay tribute to Toumani Koné, who throughout his long career has been a symbol of courage, daring, loyalty and honesty.
The nine-track of this solo album leaves no room for hesitation. Three instruments (donso ngoni, voice and keregne) manage to carry one into another dimension without ever tiring. The fitting and precise rhythm is a deep but melodious transe. Nfaly’s voice plays between expressive urgency and calm wisdom, and the choruses with his own voice multiply the planes of dimension of the music. The donso n’goni, of which Nfaly is an excellent player, sounds rough and earthy but always clear and sharp. All the strength of a music that does not belong to a single musician but to a long cultural tradition of which he is the spokesman is expressed here. The young Nfaly, thanks to his experience and sensitivity, succeeds on his own in pushing us into this world without feeling the weight of tradition but only the liberation of music that sounds all the more contemporary. This album is to be listened to in its entirety as one tight journey between repeated formulas, highlights and moments of rest within the same relentless rhythm. The densest moment is probably found in the heart of the album, between the tracks Nankama (the predestined one) and Mogote Diabeye (no one can please everyone). Here, the message, which can be deciphered from the translation of the lyrics, seems to transcend language barriers and intepret us directly about our human condition, urging us to move our bodies to the dense rhythm of life.
A1 - Negue Tigui
A2 - Ngon
A3 - Donso
A4 - Mougoukan
A5 - Nankama
B1 - Mogote Diabeye
B2 - Sadionan
B3 - Ngoni
B4 - Dounoukan
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Label:SWIMS
Cat-No:SWIM11
Release-Date:23.05.2025
Configuration:LP
Barcode:5050580848948
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1
soo:k - Simple Stars
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soo:k - Sylvanus Never Slept
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soo:k - The Living Mountain
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soo:k - Thistle Kiss
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soo:k - Grape Chariot
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soo:k - Mother Orange
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soo:k - Grotto
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soo:k - Fire Green as Grass
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soo:k - The Drift of the World
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soo:k - There Isn't an Anchor
Ambient explorers SWIMS unpeel another heady debut, with the maiden effort by Korean artist Soo Kyung Kim, also known as soo:k. The curtain raises on ???????????????? with an elysian glow: electro-acoustic compositions painting a golden topography of impossible fruit and uncanny astronomy. soo:k's utopic brushwork finds obvious comparisons in the work of Hiroshi Yoshimura, and his meditations on the glacial pace of hidden, verdant spaces. Frida Kahlo's portraits of everyday life, intertwined with pain and magic symbology, also resonate in the album's exploration of fleeting moments. Dissonance and experimentation take hold as the record progresses, Soo's Edenic vision creaking open to reveal ripe, fetid spaces between ribs of earth. Recommended if you like Ulla, Kara-Lis Coverdale, Visible Cloaks, Perila...
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Label:trule
Cat-No:TRULE020
Release-Date:23.06.2023
Genre:Techno
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1
Al Wootton - Descender
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Al Wootton - All The World Is A Hospital
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Al Wootton - A Pox Cast
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Al Wootton - Number, Weight, Division
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Al Wootton - Devarim
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Al Wootton - The Norman Yoke
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Al Wootton - Becoming Light
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Al Wootton - A Cruel Sun Over Catalonia
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Al Wootton - May Your Angels Of Light Accept Him About
Al Wootton returns to his label Trule with his second album “We Have Come To Banish The Dark”. The record is a product of dystopic times, taut with energy and restrained violence, yet never oppressive or nihilistic. The theme is one of unity, liberation and resistance to a darkening world, against the rising tide of fascism, hypercapitalism, and right wing politics. Yet there remains a constant hope and light, most evident in the downtempo roller “Devarim” and the closing bars of “May Your Angels Of Light Accept Him”.
Wootton brings to the fore his youth experiences playing in post-punk bands and his longstanding appreciation of Metal to this swung, robust techno album. “We Have Come to Banish The Dark’’ recalls the industrialism of Chris and Cosey, Coil and Throbbing Gristle, while the ghosts of the UK Hardcore continuum through Jungle and UK Garage remain an ever haunting presence. The rhythms maintain a flexibility and lightness of touch that provide contrast to the monochrome industrial sound palette.
Over nine tracks Wootton explores a variety of rhythmic styles, from techno steppers such as “Descender” and “A Pox Cast”, to the 4x4 house of “A Cruel Sun Over Catalonia”, the minimal Drum and Bass-esque “Number, Weight , Division” and the loopy techno of “The Norman Yoke”, while eschewing typical genre tropes to maintain a cohesive sound over the whole album.
We Have Come To Banish The Dark is an album that rewards both ecstatic club moments and repeated deep listening with its high energy and detailed, textured sound design.
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Wootton brings to the fore his youth experiences playing in post-punk bands and his longstanding appreciation of Metal to this swung, robust techno album. “We Have Come to Banish The Dark’’ recalls the industrialism of Chris and Cosey, Coil and Throbbing Gristle, while the ghosts of the UK Hardcore continuum through Jungle and UK Garage remain an ever haunting presence. The rhythms maintain a flexibility and lightness of touch that provide contrast to the monochrome industrial sound palette.
Over nine tracks Wootton explores a variety of rhythmic styles, from techno steppers such as “Descender” and “A Pox Cast”, to the 4x4 house of “A Cruel Sun Over Catalonia”, the minimal Drum and Bass-esque “Number, Weight , Division” and the loopy techno of “The Norman Yoke”, while eschewing typical genre tropes to maintain a cohesive sound over the whole album.
We Have Come To Banish The Dark is an album that rewards both ecstatic club moments and repeated deep listening with its high energy and detailed, textured sound design.
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Liebigstrasse 2-20
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Label:Livity Sound Recordings
Cat-No:livity041
Release-Date:04.09.2020
Genre:Techno
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Label:Livity Sound Recordings
Cat-No:livity041
Release-Date:04.09.2020
Genre:Techno
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1
Al Wootton - "Ender"
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Al Wootton - "Revin"
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Al Wootton - "Snake Dance"
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Al Wootton - "Lerzin"
a1: Ender a2: Revin b1: Snake Dance b2 Lerzin
Al Wootton drops a collection of stripped back two-stepping rhythms to form the 'Snake Dance' EP for Livity Sound.
At times uncompromising and austere, the swing of Al Wootton's reduced grooves, saturated with a steely dubwise brawn, provide an enduring soundtrack for stark times.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Al Wootton drops a collection of stripped back two-stepping rhythms to form the 'Snake Dance' EP for Livity Sound.
At times uncompromising and austere, the swing of Al Wootton's reduced grooves, saturated with a steely dubwise brawn, provide an enduring soundtrack for stark times.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Mr Bongo
Cat-No:MRBLP278
Release-Date:07.02.2025
Genre:World Music
Configuration:2LP
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Label:Mr Bongo
Cat-No:MRBLP278
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1
Ousmane Kouyaté & Ambassadeurs Internati - Kefimba
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2
Bouba et Sokona Sacko - Mamaniya
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Les Ambassadeurs du Motel de Bamako - Get Up James
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Allata Broulaye - Moussokéléyato
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Tentemba Jazz du Mali - Yayoroba
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Tjiwara Band de Kati - Kogola
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Rail Band - Massaré Mousso
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Les Ambassadeurs du Motel de Bamako - Matou Kagni
9
Mystère Jazz de Tombouctou - Sidi Yahia
10
Allata Broulaye - Yayoroba
11
Les Messagers du Mali - Diamana Diarra
12
Tjiwara Band de Kati - Midnight Hour
Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post-independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.
Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Blue Note
Cat-No:7243-8
Release-Date:09.05.2025
Genre:House
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1
St. Germain - Rose Rouge
2
St. Germain - Rose Rouge (Jorja Smith Cover) (Joy Orbision Remix)
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12"
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Label:Sacred Rhythm Music
Cat-No:IBOGA.EP.1
Release-Date:30.05.2025
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1
Joaquin Joe Claussell - New Africa
2
Joaquin Joe Claussell - Griot Ba
3
Joaquin Joe Claussell - The Ya Yo People
4
Joaquin Joe Claussell - Drum Sore
12" RED Color Vinyl / With Black Solid Jacket and Large Sticker
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening
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DE - 22113 Hamburg
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12"
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Label:Sacred Rhythm Music
Cat-No:IBOGA.EP.2
Release-Date:30.05.2025
Genre:House
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1
Joaquin Joe Claussell - Abuja Rough
2
Joaquin Joe Claussell - Summer Africa
3
Joaquin Joe Claussell - People
4
Joaquin Joe Claussell - Afrikan Basement
12" GREEN Color Vinyl / With Black Solid Jacket and Large Sticker
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.
Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.
Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Norman Connors - No Title
2
Norman Connors - No Title
Fresh out of the oven! Joe Claussell slices and dices the original disco version into a floor filling monster. Originally released in 1980 on Norman Connors often forgotten 10th Album ‘Take It To The Limit’ on Arista, the single of the same name is a classic Philly Disco Soul joint featuring the commanding vocals of Adaritha and the production prowess of Connors himself.Claussell bleeds dry what was already there, extending it in a chaotic peak time disco jam, the kind you have surely hear him manipulate into madness on the Body & SOUL dance floor. Pressed on virgin vinyl and house in a white die-cut sleeve with Arista Promo sticker.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
7"
pre-sale
Label:Sacred Rhythm Music
Cat-No:SORA.7.ONE-R
Release-Date:30.05.2025
Genre:House
Configuration:7"
Barcode:
pre-sale
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pre-sale
Last in:-
Label:Sacred Rhythm Music
Cat-No:SORA.7.ONE-R
Release-Date:30.05.2025
Genre:House
Configuration:7"
Barcode:
1
Joaquin Joe Claussell Hidden Revealed - Dark Rebel
2
Joaquin Joe Claussell Hidden Revealed - Dark Rebel (Part 2)
Extremely Limited Black Screen-Printed Jacket / Glow in the Dark Ink / Red Insert Printed Sleeve 7Inch Black Vinyl
Hidden Revealed is one of Joaquin Joe Claussell Aliases which features a more Experimental Cosmic Jazz Side of Joaquin garnering just as many music supporters as his other aliases.
Sold out on our Bandcamp in only a few days; we are now offering copies of this highly sought-after record to our distribution partners. This is an Extremely Limited Specially Packaged 7" Black Screen-Printed Jacket using Glow in the Dark Ink. The record itself is housed in a special Red Insert Sleeve which is also printed. Musically Speaking this concept showcases the cosmic Jazz side of Joaquin Joe Claussell. All human musicians, no computers. Joaquin has been featuring these compositions in his DJ sets for quite some time now garnering inspiring crowd response.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Hidden Revealed is one of Joaquin Joe Claussell Aliases which features a more Experimental Cosmic Jazz Side of Joaquin garnering just as many music supporters as his other aliases.
Sold out on our Bandcamp in only a few days; we are now offering copies of this highly sought-after record to our distribution partners. This is an Extremely Limited Specially Packaged 7" Black Screen-Printed Jacket using Glow in the Dark Ink. The record itself is housed in a special Red Insert Sleeve which is also printed. Musically Speaking this concept showcases the cosmic Jazz side of Joaquin Joe Claussell. All human musicians, no computers. Joaquin has been featuring these compositions in his DJ sets for quite some time now garnering inspiring crowd response.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore