Sasha links up with Joseph Ashworth for epic new single 'HiFiHi' comes on Sasha's Last Night on Earth as two di?erent versions. Sasha has been on an exceptional run of form of late, not least in collaboration with a wide range of innovative producers. His work continues to explore the most moving end of the electronic spectrum, both in terms of well-crafted grooves but also inescapable synth emotions. This time he links with Joseph Ashworth, Sound Of Outside label head and a regular on the likes of Anjunadeep, Needwant and Pets Recordings. His painstakingly crafted sound draws from a wide spectrum of in?uence, is rich in texture and melody and has seen him serve up indelible DJ sets all over the world.Together these studio wizards cook up 'HiFiHi' which is a sublime seven-minute trip built on bass, full of drama and tension. The silky synth lines weave in and out with rising chords and vocal motifs all enriching it with warmth and soul. After an epic build-up, fresh synth energy breaks out with trance-inducing magic and euphoric chords that bring great emotional release. The LoFiLo Mix is more mellow and with extra vulnerability in the elegant blend of synths and melodies that wash over you in a beautifully serene and escapist fashion.

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Electronic pioneer Sasha links up with Artche for dramatic new single 'Hold On', Artche also provides his own version of the track. Last Night on Earth founder Sasha sits in his own world after more than 30 years of innovation as a DJ and producer. His meticulously crafted sounds have constantly redefined the underground, and with this label, he has spearheaded the melodic movement with his own music and careful A&R of exceptional contemporary talents. This latest release finds him working again with Newcastle-based producer and vocalist Artche, who has already collaborated to great effect with the likes of Franky Wah and Cristoph on Eric Prydz's Pryda Presents and also released solo on SHÈN Recordings. His mix of deep house and techno has won fans like Pete Tong and Lane B, and he asserts his skills once more here. Says Artche of his return to LNOE. The fantastic 'Hold On' is a dramatic ride lit up with sweeping, spine-tingling synths. It has a grand architecture and widescreen atmosphere with profound melodies and moody bass rolling down below. Angelic vocal sounds shimmer amongst the epic chords and the whole sophisticated track makes an inescapably emotional impact. The Artche Mix works the drums into airy, dusty broken beats that bring a different vibe while the original vocals and lush synths remain in place and tugging at the heartstrings.

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Sasha continues his current hot streak with a new single on Last Night On Earth alongside Jody Barr, with a killer Einmuisk Remix on the flip. Pioneering electronic force Sasha has found plenty of success in recent creative partnerships. The Last Night On Earth founder has worked with the likes of Super Flu and Sentre and dropped a steady stream of fresh solo sounds such as 'Florian Drift' and 'How to Wear Raybans Well'. All this means he continues to lead the melodic house and techno scene from the front with expertly crafted sounds. Here, he works with Jody Barr who has long been close to this label having also established himself with music on Krankbrother, Configurations Of Self and Nofitstate. He heads up Portable Minds and is renowned for his rugged, hardware-centric sound. 'Phaxon' is a beautifully elegant affair with shimmering chords rising and falling over a serene electronic groove. It's packed with smart sound design and subtle touches that make it glow from start to finish as the emotions build and sweep you up into a delightful dance floor reverie. Hamburg's Einmusik has a cultured techno sound that has lit up his own self-titled label as well as the likes of Diynamic and Sincopat. His version is more rugged with a darker feel thanks to the rasping bassline that rumbles below. There is still plenty of great chord work but the whole track is a little more direct for poignant club deployment.

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Sasha returns with atmospheric gem 'How to Wear Raybans Well' Featuring remxes from heavyweights Roman Flu¨gel and Nathan Fake. Electronic luminary Sasha has had a busy 2024 that has so far yielded standout collaborations with the likes of Super Flu & Sentre and a solo single 'Florian Drift' that proves he remains at the cutting edge. His Last Night on Earth label continues to serve up a rich mix of melodic house and techno from the most exciting names in the scene and this latest solo single finds the boss head into new realms once more. The superb 'How to Wear Raybans Well' is awash with fizzing dub chords and electric lines that flash about the mix. The deep rooted drums have a subtle bounce as they serve to sweep the floor off its feet and lock them into a state of melodic techno bliss. First to remix is Nathan Fake, a UK talent who has always had his own unique sound. It's based on his mastery of synths and melody and has arrived on labels like Ninja Tune and Border Community as well as his own Cambria Instruments. His remix ups the ante and strips things away to bring more defined drums and crisp hits. The synths bring a range of emotions as they unfold with a mind of their own throughout this most captivating track. Roman Flu¨gel has been an ever present in the electronic world almost since the start. The German's output has covered endless ground from micro house to acid to techno on the most tasteful labels from his own Playhouse to Mule, Dial and Live At Robert Johnson. His remix is timeless surging techno that comes with waves of warming synths and unrelenting drum pressure designed for peak time dance floor wig-outs.

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Electronic titan Sasha combines with Sentre for the latest in a series of collaborative releases. The release of 'Glastacy' coincides with this year’s Glastonbury festival and comes with something special for fans. Even by his own high standards, electronic luminary Sasha is in a superb run of form that has already yielded some stellar singles in the last year, both solo and in collaboration with like-minded talents. TheGRAMMY Award-nominated artist is renowned for pushing musical and technological boundaries, as well as for platforming exciting sounds on his Last Night On Earth label. The next release finds him working with Sentre, aka Dave Gardner & Dennis White, who have been electronic mainstays for many years. They have plenty of major credits under their belts, including working with Sasha on his seminal ‘Involver’ album and also 'Track 10' which they made with Sasha many years ago. It was Pete Tong’s Essential New Tune at the time and is one of many gems from these self-confessed studio nerds. 'Glastacy' is their latest collaboration, and it works angelic, wordless vocal sounds into heavenly loops that shimmer in and out of focus. Deft hi-hits and a supple bassline bring movement as a lead synth motif rises up out of the mix to bring dramatic tension and take dancers to the stars. It's emotive, hypnotic techno of the highest order, with a spine-tingling breakdown leading towards more trance-inducing musical pleasures. The Intro:Outro Mix is an ambient tool stripped of beats.

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Sasha & Super Flu join forces for electrifying new single, ‘Astra’. Last Night on Earth label head Sasha is proving to be as innovative as ever in the studio of late. The globally renowned producer and game-changing DJ continues exploring rich new musical ground while retaining his signature sense of melody, drama, and energy. He has also made his label an outlet renowned for its quality output and backs that up here with a new collaboration alongside Feliks Thielemann & Mathias Schwarz, better known as Super Flu. The German pair has a sound that knows no bounds and breaks all rules. They tinker with music-making gear, draw from diverse musical influences and are underground mainstays with an enviable discography on numerous key labels. The electrifying 'Astra' is awash with smart effects and filters that smudge and stretch a vocal over rising synth tension. The heavy drums jostle for your attention as the chord vamps twist and turn, ramping up the pressure as they go and building towards a dramatic breakdown. It locks you in the moment before setting off again on more tightly woven drums and synths. The Sasha Daydream Mix is a more blissed-out and late-night rework with shakers, floating drums and deft synth lines drifting about up top to soothing and atmospheric effect.

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Hugely influential electronic innovator Sasha has been at the heart of the underground almost since it began. He has done it all, from legendary residencies and seminal mix CDs to GRAMMY Award-nominated productions, but never stops pushing forward either with his dexterous and high-tech DJ sets or innovative productions. He had a big 2023 that featured a collaboration with Because of Art and a new single, 'Works Vagon,' and now backs that up once more with this latest outing.

The superb 'Fleuron Drift' is a typically epic sonic journey with meticulous synth craft that is ever evolving. Lead lines dance, and background chords add soul as the hypnotic drums lead towards a spellbinding and signature breakdown that will get hands in the air before the chords swirl and circle around the groove like birds on a warm vector.

London-based Theo Kottis has established himself as one of the UK's most versatile DJs and producers on labels like Dekmantel and Permanent Vacation. His superb remix brings more energy and snappier, tech-leaning drums with glitchy synth textures, making it more suited to sweatier dance floor moments.

Kassian is a London production duo who have released on cult labels like Heist and Phonica. Their version is quicker, with clipped drums bringing the funk under molten chords and rising synth tension that is designed to lift crowds off their feet and into another realm of electronic pleasure.

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Sasha launches his new, limited run ‘LNOE Vinyl Archives’ series on his Last Night On Earth imprint, with ‘Vol.1’ dropping on September 13th. The release features gems like the definitive Hunter/Game ‘Canyons’, Sasha & La Fleur’s massively popular collaboration ‘Förbindelse’, Fur Coat’s recent ‘Babel’ and a new track ‘Maresme’ (Da Silva Mix), from Jon DaSilva and Jozef K. This is the only time these tracks will be available on vinyl, a must-have for record collectors and LNOE label fans alike. ‘Maresme’ drops digitally later in the year, so this will be the first chance for fans to snap it up months ahead of official release. This new series celebrates pivotal cuts from the label’s history, as well as fresh upcoming tracks. ‘The idea came to me when I saw the success of the LNOE100 Compilation. Demand was so huge, we had to do a re-press of the vinyl,’ Sasha says. ‘It seemed like a great way to give new life to classic tracks from the back catalogue in a different format.’ Each limited run release will feature three tracks from the LNOE back catalogue - a recent release, a seminal cut from the archives and a stand-out hit - and an exclusive forthcoming track.

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To celebrate a century of outstanding releases, LNOE drops its first compilation; tracks selected by Sasha’s invited guest remixers. Radio Slave, Frankey & Sandrino and Locked Groove step up for their label debut, while Fur Coat, John Monkman, Dubspeeka, BAILE and VONDA7 return. After almost 8 years as a platform for new and established artists as well as for Sasha’s own productions, Last Night On Earth is a global success. Label showcases sell out at lightning speed, including Miami and most recently ADE boat parties, which will live on in the memories of lucky attendees, and in January at Tulum. Meanwhile the Last Night On Earth podcast has accrued a loyal following who eagerly await each month’s new opportunity to experience Sasha’s handpicked live sets. LNOE 100 honours both the artists and the fans who have made the label an industry leader. With each artist picking which to remix, the compilation is packed with inspired new collaborations. Seminal cuts such as the very first LNOE release, Sasha’s ‘Cut Me Down’, reworked by Radio Slave is interspersed with cult favourites, like Henry Saiz ‘I Can Feel it Coming’ which VONDA7 takes to new heights, and Locked Groove’s rework of Max Cooper ‘Careless’.

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Building upon their first EP release on Tevo Howard Recordings, Kate Simko and Tevo Howard have rejoined forces, debuting their full-length album ‘PolyRhythmic’ on Sasha’s Last Night On Earth imprint. Native Chicagoans, Tevo and Kate grew up on house music, and their collaboration pays homage to their home city while exploring new creative territory. The duo’s LP leaves few musical stones unturned, traversing through their melodic, classic, and genre-bending sound.‘PolyRhythmic’ displays Kate and Tevo’s commitment to artistry in dance music. Twelve thoughtfully constructed tracks capture their versatility as musicians. 'No Regrets’ is highlighted by iconic chilling vocals by Baz from Pirupa, whose keep-it-real lyrics sit on top of a track inspired by Prescription Records. ‘Polyphonica’ features locals near Tevo’s studio on Granville in Chicago, and is the musical compliment to the album’s theme PolyRhythmic. ‘Tomorrow And Other Days’ modern electro synths and ‘Fall’s classic acid sound show that Kate and Tevo remain ever focused on the future yet driven by their rich musical pasts.

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Driving forward from the announcement of their forthcoming ‘PolyRhythmic’ LP on Sasha’s Last Night On Earth imprint, Kate Simko and Tevo Howard are known for creating out of the box and genre-bending productions. Now, the native Chicagoans proudly announce their ‘Theme Track EP,’ giving music lovers a taste of things to come from the album. Both Kate and Tevo grew up on house music and their collaboration stays true to their roots whilst bringing a contemporary twist. Their signature classic sound shines brightly through each production. The opening track ‘PolyRhythmic Theme’ does exactly that. A groove-ridden bass line, coupled with a driving electro synth, mingles with recordings of people on the street near Tevo’s studio in Chicago. Tevo’s classic Roland programming and Kate’s melodic synth melodies are ever present throughout the EP, highlighted perfectly in ‘No Regrets’. Featuring vocalist Baz from Pirupa, the track’s keep-it-real lyrics and hypnotic harmonies bring a new dimension to the PolyRhythmic project. Inspired by the iconic Chicago imprint Prescription Records, ‘No Regrets’ is a standout track from the forthcoming album. Closing the EP in the spirit of PolyRhythmic, renowned New York producer Fred P (aka Black Jazz Consortium) delivers a masterful remix of ‘PolyRhythmic Theme’. Fred, a former roommate of Tevo’s in Berlin, has established himself as one of the most respected players in house music. Taking his time on this remix, he’s delivered an artful dance floor jam already earning incredibly enthusiastic DJ feedback. An eight-minute journey, the rework of ‘PolyRhythmic Theme’ takes the listener from sparse 808 grooves to powerful high rising synth peaks fluttering throughout the track.

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After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.


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The latest instalment from Last Night On Earth introduces Harry Klein artist Nico Lahs. Nico came to us with two original peak time cuts full of melodics and emotion that were a perfect match for the LNOE sound. Also featuring on the EP is a super stripped back Dub Techno workout from the man like Deadbeat who has always impressed us highly with his musical abilities.

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A1. ORIGINAL MIX B1. UNER LIVE CLUB MIX B2. HUNTER/GAME REMIX

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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM

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Once again, this 2x12" release is beautifully presented in a raw reverse board sleeve, a tactile nod to Classic's earliest releases. Inside, are deep teal and green GMUND card stock inner sleeves with embossed detailing elevate the package into a collector's item worthy of the music it holds. Record One opens with one of the most revered remixes in house history. Isolee's 'Beau Mot Plage' (Freeform Reform Parts 1 & 2), originally licensed from Germany's Playhouse and lovingly reworked by Freeform Five's Anu Pillai with a live ensemble. It's a sprawling, euphoric journey that helped define Classic's international reach and is still widely regarded as one of the greatest house records ever pressed. Up next is Greenskeepers' off-kilter banger 'Bang in Your Face?', showcasing the quirky, 'G-swing' sound for which James Curd and his crew became known for during their long-standing relationship with the label. On the flip, Pépé Bradock's jaw-dropping rework of Iz & Diz's 'Mouth' takes center stage-a remix composed entirely from human sounds, equal parts sensual and surreal. Universally praised, it's a masterclass in sonic innovation and remains one of the most acclaimed house remixes of all time. The side closes with Markus Nikolai's beloved 'Bushes', The First Re-Creation (Version 1.2) by Classic co founder Derrick Carter-a distinctive and maximalist edit that draws out the Latin horns, strings, and quirky vocals, turning a cult hit into a distinctly 'Classic' anthem. Record Two captures Classic's renewed energy in the 2010s.? Folamour's 'Devoted To U' from his Umami LP is a 10-minute odyssey in groove-warm, progressive, and cinematic, with soaring piano lines and narrative richness. Then comes Crazy P's 'One True Light', shimmering with spacey textures, cosmic energy, and the deep, effortless groove the band has perfected over decades. On Side D, we have Girls of the Internet's lush and emotionally rich 'When U Go', blending soulful vocals with clean, spacious production that balances melancholy with movement. Closing out Volume 2 is Sophie Lloyd's now iconic 'Calling Out', featuring the unstoppable vocal force of Dames Brown. A modern gospel-disco-house anthem, the track glows with raw energy, live instrumentation, and spiritual fire-cementing its place as one of Classic's defining moments of the last decade.




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"Memphis" were members of the Memphis based group "Home Grown Funk." Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group). With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG MUTHAF***A! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge." In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" soon to be reissued on ATON. Around the same time they were introduced to a fella named Roger Green. Green asked the group to come over to his home studio to cut the track "Inside My Love." Upon naming the record Roger Green suggested to go by "Memphis" since they were all from there. This record was eventually pressed in 1982 as small run becoming extremely hard to find.

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Repress!

What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

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