Hugely influential electronic innovator Sasha has been at the heart of the underground almost since it began. He has done it all, from legendary residencies and seminal mix CDs to GRAMMY Award-nominated productions, but never stops pushing forward either with his dexterous and high-tech DJ sets or innovative productions. He had a big 2023 that featured a collaboration with Because of Art and a new single, 'Works Vagon,' and now backs that up once more with this latest outing.

The superb 'Fleuron Drift' is a typically epic sonic journey with meticulous synth craft that is ever evolving. Lead lines dance, and background chords add soul as the hypnotic drums lead towards a spellbinding and signature breakdown that will get hands in the air before the chords swirl and circle around the groove like birds on a warm vector.

London-based Theo Kottis has established himself as one of the UK's most versatile DJs and producers on labels like Dekmantel and Permanent Vacation. His superb remix brings more energy and snappier, tech-leaning drums with glitchy synth textures, making it more suited to sweatier dance floor moments.

Kassian is a London production duo who have released on cult labels like Heist and Phonica. Their version is quicker, with clipped drums bringing the funk under molten chords and rising synth tension that is designed to lift crowds off their feet and into another realm of electronic pleasure.

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Sasha & Henry Saiz deliver evocative new single 'Love Is All You Need'. Henry Saiz and Sasha are two of electronic music’s most visionary ?gures, each renowned for blending emotional depth with cutting-edge production. Saiz is a DJ, producer, and live artist who crafts genre-defying soundscapes on his own Natura Sonoris as well as Sasha’s Last Night On Earth. His work resonates far beyond the dance?oor, much like that of Sasha, a pioneer with an enduring creative streak who continues to push boundaries, most recently through collaborations with forward-thinking producers like Artche, Jody Barr, and Joseph Ashworth. Together on this new single, the pair balance transportive grooves with meticulous synth work to perfection. The wonderfully luminous 'Love Is All You Need' radiates breezy melodic charm while riding a light, uplifting rhythm that feels as airy and warm as the rush of a new romance. Shimmering, sun-kissed melodies evoke the glow of an outdoor Ibizan party with emotive female vocals drenched in reverb, adding a dreamy, blissful layer to round out this hazy and heartfelt electronic trip.

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Sasha links up with Joseph Ashworth for epic new single 'HiFiHi' comes on Sasha's Last Night on Earth as two di?erent versions. Sasha has been on an exceptional run of form of late, not least in collaboration with a wide range of innovative producers. His work continues to explore the most moving end of the electronic spectrum, both in terms of well-crafted grooves but also inescapable synth emotions. This time he links with Joseph Ashworth, Sound Of Outside label head and a regular on the likes of Anjunadeep, Needwant and Pets Recordings. His painstakingly crafted sound draws from a wide spectrum of in?uence, is rich in texture and melody and has seen him serve up indelible DJ sets all over the world.Together these studio wizards cook up 'HiFiHi' which is a sublime seven-minute trip built on bass, full of drama and tension. The silky synth lines weave in and out with rising chords and vocal motifs all enriching it with warmth and soul. After an epic build-up, fresh synth energy breaks out with trance-inducing magic and euphoric chords that bring great emotional release. The LoFiLo Mix is more mellow and with extra vulnerability in the elegant blend of synths and melodies that wash over you in a beautifully serene and escapist fashion.

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Electronic pioneer Sasha links up with Artche for dramatic new single 'Hold On', Artche also provides his own version of the track. Last Night on Earth founder Sasha sits in his own world after more than 30 years of innovation as a DJ and producer. His meticulously crafted sounds have constantly redefined the underground, and with this label, he has spearheaded the melodic movement with his own music and careful A&R of exceptional contemporary talents. This latest release finds him working again with Newcastle-based producer and vocalist Artche, who has already collaborated to great effect with the likes of Franky Wah and Cristoph on Eric Prydz's Pryda Presents and also released solo on SHÈN Recordings. His mix of deep house and techno has won fans like Pete Tong and Lane B, and he asserts his skills once more here. Says Artche of his return to LNOE. The fantastic 'Hold On' is a dramatic ride lit up with sweeping, spine-tingling synths. It has a grand architecture and widescreen atmosphere with profound melodies and moody bass rolling down below. Angelic vocal sounds shimmer amongst the epic chords and the whole sophisticated track makes an inescapably emotional impact. The Artche Mix works the drums into airy, dusty broken beats that bring a different vibe while the original vocals and lush synths remain in place and tugging at the heartstrings.

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Sasha continues his current hot streak with a new single on Last Night On Earth alongside Jody Barr, with a killer Einmuisk Remix on the flip. Pioneering electronic force Sasha has found plenty of success in recent creative partnerships. The Last Night On Earth founder has worked with the likes of Super Flu and Sentre and dropped a steady stream of fresh solo sounds such as 'Florian Drift' and 'How to Wear Raybans Well'. All this means he continues to lead the melodic house and techno scene from the front with expertly crafted sounds. Here, he works with Jody Barr who has long been close to this label having also established himself with music on Krankbrother, Configurations Of Self and Nofitstate. He heads up Portable Minds and is renowned for his rugged, hardware-centric sound. 'Phaxon' is a beautifully elegant affair with shimmering chords rising and falling over a serene electronic groove. It's packed with smart sound design and subtle touches that make it glow from start to finish as the emotions build and sweep you up into a delightful dance floor reverie. Hamburg's Einmusik has a cultured techno sound that has lit up his own self-titled label as well as the likes of Diynamic and Sincopat. His version is more rugged with a darker feel thanks to the rasping bassline that rumbles below. There is still plenty of great chord work but the whole track is a little more direct for poignant club deployment.

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Electronic titan Sasha combines with Sentre for the latest in a series of collaborative releases. The release of 'Glastacy' coincides with this year’s Glastonbury festival and comes with something special for fans. Even by his own high standards, electronic luminary Sasha is in a superb run of form that has already yielded some stellar singles in the last year, both solo and in collaboration with like-minded talents. TheGRAMMY Award-nominated artist is renowned for pushing musical and technological boundaries, as well as for platforming exciting sounds on his Last Night On Earth label. The next release finds him working with Sentre, aka Dave Gardner & Dennis White, who have been electronic mainstays for many years. They have plenty of major credits under their belts, including working with Sasha on his seminal ‘Involver’ album and also 'Track 10' which they made with Sasha many years ago. It was Pete Tong’s Essential New Tune at the time and is one of many gems from these self-confessed studio nerds. 'Glastacy' is their latest collaboration, and it works angelic, wordless vocal sounds into heavenly loops that shimmer in and out of focus. Deft hi-hits and a supple bassline bring movement as a lead synth motif rises up out of the mix to bring dramatic tension and take dancers to the stars. It's emotive, hypnotic techno of the highest order, with a spine-tingling breakdown leading towards more trance-inducing musical pleasures. The Intro:Outro Mix is an ambient tool stripped of beats.

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Sasha & Super Flu join forces for electrifying new single, ‘Astra’. Last Night on Earth label head Sasha is proving to be as innovative as ever in the studio of late. The globally renowned producer and game-changing DJ continues exploring rich new musical ground while retaining his signature sense of melody, drama, and energy. He has also made his label an outlet renowned for its quality output and backs that up here with a new collaboration alongside Feliks Thielemann & Mathias Schwarz, better known as Super Flu. The German pair has a sound that knows no bounds and breaks all rules. They tinker with music-making gear, draw from diverse musical influences and are underground mainstays with an enviable discography on numerous key labels. The electrifying 'Astra' is awash with smart effects and filters that smudge and stretch a vocal over rising synth tension. The heavy drums jostle for your attention as the chord vamps twist and turn, ramping up the pressure as they go and building towards a dramatic breakdown. It locks you in the moment before setting off again on more tightly woven drums and synths. The Sasha Daydream Mix is a more blissed-out and late-night rework with shakers, floating drums and deft synth lines drifting about up top to soothing and atmospheric effect.

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Hugely influential electronic innovator Sasha has been at the heart of the underground almost since it began. He has done it all, from legendary residencies and seminal mix CDs to GRAMMY Award-nominated productions, but never stops pushing forward either with his dexterous and high-tech DJ sets or innovative productions. He had a big 2023 that featured a collaboration with Because of Art and a new single, 'Works Vagon,' and now backs that up once more with this latest outing.

The superb 'Fleuron Drift' is a typically epic sonic journey with meticulous synth craft that is ever evolving. Lead lines dance, and background chords add soul as the hypnotic drums lead towards a spellbinding and signature breakdown that will get hands in the air before the chords swirl and circle around the groove like birds on a warm vector.

London-based Theo Kottis has established himself as one of the UK's most versatile DJs and producers on labels like Dekmantel and Permanent Vacation. His superb remix brings more energy and snappier, tech-leaning drums with glitchy synth textures, making it more suited to sweatier dance floor moments.

Kassian is a London production duo who have released on cult labels like Heist and Phonica. Their version is quicker, with clipped drums bringing the funk under molten chords and rising synth tension that is designed to lift crowds off their feet and into another realm of electronic pleasure.

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Sasha launches his new, limited run ‘LNOE Vinyl Archives’ series on his Last Night On Earth imprint, with ‘Vol.1’ dropping on September 13th. The release features gems like the definitive Hunter/Game ‘Canyons’, Sasha & La Fleur’s massively popular collaboration ‘Förbindelse’, Fur Coat’s recent ‘Babel’ and a new track ‘Maresme’ (Da Silva Mix), from Jon DaSilva and Jozef K. This is the only time these tracks will be available on vinyl, a must-have for record collectors and LNOE label fans alike. ‘Maresme’ drops digitally later in the year, so this will be the first chance for fans to snap it up months ahead of official release. This new series celebrates pivotal cuts from the label’s history, as well as fresh upcoming tracks. ‘The idea came to me when I saw the success of the LNOE100 Compilation. Demand was so huge, we had to do a re-press of the vinyl,’ Sasha says. ‘It seemed like a great way to give new life to classic tracks from the back catalogue in a different format.’ Each limited run release will feature three tracks from the LNOE back catalogue - a recent release, a seminal cut from the archives and a stand-out hit - and an exclusive forthcoming track.

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To celebrate a century of outstanding releases, LNOE drops its first compilation; tracks selected by Sasha’s invited guest remixers. Radio Slave, Frankey & Sandrino and Locked Groove step up for their label debut, while Fur Coat, John Monkman, Dubspeeka, BAILE and VONDA7 return. After almost 8 years as a platform for new and established artists as well as for Sasha’s own productions, Last Night On Earth is a global success. Label showcases sell out at lightning speed, including Miami and most recently ADE boat parties, which will live on in the memories of lucky attendees, and in January at Tulum. Meanwhile the Last Night On Earth podcast has accrued a loyal following who eagerly await each month’s new opportunity to experience Sasha’s handpicked live sets. LNOE 100 honours both the artists and the fans who have made the label an industry leader. With each artist picking which to remix, the compilation is packed with inspired new collaborations. Seminal cuts such as the very first LNOE release, Sasha’s ‘Cut Me Down’, reworked by Radio Slave is interspersed with cult favourites, like Henry Saiz ‘I Can Feel it Coming’ which VONDA7 takes to new heights, and Locked Groove’s rework of Max Cooper ‘Careless’.

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Building upon their first EP release on Tevo Howard Recordings, Kate Simko and Tevo Howard have rejoined forces, debuting their full-length album ‘PolyRhythmic’ on Sasha’s Last Night On Earth imprint. Native Chicagoans, Tevo and Kate grew up on house music, and their collaboration pays homage to their home city while exploring new creative territory. The duo’s LP leaves few musical stones unturned, traversing through their melodic, classic, and genre-bending sound.‘PolyRhythmic’ displays Kate and Tevo’s commitment to artistry in dance music. Twelve thoughtfully constructed tracks capture their versatility as musicians. 'No Regrets’ is highlighted by iconic chilling vocals by Baz from Pirupa, whose keep-it-real lyrics sit on top of a track inspired by Prescription Records. ‘Polyphonica’ features locals near Tevo’s studio on Granville in Chicago, and is the musical compliment to the album’s theme PolyRhythmic. ‘Tomorrow And Other Days’ modern electro synths and ‘Fall’s classic acid sound show that Kate and Tevo remain ever focused on the future yet driven by their rich musical pasts.

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Driving forward from the announcement of their forthcoming ‘PolyRhythmic’ LP on Sasha’s Last Night On Earth imprint, Kate Simko and Tevo Howard are known for creating out of the box and genre-bending productions. Now, the native Chicagoans proudly announce their ‘Theme Track EP,’ giving music lovers a taste of things to come from the album. Both Kate and Tevo grew up on house music and their collaboration stays true to their roots whilst bringing a contemporary twist. Their signature classic sound shines brightly through each production. The opening track ‘PolyRhythmic Theme’ does exactly that. A groove-ridden bass line, coupled with a driving electro synth, mingles with recordings of people on the street near Tevo’s studio in Chicago. Tevo’s classic Roland programming and Kate’s melodic synth melodies are ever present throughout the EP, highlighted perfectly in ‘No Regrets’. Featuring vocalist Baz from Pirupa, the track’s keep-it-real lyrics and hypnotic harmonies bring a new dimension to the PolyRhythmic project. Inspired by the iconic Chicago imprint Prescription Records, ‘No Regrets’ is a standout track from the forthcoming album. Closing the EP in the spirit of PolyRhythmic, renowned New York producer Fred P (aka Black Jazz Consortium) delivers a masterful remix of ‘PolyRhythmic Theme’. Fred, a former roommate of Tevo’s in Berlin, has established himself as one of the most respected players in house music. Taking his time on this remix, he’s delivered an artful dance floor jam already earning incredibly enthusiastic DJ feedback. An eight-minute journey, the rework of ‘PolyRhythmic Theme’ takes the listener from sparse 808 grooves to powerful high rising synth peaks fluttering throughout the track.

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After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.


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The latest instalment from Last Night On Earth introduces Harry Klein artist Nico Lahs. Nico came to us with two original peak time cuts full of melodics and emotion that were a perfect match for the LNOE sound. Also featuring on the EP is a super stripped back Dub Techno workout from the man like Deadbeat who has always impressed us highly with his musical abilities.

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A1. ORIGINAL MIX B1. UNER LIVE CLUB MIX B2. HUNTER/GAME REMIX

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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM

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Lost Desert is back on All Day I Dream with his stunning new Saudade EP. The four-track EP features an appearance from Arsenal as well as a remix of ‘When Sun Rises’ by Volen Sentir. Saudade is rich and sweeping, encompassing the deep, atmospheric essence of Lost Desert’s organic house signature. Ambient melodies and breezy textures unfold over the EP’s serene 30 minutes as Lost Desert transcends the boundaries of melodic and progressive house. From the EP’s titular opener to ‘Dunes Of Alula’, Saudade finds a beautiful balance between the natural world and the underground dancefloor.

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One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!

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CHICAGO JACK IS BACK" GETTOBLASTER is back... and he brought his friends to make you jack. 4 tracks feat. collabs with Chicago house legends STEVE SILK HURLEY, DJ SKIP, JOE SMOOTH, and CHIP E. If raw Chicago warehouse sounds are what you're after look no further, this is it.

Cover will follow soon.

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Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a de?nitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker o?ers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def E? that leave a lasting impression. Next, Bona?que, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern in?uences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet o?-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves. The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes. With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.

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Santos’ ?rst release for Matt Edwards’ Rekids imprint, the four-track ‘We Were All Kids Once’ EP, is a continuation of the experienced producer’s output on his own Let Me Understand Records, which has seen a staggering amount of support from DJs since it’s launch in 2018. Traversing rugged, tracky, Relief-in?uenced House/Techno (‘One Day’), drummy grooves (‘Don’t Touch’ and ‘Rollercoaster’) and cosseting beat-down Deep House (‘Someone’), ‘We Were All Kids Once’ is one of those genuinely essential EPs that provides exceptionally consistent dance?oor ammunition across it’s breadth. With the likes of Ryan Elliott, Honey Dijon, Ame, Raresh, Luke Slater, Enzo Siragusa, Ben Sims and more supporting his output over the past few years, Santos is in the form of his career. While releases like the breakthrough ‘Camels’ and the anthem ‘Hold Home’ mark Santos as a producer of note at the turn of the century, his four solo albums and, most recently, his Let Me Understand Records EPs have proved he’s an artist that is constantly pushing forward. Santos’ EPs regularly fall into the ‘if you know, you know’ category of various tastemakers across Disco, House and Techno and ‘We Were All Kids Once’ neatly displays why.

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