Partout continues the Paris series with an ep of 4 tracks produced by none other than Chris Carrier.

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For the 11th release of his techno label Chris Carrier offers you 4 realistic cold and dark tracks inspired by these last years we just lived, with an influence of the industrial sound of Detroit and Belgium of the 90’s. Dark side of the moon.

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Its been almost a year since our Robsoul brother Chris Carrier unveiled new music on the label. After recent remix and release forays on Hot Creations, Cuttin’ Headz and his own Adult Only imprint, Mr Consistent is back with a trio of hot new jams. With its familiar screams and bumping bassline, title track ‘Plastic Dance’ sets the trend as its tickled ivories and snatched snares create a dancefloor commotion. ‘Hoverbike,' with its future facing title, actually presents crisp classic sounds wrapped in a haze of floating filters. A track that will draw even the most reluctant groovers to the dancefloor. For those still holding out, Chris also drops a bass-heavy Dub version to give them an extra nudge.



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The always trustworthy Sound Carrier label steps back into the limelight to hit us with another fix of quality techno from monsieur Chris Carrier. The Parisian producer never stops making music, and he presents three new extra terrestrial cuts here on this latest instalment from his excellent label. The story here is about two powerful intergalactic beings who discover that they have been lied to by their leaders - there are no magic mushrooms, just a forest of poisoned ones. They have laid down their arms to discuss this despicable turn of events… Track one is a rolling slice of analogue techno with acid licks and squelches bubbling away at its core. Named ‘Cat’s Eye Nebula’ it sucks us in to an interplanetary vortex, with cosmic FX transporting to the interior of a spaceship, while the beats give the feeling of a bumpy ride into the cosmos. This is followed by the more composed solemnity of ‘Galactus’. Shuffling beats slide over a funky bassline, the outer space theme continues with Carrier implementing a series of manipulated sounds which convey the feeling of futuristic machinery, blinking dashboards or robots communicating with one another.
Finally, we have ‘Dark Poison’, the inspiration behind the whole EP. More deep 303 vibes on this with a simmering analogue riff, percussion which increases in intensity alongside several layers of melodramatic effects, high-pitched twinkles and chimes which really add to the tension



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Last seen on Robsoul Jazz back in April with his wonderfully unique and creative long-player ‘Green Age’, our longest and dearest collaborator Mr Chris Carrier is back to close out 2016 with a fresh selection of straight up house gems. First choice is the sweat inducing Philly flava of ‘Fever Tree’. Showering us in ’70’s glitter with its timeless vocal and low-slung bass. Following and flexing its funk is ‘To The Wonder’ with its filtered strings and vocal, garnished with piercing beams of sound and fx. On the flip Chris opens with the warping piano, sultry sax and skittish snare work of the aptly titled ‘Feel Good Tonight’, before dropping some warehouse chops with the weighty bass growl of ‘Inside’, closing yet another essential Carrier crop for your record box.



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The last Sound Carrier was based around the notion of intrepid intergalactic explorers trying to get to earth, this time we’re taken 10,000 leagues below the surface to trawl the deep sea. All the way down there, we experience increased pressure, sub-zero temperatures, darkness and previously undiscovered new worlds. Up first we have ‘Lactarius Indigo Mission’, which has a distinct urgency and ‘in-your-face’ bitch slap percussion. The bassline writhes under a variety of squelchy, bleepy effects, which add a layer of depth and the whole thing feels quite ‘electro’. After that ‘From The Space To The Sea’ continues the electro vibes with more punchy beats, a rugged b-line and heavyweight kicks. Carrier’s use of quirky details give this track a unique character and contagious energy.On the other side we’re treated to another strange Carrier creation, the laidback ‘Kepler 22b’. Named after the first known planet to orbit a sun within what’s known as a ‘habitable zone’, Kepler 22b could well support life. The track is serene and full of optimism, a fitting soundtrack for a distant Earth-like planet. Minimal workout ‘Diver Level 1000’ closes the EP with its unusual arrangement and simple yet deadly programming. Another addition to the impressive Sound Carrier catalogue and perhaps its most leftfield so far…

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Chris Carrier delivers a box of steaming fresh hot techno jams with the latest release from his trusty Adult Only sub-label, Sound Carrier. Over the last five years he has dropped five EPs on the label, with this marking Sound Carrier’s sixth outing. As usual, the sounds here are a little more entrenched in the techno sound ethic. ‘Cosmic Road’ is the first of four that take us on a journey out into space, the final frontier… As the name suggests, we’re propelled up into the stars, encouraged to let go of our Earth-bound outlook and travel far away beyond Saturn’s rings. Smooth pads form a cosmic choir with bright flecks of synth, dancing around a jaunty bassline. Amazing. ‘Space Nation’ then strips things back, coming through with that minimal vibe. The rhythm is steppy, chugging along with mysterious intent. On the other side we take ‘Refuge On Earth’ with a 303-led trip back to our home planet. Here we are comforted by the familiar sound of that Roland machine, while the percussion slaps and claps away like the firecracker sound of a machine gun. Last up, ‘Holidays On Mars’ drifts in with an bright, optimistic feeling permeating throughout. See you at Orion’s Belt for a boogie!...



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STown 013 is the first release of the year! And it comes from one of our fav producers, straight from Paris: Chris Carrier. The man behind Adult only records and Sound Carrier. Is one of the most prolific House producers since the late 90's. He knows how to build serious grooves and funky beats. His "Colorful target box" EP comes with 4 amazing tracks. Starting with the catchy and funky beats of "Destiny", followed by the hypnotic and powerful grooves of "Colorful target Box" and "Pink Sparkles" and finishing with a timeless downtempo/hip hop beat "Always Forever". A strong release by one of the hottest guys of the scene. A Must!


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The last Sound Carrier was based around the notion of intrepid intergalactic explorers trying to get to earth, this time we’re taken 10,000 leagues below the surface to trawl the deep sea. All the way down there, we experience increased pressure, sub-zero temperatures, darkness and previously undiscovered new worlds. Up first we have ‘Lactarius Indigo Mission’, which has a distinct urgency and ‘in-your-face’ bitch slap percussion. The bassline writhes under a variety of squelchy, bleepy effects, which add a layer of depth and the whole thing feels quite ‘electro’. After that ‘From The Space To The Sea’ continues the electro vibes with more punchy beats, a rugged b-line and heavyweight kicks. Carrier’s use of quirky details give this track a unique character and contagious energy.On the other side we’re treated to another strange Carrier creation, the laidback ‘Kepler 22b’. Named after the first known planet to orbit a sun within what’s known as a ‘habitable zone’, Kepler 22b could well support life. The track is serene and full of optimism, a fitting soundtrack for a distant Earth-like planet. Minimal workout ‘Diver Level 1000’ closes the EP with its unusual arrangement and simple yet deadly programming. Another addition to the impressive Sound Carrier catalogue and perhaps its most leftfield so far…

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Its been just over a year since we brought you the fantastic ‘Inner Activist’ ep from our brother Chris. Crazy right? The fact that all three tracks became mainstays for many over the past twelve months is testament, yet again, to the talent of Mr. Carrier. We never leave home without him. Magic Gallery sees Chris displaying yet more his own musical sorcery. Opening with the soulful tones of Fantasy Faces we’re soon thrust into the serious drum workout of Stories. The choppy beats and sliced samples of Warlock follow before the EP is closed, in the finest fashion, by the spellbinding title track itself. Another strong and essential collection of house tools from Chris Carrier.



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Spectral Bounce’s latest offering comes direct from Norway, courtesy of Anders Hajem — co-founder of Boring Crew Records. To date, the Oslo producer’s previous releases have been vessels for the exploration of myriad dance musics, seeing the artist fluently turn his hand to soulful house, dub techno and 2-step.

SPEC07 — the Myr EP — is a much more focused affair, finding Hajem in techno mode across 4 potent cuts typified by undulating drums and swelling echoes. Despite its emphasis on percussion, atmosphere has not been sacrificed for rhythm: vivid FX and meticulous attention to detail bring these tracks to life beyond the context of the dancefloor. This is music that can be stepped into and explored, productions that reward repeat listens.

Opening at full throttle, “Myr” is a jackin’ percussive workout, harnessing punchy drums for maximum effect. Its pulsating low-end runs in tandem with trembling synths that perpetually reflect and refract in the stereo field. Atop its rolling drums, hardgroove-inflected “Sprett” utilizes timestretched vocals, cavernous reverb and ecstatically quivering tones, elevating this 2000s-era framework to new heights. “Existence” brings things to a deeper and more hypnotic place: delays are turned up, siren calls reverberate and timbres ebb and flow. Hajem goes more chasmic still on “Concussion”, hitting the brakes for a much slower cadence and allowing space for a truly expansive listening experience. Heady and mystical, entrancing and otherworldly — listen close enough; beneath the dizzyingly shifting pulses and rattling drums you’ll hear incantations, while bass tones pulse in the depths.

SPEC07 — immerse yourself!

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Spectral Bounce’s fifth instalment comes courtesy of L.A.’s rave archivist and dancefloor operative Dreams, A.K.A. Jesse Pimenta. Throughout his decade-long career the California native has inspected, dissected and concocted all manner of dance musics, leaving his mark with drops on Apron Records, Pinkman, BANK NYC and his own imprint Dance Data. On SPEC05 — Dangerous When Wet — he hijacks the synapses with 4 accomplished productions, plotting a high BPM course through manifold styles using the raw aesthetic that characterises his output.

“Losing Control” is a frenetic dancefloor invitation, immediately locking into a pacing groove. Beneath wild hand drums, Dreams plays with an insistent 303 bassline alternating between rasping buzz and oily squelch, while stern vocals are layered on top of breaks that have been processed to a viscerally satisfying end.

Taking things from delirious dance circle to underwater biosphere, the EP’s eponymous track explores a submerged 1980s Miami. Weighty & enveloping, “Dangerous When Wet” is pure aquatic pop-n-lock — hydraulic electro for a drowned world. Ocean floor caustics are transmuted into auditory form: arpeggios bubble up; drones shimmer mystically; hi-hats hiss like air from an open valve. Amongst the sonar bleeps, a barrage of pummeling low-end is sure to give subwoofers a workout.

“XTC Messenger” delivers an infectious paranoid dispatch, astutely balancing the sensual with the deranged. A slow-mo dial tone unfolds languidly, running counter to nervously twitching high frequencies. Its punchy percussion is tuned for maximum dopamine release; the track’s abrupt vocal chops and mechanical kick-snare pulsation evoke the leather jackets and jagged edges of 1980s industrial discotheque.

“Pressure Points” closes the EP on a heady and mesmerising polymetric trip. The parting track is a lithe yet spacious number, propelled by a rattling break. Here Dreams follows from track 2, creating an immersive environment in which sounds tightly twist and twirl. Shifting oscillators call out like tiny creatures as the bass throbs and wriggles further into your brain, long after the needle hits the runout groove.

SPEC05 — Nightclub specialist in effekt!

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Spectral Bounce proudly presents Zevar, the debut release by Aedis, an alias of David Iriarte. This new undertaking sees the Amsterdam-based artist plumbing the depths & tunnelling further into a sound that has surely been in the works for some time. One half of Iro Aka, Iriarte is no stranger to the exploration of ambiance & rhythmic play: the duo released a trilogy of records on John Talabot’s label Hivern Discs between 2020 & 2023.

On Zevar, Iriarte first traverses the deeper territories of tech house before conjuring up mystic 2-step and delving into rolling techno. The sense of spaciousness throughout the EP is vivid: perpetually unfolding modulated delays; cavernous reverb; weighty, grounding sub frequencies. This expanse is punctuated by fragmentary voices, psychedelic refrains (“Xtz”), intricate break deployment (“Station”) and thudding bass tones (“RTHM”). Just enough is given, just enough held back. With these 4 tracks, Aedis brings you that little bit deeper.

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Spectral Bounce returns with a groovy and moody set of tracks by Uruguayan tastemaker Molen. 'Future is Gone' explores dark yet glistening corners of minimal tech house, blending distorted basslines, resonant synth leads, and muffled vocals to create a cinematic aesthetic.

Spectral Bounce’s third release continues to solidify the label’s sonic identity while opening avenues for artists to present their unique interpretations and perspectives, and Molen delivers on that promise.

Art by Susanne Janssen
Words by Hervé Kacou

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Through their music curation work at One Eye Witness, co-founder Hylke has been silently influencing the sounds that resonate in clubs and underground dance music record collections around the world.

His newly created label Spectral Bounce takes it one step deeper, providing a platform for music imbued with eerie grooves and subtly expressive energy, capturing the listener right at their core.

SPEC01 - Force of Nature - Is the fruit of the long-standing musical relationship and shared visions of producer and Selector RDS and Spectral Bounce, the perfect catalogue opener.

Over four moody club-ready tracks, RDS dives into the sound of the after-hours, where minds are freed and darker energies are expressed. Both sides display perfectly controlled acid synthesis, heart-grabbing bass lines, cut-through drum sampling and an extremely textured and gritty mix. RDS' musical influences are clearly felt, harmoniously fusing UK 90s bleep techno, spacey tech house and dub with his own emotional perspective to club music.

The Dutch producer's distinct dance floor sound is here captured in its essence, processed through his expressive electronic machines while controlling tempo and energy in a unique manner. This EP is a sonic statement, offering the listener the Spectral Bounce sound.

Words by Hervé Kacou
Artwork & Logo by Susanne Janssen

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

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The Coastal Commission “The Conversation” Le Conversation was a French bakery located right across the street from the old PCH studio “The Hall of Records” situated at the end of Melrose Avenue on the edge of Hollywood. I had relocated from the Sunny shores of Carpinteria and brought all the gear with me right on the edge of Hollyweird. Often times you would find me stumbling over there on a Saturday & Sunday at the break of day, blood shocked eyes and whiskey on my breath for a fresh coffee and chocolate eclair after an all-night sesh making beats.
Around that time we had started working on Drum & Bass tunes for my label CRIMESCENE and were experimenting with different techniques. One weekend I was hosting Goldie’s old producer and Moving Shadow label boss Rob Playford alongside Mc Jakes, EZ Rollers and Calyx for a festival just outside of LA. After taking them for breakfast at Le Conversation we all piled over to mine for a smoke and Rob gave me some tips on making Growly Basslines. That next week we got to work. During the process we watched Gene Hackman in “The Conversation” about a crazy spy setting up microphones outdoors to entrap a bad guy and also caught Optical Dj’ing with Ed Rush up the street at Johnny Depp’s Viper Room. After an all-night sesh of “Soul Caliber” Matt & Ben gave us some pointers & not long after “the Conversation “was born.
An overdriven Bassline, Dubbed out bleeps sampled from a New Zealand crosswalk layered thru Space echoes and old Roland Delays gave the track an other-worldly feel.
The 303 chugs along breaking down into haunting Zulu choruses while the bleeps roll in and out and the track growls like you’re drifting through space. Definitely a late night affair. Originally on the Beat nonstop label and fetching a pretty penny on Discogs we’ve
brought it back on Pacific Coast House remastered my the Mighty Martin Iveson. Enjoy.
Boing “Currency” Finally this one has been unearthed. Boing originating from Argentina blessed us with this & it was a secret weapon of DJ Doc Martin for years. I paired in with The
Conversation on this slab of wax as it too has an other-worldly feel of dancing in outer space. The B-line is absolutely massive on a rig this and the wiggly bleeps keep splashing in & out before the monster synth line comes in and lifts you up to the rafters. Word has it the Wiggle boys hammered this alongside Swag lad Grant Dell. This was only available on 10 white labels prior to getting this full release.
Run don’t walk to cop this, an absolute gem in your arsenal!

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We are very happy and honored to present you Ricardo Villalobos on his own RAWAX series!
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock!

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2025 OFFICIAL VINYL REISSUE

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V-House Sound boss, AJ Christou is next to make his Hot Creations debut with the two-tracker ‘Babaloop’. Hailing from Manchester, AJ Christou stands as a testament to artistic accomplishment with his unwavering commitment to his evolving craft and sound. The success of his new label, V-House Sound, has made this year particularly significant for him, with unshakable support from industry heavyweights like Marco Carola, Joseph Capriati, and Jamie Jones, backing his reputation as one of the most sought-after DJs in the game. With another impressive year behind him, December now marks his debut on Hot Creations as he delivers two club ready gems in his ‘Babaloop’ EP. The bumping two-tracker kicks off with ‘Babaloop’, a lively late-night house cut featuring entrancing male chants and a bouncing bassline that captivates the listener with its groove. ‘No Fear’ follows up with a funky bass riff, alluring female vocals and deep stabs, radiating prime-time resonance and bustling club energy.

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A special tribute addition of Ellum Audio comes courtesy of Maceo Plex & Jon. Dasilva, who bring back a pair of bygone musical gems with their own modern interpretations. Featuring an astonishing guest appearance by house vocal sensation Joi Cardwell, Ellum delivers a late summer anthem with 'Love Somebody Else'. For the A-side Eric Estornel aka Maceo Plex revives an unreleased Jon DaSilva Remix of Colourblind's cover of 1979 Jones Girls classic 'You Gonna Make Me Love Somebody Else'. Having loved the remix, lost in the heady days of the early 90s, Eric orchestrated a studio session with legendary hacienda DJ Jon DaSilva to make a new reinterpreted version of the track replaying everything and creating a new melodies and sonsstructure, also managing to track down classic house singer Joi Cardwell to lay down fresh vocals and creating a real floor burner as a result. Irresistibly warm, smooth and groovy, 'Love Somebody Else' is quite simply massive. On the flip, Maceo Plex goes it alone and delivers 'Future Musik' - homage to a favourite Closer Musik track that never did see an official release.

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Goodtunes is back and this time with a highly regarded compilation of various artists.

Kicking off this label’s second release we have Mungo Sound Machine. Positioned as the A1, ‘See You Next Thursday’ functions as one of the heavier tracks on the release. With a downright dirty bass line, crisp percussion, and creative arrangement, this track tells a story that will never get old.

On the A2, comes ultra-talented friend of the label and NYC resident, Chuwee. Here he delivers with a magical evening steamer in ‘DX Tornado’. Shuffled drums and a deep rolling bass line accompanied with funky stabs and tripped out Japanese vocals are the perfect combination to start a party or keep it going.

J. Feierabend is no stranger to the punch. Sharp and ripe kicks, snares and a thick bass line drive this clubby groover to great heights. Bright vocoders and tech’d out bleeps take this one step further. When it comes to being simple but effective, the B1 ‘Listen’ knocks it out of the park.

Lastly, worlds collide from the Berlin to Paris link-up between Natebytheway and Local DJ. Crafted on a sunny day during the Olympics in Paris, this collaboration is a gentle taste of the deep and clubby combination the two producers love. Techy, gritty and soft in all the right places. Let ‘PB Saucers’ and the others aforementioned take you and your loved ones to brighter places.

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Tracklisting
A1 INVEXIS - MORPHIUM
A2 INVEXIS - NORDIC NOISE
B1 INVEXIS - INSTINCT
B2 INVEXIS - RS

Sales Note
Germany's Invexis comes back to the Manchester-based Scrap & Delete label with the 'Morphium' EP, arriving 19th September 2025. The four tracks follow up his remix for label founder Dorbachov's 'Ellesmere Street' EP earlier in 2025, which won support from Luke Slater, Jako Jako, Dave Clarke, and more.

Title track 'Morphium' opens the EP in unexpected territory: an emotive, melodic crossover track that retains Invexis' mechanical backbone while reaching for something more transcendent. With soaring synth layers and expertly balanced weight, it's a rare euphoric moment in his catalogue; one destined to erupt across festival tents.

'Nordic Noise' pulls things back into colder, rawer terrain, a frostbitten slab of functional minimalism with raw textures, fizzing hi-hats, and relentless groove cycles.

'Instinct' channels classic loop techno through a modern lens, driven by restless percussion and syncopated punch.

Finally, 'RS' pays tribute to late-'90s groove science with complex, kinetic motion and heads-down intensity, reimagined for a new generation of warehouse punters.

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Tracklisting
A1 Hurdslenk - Warped
A2 Hurdslenk - Recheck
B1 Hurdslenk - Vyrex
B2 Hurdslenk - Rider

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