Chicago deejay/producer VICK LAVENDER drops a double album of 14 house tracks. Disc one is a mix of influences and sounds with cuts featuring AMMAWHAT, ANGEL-A and SPIKE REBEL. Disc two focuses on the deep Chicago house sound VICK is best known for with extended mixes. Sure to please.

Tracklisting:
A1. 4-11 (5:44)
A2. A Space Love Affair (3:52)
A3. Acid Outpost (Album Version) (3:45)
A4. Archive 80 (Album Version) (5:44)
A5. Misty (4:47)
B1. 1981 (4:36)
B2. Again (w/ Ammawhat) (Album Version) (3:29)
B3. I.C.C. (Inner City Children) (4:44)
B4. Nothing Broken (w/ Angel-A) (4:41)
B5. Reminisce (Sign of the Times) (4:29)
C1. Herbie (Vick's Extended Time Traveler Mix) (11:15)
C2. Play (Vick's Jazz Playground Vamp Mix) (3:52)
D1. Flame (Vick's Extended Time Traveler Mix) (10:18)
D2. Rise I Rise (Vick's Extended Time Traveler Mix) (9:44)

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VICK LAVENDER is back with another quality vinyl release on his SOPHISTICADO label. First up is the title track "AFRO GO", an Afro jazz influenced piece that's sure to inspire dancers & deep house music lovers world wide. Next up is "AMBROSIA", an atmospheric yet deep house cut. The B side features a previously release collaboration with house music icon ROBERT OWENS: "TONIGHT". Bringing this EP to a close is the slow burner "ACID OUTPOST", with iconic Chicago acid house overtones, but then Vick & company (JUSTIN DILLARD) turns the acid concept on it's head and it becomes their vision totally (late night acid jazz??).

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The always-sophisticated Vick Lavender is a deep house innovator with a soulful and spiritual sound that is never short of genuine musicality. He proves that once more here with a fresh 12" for Mister Bear that opens with the jazzy piano keys of 'Move' soon taking you into a playful world of cosmic synths. 'Change' is another one drenched in astral synth lines over dancing drum patterns and 'Daylight' then melts the heart with its brilliantly soulful vocals and skipping drum beats. This classy EP shuts down with a Latin-flavoured sound on 'Somebodies Samba'.

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Repress!

3 tracks including an incredible reworking of WILLIE COLON's Latin classic "SET FIRE TO ME" alongside a bonus drum mix for extra dance floor excitement. If that isn't enough we get the highly sought after "THERE IT IS - FEAT. D. MILLZ" (KAI ALCE remix) for the first time ever on vinyl.

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The initial limited white label copies sold out in record time, and this "official" release now on black vinyl in full color printed jacket will likely do the same. These two long playing jazzy heaters are sure to move feet directly to the dance floor. The debut vinyl release on the new label started by the iconic Chicago retailer

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This is a formal introduction of the new label Ethnic Blend Music, brought to you by TMR (Track Mode Recordings) label head Brett Dancer. EBM will focus on specific musically based Deep and soulful house music productions. First out the gate is none other than Mr. Sophisticado himself, Vic Lavender. Two productions of pure bliss.

Song one "Are U Going My Way" (Time Traveler Rework) is Vic ‘s rendition of the Pat Metheny classic "Are you going with me". While keeping most elements of the classic production, Mr. Lavender added various elements which focus on his production style. True to his electronic jazz, funk, soul, and deep house roots. A Powerful interpretation of a world renown classic. Song two Prometheus takes us on a full journey from start to finish. Beats, Bassline, and lush chord structure. A Sophisticado trademark for production. TMR and Ethnic Blend are happy to be back releasing great music. Enjoy there is more to come! Thanks for the support.

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Featuring AMMA WHATT. VICK & CASAMENA come together for a soulful,jazz-filled journey, decorated with sultry vocals from AMMA WHATT. VICK's jazzed out mix & CASAMENA'S club ready excursion showcase their fullproduction repertoire, making it one for the club & the collection. Full color sleeve. Limited pressing

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Coming Soon is some dope fire from the one and only
Vick Lavender and his Sophisticado Recordings Outpost.
If you’re looking for some deep house that’s driven by true
musicianship,
then look no further than this eagerly awaited monster of a twelve
inch.
Championed by an exclusive bunch of dope music selectors,
this bad boy will not disappoint.
Get ready for some true dopeness coming soon!

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GE-OLOGY “CIRCUITRY” 2x12” LP GATEFOLD
The Long awaited Long Player by GE-OLOGY!!!!!
LP Artwork by GE-OLOGY

Written, Produced & Arranged by GE-OLOGY
All Drum Programming by GE-OLOGY
Featuring Mark De Clive-Lowe (A1, D1)
Featuring Kaidi Tatham (B2)

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DJ Nature produces an exceptional piece of music GRAND RISING for the first release on new UK label LOVE UNIVERSAL. Both Versions bring something very
special to the party. A. CHILDS PLAY MIX is a stripped-back ambient masterpiece whilst B. MIX TWO is a peak-time burner.

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KSmooth da Programma, a veteran of Chicago recording sessions, produces this highly soulful LP for UK label Love Universal. Vocal and Instrumental Versions, House Music with a Deep RnB edge. Essential.

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Quarter Inch Homage Slingers

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First pressing sold out on presale - repress coming on the 7th of novemember!

After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.

As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.

Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.

The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.

The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.

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Terry Francis makes his debut on Pariter with a rare and essential reissue from one of the UK Tech House's original pioneers. A cornerstone of the London scene, long time Fabric resident and a driving force behind the early Housey Doingz and Wiggle movements, Terry's influence runs deep in the foundations of underground house music as we know it today.

This is the second instalment in a short-series showcasing carefully selected tracks from the legend's archive. Took From Me, on the A side is a raw, old school UK tech house classic, an all time favourite of Andrew Weatherall (rip), Richard Fearless and Craig Richards, who also featured it on his first Fabric mix CD. On the flip, Little 'N' Large and an unreleased version of Furry emerge as two massive, hidden monsters. A vital document from a pivotal era.

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Tracklisting
A1 JLM Productions - Unravelling
A2 JLM Productions - Forced Perspective
B1 JLM Productions - Surface Scan
B2 JLM Productions - Mixed Motive

Sales Note
Making his long-awaited return to Spatial, JLM Productions serves up another sizzling andvaried concoction of atmospheric breakbeat goodness.

A1 - Unraveling

Opening with a blissful, playful melody which fades in and out of effects and padwork,Unravelling shows off an insanely crisp 2-step break at its core - definitely suited for thedancefloor with a buoyant bassline rumbling beneath the waves. The track leaps furtherinto life with JLM adding some additional drums to elevate the breaks further still, all withserene, harmonious melodies dancing around in the mix.

A2 - Forced Perspective

A purposeful melody opens Forced Perspective as JLM Productions unleashes a stellarblend of atmospheric bliss with a unique epic urgency. Sci-fi synthwork surrounds anenergetic selection of drums edited with trademark clarity as layers upon layers of synthintertwine dynamic patterns with ease. This is a great example of JLM's expansive suite ofinfluences combining to create a deliciously detailed and unique whole.

AA1 - Surface Scan

Light cymbals commence a DJ-friendly intro to the second track, Surface Scan. Bothrousing and deep, smooth padwork leads into a drop which brings with it long, whooshingmelodic synths and crunchy stacked breakbeats. As the atmosphere develops, JLM addsin a bunch of effects and subtle, sumptuous sci-fi synthwork, strings and more to completeanother masterpiece from a true pillar of "old school brand new" methodology.

AA2 - Mixed Motive

Straight into a serving of subdued breaks perfect for the intro, JLM rounds off this stunningEP with Mixed Motive. This is a track which explores the atmospheric drum & basslandscape in style. Our creatively-edited breaks soon evolve into a crescendo of joyousdrum patterns with an old 720-style stabby melody punctuating the mix while deep &melodic basslines jostle below, adding dense texture to a stunning piece of music.

Words by Chris Hayes (Spatial / Red Mist)

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In 2012, Prince Fatty produced a signature dub reworking of tracks from Hollie Cook’s debut 2012 LP, plus a selection of other choice dub-infused covers. Mr Bongo now presents a fresh repress on blue vinyl of this classic album.

In the tradition of vintage reggae albums, renowned producer Prince Fatty took to the controls and dubbed out Hollie Cook's self-titled debut album from 2011. In trademark dub fashion, Prince Fatty strips back Hollie’s classic reggae and tropical pop productions, adding in extra bass alongside delays, tape echoes, and reverbs to Hollie’s captivating vocals. The resulting versions give the songs space to breathe, whilst adding in a weighty, heads-down element to the productions.

As Prince Fatty mentions, “The dub versions showcase real tape echoes, heavy spring reverbs and alternate instrumental elements such as melodica, percussion or horns that were hidden in the vocal versions. All the dubs are mixed live in my studio in the same Rub a Dub style as was made famous in ‘70s Jamaica by King Tubby and others, i.e, not with the use of computers for automation and endless digital nonsense but with fingers, late night vibes and re-arranged with a razor blade!”.

In addition to the tracks featured from the debut album, this dub release features mixes of Hollie Cook and Prince Fatty’s cover version of The Whispers’ disco classic ‘And The Beat Goes On’ and ‘For Me You Are Dub’, a ska cover of an old Andrews Sisters’ classic. Alongside that, there’s a delicious adaptation of the Shangri-Las’ legendary record ‘Walking in the Sand’, and ‘Baby’, a revamp of the heavily requested anthem, in collaboration with French synth-pop outfit, The Shoes.

Thirteen years on, this superb dub album sounds as quintessential and authentic as ever.

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Terry Francis makes his debut on Pariter with a rare and essential reissue from one of the UK Tech House's original pioneers. A cornerstone of the London scene, long time Fabric resident and a driving force behind the early Housey Doingz and Wiggle movements, Terry's influence runs deep in the foundations of underground house music as we know it today.

This release marks the first installment in a short-series with a carefully selected tracks from Terry's archive. Engineered by Wubble-U at the legendary Strange Weather studios and originally released on Eukahouse 25 years ago, these tracks capture the raw energy and spirit of the late 90's London Tech House at its finest. A timeless, sought-after release specially reissued and remastered with an unreleased retake, a vital document from a pivotal era.

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Tracklisting
A1 Chronicle - Air Temple
A2 Chronicle - Everblue
B1 Chronicle - Encarta
B2 Chronicle - Angular Momentum

Sales Note
Now a regular on the label, scene stalwart Chronicle continues his joyful journeythrough a landscape of dancefloor-friendly atmospherics.

A1 - Air Temple

Chronicle opens the EP with Air Temple, an immensely playful track with a superb 2-step hot pants break, programmed superbly with layers of depth generating anenergetic and immensely danceable tone, following the deliciously smooth late 90'sGLO-style intro. Lush female vocal samples perfect for the vibe are present and correctwhile micro melodies pan across the mix adding a wonderful texture.

A2 - Everblue

A delicately ominous intro with pads, whooshing samples and rustic synths precede adensely crafted slew of old-school analogue breakbeats laid in a subtle arrangement,bringing a blend of energy perfect for dancefloors and home listeners alike. Vocalsamples are programmed and twisted like instruments as Chronicle embarks on aspace odyssey with memorable melodies you'll keep discovering listen after listen.

AA1 - Encarta

Next up we have Encarta, which sets out intentions quickly in the introduction with abouncy, clean breakbeat which is quickly bolstered by a superb 2-step old school drumloop to create a pulsating energy. A myriad of samples are collected and fleckedthroughout the mix, while Chronicle's editing techniques mimic a skilled DJ cuttinganother break in and out to satisfying effect towards the back end of the main phases.

AA2 - Angular Momentum

Closing a diverse and uniquely atmospheric EP, Chronicle opens Angular Momentumwith a patchwork of synths and pads, ushering in a serene, simple high note melodyabove the driving breaks - detailed with distinctive cymbals that give the track's nameserious validity. With a slew of samples darting in both the foreground and backgroundfor the listener to enjoy, this is a piece which will live long in the memory.

Words by Chris Hayes (Spatial / Red Mist)

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