UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

Tracklist:

A1. What Could Happen
A2. Be Loved
A3. Be Loved - LADYMONIX Scat Dub Remix

B1. Waaalk
B2. HA HA HA
B3. HA HA HA - Blackmoonchild Remix



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LP

LP - 4070209021386
A1. Juan Hansen - Intro
A2. Juan Hansen - Ninjas ft. Clér Letiv
A3. Juan Hansen, Santi Portillo - Sentir Asi (Part II)
A4. Juan Hansen, Franco BA - Like a Devil ft. Rocio Giorgi
A5. Juan Hansen, Clér Letiv - Plastico
A6. Juan Hansen, Franco BA - Inside My Mind ft. Miko Franconi
B1. Juan Hansen - Love Is a Melting Ice Cream
B2. Juan Hansen - All the Time
B3. Juan Hansen - Sentime Este Gru
B4. Juan Hansen - Neon Maze
B5. Juan Hansen, Brigado Crew - Gambeta
B6. Juan Hansen - Love Also Bites ft. Marley Waters

Argentinian artist Juan Hansen presents his debut album 'Ultrasonido'; twelve tracks spanning indie
dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido,
with the second single 'Inside My Mind' coming out via belonging by Innellea.

After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the
boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian
electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real
sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct,
dancefloor-focused club tracks. 'Ultrasonido' brings both sides together. The album is a clear evolution of
Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A
journey through the musical world of Juan Hansen.

Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko
Franconi, Brigado Crew and Marley Waters, Juan shifts between club-focused tracks and more intimate,
song-driven moments, moving naturally between Spanish and English. It’s a debut album that captures both
his roots and the direction he’s evolving toward.

Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his
foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's
still audible in every track he makes. After years of building his profile with live performances, mesmerizing
audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada
desert, and Grand Factory in Beirut.

His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously
playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses
electronic sounds with analog instruments and organic soundscapes. There's no genre cage. 'Ultrasonido' is
his debut album and the launch of his own label, also named Ultrasonido. A long-form statement
after years of singles, EPs, and shows around the globe.

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WAS - Word and Sound Medien GmbH
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2026 repress

Format Notes: 140g vinyl, remastered from the original tapes

Territories:
Worldwide no restrictions

Track List:

A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)

B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)

Release Notes:

More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.

Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.

No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.

Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.

The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.

“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.

The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.

The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.

“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.

“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.

The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More