The collaboration between BBE Music and If Music continues with another excellent compilation in the ongoing If Music Presents series with this 2nd volume in the World Jazz Grooves chapter. Alongside the A Journey Into Deep Jazz albums in the catalogue, World Jazz Grooves Volume 2 explores the global diversity of Jazz in its many forms, as interpreted throughout the globe, with tracks from Denmark, France, Brazil, Canada, the USA and Jamaica.
Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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DE - 22113 Hamburg
Germany
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More records from bbe
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Universal Love: 10 Years of Love Injection is a triple LP collection of genre crossing, open-eared, open-minded tracks which celebrate not only the ten year existence of Love Injection as a 'zine, record label and radio show but also the New York parties that acted as the inspiration and raison d'être for Love Injection's birth and evolution. Indeed it was at Mancuso's iconic parties at The Loft where Love Injection founders and compilers of this collection, Barbie Bertisch and Paul Raffaele, first came up with Love Injection as the name for their project, literally whilst they were dancing to the NYC classic by Trussel. Furthermore it was the eclectic ethos of The Loft that inspired their own Universal Love parties. It was these events that funded the monthly, printed 'Zine and it is this 'Zine which included interviews and features with and on diverse musical contributors as musclecars, Patti Kane, Jaimie Branch, Isiah Collier, Kamasi Washington and major contributors to the NYC club scenes from the wider arts. This diversity and inclusion that reflects the city of New York is also reflected in the 14 tracks collated for Universal Love: 10 Years of Love Injection, including hidden producers Joe Claussell, John Morales and Maurice Fulton. It is clear from its psychedelic blues opening track , its electro interpretation of a Bossa Nova classic, fusions of Soul and Rumba, a Japanese techno reimagining of a Chicago House classic and a track order that could only have been realised by people who understand how a DJ set is built that this compilation is a must have for DJs, dancers and free thinking music lovers alike. Universal Love: 10 Years of Love Injection is more than a celebration of an anniversary; it is an encapsulation of how a vibrant scene is created and built through the curation and selection of the myriad musical options, selectors, music makers and club goers who all contribute. This really is an amazing compilation.
Disc: 1
1. Vibeka
2. Bird Brain
3. Wasp Jam
4. Ebb & Flow
5. Licik (Tribute) (Love Injection Edit)
6. Is This The Future? (Disco Version)
Disc: 2
1. Liberation Lullaby
2. Hiding From My Shadow
3. Tidal Wave
4. Oriental Express
5. Pa' Mi Gente
Disc: 3
1. Love For The Loft
2. Inclusion (The Soul Feast Cosmic Arts Dub)
3. The Duel
4. Can You Feel It
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Disc: 1
1. Vibeka
2. Bird Brain
3. Wasp Jam
4. Ebb & Flow
5. Licik (Tribute) (Love Injection Edit)
6. Is This The Future? (Disco Version)
Disc: 2
1. Liberation Lullaby
2. Hiding From My Shadow
3. Tidal Wave
4. Oriental Express
5. Pa' Mi Gente
Disc: 3
1. Love For The Loft
2. Inclusion (The Soul Feast Cosmic Arts Dub)
3. The Duel
4. Can You Feel It
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Compiled by Argentinian Djs and producers Ric Piccolo and Ariel Harari, Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is an emotional archive made up of music that never belonged to a single, unified scene, but shared a common spirit: a desire to experiment, to make people dance, to break away from dominant genres.
The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of ‘subversive’ music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures.
Ric Piccolo and Ariel Harari are renowned Djs and producers from Buenos Aries who share their time and DJ appearances between clubs in their homeland and those in Berlin, Barcelona, Zurich, Vienna and Paris focusing on playing Disco, Italo House and Rare Grooves with leftfield vibes.
Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is released as a digital download and and as a gatefold sleeve, double vinyl LP with all tracks remastered at the Grammy nominated The Carvery. It also comes with a bi-lingual booklet and liner notes that serve as a written history of this magnificent music of dance floor resistance.
Release Date: May 15th, 2026
Tracklist:
SIDE A
1. A Marietta – Giorgio Scarpinelli y su orquesta
2. Para esperar un niño – Tiburon
3. Gumbudala – Rhein
4. Tema del Tiburon – Mario Marzan
5. Guanaba – Palanca al Piso
6. Angela D – Africa
SIDE B
1. Bermilyia Avenue – Genius
2. Marruecos – The Music People
3. Take Me – Ian Durand
4. Disco Tango (Ric Piccolo rework) – Orquesta Disco Latino
5. Viajero Cosmico – Music Hall Pop Orchestra
SIDE C
1. Me llaman Manuel – Los Barbaros
2. Dando Lecciones (Harari rework) – Malvaho
3. Regine – The Music People
4. City Girl (Harari & Ric Piccolo rework) – Sula
5. In Ovni – Reginall Palmeri
SIDE D
1. Maquina de Caramelos – Sr Bife
2. Mincura – Domingo Cura
3. Ancestral – Cuasares
4. Especial De Medianoche – The Topper’s
5. Sabarabam – Rama
6. Parábola – Rodolfo Alchourron
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The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of ‘subversive’ music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures.
Ric Piccolo and Ariel Harari are renowned Djs and producers from Buenos Aries who share their time and DJ appearances between clubs in their homeland and those in Berlin, Barcelona, Zurich, Vienna and Paris focusing on playing Disco, Italo House and Rare Grooves with leftfield vibes.
Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is released as a digital download and and as a gatefold sleeve, double vinyl LP with all tracks remastered at the Grammy nominated The Carvery. It also comes with a bi-lingual booklet and liner notes that serve as a written history of this magnificent music of dance floor resistance.
Release Date: May 15th, 2026
Tracklist:
SIDE A
1. A Marietta – Giorgio Scarpinelli y su orquesta
2. Para esperar un niño – Tiburon
3. Gumbudala – Rhein
4. Tema del Tiburon – Mario Marzan
5. Guanaba – Palanca al Piso
6. Angela D – Africa
SIDE B
1. Bermilyia Avenue – Genius
2. Marruecos – The Music People
3. Take Me – Ian Durand
4. Disco Tango (Ric Piccolo rework) – Orquesta Disco Latino
5. Viajero Cosmico – Music Hall Pop Orchestra
SIDE C
1. Me llaman Manuel – Los Barbaros
2. Dando Lecciones (Harari rework) – Malvaho
3. Regine – The Music People
4. City Girl (Harari & Ric Piccolo rework) – Sula
5. In Ovni – Reginall Palmeri
SIDE D
1. Maquina de Caramelos – Sr Bife
2. Mincura – Domingo Cura
3. Ancestral – Cuasares
4. Especial De Medianoche – The Topper’s
5. Sabarabam – Rama
6. Parábola – Rodolfo Alchourron
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Finnish jazz producer Valtteri Laurell reworks some of J Dilla’s most iconic beats into adventurous big band versions.
With drummer/producer Teddy Rok (Teppo Mäkynen of Five Corners Quintet, Stance Bros. etc.), flutist extraordinaire Elena Pinderhughes and Laurell’s own 17-piece Ricky-Tick Big Band, he creates a big band album that you never thought you would hear.
Using the sparse and visionary beats of J Dilla as a starting point, Laurell has composed and arranged material on top of the original versions, performed by Ricky-Tick Big Band. ”My original idea was to write very abstract big band moments, that would be like samples Dilla might have used in his work. During the process though, on some of the tracks I started to feel more of a Bob James or Henry Mancini vibe in the arrangements, so the end result is a hybrid of those worlds. Naturally, the spirit of Gil Evans and the later work of Duke Ellington is also floating in the air".
To create a strong connection with the original material, Laurell asked Dilla-aficionado and drummer/producer Teppo ”Teddy Rok” Mäkynen to work with him on the rhythmic side of the pieces. Teddy Rok also mixed the album. As a special guest star, flutist Elena Pinderhughes is featured on Won’t Do and Rico Suave Bossa Nova. Ricky-Tick Big Band, which Laurell founded in 2010 is also well on display here, with rising baritone sax star Linda
Fredriksson featured on Beej-n-Dem and trumpetist Jukka Eskola featured on Y’All Ain’t Ready.
Tracklist
SIDE A
1. Y'All Ain't Ready
2. Won’t Do
3. Beej-n-Dem
SIDE B
1. Rico Suave Bossa Nova
2. B.B.E. - Big Booty Express
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With drummer/producer Teddy Rok (Teppo Mäkynen of Five Corners Quintet, Stance Bros. etc.), flutist extraordinaire Elena Pinderhughes and Laurell’s own 17-piece Ricky-Tick Big Band, he creates a big band album that you never thought you would hear.
Using the sparse and visionary beats of J Dilla as a starting point, Laurell has composed and arranged material on top of the original versions, performed by Ricky-Tick Big Band. ”My original idea was to write very abstract big band moments, that would be like samples Dilla might have used in his work. During the process though, on some of the tracks I started to feel more of a Bob James or Henry Mancini vibe in the arrangements, so the end result is a hybrid of those worlds. Naturally, the spirit of Gil Evans and the later work of Duke Ellington is also floating in the air".
To create a strong connection with the original material, Laurell asked Dilla-aficionado and drummer/producer Teppo ”Teddy Rok” Mäkynen to work with him on the rhythmic side of the pieces. Teddy Rok also mixed the album. As a special guest star, flutist Elena Pinderhughes is featured on Won’t Do and Rico Suave Bossa Nova. Ricky-Tick Big Band, which Laurell founded in 2010 is also well on display here, with rising baritone sax star Linda
Fredriksson featured on Beej-n-Dem and trumpetist Jukka Eskola featured on Y’All Ain’t Ready.
Tracklist
SIDE A
1. Y'All Ain't Ready
2. Won’t Do
3. Beej-n-Dem
SIDE B
1. Rico Suave Bossa Nova
2. B.B.E. - Big Booty Express
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Collaboration is stimulating, it's in my blood.' Thus speaks Brian Jackson and his philosophy for making music and it's indeed collaboration that runs through this amazing album of reimagined and revisited songs from his artistic past. Featuring artists such as Black Thought, Rahsaan Patterson, Josh Milan, Moodymann, Omar, J. Ivy, Lisa Fischer, Rich Medina, Raquel Ra Brown and others and being produced by Masters At Work, ‘Now More Than Ever’ takes the enduring classic tracks that Brian Jackson made with Gil Scott-Heron and places them in the now over nineteen tracks and across a triple vinyl LP, Double CD and digital release.
PRODUCED BY MASTERS AT WORK aka KENNY DOPE and LOUIE VEGA
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PRODUCED BY MASTERS AT WORK aka KENNY DOPE and LOUIE VEGA
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BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.
Vinyl Tracklist
DISC 1
A1 – Aoyama Gakuin 101 – Fervor
A2 – Hideo Ichikawa – On The Trade Wind
B1 – Toshiyuki Honda Burning Waves – Eastern Legacy
B2 – Masaru Imada – World Line
DISC 2
C1 – Crystal Zone – Rai Rai
C2 – Masahiko Sato Trio + Akira Miyazawa – Nijimasu Part 1 and 2
C3 – Hot Session – Run After
D1 – Seiichi Nakamura – Judy's Samba
D2 – Yasuhiro Kohno – My Favorite Things
DISC 3
E1 – Akira Miyazawa, Norio Maeda, Masanaga Harada, Jimmy Takeuchi, Kenichi Sonoda, Dixie Kings, George Otsuka Quintet, Masahiko Sato's Garandoh – (History of Jazz)
E2 – Mile and Half – Mile and Half
E3 – Mikio Masuda – Sonic Barrier
F1 – Tomoki Takahashi meets Elvin Jones – Another Soil
F2 –Motohiko Hino – Olive's Step
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Vinyl Tracklist
DISC 1
A1 – Aoyama Gakuin 101 – Fervor
A2 – Hideo Ichikawa – On The Trade Wind
B1 – Toshiyuki Honda Burning Waves – Eastern Legacy
B2 – Masaru Imada – World Line
DISC 2
C1 – Crystal Zone – Rai Rai
C2 – Masahiko Sato Trio + Akira Miyazawa – Nijimasu Part 1 and 2
C3 – Hot Session – Run After
D1 – Seiichi Nakamura – Judy's Samba
D2 – Yasuhiro Kohno – My Favorite Things
DISC 3
E1 – Akira Miyazawa, Norio Maeda, Masanaga Harada, Jimmy Takeuchi, Kenichi Sonoda, Dixie Kings, George Otsuka Quintet, Masahiko Sato's Garandoh – (History of Jazz)
E2 – Mile and Half – Mile and Half
E3 – Mikio Masuda – Sonic Barrier
F1 – Tomoki Takahashi meets Elvin Jones – Another Soil
F2 –Motohiko Hino – Olive's Step
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DJ Amir takes another deep dive into the back catalogue of Detroit's legendary Strata Records to curate a 2nd volume in his Strata Records – The Sound of Detroit compilations. Whereas volume one took in the soulful edge of the Strata canon this volume, as Amir says, 'leans into the label's groovier, funkier edges whilst still celebrating its bold, avant-garde spirit.'
DJ Amir's relationship to the Strata label has resulted in the release of the long lost Charles Mingus live 'Jazz in Detroit' box set released on BBE Music along with re-issues from The Lyman Woodard Organisation and re-imaginings of Strata's genre defying music by Berlin based DJ and producer collective, Jazzanova as well as remixes from Kai Alce, Wajeed, Henrik Schwarz, re.decay and DJ Amir himself and, of course, volume one of The Sound of Detroit.
Featuring music from The Soulmates, Fito Foster, Keith Boone & Janice Coombs and The Contemporary Jazz Quintet amongst others, The Sound of Detroit volume 2 absolutely exemplifies the importance of Strata Records in the history of innovative Black music as well as its place in the cultural landscape of Detroit as a powerhouse city for art and music.
Released by BBE Music in collaboration with 180 Proof Records as a triple vinyl LP and high res. digital download DJ Amir presents Strata – The Sound of Detroit volume 2 really is a gem of a compilation to grace any serious music head's record collection.
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DJ Amir's relationship to the Strata label has resulted in the release of the long lost Charles Mingus live 'Jazz in Detroit' box set released on BBE Music along with re-issues from The Lyman Woodard Organisation and re-imaginings of Strata's genre defying music by Berlin based DJ and producer collective, Jazzanova as well as remixes from Kai Alce, Wajeed, Henrik Schwarz, re.decay and DJ Amir himself and, of course, volume one of The Sound of Detroit.
Featuring music from The Soulmates, Fito Foster, Keith Boone & Janice Coombs and The Contemporary Jazz Quintet amongst others, The Sound of Detroit volume 2 absolutely exemplifies the importance of Strata Records in the history of innovative Black music as well as its place in the cultural landscape of Detroit as a powerhouse city for art and music.
Released by BBE Music in collaboration with 180 Proof Records as a triple vinyl LP and high res. digital download DJ Amir presents Strata – The Sound of Detroit volume 2 really is a gem of a compilation to grace any serious music head's record collection.
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Marking twenty years since South African producer and DJ Esa Williams left Cape Town, Dala What We Must is a deeply personal and expansive debut LP, an exploration of movement, memory, and sound shaped by two decades of creative evolution. Co-created with collaborator and multi-instrumentalist Robin G. Breeze, the album deftly combines field recordings, layered instrumentation, and emotionally resonant compositions into a nuanced, globally influenced body of work. It also stands as Esa’s most collaborative release to date, featuring contributions from musicians across London, Oaxaca, Nairobi, and Cape Town, each adding their own creative energy to a project built on openness, trust, and shared experience. The album draws inspiration from Esa’s recent ventures into documentary scoring and soundtracking, with projects like Cursed (Audible) and The Invisible Hand teaching him to listen differently, to honour space, to serve the story. That sensibility permeates the album, resulting in music that breathes, lingers, and listens as much as it speaks. The title, Dala What We Must, is a South African call to action: a reminder to do what’s necessary, even in uncertainty. Finalised in the months leading up to Esa’s transition into fatherhood, the record carries a sense of grounding, care, and quiet transformation. Dala What We Must is a sonic reflection of journey and community, a deeply collaborative project rooted in connection and guided by intention.
Tracklisting
Disc: 1
1. Kwanini
2. Ita Ayelala
3. Yanga
4. Nakupenda
Disc: 2
1. Summerskin
2. Cruisin Kruga
3. Vanguard Drive
4. Dala What We Must
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Tracklisting
Disc: 1
1. Kwanini
2. Ita Ayelala
3. Yanga
4. Nakupenda
Disc: 2
1. Summerskin
2. Cruisin Kruga
3. Vanguard Drive
4. Dala What We Must
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Volcov, the Veronese founder of the Neroli record label, returns to the BBE fold with the third compilation in his majestic series 'From the Archives' and once again this new installment is another collection of overlooked gems and unreleased beauties that are set to entice the discerning listener. As with volumes 1 and 2, 'From the Archives volume 3' features cherry picked songs that focus on melodies and weave a thread between eras and genres.
From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius.
From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more.
Tracklist
A1. Warm Days feat. Khensy – Sunrise (QB's Soweto Mix)
A2. Carlos Niño & Friends – Thankingtheearth (Live)
A3. Collettivo Immaginario – La Macchina Dei Sogni
B1. Fred P – Watching The Sunrise
B2. Jovonn – Spirit
B3. Profusion – Saturday
C1. Jacques Schwarz-Bart – Mendé Chiraj (DJ Spinna rmx)
C2. Nyamekye Junction – Too Many Bags (Kaidi's Remix)
D1. J2 Fusion feat. Javonntte & Genius 313 – Cuba to Cali
D2. Kyoto Jazz Sextet – Mission
D3. De'Sean Jones – Lost 'n You (Edit)
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From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius.
From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more.
Tracklist
A1. Warm Days feat. Khensy – Sunrise (QB's Soweto Mix)
A2. Carlos Niño & Friends – Thankingtheearth (Live)
A3. Collettivo Immaginario – La Macchina Dei Sogni
B1. Fred P – Watching The Sunrise
B2. Jovonn – Spirit
B3. Profusion – Saturday
C1. Jacques Schwarz-Bart – Mendé Chiraj (DJ Spinna rmx)
C2. Nyamekye Junction – Too Many Bags (Kaidi's Remix)
D1. J2 Fusion feat. Javonntte & Genius 313 – Cuba to Cali
D2. Kyoto Jazz Sextet – Mission
D3. De'Sean Jones – Lost 'n You (Edit)
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Naive Melodies is a bold and visionary tribute to the music of Talking Heads, reinterpreted through the lens of Black musical innovation. Curated by Drew McFadden — the creative mind behind BBE’s acclaimed Modern Love (David Bowie tribute album) — this new collection dives deep into the Afro-diasporic rhythms and experimental soul roots that helped shape Talking Heads’ unmistakable New Wave sound. Inspired by artists like Fela Kuti, Parliament, and Al Green — whose influences loomed large in the band’s rhythmic DNA — Naive Melodies shines a light on the Black music traditions that underpinned their artistry.
Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation of genre-defying artists. These interpretations illuminate the foundational grooves and sonic textures that fueled Talking Heads’ rhythm- forward aesthetic, bringing them full circle with authenticity.
“With Naive Melodies, I wanted to spotlight the deep and often overlooked influence of Black music on the sound of Talking Heads, drawing from the rhythmic foundations of Afro- diasporic traditions, soul, gospel, Latin, and spiritual jazz. This project is a chance to reimagine Talking Heads’ legacy through the lens of the very innovations that helped shape it, bringing those influences to the forefront through the voices of today’s most forward- thinking artists.” — Drew McFadden
The album features a globally minded lineup, including Liv.e, Bilal, Rogê, Miguel Atwood- Ferguson, Aja Monet, Georgia Anne Muldrow, Theo Croker, Kenny Dope, Rosie Lowe, Pachyman, W.I.T.C.H., and more — spanning Afrobeat, jazz, soul, funk, gospel, dub, electronica, orchestral, and Latin styles. It reflects not only the boundary-pushing ethos of Talking Heads, but also the influence of Black music as a cultural force that helped shape it.
TRACK LISTING
1. Heaven by Miguel Atwood-Ferguson
2. Sugar On My Tongue (Dub) by Pachyman
3. Once In A Lifetime by W.I.T.C.H.
4. Girlfriend Is Better by Georgia Anne Muldrow
5. Mind by Wu-Lu
6. Psycho Killer by Astrønne
7. Born Under Punches (The Heat Goes On) by Kenny Dope & Roísín Murphy
8. I Zimbra by Liv.e
9. The Book I Read by Aja Monet
10. Burning Down The House by Rosie Lowe
11. Uh-Oh, Love Comes to Town by EBBA
12. Road To Nowhere by Rogê
13. And She Was by Vicky Farewell
14. Crosseyed and Painless by Florence Adooni
15. Seen and Not Seen by Bilal
16. Born Under (More) Punches by Theo Crocker feat. Theophilus London
17. Take Me To The River by Dominique Johnson
18. This Must Be The Place (Naive Melody) by Leon Jean-Marie
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Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation of genre-defying artists. These interpretations illuminate the foundational grooves and sonic textures that fueled Talking Heads’ rhythm- forward aesthetic, bringing them full circle with authenticity.
“With Naive Melodies, I wanted to spotlight the deep and often overlooked influence of Black music on the sound of Talking Heads, drawing from the rhythmic foundations of Afro- diasporic traditions, soul, gospel, Latin, and spiritual jazz. This project is a chance to reimagine Talking Heads’ legacy through the lens of the very innovations that helped shape it, bringing those influences to the forefront through the voices of today’s most forward- thinking artists.” — Drew McFadden
The album features a globally minded lineup, including Liv.e, Bilal, Rogê, Miguel Atwood- Ferguson, Aja Monet, Georgia Anne Muldrow, Theo Croker, Kenny Dope, Rosie Lowe, Pachyman, W.I.T.C.H., and more — spanning Afrobeat, jazz, soul, funk, gospel, dub, electronica, orchestral, and Latin styles. It reflects not only the boundary-pushing ethos of Talking Heads, but also the influence of Black music as a cultural force that helped shape it.
TRACK LISTING
1. Heaven by Miguel Atwood-Ferguson
2. Sugar On My Tongue (Dub) by Pachyman
3. Once In A Lifetime by W.I.T.C.H.
4. Girlfriend Is Better by Georgia Anne Muldrow
5. Mind by Wu-Lu
6. Psycho Killer by Astrønne
7. Born Under Punches (The Heat Goes On) by Kenny Dope & Roísín Murphy
8. I Zimbra by Liv.e
9. The Book I Read by Aja Monet
10. Burning Down The House by Rosie Lowe
11. Uh-Oh, Love Comes to Town by EBBA
12. Road To Nowhere by Rogê
13. And She Was by Vicky Farewell
14. Crosseyed and Painless by Florence Adooni
15. Seen and Not Seen by Bilal
16. Born Under (More) Punches by Theo Crocker feat. Theophilus London
17. Take Me To The River by Dominique Johnson
18. This Must Be The Place (Naive Melody) by Leon Jean-Marie
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The second digital and vinyl EP from Brian Jackson and Masters At Work’s highly anticipated ‘Now More Than Ever’ project is a masterclass in soulful innovation, musical legacy, and collaborative excellence. Carefully curated and expertly packaged for true fans, this release brings together extended versions and rare cuts that were simply too expansive, deep, and powerful to fit on the forthcoming triple LP, but far too important not to be heard.
This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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The 10th release on ALIM Music, a stone-cold classic, has been reborn. Gil Scott-Heron and Brian Jackson's The Revolution Will Not Be Televised, the iconic song of protest and Black Consciousness, has been reimagined and revitalised for a new generation. With new lyrics and vocal performance from Black Thought, a reworked and bassline-heavy production by Masters at Work, Brian Jackson has recreated an absolute masterpiece.
Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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The Chisa Years: 1965–1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label.
Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Take Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal
performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling.
Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Anushka's third album Ancestry comes out on BBE Music as both digital and vinyl and represents a massive hitting of the duo's potential as songwriters, musicians and performers following their well received and critically acclaimed previous releases on Brownswood and Tru Thoughts respectively. Indeed Ancestry represents their best album to date and one which befits a release on one of the UK's (and the world's) premiere independent record labels. Anushka is the collaborative name for Victoria Port and Max Wheeler. The duo first met in the vibrant club, music and arts scenes in that creativity incubating south coast town that is Brighton. With their first single, Yes Guess, gaining support from major broadcast influencers such as Gilles Peterson they released their debut album, Broken Circuit, in 2014. With major airplay support from Mary Anne Hobbs, Annie Mac, the aforementioned Gilles Peterson and others the second album Yemaya was released in 2021. On this second record they experimented with their sound, exploring darker and more complex songs and palettes. Both albums forged Anushka's sound and production values, combining a deep respect for the UK's electronic club culture mixed with Jazz and Soul. Now, with the release of Ancestry on BBE Music, the duo has created an album that furthers their sound, their songwriting, their arrangements and their production. Victoria's songwriting for Ancestry is influenced by her love of Ella Fitzgerald, Sampha, Jimmy Cliff and Georgia Anne Muldrow. Max's approach to the production on Ancestry is driven by his own ancestral back catalogue of music from Moodymann and Theo Parrish and further back to Larry Heard, Wu Tang Clan and the 90's electronica of Tricky, Portishead and David Holmes. It definitely bears repeating that list of influences has resulted in Ancestry being Anushka's best album yet. Releasing on BBE Music, on both digital and vinyl formats, Ancestry is an album that is a must for lovers of the highly innovative, jazz and soul fuelled club sound that is part of the UK's contemporary music scene.
Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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PeteStrumentals follows Jay Dee’s Welcome 2 Detroit as the second offering in BBE’s producer spotlight “Beat Generation” series. If you approach Pete Rock’s joint as a song-oriented pop album, you may feel disappointed. Only two tracks (“Cake” and “Nothin’ Lesser – Jamie’s Mix”) feature MCs and the repetitive, consistently mid-tempo beats get somewhat monotonous by the end of most tracks. If you approach the album as a radical work of sonic architecture, you may also feel disappointed, since Rock’s relatively old-school sensibility isn’t likely to make you hear music in a completely new way. But if you approach PeteStrumentals on its own terms — as a laid-back collection of atmospheric beats ideal for late-night chilling or freestyling over — then you may enjoy Pete Rock’s soulful funk-jazz grooves, which are first rate for this type of recording. The deep bass and whispered “play back” vocal sample on “For the People,” jazzy piano loop on “Hip Hopcrisy,” big-band sax on “Smooth Sailing,” layered horns and vibes on “Pete’s Jazz,” and strings on “Give It to Y’all” (as well as the scratching that starts about two minutes into the song) all fit together to form a first-rate instrumental joint. The MC tracks with Rock Marciano, Divine, Godfree, and Laku are located near the end of the album; this makes them seem almost like bonus tracks, or perhaps a late attempt to ensure that the listener hasn’t nodded off, but they still fit fine in the overall flow of PeteStrumentals.
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Customers who bought this also bought this
Frederiksberg Records is proud to announce the long-awaited reissue of Ambonisye Lord Shepherd’s 1981 debut album, Evidence For Real — a deeply personal and spiritual fusion of Soul and Jazz that has remained a hidden treasure for more than four decades.
Tracklist
1.124th and Lake Street
1.2Life and Times of Malcolm X
1.3Fight for It
1.4Death Land
1.5I'll Always Love You
1.6The Day the Little Shepherd
1.7Verline
1.8The Teachings of Don Juan
1.925TH
https://listen.k7.com/2d96dfe1-f81a-40a2-9c99-d3566d309f45
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Tracklist
1.124th and Lake Street
1.2Life and Times of Malcolm X
1.3Fight for It
1.4Death Land
1.5I'll Always Love You
1.6The Day the Little Shepherd
1.7Verline
1.8The Teachings of Don Juan
1.925TH
https://listen.k7.com/2d96dfe1-f81a-40a2-9c99-d3566d309f45
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1
Lorenzo Morresi & Tenderlonious - Scoglio Rosso
2
Lorenzo Morresi & Tenderlonious - Chiaia di Luna
After their latest album "Cosmica italiana" released on 22a, Lorenzo Morresi & Tenderlonious are finally back together with two new tracks on Terrasolare! A blend of jazz-funk and Italian cinematic sounds. Comes in a premium brown paper sleeve with pantone label, mastered and manufactured by Timmion Cutting!
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Contact: [email protected]More
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1
Jonathan Bockelmann - Aoneko No Torso (02:15 min)
2
Jonathan Bockelmann - Dream (01:15 min)
3
Jonathan Bockelmann - Bibo No Aozora (03:19 min)
4
Jonathan Bockelmann - Blu (02:59 min)
5
Jonathan Bockelmann - A Flower Is Not a Flower (03:12 min)
6
Jonathan Bockelmann - 20220302 (02:42 min)
7
Jonathan Bockelmann - Opus (05:21 min)
8
Jonathan Bockelmann - Dancing in the Sky (01:04 min)
9
Jonathan Bockelmann - Suite for Krug in 2008: Movement I. (06:30 min)
10
Jonathan Bockelmann - Suite for Krug in 2008: Movement II. (07:10 min)
11
Jonathan Bockelmann - Suite for Krug in 2008: Movement III. (05:14 min)
LP
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
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Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
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1
K. Frimpong & His Cubano Fiestas - Keyenkyen Bi Adi M'awu
2
K. Frimpong & His Cubano Fiestas - Gyae Mensu
3
K. Frimpong & His Cubano Fiestas - Yaw Barimah
4
K. Frimpong & His Cubano Fiestas - Susu Ne Won Nka
5
K. Frimpong & His Cubano Fiestas - Baabi A Obi Awuo
6
K. Frimpong & His Cubano Fiestas - Afe Nkyere Ba
7
K. Frimpong & His Cubano Fiestas - Obi Nnim
8
K. Frimpong & His Cubano Fiestas - Ko Foridua Nsuo
Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1976 and considered to be one of the best highlife albums ever recorded.
The Blue Album brings new arrangements to traditional Ghanaian melodies and features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more.
Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement.
Although popular in Ghana at the time of the release, the albums were never distributed internationally and originalcopies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market
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The Blue Album brings new arrangements to traditional Ghanaian melodies and features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more.
Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement.
Although popular in Ghana at the time of the release, the albums were never distributed internationally and originalcopies of the album are extremely rare. The albums got a limited reissue in 2011 and have been unavailable since - even reissue copies sell for high prices on the second hand market
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Released in 1974, Straight Ahead saw The Oblivion Express continuing their exploration of jazz fusion, with Steve Ferrone on drums, Barry Dean on bass, Jack Mills on guitar, Lennox Langton on conga
https://listen.k7.com/d8daba6f-18a5-4409-aef2-61d714b186fd
Track listing:
A1 Beginning Again
A2 Bumpin' On Sunset
B1 Straight Ahead
B2 Change
B3 You'll Stay In My Heart
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
https://listen.k7.com/d8daba6f-18a5-4409-aef2-61d714b186fd
Track listing:
A1 Beginning Again
A2 Bumpin' On Sunset
B1 Straight Ahead
B2 Change
B3 You'll Stay In My Heart
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Abacus - A1.Erotic illusions (instrullusions)
2
Abacus - B1.Erotic illusions (poetic illusions)
3
Abacus - B2.Erotic illusions(Decadent Dub)
Back from ‘96 — Abacus’ legendary The Abacus EP returns, now reissued as Erotic Illusions. Deep, soulful and hypnotic house at its finest, straight from the Guidance era. Pure timeless heat — grab it before it vanishes again.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
nu guinea - No Title
2
nu guinea - No Title
3
nu guinea - No Title
4
nu guinea - No Title
5
nu guinea - No Title
6
nu guinea - No Title
7
nu guinea - No Title
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Citation - Inspiration Of My Life
2
Cho-Ko - Tried And Cried
3
The Aferton Project - Nowhere
4
Janice - Being No #2 Ain't No Fun
5
Ice-O-Matic - Bein' Nice
6
Coleus - Wonder Why
7
Clonzo May's Sextet - Your Heaven Is Too Late
8
Oasis II Band - I Miss You
9
Arejay - Kansas City Girl
10
M&M Co. - Devoted To You
11
Frank Pisani - Please Don't Make It Funky
12
Sonny Khoeblal - Arrival/Born Again
Essential Funk, Soul, and Jazz grooves finally unearthed
Highly regarded lost classics — never reissued until now.
At last, here they are in all their Funky glory!
Download card included!
__________
Citation - "Inspiration of My Life"
Led by Nate Jones, Citation was a vocal group from Highland Park, on the outskirts of Detroit, Michigan, that recorded two seven-inches on the seventies. Sean Brown, Terence Forsyth, Clayton Hooker and Walter Jones were the other voices of this band that gave us the highly collectable “Inspiration of live”, pressed 1977, by Red Line Records, the small independent that also unveiled North by Northeast's “Disco unusual”.
A superb midtempo Harmony Soul stepper that gives you goosebumps every time is played.
__________
Cho-Ko "Tried and Cried"
There´s almost no clues about Cho-Ko.
It seems the band must have been active on the early eighties on Waterford, a small town on the outskirts of Detroit, Michigan.
They only recorded one single, in 1982, which also is the sole edition of Alternating Current, a label they must have created to put it on the market.
Once again, “Tried and cried” is a b side and the only reason for this elusive seven-inch to be on the wantlists of most of Modern Soul collectors.
__________
The Aferton Project -"Nowhere"
Dave Hoffman, Tom Deglman, Mark Janas, Boe Perry, Ken White, Kevin McGlennon and the great jazzy voice of Jill Kennedy were the core members of The Aferton Project, but also of Aferton Records, a small label from Springfield, Illinois.
Created by Hoffman as an output of Deglman's Drc Studio, the two LPs and nine singles released by Aferton Records, being Prog or Jazz Rock, AOR, Soul or Funk, credited to Satchitananda, The Force or Boe Perry, are all linked to these musicians.
“Nowhere” came out as a seven-inch in 1978 and was used as the opening track of “The Aferton Project Volume One”, the band's double LP release one year later, and it's the masterpiece signed by the collective.
A beautiful slice of “Blue-Eyed Jazzy Modern Soul”, with masterful musicianship, amazing arrangements, sublime vocals and a sharp use of the synth, that's perfect for the most discerning dancefloors.
__________
Ice-O-Matic - "Bein' Nice"
Conrad Johnson, Charlie Sporck, Eddie Dodds, Rooty Van Overen, Alvin Reed and Windfield Scott formed Ice-O-Matic, in Monterey, California, at the end of the seventies.
Trying to break through, the band booked a session at the Super Sound Studios, a local institution where The Beach Boys registered some records in 1978.
The two songs recorded there would be self-released on a seven-inch, that is their only record. “Bein' nice” is the b side of this record, pressed by their own Cold Cut Productions, it's a Modern Soul Masterpiece.
__________
Coleus – "Wonder why"
The only seven-inch recorded by Coleus is as much of a mystery as the band itself. The names in the credits of the label don't add much info, even if some state that Bobby Green, one of the composers of “Vegetatian delight”, the male Funk a-side of the record is the sax player on Webster Lewis' band on part of the seventies.
“Wonder why”, the b female side of this record pressed by Bell Tree Productions, is a true Soul Jazz masterpiece.
__________
Clonzo May’s Sextet – “Your Heaven is Too Late”
“Your Heaven Is Too Late" by Clonzo Mays' Sextet is a soulful ballad released in 1977 on Gibraltal Records. The track was issued as a 7" vinyl single, paired with the B-side "We Are Naturally High" . This release has become a sought-after item among collectors of rare soul and funk music.
__________
Oasis II Oasis – “I miss you”
“I miss you” It's the only thing Oasis II have done, the only thing RePete Records launched, the song Elvester Hobdy had written and the only record Lepoleon Peterson and Lonnie Reaser ever produced.
“I miss you” is the B-side of this rare and collectable seven-inch, pressed in 1979 at Deltron Record Pressing in Lafayette, Tennessee, and it's a fabulous Soul ballad comp'd for the first time in this exclusive collective.
__________
Arejay – “Kansas City Girl”
Arejay is an alias of Robert James, a brother of Larry James, the leader of Fat Larry's Band.
Unlike his brother, Arejay had a very successful career: with his band, but also playing with the legendary Delfonics, The Blue Magic or even as a manager of Slick, Robert only recorded this rare and collectable record, pressed on a seven-inch and on an almost impossible to get twelve-inch, that had only 100 copies.
“Kansas city girl” is the b side of this pearl recorded in 1983, at Hitman Studios in Hollywood, California. A supreme stepper that assured this Philly born singer a cult status amongst the connoisseurs in the Soul community.
__________
M & M Co. - Devoted to you
Very little is known about Carl McIntyre, Sam Moncivaiz and their M & M Co. project.
We know they were both Christians devotees. And that their only LP is a collection of religious songs, that reflect the AOR sound of the moment. It was recorded in 1980, at The Sound House in Hollywood, California.
There are no clues about Carl McIntyre but Sam Moncivaiz had a previous recording experience as leader of the family based Moncivaiz Singers, a group from Arizona, that, in 1979, went to San Antonio, Texas, to issue their sole record through Amen Records.
“Devoted to you” is a great AOR song, perfect for today's Modern Soul scene, that borrows its title for the highly collectable LP of M & M Co.
__________
Frank Pisani – Please don't make it funky
Chicago native Frank Pisani did it all!
Between the mid-fifties and the beginning of the the eighties, he recorded almost twenty 45s and two LP, starting in Doo-Wop, Rockabilly, Teen Songs to finally embrace Soul and AOR Sounds, either solo or with The Highlights.
Pressed in 1980 by Happy Day Records, from Oak Park, Illinois, “Please don't make it funky” is a brilliant midtempo Blue-Eyed Soul beauty that earned him cult status from the more forward-thinking DJs of the Modern Soul scene.
__________
Sonny Khoeblal – “Arrival/Born Again”
Sonny Khoeblal is a distinguished Surinamese pianist, composer and educator renowned for his contributions to jazz, fusion, R&B, and world music. Khoeblal began his musical training at the age of six in Suriname and further honed his skills at the Berklee College of Music in Boston.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Highly regarded lost classics — never reissued until now.
At last, here they are in all their Funky glory!
Download card included!
__________
Citation - "Inspiration of My Life"
Led by Nate Jones, Citation was a vocal group from Highland Park, on the outskirts of Detroit, Michigan, that recorded two seven-inches on the seventies. Sean Brown, Terence Forsyth, Clayton Hooker and Walter Jones were the other voices of this band that gave us the highly collectable “Inspiration of live”, pressed 1977, by Red Line Records, the small independent that also unveiled North by Northeast's “Disco unusual”.
A superb midtempo Harmony Soul stepper that gives you goosebumps every time is played.
__________
Cho-Ko "Tried and Cried"
There´s almost no clues about Cho-Ko.
It seems the band must have been active on the early eighties on Waterford, a small town on the outskirts of Detroit, Michigan.
They only recorded one single, in 1982, which also is the sole edition of Alternating Current, a label they must have created to put it on the market.
Once again, “Tried and cried” is a b side and the only reason for this elusive seven-inch to be on the wantlists of most of Modern Soul collectors.
__________
The Aferton Project -"Nowhere"
Dave Hoffman, Tom Deglman, Mark Janas, Boe Perry, Ken White, Kevin McGlennon and the great jazzy voice of Jill Kennedy were the core members of The Aferton Project, but also of Aferton Records, a small label from Springfield, Illinois.
Created by Hoffman as an output of Deglman's Drc Studio, the two LPs and nine singles released by Aferton Records, being Prog or Jazz Rock, AOR, Soul or Funk, credited to Satchitananda, The Force or Boe Perry, are all linked to these musicians.
“Nowhere” came out as a seven-inch in 1978 and was used as the opening track of “The Aferton Project Volume One”, the band's double LP release one year later, and it's the masterpiece signed by the collective.
A beautiful slice of “Blue-Eyed Jazzy Modern Soul”, with masterful musicianship, amazing arrangements, sublime vocals and a sharp use of the synth, that's perfect for the most discerning dancefloors.
__________
Ice-O-Matic - "Bein' Nice"
Conrad Johnson, Charlie Sporck, Eddie Dodds, Rooty Van Overen, Alvin Reed and Windfield Scott formed Ice-O-Matic, in Monterey, California, at the end of the seventies.
Trying to break through, the band booked a session at the Super Sound Studios, a local institution where The Beach Boys registered some records in 1978.
The two songs recorded there would be self-released on a seven-inch, that is their only record. “Bein' nice” is the b side of this record, pressed by their own Cold Cut Productions, it's a Modern Soul Masterpiece.
__________
Coleus – "Wonder why"
The only seven-inch recorded by Coleus is as much of a mystery as the band itself. The names in the credits of the label don't add much info, even if some state that Bobby Green, one of the composers of “Vegetatian delight”, the male Funk a-side of the record is the sax player on Webster Lewis' band on part of the seventies.
“Wonder why”, the b female side of this record pressed by Bell Tree Productions, is a true Soul Jazz masterpiece.
__________
Clonzo May’s Sextet – “Your Heaven is Too Late”
“Your Heaven Is Too Late" by Clonzo Mays' Sextet is a soulful ballad released in 1977 on Gibraltal Records. The track was issued as a 7" vinyl single, paired with the B-side "We Are Naturally High" . This release has become a sought-after item among collectors of rare soul and funk music.
__________
Oasis II Oasis – “I miss you”
“I miss you” It's the only thing Oasis II have done, the only thing RePete Records launched, the song Elvester Hobdy had written and the only record Lepoleon Peterson and Lonnie Reaser ever produced.
“I miss you” is the B-side of this rare and collectable seven-inch, pressed in 1979 at Deltron Record Pressing in Lafayette, Tennessee, and it's a fabulous Soul ballad comp'd for the first time in this exclusive collective.
__________
Arejay – “Kansas City Girl”
Arejay is an alias of Robert James, a brother of Larry James, the leader of Fat Larry's Band.
Unlike his brother, Arejay had a very successful career: with his band, but also playing with the legendary Delfonics, The Blue Magic or even as a manager of Slick, Robert only recorded this rare and collectable record, pressed on a seven-inch and on an almost impossible to get twelve-inch, that had only 100 copies.
“Kansas city girl” is the b side of this pearl recorded in 1983, at Hitman Studios in Hollywood, California. A supreme stepper that assured this Philly born singer a cult status amongst the connoisseurs in the Soul community.
__________
M & M Co. - Devoted to you
Very little is known about Carl McIntyre, Sam Moncivaiz and their M & M Co. project.
We know they were both Christians devotees. And that their only LP is a collection of religious songs, that reflect the AOR sound of the moment. It was recorded in 1980, at The Sound House in Hollywood, California.
There are no clues about Carl McIntyre but Sam Moncivaiz had a previous recording experience as leader of the family based Moncivaiz Singers, a group from Arizona, that, in 1979, went to San Antonio, Texas, to issue their sole record through Amen Records.
“Devoted to you” is a great AOR song, perfect for today's Modern Soul scene, that borrows its title for the highly collectable LP of M & M Co.
__________
Frank Pisani – Please don't make it funky
Chicago native Frank Pisani did it all!
Between the mid-fifties and the beginning of the the eighties, he recorded almost twenty 45s and two LP, starting in Doo-Wop, Rockabilly, Teen Songs to finally embrace Soul and AOR Sounds, either solo or with The Highlights.
Pressed in 1980 by Happy Day Records, from Oak Park, Illinois, “Please don't make it funky” is a brilliant midtempo Blue-Eyed Soul beauty that earned him cult status from the more forward-thinking DJs of the Modern Soul scene.
__________
Sonny Khoeblal – “Arrival/Born Again”
Sonny Khoeblal is a distinguished Surinamese pianist, composer and educator renowned for his contributions to jazz, fusion, R&B, and world music. Khoeblal began his musical training at the age of six in Suriname and further honed his skills at the Berklee College of Music in Boston.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gerd - Hypno Disco
2
Gerd - Hypno Disco (Bonus Mix)
3
Gerd - Tape Machine
4
Gerd - Shape Shaker
This is Gerd's debut on his own label Andarta. Four warm tracks that explore exotic combinations of disco, fm-synthesis, old school tape dub effects and percussive rhythms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Baobab - Keine Nummer (1978)
2
Baobab - Keine Nummer (2022)
** 1st TIME ON 45 + EXCLUSIVE B-SIDE! **
Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Trinidadian Deep - Moments Of Sounds
2
Trinidadian Deep - Moments Of Sounds ( Cee ElAssaad Remix)
3
Boo Williams - My Place
4
Cee ElAssaad, Doug Gomez - Jam It To The Riddim
Cee ElAssaad's ENSOULED label kicks off with a head-turning first release that lays its cards on the table with a powerful title: Freedom, Innovation, Resonance Vol 1. Some of deep house music's most authentic voices contribute, starting with Trinidadian Deep who layers up spiritual synths, organic percussion and smooth beats ina typically cool fashion. The Cee ElAssaad remix brings brighter melodies, keys and jazzy overtones. Boo Williams's 'My Place' is like a busy lava lamp with gloppy keys rising and falling in a thick and velvety arrangement then Cee ElAssaad and Doug Gomez shut down with the steamy late night house of 'Jam It To The Riddim'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More