2025 Snowy white vinyl repress!

Two producers on duty for Gerd's Palm Leaves remixes. Sometimes an amazing track like Palm Leaves just screams for a rework by someone who really could do something nice with it. And this seems to be the perfect remix duo... Larry Heard aka Mr Fingers and Deetron. One for the body and one for the soul! Enjoy!

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Gerd returns to his own Frame Of Mind imprint with another fine selection of tracks. The breakbeat-driven groove of "Brave New Era" aside, all tracks offer different perspectives on early Motor City techno and house. Gerd is showcasing his love for metallic FM-synthesis driven sounds once again. Deep, moody and uplifting.

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Beautiful early Detroit-inspired House and Techno tracks.

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True house veteran Gerd, whether crafting classic bangers under his NY Stomp alias or indebted Chicago tracks as Geeeman, is one of the most well-regarded producers out there. 2022 marks his 30th year at the very top of his game, as always proven by his vast record collection and taste for dance music. Now debuting on Nu Groove with ‘We Bring U Muzik’, including his Warehouse Mix and Dub to magnify the groove, it’s a reminder of his passion, knowledge, and experience as a producer. With a steady flow of releases on labels like his own project Frame Of Mind, or his home away from home Clone Records, his work with majorly influential heavyweights including Larry Heard, Romanthony and MK is a true testament to his house credentials. As Gerd delivers another effortlessly timeless solo works, the Nu Groove catalogue wins yet another evergreen release.

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Re-issue of Gerd's atmopsheric & mysterious techno track ''Easin' In The S-System'' originally released on Brave New World in 1994. Package includes previously unreleased material found on early DAT tapes.

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Gerd fired up the legendary Yamaha DX100 synth and proves he's still the master of machines from Planet FMDX. 4 housey techno tracks ranging from the beautiful melancholic to dancefloor stomper.

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Gerd's return to Royal Oak! For the occasion he dusted of the classic gear and especially the Yamaha DX100. Four tracks from Planet F.M.D.X.

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Despite having numerous aliases, the production quality for prolific Dutch house producer Gerd has always stayed the same. Following his 2013 collection of remixes of MK’s ‘Always’, Gerd is back with a two track debut release on DFTD. Gerd collaborates with Marcoradi on the EP’s title track which is based around a classic piano stab chord progression accompanied by a haunting vocal sample. The pair manage to build the track to almost cacophonic extremes before dropping into a delightfully warm bass synth release to start the wild ride all over again. ‘Work Da Tool’ on the other hand sees Gerd back on solo duties. Opening with a classic house sustained string chord, incorporating reggae like vocal samples before breaking into a pumping, bass synth driven, masterpiece, ‘Work Da Tool’ definitely ‘works’ on the dance floor.

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Clone Royal Oak continues its adventures in house music, and Gerd is delivering some heat again! This is a rework of a track he did two year ago and somehow never finnished until now! Vocals are by Dr. Orion (aka OlivierDaysoul). We think its a timeless track that will be played many years to come. On the flipside there is a stripped dub mix done by Serge & Tyrell. But of course its all about the main vocal mix. Set for release first week September!



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Surprising release by Gerd on the Basement Series with an old classic themed techno track he found on a dusty DAT tape while archiving some old recordings. Somehow a traditional techno track with metalic basslines, stellar string sounds and retro futuristic vocals with a classic theme... time & space. The original slower paced version did get an reshape/makeover that gives it a 2011 update that will be a standard record in the box for many! Remixers on duty are Rotterdam's Duplex duo who are back in business and deliver two remixes. Timeless tracks that will stand out between all dj tools!



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After their debut Life Knocked Me, Windows return to Andarta with their second installment of deep, beautiful and wondrous house music. Simply amazing!

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Back from ‘96 — Abacus’ legendary The Abacus EP returns, now reissued as Erotic Illusions. Deep, soulful and hypnotic house at its finest, straight from the Guidance era. Pure timeless heat — grab it before it vanishes again.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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The collaboration between BBE Music and If Music continues with another excellent compilation in the ongoing If Music Presents series with this 2nd volume in the World Jazz Grooves chapter. Alongside the A Journey Into Deep Jazz albums in the catalogue, World Jazz Grooves Volume 2 explores the global diversity of Jazz in its many forms, as interpreted throughout the globe, with tracks from Denmark, France, Brazil, Canada, the USA and Jamaica.

Tracklisting

Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)

Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr

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Essential Funk, Soul, and Jazz grooves finally unearthed
Highly regarded lost classics — never reissued until now.
At last, here they are in all their Funky glory!

Download card included!

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Citation - "Inspiration of My Life"

Led by Nate Jones, Citation was a vocal group from Highland Park, on the outskirts of Detroit, Michigan, that recorded two seven-inches on the seventies. Sean Brown, Terence Forsyth, Clayton Hooker and Walter Jones were the other voices of this band that gave us the highly collectable “Inspiration of live”, pressed 1977, by Red Line Records, the small independent that also unveiled North by Northeast's “Disco unusual”.
A superb midtempo Harmony Soul stepper that gives you goosebumps every time is played.
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Cho-Ko "Tried and Cried"

There´s almost no clues about Cho-Ko.
It seems the band must have been active on the early eighties on Waterford, a small town on the outskirts of Detroit, Michigan.
They only recorded one single, in 1982, which also is the sole edition of Alternating Current, a label they must have created to put it on the market.
Once again, “Tried and cried” is a b side and the only reason for this elusive seven-inch to be on the wantlists of most of Modern Soul collectors.
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The Aferton Project -"Nowhere"

Dave Hoffman, Tom Deglman, Mark Janas, Boe Perry, Ken White, Kevin McGlennon and the great jazzy voice of Jill Kennedy were the core members of The Aferton Project, but also of Aferton Records, a small label from Springfield, Illinois.
Created by Hoffman as an output of Deglman's Drc Studio, the two LPs and nine singles released by Aferton Records, being Prog or Jazz Rock, AOR, Soul or Funk, credited to Satchitananda, The Force or Boe Perry, are all linked to these musicians.
“Nowhere” came out as a seven-inch in 1978 and was used as the opening track of “The Aferton Project Volume One”, the band's double LP release one year later, and it's the masterpiece signed by the collective.
A beautiful slice of “Blue-Eyed Jazzy Modern Soul”, with masterful musicianship, amazing arrangements, sublime vocals and a sharp use of the synth, that's perfect for the most discerning dancefloors.
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Ice-O-Matic - "Bein' Nice"

Conrad Johnson, Charlie Sporck, Eddie Dodds, Rooty Van Overen, Alvin Reed and Windfield Scott formed Ice-O-Matic, in Monterey, California, at the end of the seventies.
Trying to break through, the band booked a session at the Super Sound Studios, a local institution where The Beach Boys registered some records in 1978.
The two songs recorded there would be self-released on a seven-inch, that is their only record. “Bein' nice” is the b side of this record, pressed by their own Cold Cut Productions, it's a Modern Soul Masterpiece.
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Coleus – "Wonder why"

The only seven-inch recorded by Coleus is as much of a mystery as the band itself. The names in the credits of the label don't add much info, even if some state that Bobby Green, one of the composers of “Vegetatian delight”, the male Funk a-side of the record is the sax player on Webster Lewis' band on part of the seventies.
“Wonder why”, the b female side of this record pressed by Bell Tree Productions, is a true Soul Jazz masterpiece.
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Clonzo May’s Sextet – “Your Heaven is Too Late”

“Your Heaven Is Too Late" by Clonzo Mays' Sextet is a soulful ballad released in 1977 on Gibraltal Records. The track was issued as a 7" vinyl single, paired with the B-side "We Are Naturally High" . This release has become a sought-after item among collectors of rare soul and funk music.
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Oasis II Oasis – “I miss you”

“I miss you” It's the only thing Oasis II have done, the only thing RePete Records launched, the song Elvester Hobdy had written and the only record Lepoleon Peterson and Lonnie Reaser ever produced.
“I miss you” is the B-side of this rare and collectable seven-inch, pressed in 1979 at Deltron Record Pressing in Lafayette, Tennessee, and it's a fabulous Soul ballad comp'd for the first time in this exclusive collective.
__________

Arejay – “Kansas City Girl”

Arejay is an alias of Robert James, a brother of Larry James, the leader of Fat Larry's Band.
Unlike his brother, Arejay had a very successful career: with his band, but also playing with the legendary Delfonics, The Blue Magic or even as a manager of Slick, Robert only recorded this rare and collectable record, pressed on a seven-inch and on an almost impossible to get twelve-inch, that had only 100 copies.
“Kansas city girl” is the b side of this pearl recorded in 1983, at Hitman Studios in Hollywood, California. A supreme stepper that assured this Philly born singer a cult status amongst the connoisseurs in the Soul community.
__________

M & M Co. - Devoted to you

Very little is known about Carl McIntyre, Sam Moncivaiz and their M & M Co. project.
We know they were both Christians devotees. And that their only LP is a collection of religious songs, that reflect the AOR sound of the moment. It was recorded in 1980, at The Sound House in Hollywood, California.
There are no clues about Carl McIntyre but Sam Moncivaiz had a previous recording experience as leader of the family based Moncivaiz Singers, a group from Arizona, that, in 1979, went to San Antonio, Texas, to issue their sole record through Amen Records.
“Devoted to you” is a great AOR song, perfect for today's Modern Soul scene, that borrows its title for the highly collectable LP of M & M Co.
__________

Frank Pisani – Please don't make it funky

Chicago native Frank Pisani did it all!
Between the mid-fifties and the beginning of the the eighties, he recorded almost twenty 45s and two LP, starting in Doo-Wop, Rockabilly, Teen Songs to finally embrace Soul and AOR Sounds, either solo or with The Highlights.
Pressed in 1980 by Happy Day Records, from Oak Park, Illinois, “Please don't make it funky” is a brilliant midtempo Blue-Eyed Soul beauty that earned him cult status from the more forward-thinking DJs of the Modern Soul scene.
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Sonny Khoeblal – “Arrival/Born Again”

Sonny Khoeblal is a distinguished Surinamese pianist, composer and educator renowned for his contributions to jazz, fusion, R&B, and world music. Khoeblal began his musical training at the age of six in Suriname and further honed his skills at the Berklee College of Music in Boston.

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Cee ElAssaad's ENSOULED label kicks off with a head-turning first release that lays its cards on the table with a powerful title: Freedom, Innovation, Resonance Vol 1. Some of deep house music's most authentic voices contribute, starting with Trinidadian Deep who layers up spiritual synths, organic percussion and smooth beats ina typically cool fashion. The Cee ElAssaad remix brings brighter melodies, keys and jazzy overtones. Boo Williams's 'My Place' is like a busy lava lamp with gloppy keys rising and falling in a thick and velvety arrangement then Cee ElAssaad and Doug Gomez shut down with the steamy late night house of 'Jam It To The Riddim'.

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** 1st TIME ON 45 + EXCLUSIVE B-SIDE! **
Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!

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The follow-up to Naya Beat’s seminal Volume 1 release features a lovingly curated selection of deep cuts from an overlooked era of South Asian house, street soul and downtempo originally released between 1988 and 1994. A critics favorite with the likes of Pitchfork (8.0/10), DJ Mag, Mixmag and 4Columns, Volume 2 was a standout release of 2024. Repeating the success of Volume 1, it was The Vinyl Factory’s number one reissue of 2024 and featured on Best Of lists at Phonica Records, Juno, KCRW and In Sheep’s Clothing. It is now available in a spectacular package, a stunning x2LP gatefold package housing clear coloured 180-gram eco-friendly records, limited to 200 copies.

While Volume 1 explored early 80s balearic, synth pop and disco, Volume 2 spotlights a unique era in the late 80s and early 90s in diasporic cities like London and New York when South Asian music was infused with acid house, New Beat and dub. There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house romp ‘X-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating balearic house, dub and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee and Kuljit Bhamra, this double album is a treasure trove of never-before-reissued and previously impossible-to-?nd holy grails.

Naya Beat founders Turbotito and Ragz spent years endlessly hunting through dusty records, obscure cassettes and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and extensively researched liner notes, the x2LP release has been cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

A1 - West India Company - My Shooting Star
A2 - Bappi Lahiri - Rama Rama
A3 - Sharlene Boodram - Chamkay 'D' Chutney (Turbotito & Ragz Remix)
B1 - Kuljit Bhamra - Dholdrums
B2 - Mantra - Mantra
B3 - Heera - Beat The Rhythm (Check It Out)
C1 - Lady M - Kali Raat (Edit)
C2 - Johnny Zee - Billo To Meri Aan
C3 - Turbotito & Ragz ft. Manjeet Kondal – Pyaar (Edit)
C4 - Sangeeta – Calling (Turbotito & Ragz Remix)
D1 - The Jets Orkhestra - X-290 (Turbotito & Ragz Remix)
D2 - Fantasy Nite Club - O My Baby
D3 - Deepak Khazanchi ft. Asha Puthli - Bass Fire (On And On) (Turbotito & Ragz Remix)

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South Asian dance and electronic music rarities handpicked, remastered and occasionally reworked. Featuring overlooked future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname released between 1983 and 1992. The Vinyl Factory’s number one reissue of 2021, this x2LP compilation has been out of print since its initial release and is highly in-demand with collectors and selectors alike with the original pressing fetching well over $100 on Discogs. We’ve been hard at work to give it the repress it deserves – a stunning x2LP gatefold package housing clear coloured 180-gram eco-friendly records, limited to 200 copies.

The first in Naya Beat’s series of compilations and full-length album reissues, Volume 1 has become a reference piece for hidden electronic and dance music gems from the overlooked ‘80s and ‘90s South Asian music scene. From East-West’s dancefloor filler ‘Can't Face The Night (Club Mix)’ to Remo’s balearic masterpiece ‘Jungle Days’ (off his seminal album Bombay City!) to other disco, synth-pop and balearic dancefloor bangers from artists like Babla & His Orchestra, Sheila Chandra, Bappi Lahiri and Asha Puthli to name a few, this double album includes highly sought after, previously never reissued and otherwise impossible to find grails.

Naya Beat founders Turbotito and Ragz spent years endlessly hunting through dusty records, obscure cassettes and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and extensively researched liner notes, the x2LP release has been mastered and cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

A1 - Sheila Chandra – The Awakening
A2 - Babla & His Orchestra – Sabko Maloom Hain Main Sharabi Nahin
A3 - Nazia Hassan and Zobeb Hassan - Dost
iA4 - Pinky Ann Rihal – The Indian Dance
B1 - Arundhati Bhaumik – Kaga Bole Mera (Turbotito & Ragz Rework)
B2 - Musarrat – Hosh Nahin Hai Ji Mujhe
B3 - Remo – Jungle Days
C1 - Asha Puthli – Chipko Chipko
C2 - Manjeet Kondal – Ishkaan De Mamle
C3 - Shakti – Pi Pi (Turbotito & Ragz Rework)
D1 - East-West – Can't Face The Night (Club Mix)
D2 - Bappi Lahiri & Suresh – Thottu Thottu Aadavaa (Turbotito & Ragz Rework)
D3 - Mangal – Masti Bhara Sama Hai (Turbotito & Ragz Rework)

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Compiled by Dubby & Antal, Techno Kayo Volume One is a dancefloor-friendly selection focusing on Japanese proto-techno, electro-pop, and synthpop from the 1980s. Pressed at 45RPM. Comes with OBI and insert with liner notes. Note: This release is only available on physical format (Vinyl & CD) / no downloads will be available.

In late-1970s Japan, a new and unique “genre” called techno kayo emerged, blending catchy pop melodies with the futuristic sounds of synthesizers and drum machines. Rooted in the older kayokyoku style, it was influenced by European electronic acts like Kraftwerk, but had a distinctly Japanese flair. Artists such as Yellow Magic Orchestra pioneered this retro-futuristic sound, creating music that felt both nostalgic and ahead of its time.

Dubby, owner of the legendary record shop Ondas in Tokyo, was one of the first to make Japanese music available to the outside world. He has teamed up with Antal, co-founder of the Amsterdam-based, Rush Hour Records, to release the first in a series of compilations.

Artwork from Johann Kauth (Stenze Quo)

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Strutmode Recordings is back with a hot 4 track dance E.P by Brian SNR.

Funking It Up (SNR’s Underground Rework)

This is a magic carpet ride into a far of galaxy of deep underground mystical dance, with Brian SNR’s signature style vocal and lingo that rides the wind…pumping beats accompanied by airy and windy atmospheres, slick Wah wahs, beautiful saxophone, deep chords, and a chugging live bass line that dictates the theme; it’s a underground indie dance masterpiece, not to be missed!

Funking II Up

The original version is a no nonsense ass shaking, gun slinging, whiskey drinking, street wise disco funker with sexy sleazy vocals on top that sets the theme. Solid beats and snares take the centre stage, big band stabs entice the mood…the bassline is in harmony with the Wah wah guitars…this lively track flaunts itself with pure hip shaking intentions. Whether you’re into Disco, nu Disco/Funk or all the above, this classic funk groover is for you!

My Dark Music (SNR’s Midnight Remix)

Everything you would desire if you’re into the fattest indie dance sound that blends Brian SNR’s punk funk style vocals. The alternative guitar rhythms of the eighties and nineties, dark haunting chords and dramatic brass sweeps excite you; there is a lovely electro bass vibe going on that’s dominating the musical gem all the way. It’s a much welcomed “Rework” of a much earlier production, that has been given the cut and polish a new diamond deserves. Not to be missed.

That’s What I Wanna Do

From the get go you are hypnotized by the loopy pads and the clean house beats, which lays the foundation to this soulful deep house love affair. Sexy splashes of female vocal echo’s on top of bass guitars, it’s an authentic deep house groove with a beautiful atmospheric vibe, with a cozy chord progression to sooth you into a deep, soft boogie wonderland.

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