PeteStrumentals follows Jay Dee’s Welcome 2 Detroit as the second offering in BBE’s producer spotlight “Beat Generation” series. If you approach Pete Rock’s joint as a song-oriented pop album, you may feel disappointed. Only two tracks (“Cake” and “Nothin’ Lesser – Jamie’s Mix”) feature MCs and the repetitive, consistently mid-tempo beats get somewhat monotonous by the end of most tracks. If you approach the album as a radical work of sonic architecture, you may also feel disappointed, since Rock’s relatively old-school sensibility isn’t likely to make you hear music in a completely new way. But if you approach PeteStrumentals on its own terms — as a laid-back collection of atmospheric beats ideal for late-night chilling or freestyling over — then you may enjoy Pete Rock’s soulful funk-jazz grooves, which are first rate for this type of recording. The deep bass and whispered “play back” vocal sample on “For the People,” jazzy piano loop on “Hip Hopcrisy,” big-band sax on “Smooth Sailing,” layered horns and vibes on “Pete’s Jazz,” and strings on “Give It to Y’all” (as well as the scratching that starts about two minutes into the song) all fit together to form a first-rate instrumental joint. The MC tracks with Rock Marciano, Divine, Godfree, and Laku are located near the end of the album; this makes them seem almost like bonus tracks, or perhaps a late attempt to ensure that the listener hasn’t nodded off, but they still fit fine in the overall flow of PeteStrumentals.
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More records from bbe
The second digital and vinyl EP from Brian Jackson and Masters At Work’s highly anticipated ‘Now More Than Ever’ project is a masterclass in soulful innovation, musical legacy, and collaborative excellence. Carefully curated and expertly packaged for true fans, this release brings together extended versions and rare cuts that were simply too expansive, deep, and powerful to fit on the forthcoming triple LP, but far too important not to be heard.
This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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The 10th release on ALIM Music, a stone-cold classic, has been reborn. Gil Scott-Heron and Brian Jackson's The Revolution Will Not Be Televised, the iconic song of protest and Black Consciousness, has been reimagined and revitalised for a new generation. With new lyrics and vocal performance from Black Thought, a reworked and bassline-heavy production by Masters at Work, Brian Jackson has recreated an absolute masterpiece.
Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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The Chisa Years: 1965–1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label.
Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Take Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal
performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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The collaboration between BBE Music and If Music continues with another excellent compilation in the ongoing If Music Presents series with this 2nd volume in the World Jazz Grooves chapter. Alongside the A Journey Into Deep Jazz albums in the catalogue, World Jazz Grooves Volume 2 explores the global diversity of Jazz in its many forms, as interpreted throughout the globe, with tracks from Denmark, France, Brazil, Canada, the USA and Jamaica.
Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling.
Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Anushka's third album Ancestry comes out on BBE Music as both digital and vinyl and represents a massive hitting of the duo's potential as songwriters, musicians and performers following their well received and critically acclaimed previous releases on Brownswood and Tru Thoughts respectively. Indeed Ancestry represents their best album to date and one which befits a release on one of the UK's (and the world's) premiere independent record labels. Anushka is the collaborative name for Victoria Port and Max Wheeler. The duo first met in the vibrant club, music and arts scenes in that creativity incubating south coast town that is Brighton. With their first single, Yes Guess, gaining support from major broadcast influencers such as Gilles Peterson they released their debut album, Broken Circuit, in 2014. With major airplay support from Mary Anne Hobbs, Annie Mac, the aforementioned Gilles Peterson and others the second album Yemaya was released in 2021. On this second record they experimented with their sound, exploring darker and more complex songs and palettes. Both albums forged Anushka's sound and production values, combining a deep respect for the UK's electronic club culture mixed with Jazz and Soul. Now, with the release of Ancestry on BBE Music, the duo has created an album that furthers their sound, their songwriting, their arrangements and their production. Victoria's songwriting for Ancestry is influenced by her love of Ella Fitzgerald, Sampha, Jimmy Cliff and Georgia Anne Muldrow. Max's approach to the production on Ancestry is driven by his own ancestral back catalogue of music from Moodymann and Theo Parrish and further back to Larry Heard, Wu Tang Clan and the 90's electronica of Tricky, Portishead and David Holmes. It definitely bears repeating that list of influences has resulted in Ancestry being Anushka's best album yet. Releasing on BBE Music, on both digital and vinyl formats, Ancestry is an album that is a must for lovers of the highly innovative, jazz and soul fuelled club sound that is part of the UK's contemporary music scene.
Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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Wildchild returns with his new BBE released double vinyl & digital album, Child of a Kingsman. Featuring guest artists of the calibre of Keyon Harrold, Aaron Green, Beatslaya, Amber Navran, The Soulyghost, Darus Jones and Nottz amongst its roster of creative contributors, this album is a giant of Hip-Hop, Rhymes and beats that is a must have in any collection of Black Music.
Since returning from his musical hiatus to be a full time father to his son Miles, Jack 'Wildchild' Brown has written and produced a double album of intricate and powerful lyrics laid over tracks that blends Jazz with Neo-Soul and is destined to be a stand-out addition to the global cannon of cross-genre, collaborative blends of rhyme and music.
Wildchild first found his musical home alongside Madlib and DJ Romes in the 90's Hip-Hop band Lootpack and as a band member and solo artist has worked with legends such as Phife Dawg, Common, DJ Scratch and now with the aforementioned Keyon Harrold and other contemporary giants of soul, jazz and Hip-Hop. Wildchild's driving ethos of of uniting cultures through music and dance is absolutely writ large through the 17 track stroke of genius that is Child of a Kingsman.
Child of a Kingsman is released on BBE Music as a double vinyl LP and high quality digital and follows the digital releases of the singles Change For My 2 Cents feat. Keyon Harrold & A-G and the Nottz remixed Season of Kingsmen.
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Since returning from his musical hiatus to be a full time father to his son Miles, Jack 'Wildchild' Brown has written and produced a double album of intricate and powerful lyrics laid over tracks that blends Jazz with Neo-Soul and is destined to be a stand-out addition to the global cannon of cross-genre, collaborative blends of rhyme and music.
Wildchild first found his musical home alongside Madlib and DJ Romes in the 90's Hip-Hop band Lootpack and as a band member and solo artist has worked with legends such as Phife Dawg, Common, DJ Scratch and now with the aforementioned Keyon Harrold and other contemporary giants of soul, jazz and Hip-Hop. Wildchild's driving ethos of of uniting cultures through music and dance is absolutely writ large through the 17 track stroke of genius that is Child of a Kingsman.
Child of a Kingsman is released on BBE Music as a double vinyl LP and high quality digital and follows the digital releases of the singles Change For My 2 Cents feat. Keyon Harrold & A-G and the Nottz remixed Season of Kingsmen.
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1
Roy Ayers - Green and Gold (Delfonic Rework)
2
Roy Ayers - What's The T? (Delfonic Edit)
3
Roy Ayers - Sugar (Delfonic Rework)
4
Roy Ayers - Oh What A Lonely Feeling (Delfonic Rework)
A soulful rework story – from an edit to an official releasev Berlin’s own Delfonic kicks off a very special series of Roy Ayers reworks with this four-track EP on BBE Music. Originally sparked by a spontaneous edit of “What’s the T?”, which Delfonic shared with BBE’s Pete Adarkwah, the project quickly gained momentum. With listeners asking for a vinyl version, this initial idea soon grew into an official release – and the beginning of a larger tribute.
Drawing from BBE’s 2004 compilation Virgin Ubiquity—a treasure trove of previously unreleased Roy Ayers recordings from 1976 to 1981—Roy Ayers – Delfonic Reworked #1 offers a fresh take on the legendary vibraphonist’s sound, rooted in soul, jazz and groove. The EP opens with Green and Gold, followed by the original spark What’s the T? featuring the incredible Merry Clayton. Also featured are Sugar with Carla Vaughan and Oh What a Lonely Feeling, again showcasing Clayton’s emotive vocals—all reimagined with Delfonic’s signature flair for rhythmic depth and dancefloor flow.
Known for his extensive output of remixes and EPs on respected disco and edit labels, Delfonic brings a deep understanding of groove and arrangement to these respectful yet
forward-thinking versions. His connection to Roy Ayers’ musical universe is evident in every bar. Mastered by Frank Merritt at the Grammy-nominated The Carvery, Roy Ayers – Delfonic
Reworked #1 is available on vinyl and digital download—a must for fans, collectors and groove connoisseurs alike.
Vinyl tracklist:
A1. Green and Gold (Delfonic Rework)
A2. What's The T? (Delfonic Edit)
B1. Sugar (Delfonic Rework)
B2. Oh What A Lonely Feeling (Delfonic Rework)
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Drawing from BBE’s 2004 compilation Virgin Ubiquity—a treasure trove of previously unreleased Roy Ayers recordings from 1976 to 1981—Roy Ayers – Delfonic Reworked #1 offers a fresh take on the legendary vibraphonist’s sound, rooted in soul, jazz and groove. The EP opens with Green and Gold, followed by the original spark What’s the T? featuring the incredible Merry Clayton. Also featured are Sugar with Carla Vaughan and Oh What a Lonely Feeling, again showcasing Clayton’s emotive vocals—all reimagined with Delfonic’s signature flair for rhythmic depth and dancefloor flow.
Known for his extensive output of remixes and EPs on respected disco and edit labels, Delfonic brings a deep understanding of groove and arrangement to these respectful yet
forward-thinking versions. His connection to Roy Ayers’ musical universe is evident in every bar. Mastered by Frank Merritt at the Grammy-nominated The Carvery, Roy Ayers – Delfonic
Reworked #1 is available on vinyl and digital download—a must for fans, collectors and groove connoisseurs alike.
Vinyl tracklist:
A1. Green and Gold (Delfonic Rework)
A2. What's The T? (Delfonic Edit)
B1. Sugar (Delfonic Rework)
B2. Oh What A Lonely Feeling (Delfonic Rework)
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Sydney artist Natalie Slade's debut album Control, co-written with Hiatus Kaiyote's Simon Mavin, is now followed-up with a second instalment of Australian future soul in Molasses, an album featuring a range of UK and Antipodean artists. Joined by The Dieyoungs on keys and Laneous on guitar, Natalie's songwriting and vocals are brought to the fore with excellent production by key Melbourne scene driver, Brisbane's Sampology and additional production from guest Dan Kye. Staying true to the debut album's style of Australian future soul Molasses has an emphasis on poetic storytelling, Natalie's lyrics and melodies that are heard against a lush bed of string arrangements and the influence of Sampology’s soulful but gritty sensibility. As well as her amazing eponymous releases Natalie has also featured on tracks from artists as important and diverse as Posy, Plutonic Lab, Parker and Rhodes and Dojo Cuts among others. Sampology is an innovative producer who, for the past 15 years or so, has been a driving force behind Australia's Hip-Hop, Neo-Soul and Broken Beat/Jazz explosion and has worked with the likes of Ron Trent, Tiana Khasi and Charlie Hill as well as releasing his own tracks. This collaboration between Natalie and Sampology on Molasses is a real high-water mark of music, song-writing and production. Releasing on digital and double vinyl LP, Molasses further chronicles the rising stars of Australia's burgeoning and increasingly important neo-soul and future soul scenes.
Tracklisting
1. My House
2. Adobe Clay
3. Unquenchable Craving
4. Kings and Queens
5. The Lesson
6. Telephone
7. The Other Side
8. As The Stars
9. The Curse
10. Big World
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Tracklisting
1. My House
2. Adobe Clay
3. Unquenchable Craving
4. Kings and Queens
5. The Lesson
6. Telephone
7. The Other Side
8. As The Stars
9. The Curse
10. Big World
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Madlib’s WLIB AM: King of the Wigflip Returns on Double Vinyl via BBE Music
BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography. Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit.
A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cast of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.
This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series' most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.
Disc 1:
1. The New Resident
2. All Virtue
3. Blow The Horns On 'Em
4. Blinfold Test #10 (He Don't Play)
5. The Thang-Thang
6. The Plan Pt. 1
7. Tension
8. Heat
9. Smoke Break
10. Gamble On Ya Boy
11. The Plan (Reprise)
12. The Ox (805)
Disc: 2
1. Take That Money
2. Life
3. Parklight
4. Drinks Up!
5. Yo Yo Affair Pt. 1 & 2
6. The Way That I Live
7. Ratrace
8. I Want It Back
9. Go!
10. Disco Dance
11. What It Do
12. Stop
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography. Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit.
A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cast of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.
This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series' most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.
Disc 1:
1. The New Resident
2. All Virtue
3. Blow The Horns On 'Em
4. Blinfold Test #10 (He Don't Play)
5. The Thang-Thang
6. The Plan Pt. 1
7. Tension
8. Heat
9. Smoke Break
10. Gamble On Ya Boy
11. The Plan (Reprise)
12. The Ox (805)
Disc: 2
1. Take That Money
2. Life
3. Parklight
4. Drinks Up!
5. Yo Yo Affair Pt. 1 & 2
6. The Way That I Live
7. Ratrace
8. I Want It Back
9. Go!
10. Disco Dance
11. What It Do
12. Stop
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Impressive Collective & BBE Music announce 'Brighter The Days' – the 9th studio album by Omar - the world renowned UK soul star. This new album continues Omar's long-standing collaboration with Impressive Collective’s Greg Boraman, which began in 2013 on Freestyle Records with the critically acclaimed 'The Man' album and continued with 'Love In Beats' and 'The Omar Anthology'.
Omar Lyefook MBE, singer, composer, and multi-instrumentalist, solidifies his legendary status with his latest album, Brighter The Days. Over three decades, he has been a defining force in modern Black music, crafting a sound that seamlessly blends soul, funk, jazz, salsa, dub, and hip-hop, with roots in classical music. As he puts it, “Each album is an evolution, if you will. But I’d like to think this is my magnum opus.”
A dynamic collection, Brighter The Days builds upon Omar’s distinctive style with fresh inspiration. His warm, unmistakable voice—tinged with the richness of his Caribbean heritage —is complemented by lush arrangements. Organic drums, bass, brass, keys, and guitars meet the mechanical edge of samples and beats, creating a soundscape that is both timeless and innovative. Sweeping strings, inspired by his early training in orchestral music, add grandeur. “There’s nothing quite like that feeling of hearing all those strings play together,” he says, explaining their recurring presence in his work.
As always, Omar has gathered a stellar line up of collaborators. British legends like Paul Weller, arranger Chris Cameron, rapper Giggs and guitarist Tony Remy join forces with American icons including singers India Arie, Ledisi, Eric Roberson and Raheem DeVaughn, organist Ronnie Foster, and rapper Jeru The Damaja. The result is music that is ambitious in conception and flawless in execution.
The electric styles and highlights include There’s Much Love In The World, a hopeful anthem celebrating unity, Research featuring Honey Larochelle, a sexy and funky dance floor heater, and This Thing Called Life, which captures the album’s essence of optimism amidst challenges. Omar explains, “It’s a specific amount of time we have on this earth, so why waste it arguing and fighting? There are so many more things that connect us as opposed to driving us apart.”
In Brighter The Days, Omar reminds us that music and life are about finding light in the darkness. “Music is what I live for, but so too are my children. Brighter The Days just means something better is coming for all of us.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Omar Lyefook MBE, singer, composer, and multi-instrumentalist, solidifies his legendary status with his latest album, Brighter The Days. Over three decades, he has been a defining force in modern Black music, crafting a sound that seamlessly blends soul, funk, jazz, salsa, dub, and hip-hop, with roots in classical music. As he puts it, “Each album is an evolution, if you will. But I’d like to think this is my magnum opus.”
A dynamic collection, Brighter The Days builds upon Omar’s distinctive style with fresh inspiration. His warm, unmistakable voice—tinged with the richness of his Caribbean heritage —is complemented by lush arrangements. Organic drums, bass, brass, keys, and guitars meet the mechanical edge of samples and beats, creating a soundscape that is both timeless and innovative. Sweeping strings, inspired by his early training in orchestral music, add grandeur. “There’s nothing quite like that feeling of hearing all those strings play together,” he says, explaining their recurring presence in his work.
As always, Omar has gathered a stellar line up of collaborators. British legends like Paul Weller, arranger Chris Cameron, rapper Giggs and guitarist Tony Remy join forces with American icons including singers India Arie, Ledisi, Eric Roberson and Raheem DeVaughn, organist Ronnie Foster, and rapper Jeru The Damaja. The result is music that is ambitious in conception and flawless in execution.
The electric styles and highlights include There’s Much Love In The World, a hopeful anthem celebrating unity, Research featuring Honey Larochelle, a sexy and funky dance floor heater, and This Thing Called Life, which captures the album’s essence of optimism amidst challenges. Omar explains, “It’s a specific amount of time we have on this earth, so why waste it arguing and fighting? There are so many more things that connect us as opposed to driving us apart.”
In Brighter The Days, Omar reminds us that music and life are about finding light in the darkness. “Music is what I live for, but so too are my children. Brighter The Days just means something better is coming for all of us.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Joy Spheres Rees is the coming together of three essential innovators in contemporary music, who have fused their distinct individual sounds into a definitive collaboration for their debut album, ‘Solina’. Allysha Joy, Hidden Spheres and Finn Rees together forged a new sonic landscape which draws on vast inspirations from Balearic House to Street Soul, Alternative RnB and Jazz. This is an album that is conceptually driven from beginning to end, as overarching melodic themes and lyrical mantras weave in and out of hard hitting grooves to create a deeply moving and meditative experience for the listener. Combining Allysha Joy’s potent lyricism, effortless musicianship, unique production & incredible vocals with Hidden Spheres' production values and Djing sensibilities, honed in over a decade's worth of music across different labels, genres, and highly revered releases, alongside the final ingredient of synths, keyboards and skilled musicality of Finn Rees, renowned for his new wave Jazz and dance music output and heavy involvement with acts from the Melbourne/Naarm scene. Personal and poetic, ‘Solina’ speaks to both the intimate and collective desires for connection, through the differing lenses of romance, spirituality, connectivity to nature and the self. It is the culmination of each member's deeply honed skill set, with Hidden Spheres as lead producer, Finn Rees guiding the harmonic synthesis and Allysha Joy’s unmistakable vocal sound, intimately interweaving to create this rich, textural masterpiece ~ a collaborative magnus opus. Solina is released by London's world renowned label BBE Music, with a limited edition gate fold vinyl release this is sure to be a must in the collection.
Tracklisting
1. When Will The Day Come
2. Caught in a Wind
3. Trust the Feeling
4. Promised Me Love
5. Delta Spirit
6. Cave Sands
7. Surrender Love
8. Always Leaving
9. Surrender Love Reprise
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
1. When Will The Day Come
2. Caught in a Wind
3. Trust the Feeling
4. Promised Me Love
5. Delta Spirit
6. Cave Sands
7. Surrender Love
8. Always Leaving
9. Surrender Love Reprise
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In the last decade, global audiences have increasingly explored Japanese music genres like city pop, rock, and reggae. Central to this resurgence has been BBE Music, known for its acclaimed releases on the J-Jazz and J-Jazz Masterclass Series. Guided by Ken Hidaka in Tokyo, BBE Music has now unearthed a treasure from an unexplored niche: the debut album of Japan's first authentic salsa band, Orquesta Del Sol, titled "Rainbow Love."
The roots of salsa in Japan trace back to Latin music pioneers such as Tadaaki Misago's Tokyo Cuban Boys, who played mambo and rumba post-World War II. However, salsa truly took hold in Japan in the 1970s, catalyzed by the Fania All-Stars' 1977 tour. Among those captivated was percussionist Masahito "Pecker" Hashida. Known for his reggae contributions through albums like "Pecker Power" and "Rasta Instantané Avec L'Effroyable Pecker," Pecker’s influence expanded after experiencing the vibrant salsa scene in New York City in 1977. Upon his return to Japan, he spearheaded the creation of Orquesta Del Sol, marking the inception of the salsa genre in Japan.
Orquesta Del Sol's popularity soared with performances that encompassed both covers and original pieces. The group’s rise was buoyed by Japanese session drummer Shuichi “Ponta” Murakami, whose participation in 1980 elevated their profile and led to a contract with Discomate, an arm of TBS Group. This label also featured artists like Toshiko Akiyoshi and Junko Yagami.
The band’s debut album, "Rainbow Love," was co-produced by Ponta and released in 1981. Apart from a cover of "Rumbambola" by Noro Morales, the album features original compositions performed in Japanese, Spanish, and English. The album cover, illustrated by renowned graphic artist and salsa enthusiast Yosuke Kawamura, mirrored the band’s pioneering spirit.
Masashi Takahashi, a noted Japanese Latin music specialist, observes in the newly commissioned liner notes that Orquesta Del Sol reflects shades of New Music, a genre linked to city pop. Takahashi notes that the musicians, deeply embedded in Tokyo’s vibrant studio scene, naturally gravitated towards creating a uniquely Japanese salsa sound. This sound, heavily inspired by Nuyorican salsa, has endured over the decades, warranting a worldwide reissue.
The reissue of "Rainbow Love" marks its first worldwide release on vinyl and digital formats, supplemented by seven bonus tracks previously only available on a CD reissue named "Legend Vol. 1" from the band's label, Uno Music, in 2000.
The band recorded these tracks some time after the release of their second album, Harajuku Live in the early 80s when they were offered album deals from many record companies. Four of the tracks were covers of songs of some of the favorite salsa artists of the band members that they performed at the time when they first started.
Juan Pachanga is a cover of Fania All-Stars included in the album Rhythm Machine, Campanero is a cover of José Mangual Jr. included in the album Tribute To Chano Pozo, Yo Soy La Rumba is a cover of Machito & His Orchestra included in their album Yo Soy La Rumba! and Duerme is a cover of the band Libre included in the album Con Salsa..Con Ritmo Vol. 2- Tiene Calidad.
All tracks have been remastered, with the original Japanese liner notes now available in English and accompanied by Takahashi's new insights.
The timing of this release dovetails with the growing global interest in historic Japanese music, spotlighting the origins of salsa in Japan. Orquesta Del Sol, whose former members later formed the Grammy-nominated group Orquesta De La Luz, have continued to influence the genre significantly. Their debut album remains a cornerstone, inviting new listeners to experience the innovative fusion of Latin sounds nurtured in Japan.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The roots of salsa in Japan trace back to Latin music pioneers such as Tadaaki Misago's Tokyo Cuban Boys, who played mambo and rumba post-World War II. However, salsa truly took hold in Japan in the 1970s, catalyzed by the Fania All-Stars' 1977 tour. Among those captivated was percussionist Masahito "Pecker" Hashida. Known for his reggae contributions through albums like "Pecker Power" and "Rasta Instantané Avec L'Effroyable Pecker," Pecker’s influence expanded after experiencing the vibrant salsa scene in New York City in 1977. Upon his return to Japan, he spearheaded the creation of Orquesta Del Sol, marking the inception of the salsa genre in Japan.
Orquesta Del Sol's popularity soared with performances that encompassed both covers and original pieces. The group’s rise was buoyed by Japanese session drummer Shuichi “Ponta” Murakami, whose participation in 1980 elevated their profile and led to a contract with Discomate, an arm of TBS Group. This label also featured artists like Toshiko Akiyoshi and Junko Yagami.
The band’s debut album, "Rainbow Love," was co-produced by Ponta and released in 1981. Apart from a cover of "Rumbambola" by Noro Morales, the album features original compositions performed in Japanese, Spanish, and English. The album cover, illustrated by renowned graphic artist and salsa enthusiast Yosuke Kawamura, mirrored the band’s pioneering spirit.
Masashi Takahashi, a noted Japanese Latin music specialist, observes in the newly commissioned liner notes that Orquesta Del Sol reflects shades of New Music, a genre linked to city pop. Takahashi notes that the musicians, deeply embedded in Tokyo’s vibrant studio scene, naturally gravitated towards creating a uniquely Japanese salsa sound. This sound, heavily inspired by Nuyorican salsa, has endured over the decades, warranting a worldwide reissue.
The reissue of "Rainbow Love" marks its first worldwide release on vinyl and digital formats, supplemented by seven bonus tracks previously only available on a CD reissue named "Legend Vol. 1" from the band's label, Uno Music, in 2000.
The band recorded these tracks some time after the release of their second album, Harajuku Live in the early 80s when they were offered album deals from many record companies. Four of the tracks were covers of songs of some of the favorite salsa artists of the band members that they performed at the time when they first started.
Juan Pachanga is a cover of Fania All-Stars included in the album Rhythm Machine, Campanero is a cover of José Mangual Jr. included in the album Tribute To Chano Pozo, Yo Soy La Rumba is a cover of Machito & His Orchestra included in their album Yo Soy La Rumba! and Duerme is a cover of the band Libre included in the album Con Salsa..Con Ritmo Vol. 2- Tiene Calidad.
All tracks have been remastered, with the original Japanese liner notes now available in English and accompanied by Takahashi's new insights.
The timing of this release dovetails with the growing global interest in historic Japanese music, spotlighting the origins of salsa in Japan. Orquesta Del Sol, whose former members later formed the Grammy-nominated group Orquesta De La Luz, have continued to influence the genre significantly. Their debut album remains a cornerstone, inviting new listeners to experience the innovative fusion of Latin sounds nurtured in Japan.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
past present (tone poems across time)' is Mark de Clive-Lowe's exquisite new solo album and his debut for Greg Boraman's Impressive Collective label in partnership with BBE Music. Previously the pair released the Pharoah Sanders tribute album 'Freedom', and the equally lauded 'Hotel San Claudio' in collaboration with Shigeto & Melanie Charles.
A deeply personal sonic exploration by Mark, "past present" is a reflection on family, heritage, and healing which was created in tandem with retracing his late father’s journey across Japan 70 years ago. The project is a collection of ambient jazz, emotional cinematic soundscapes that weave analog synths with field recordings from Japanese sacred sites and nature locations.
'past present' partially came into existence thanks to the perseverance of producer, percussionist and Mark’s friend Carlos Niño, who after experiencing Mark's multi-layered motifs in the studio and in live contexts over many years explains, "I kept hearing him make an album like this, I kept telling him that he needed to, and that it would be his best album yet. Subtle, poetic, solo, texturally rhythmic, expressive, full of rippling layers, and arrangements representing such profound thoughts, feelings, relationships, and memories".
Mark also took on board Carlos' recommendation of recording the bulk of "past present" at Ken Barrientos’ analog synth studio, 'The Breath' in Pomona, California - where he utilized no less than 22 different keyboards to create the ethereal and engaging soundscapes across all 11 tracks, also intertwining his own field recordings made during a long, explorative stay in Japan.
Being such an individual and personal concept, it was only correct that Mark wrote the extensive album liner notes, to fully illustrate the decades-long backstory to this stunning collection. Mark completes the album's presentation using archive images from his family's private photo collection - an entire process he likens to time travel and signs off to the listener by stating that he hopes "it takes you on your own journey of imagination and reflection, leading to unexpected places, just as it has for me”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A deeply personal sonic exploration by Mark, "past present" is a reflection on family, heritage, and healing which was created in tandem with retracing his late father’s journey across Japan 70 years ago. The project is a collection of ambient jazz, emotional cinematic soundscapes that weave analog synths with field recordings from Japanese sacred sites and nature locations.
'past present' partially came into existence thanks to the perseverance of producer, percussionist and Mark’s friend Carlos Niño, who after experiencing Mark's multi-layered motifs in the studio and in live contexts over many years explains, "I kept hearing him make an album like this, I kept telling him that he needed to, and that it would be his best album yet. Subtle, poetic, solo, texturally rhythmic, expressive, full of rippling layers, and arrangements representing such profound thoughts, feelings, relationships, and memories".
Mark also took on board Carlos' recommendation of recording the bulk of "past present" at Ken Barrientos’ analog synth studio, 'The Breath' in Pomona, California - where he utilized no less than 22 different keyboards to create the ethereal and engaging soundscapes across all 11 tracks, also intertwining his own field recordings made during a long, explorative stay in Japan.
Being such an individual and personal concept, it was only correct that Mark wrote the extensive album liner notes, to fully illustrate the decades-long backstory to this stunning collection. Mark completes the album's presentation using archive images from his family's private photo collection - an entire process he likens to time travel and signs off to the listener by stating that he hopes "it takes you on your own journey of imagination and reflection, leading to unexpected places, just as it has for me”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'Altera Vita' is the first studio album by World renowned multi-award winning artists Tony Kofi (tenor saxophone) and Alina Bzhezhinska (harp) as a duo. The album is saxophone and harp in perfect harmony with Tony and Alina also providing the bulk of the percussion to accompany their recordings. Tony Kofi is widely recognized as one of the leading Jazz saxophonists in the UK and his duties include regularly lending his skills to legendary group Cymande for their live performances. Alina has been heralded as the "New Sound of Europe'' and the duo’s innovative and refreshing approach to recording is apparent on this album. The namesake and inspiration for this album; ‘Altera Vita’ (2023) was named in Downbeat’s jazz albums of 2023, which is very rare for a single release!
'Altera Vita' mirrors the human experience, from conception through to the inevitable end or new beginning. Throughout the journey the appreciation of our environments is paramount, 'Altera Vita' guides us through an intensified refocus on our senses through the medium of sound.
This homage to the ethereal is dedicated to the influential Pharoah Sanders —a lynchpin in the creative and personal lives of Tony & Alina. Sharing a platform during the 2017 EFG London Jazz Festival at the Barbican in a concert honouring Alice & John Coltrane, Pharoah's influence was profound. Riding the wave of inspiration following Pharoah's passing, Tony channeled his gratitude into the creation of 'Altera Vita (for Pharoah Sanders)' (single). With Alina's harmonious harp in counterpoint, a serene musical dialogue was born, echoing the grandeur of Pharoah's legacy. This track released in 2023 to critical acclaim was a major catalyst for the creation of 'Altera Vita' as an album.
'Altera Vita', the album, is a spontaneous response to a world in dire need for a reset. In a reality where billions find themselves hostage to the ‘doom-scroll’, where topics are disproportionately centred on the darker shades of our existence, and where our attempts to foster connection have only yielded deeper factionalism, 'Altera Vita' surfaces as an aural oasis. An audioscape that personifies tranquility, spirituality and peace — abstract concepts essential to the restructuring of our collective consciousness. 'Altera Vita' was designed by Tony & Alina to provide the listener with an opportunity to sit still and be aware.
The heart of 'Altera Vita' took shape during a busy summer schedule over the span of two electrifying days at Fish Factory Studios, London, The synergy between Tony & Alina underpinned these rapid-fire recording sessions. The ebbs and flows, the improvisational dance of saxophone and harp intermingled with the percussive beats also from the pair, with the phenomenal Muriel Grossmann contributing tanpura from her Ibiza base – all demonstrated the effortless energy harvest of a creative partnership seasoned over years of performance and practice. Their achievement is a testament to music as our communal solace and our binder.
Encapsulating the interplay of West African and Eastern European sonic traditions, notably expressed through jazz, Tony Kofi and Alina Bzhezhinska become symbols of our shared human fabric —a powerful reminder that our commonalities vastly overshadow our differences.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'Altera Vita' mirrors the human experience, from conception through to the inevitable end or new beginning. Throughout the journey the appreciation of our environments is paramount, 'Altera Vita' guides us through an intensified refocus on our senses through the medium of sound.
This homage to the ethereal is dedicated to the influential Pharoah Sanders —a lynchpin in the creative and personal lives of Tony & Alina. Sharing a platform during the 2017 EFG London Jazz Festival at the Barbican in a concert honouring Alice & John Coltrane, Pharoah's influence was profound. Riding the wave of inspiration following Pharoah's passing, Tony channeled his gratitude into the creation of 'Altera Vita (for Pharoah Sanders)' (single). With Alina's harmonious harp in counterpoint, a serene musical dialogue was born, echoing the grandeur of Pharoah's legacy. This track released in 2023 to critical acclaim was a major catalyst for the creation of 'Altera Vita' as an album.
'Altera Vita', the album, is a spontaneous response to a world in dire need for a reset. In a reality where billions find themselves hostage to the ‘doom-scroll’, where topics are disproportionately centred on the darker shades of our existence, and where our attempts to foster connection have only yielded deeper factionalism, 'Altera Vita' surfaces as an aural oasis. An audioscape that personifies tranquility, spirituality and peace — abstract concepts essential to the restructuring of our collective consciousness. 'Altera Vita' was designed by Tony & Alina to provide the listener with an opportunity to sit still and be aware.
The heart of 'Altera Vita' took shape during a busy summer schedule over the span of two electrifying days at Fish Factory Studios, London, The synergy between Tony & Alina underpinned these rapid-fire recording sessions. The ebbs and flows, the improvisational dance of saxophone and harp intermingled with the percussive beats also from the pair, with the phenomenal Muriel Grossmann contributing tanpura from her Ibiza base – all demonstrated the effortless energy harvest of a creative partnership seasoned over years of performance and practice. Their achievement is a testament to music as our communal solace and our binder.
Encapsulating the interplay of West African and Eastern European sonic traditions, notably expressed through jazz, Tony Kofi and Alina Bzhezhinska become symbols of our shared human fabric —a powerful reminder that our commonalities vastly overshadow our differences.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A couple of years back, UK-based House DJ Jerry Frempong’s wife Katie was doing a spring clean at the family home. At the bottom of the garden, amongst a pile of rusty garden tools, she discovered a couple of mysterious bin-bags. She was about to assign them to the skip with everything else, but a sixth sense persuaded her to check the contents. It was a huge pile of rare soul, funk, disco, boogie and- yes – Ghana Highlife records. Katie brought this to the attention of Jerry, who immediately understood the significance of the treasure trove.
Jerry’s Father, Anthony Roberts Frempong, who had passed away in 2011, was the founder of one of the most significant Ghanaian record and music companies anywhere in the world: Asona Records. Asona was founded in the mid-80s, with little fanfare, in Peckham, South East London. It was a label with a firm mission: Burger Highlife. No, not a swanky fast-food chain, nor a 5-star German hotel chain, but a record label devoted to the new African dance music genre that was sweeping Europe, North America and West Africa at the time – Electric Highlife.
BBE Music owner Pete Adarkwah caught wind of the serendipitous discovery and approached Jerry to discuss the reissue of this historic catalogue. Before long a catalogue deal was hammered out: and here you have it!
BURGER HIGHLIFE AND THE ‘DIASPORA LOOP’.
So: why Burger? Like many music stories, it started with money- or the shortage thereof. Classic Ghana Highlife has a star-studded history dating back to the early 1920s, with 20-plus piece orchestras playing nightly at hotels and ballrooms across the country. By the 60s, American soul, funk and pop records had become available in small quantities, and their electric-based sound started to inspire Ghanaian musicians of every stripe. As with the history of Afro Cuban music, here was African music doing its transatlantic ‘loop’- African rhythms go across the sea, inspire others, and return to Africa some years later, to be rebuilt and tweaked anew by African musicians.
This came to wide general public attention on March 6 1971, when a group of African American and Ghanaian musicians came together for a memorable concert in Accra’s Black Star Square. Tina Turner, Wilson Pickett, Carlos Santana and other African American artists performed head-to-head with the likes of Ghana jazz pioneer Guy Warren and funky highlife Basa Basa Soundz co-founder Amoah Azangeo.
Soon, Ghana Highlife spread across Europe and North America. But the honeymoon would soon be cut short. By the end of the 70s, Jerry Rawlings’ military government, desperate for funds in a sinking economy, imposed a 160% tax on imported musical instruments and equipment. The inevitable result was that artists and bands couldn’t make ends meet and had to go elsewhere: in this case, especially to North America, the UK- and Germany.
It’s generally accepted that the first major funky electronic disco/boogie Highlife tune was George Darko’s 1983 Hamburg-recorded Akoo Te Brofo – so, Burger Highlife – or sometimes, Borga Highlife. But the artists included in BBE’s Asona reissue series together span a panorama of Ghana’s music history, right back to the late 60s. It may be called Burger, but it’s also classic Highlife seen through a different lens: the lens of the Diaspora.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Jerry’s Father, Anthony Roberts Frempong, who had passed away in 2011, was the founder of one of the most significant Ghanaian record and music companies anywhere in the world: Asona Records. Asona was founded in the mid-80s, with little fanfare, in Peckham, South East London. It was a label with a firm mission: Burger Highlife. No, not a swanky fast-food chain, nor a 5-star German hotel chain, but a record label devoted to the new African dance music genre that was sweeping Europe, North America and West Africa at the time – Electric Highlife.
BBE Music owner Pete Adarkwah caught wind of the serendipitous discovery and approached Jerry to discuss the reissue of this historic catalogue. Before long a catalogue deal was hammered out: and here you have it!
BURGER HIGHLIFE AND THE ‘DIASPORA LOOP’.
So: why Burger? Like many music stories, it started with money- or the shortage thereof. Classic Ghana Highlife has a star-studded history dating back to the early 1920s, with 20-plus piece orchestras playing nightly at hotels and ballrooms across the country. By the 60s, American soul, funk and pop records had become available in small quantities, and their electric-based sound started to inspire Ghanaian musicians of every stripe. As with the history of Afro Cuban music, here was African music doing its transatlantic ‘loop’- African rhythms go across the sea, inspire others, and return to Africa some years later, to be rebuilt and tweaked anew by African musicians.
This came to wide general public attention on March 6 1971, when a group of African American and Ghanaian musicians came together for a memorable concert in Accra’s Black Star Square. Tina Turner, Wilson Pickett, Carlos Santana and other African American artists performed head-to-head with the likes of Ghana jazz pioneer Guy Warren and funky highlife Basa Basa Soundz co-founder Amoah Azangeo.
Soon, Ghana Highlife spread across Europe and North America. But the honeymoon would soon be cut short. By the end of the 70s, Jerry Rawlings’ military government, desperate for funds in a sinking economy, imposed a 160% tax on imported musical instruments and equipment. The inevitable result was that artists and bands couldn’t make ends meet and had to go elsewhere: in this case, especially to North America, the UK- and Germany.
It’s generally accepted that the first major funky electronic disco/boogie Highlife tune was George Darko’s 1983 Hamburg-recorded Akoo Te Brofo – so, Burger Highlife – or sometimes, Borga Highlife. But the artists included in BBE’s Asona reissue series together span a panorama of Ghana’s music history, right back to the late 60s. It may be called Burger, but it’s also classic Highlife seen through a different lens: the lens of the Diaspora.
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Germany
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Reflection - Because
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Ara Pacis - To The Westcoast
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Mainpoint - Frisbee
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Nuages - Strange Weekend
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Austrian Sky - Dieter Heyduk
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Gavin James - River of Laughter
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Top Spin - Bikin
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Jan Pack Band - Cable Dance
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Goldfinger - Walkin' In The Sand
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Major Seven - Silverboat
ONLY Europe! NO rest of WW / UK!
When people think of Yacht Rock-those smooth, sun-drenched sounds that once drifted from Californian radio stations in the late '70s and early '80s-they rarely imagine it echoing through rehearsal rooms in Hamburg or Linz. Yet even far from the Pacific coastline, the appeal of shimmering chords, laid-back grooves, and polished production found fertile ground.
This compilation gathers rare and overlooked tracks from Germany and Austria. These artists embraced West Coast aesthetics with sincerity and subtle twists, resulting in music that feels both familiar and refreshingly new-smooth sounds for cloudy skies. So drop anchor, pour something cool, and enjoy this unexpected cruise through the lesser-charted waters of Euro Yacht Rock.
Our journey begins in Austria, where Reflection's Because (1981) set the tone with blue-eyed soul and analogue warmth-a sunlit blend of Doobie Brothers polish and local charm. Its creator, Dieter Heyduk, reappears with Austrian Sky, a heartfelt nod to his homeland that fuses mountain calm with oceanic longing.
From the North Sea island of Föhr, Ara Pacis dreamed of California on their 1979 self-release To the Westcoast. Inspired by Steely Dan and Lake, they turned German rock precision into breezy, melodic sophistication. Meanwhile, in Düsseldorf, Mainpoint fused funk and jazz-rock on Frisbee, their 1980 single bursting with rhythmic drive and optimism before the tide of the Neue Deutsche Welle swept such grooves aside.
Bremerhaven's Nuages offered the compilation's only instrumental gem, Strange Weekend (1985)-a gentle blend of jazz-funk and rock and largely lost to time. Its cool restraint captures the European interpretation of Californian ease.
Around the same period, British traveler Gavin James recorded River of Laughter in southern Germany, backed by the blues-rock band Black Cat Bone. His acoustic reflections on water and flow mirrored the soft, meditative pulse at Yacht Rock's core.
Berlin's Top Spin kept things playful with Bikin (1985), a funk-fusion snapshot of urban joy that showcased the city's finest session players. From the Ruhr area, the Jan Pack Band is up next. While not a typical Yacht Rock track, Cable Dance is driven by an effortless, groovy '80s vibe.
Peter Seiler's Goldfinger project reimagined Walkin' in the Sand as a relaxed reggae-tinged track, while Munich's Major Seven closed the voyage with Silverboat, a wistful soft rock ballad gliding between melancholy and light.
Across these hidden harbors of German and Austrian pop, the West Coast dream took on new forms-reflected in rivers, skies, and studio lights half a world away from L.A. Under and Above the Clouds celebrates that spirit: the enduring pull of smooth music, wherever it's made.
Special remarks:
- Co-release with Tramp Records
- First ever German Yacht Rock compilation with a selection of extremely rare tunes
- Fully Licenced
- Thick gatefold sleeve with hype sticker and extended liner notes
- Artwork by Chrisse Kunst
- Pressed on BIO VINYL -> Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases
- Manufactured in Germany
Tracklist:
Side A:
Reflection - Because
Ara Pacis - To The Westcoast
Mainpoint - Frisbee
Nuages - Strange Weekend
Dieter Heyduk - Austrian Sky
Side B:
Gavin James - River of Laughter
Top Spin - Bikin
Jan Pack Band - Cable Dance
Goldfinger - Walkin' In The Sand
Major Seven - Silverboat
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
When people think of Yacht Rock-those smooth, sun-drenched sounds that once drifted from Californian radio stations in the late '70s and early '80s-they rarely imagine it echoing through rehearsal rooms in Hamburg or Linz. Yet even far from the Pacific coastline, the appeal of shimmering chords, laid-back grooves, and polished production found fertile ground.
This compilation gathers rare and overlooked tracks from Germany and Austria. These artists embraced West Coast aesthetics with sincerity and subtle twists, resulting in music that feels both familiar and refreshingly new-smooth sounds for cloudy skies. So drop anchor, pour something cool, and enjoy this unexpected cruise through the lesser-charted waters of Euro Yacht Rock.
Our journey begins in Austria, where Reflection's Because (1981) set the tone with blue-eyed soul and analogue warmth-a sunlit blend of Doobie Brothers polish and local charm. Its creator, Dieter Heyduk, reappears with Austrian Sky, a heartfelt nod to his homeland that fuses mountain calm with oceanic longing.
From the North Sea island of Föhr, Ara Pacis dreamed of California on their 1979 self-release To the Westcoast. Inspired by Steely Dan and Lake, they turned German rock precision into breezy, melodic sophistication. Meanwhile, in Düsseldorf, Mainpoint fused funk and jazz-rock on Frisbee, their 1980 single bursting with rhythmic drive and optimism before the tide of the Neue Deutsche Welle swept such grooves aside.
Bremerhaven's Nuages offered the compilation's only instrumental gem, Strange Weekend (1985)-a gentle blend of jazz-funk and rock and largely lost to time. Its cool restraint captures the European interpretation of Californian ease.
Around the same period, British traveler Gavin James recorded River of Laughter in southern Germany, backed by the blues-rock band Black Cat Bone. His acoustic reflections on water and flow mirrored the soft, meditative pulse at Yacht Rock's core.
Berlin's Top Spin kept things playful with Bikin (1985), a funk-fusion snapshot of urban joy that showcased the city's finest session players. From the Ruhr area, the Jan Pack Band is up next. While not a typical Yacht Rock track, Cable Dance is driven by an effortless, groovy '80s vibe.
Peter Seiler's Goldfinger project reimagined Walkin' in the Sand as a relaxed reggae-tinged track, while Munich's Major Seven closed the voyage with Silverboat, a wistful soft rock ballad gliding between melancholy and light.
Across these hidden harbors of German and Austrian pop, the West Coast dream took on new forms-reflected in rivers, skies, and studio lights half a world away from L.A. Under and Above the Clouds celebrates that spirit: the enduring pull of smooth music, wherever it's made.
Special remarks:
- Co-release with Tramp Records
- First ever German Yacht Rock compilation with a selection of extremely rare tunes
- Fully Licenced
- Thick gatefold sleeve with hype sticker and extended liner notes
- Artwork by Chrisse Kunst
- Pressed on BIO VINYL -> Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases
- Manufactured in Germany
Tracklist:
Side A:
Reflection - Because
Ara Pacis - To The Westcoast
Mainpoint - Frisbee
Nuages - Strange Weekend
Dieter Heyduk - Austrian Sky
Side B:
Gavin James - River of Laughter
Top Spin - Bikin
Jan Pack Band - Cable Dance
Goldfinger - Walkin' In The Sand
Major Seven - Silverboat
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Patrick Gibin - Let It Go ft. Kaidi Tatham - Joaquin’s Sacred Rhythm Music Dance Version
2
Patrick Gibin - Joint Purpose - Joaquin’s Teenage Music version
3
Patrick Gibin - In This Together - Joaquin’s Cosmic Arts Story for Bakki Sora
4
Patrick Gibin - Joint Purpose - Joaquin’s Thee Artistic Vintage Lower East Side NYC Squatters Du
5
Patrick Gibin - In This Together - Joaquin’s Voices of Innocence Version
Joe Claussell reimagines 3 tracks from Patrick Gibin's 2024 successful debut album 'Strength In Numbers' for Mother Tongue. These are not simple remixes but complete translations into the NYC legend's own language where the words Cosmic and Spiritual go hand by hand. The depth of these new versions is another testament of Joe's ability to always push the Sound to new heights!
'Let It Go' is manipulated into a dancefloor opus rich of sonic surprises and magnificent synth workouts.
'Joint Purpose' is present here in two versions, the deep and complex 'Teenage Music' mix and the thunderous 'Dub Dub' take which is exactly how it's called: an epic out of body bass experience.
'In This Together' comes in a full 15 minutes suite with tempo and mood changes which echoes the best 70's fusion and finally in a more ethereal form ('Voice Of Innocence Version') to close the double pack.
A breathtaking travel into Claussell's endless creative imagination where boundaries are won and Music is all that matters!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'Let It Go' is manipulated into a dancefloor opus rich of sonic surprises and magnificent synth workouts.
'Joint Purpose' is present here in two versions, the deep and complex 'Teenage Music' mix and the thunderous 'Dub Dub' take which is exactly how it's called: an epic out of body bass experience.
'In This Together' comes in a full 15 minutes suite with tempo and mood changes which echoes the best 70's fusion and finally in a more ethereal form ('Voice Of Innocence Version') to close the double pack.
A breathtaking travel into Claussell's endless creative imagination where boundaries are won and Music is all that matters!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rapha Pico - Rastafari
2
Ray Ranking - Who Dub
3
Rapha Pico - Rastafari (Dubplate Mix)
4
Ray Ranking - Coming Forth By Dub And Night
Tracklisting
A1 Rapha Pico - Rastafari
A2 Ray Ranking - Who Dub
B1 Rapha Pico - Rastafari (Dubplate Mix)
B2 Ray Ranking - Coming Forth By Dub And Night
Sales Note
Another serious Rapha Pico & Ray Ranking Combination; RASTAFARI
After being played as Dubplate on Sound Systems like King Shiloh, Shamba Lion and More, aswell as being incorporated in Rapha Pico's Live performance, RASTAFARI is finally being released!
Available on 12' Vinyl Record including a Heavyweight Dubplate Remix on the B-Side suitable for Sound System
A tribute to His Imperial Majesty Emperor Haile Selassie I and the Rasta Elders and Ancients; their teachings are still relevant today.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Rapha Pico - Rastafari
A2 Ray Ranking - Who Dub
B1 Rapha Pico - Rastafari (Dubplate Mix)
B2 Ray Ranking - Coming Forth By Dub And Night
Sales Note
Another serious Rapha Pico & Ray Ranking Combination; RASTAFARI
After being played as Dubplate on Sound Systems like King Shiloh, Shamba Lion and More, aswell as being incorporated in Rapha Pico's Live performance, RASTAFARI is finally being released!
Available on 12' Vinyl Record including a Heavyweight Dubplate Remix on the B-Side suitable for Sound System
A tribute to His Imperial Majesty Emperor Haile Selassie I and the Rasta Elders and Ancients; their teachings are still relevant today.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:The Outer Edge
Cat-No:TAC-004
Release-Date:14.10.2022
Genre:Electronic, Electronica
Configuration:LP Excl
Label:The Outer Edge
Cat-No:TAC-004
Release-Date:14.10.2022
Genre:Electronic, Electronica
Configuration:LP Excl
1
Herbert Bodzin - Against the Wall
2
Herbert Bodzin - Lifting Blue
3
Herbert Bodzin - Voices of the Mind
4
Herbert Bodzin - Orbital
5
Herbert Bodzin - Lookin' Forward (Part 1)
6
Herbert Bodzin - Red Ocean
7
Herbert Bodzin - Flow Up
8
Herbert Bodzin - Go Ahead
9
Herbert Bodzin - Tender Words
Warehouse Find!
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Drunkenstein - 100 Fahrenheit
2
Drunkenstein - Weather Report
3
Drunkenstein - Dawn To Dusk (Drunkenstein Remix)
Mr. Drunkenstein is back with the goodie goodies. Two beats and one remix are the deal on this lil fellow. Let da vinyl spin and have fun with another Hole in One 7 inch!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tokio Ono - Onion Soup
2
Tokio Ono - Waltz For Tubby
3
Tokio Ono - Birds Of Babylon
4
Tokio Ono - Rare Fish
5
Tokio Ono - Subconscious
6
Tokio Ono - Mr. Maric
7
Tokio Ono - Ital Soup Reduction (SKRSINTL Remix)
8
Tokio Ono - Wisdom Tooth Dub (Vinyl Exclusive)
From Japan, Tokio Ono presents a stunning collection of fourth world & ambient dub explorations!
Yokohama multi-instrumentalist Tokio Ono eases into the Accidental Meetings' family with an array of Japanese folk tinged avant-dubs, drenched in beautiful texture.
The elusive artist has spent much of his life in his hometown with a view of the Yokohama waters, before settling into a new environment in Tokyo where Peel gradually took shape. The essence of a given situation emerges as you peel it away, these tracks were inspired by the accumulation of days and flashbacks of memories: layers to peel joyfully from our lives, while offering a slightly shifted and refreshing perspective on one’s surroundings. It's a dreamy journey from open to close, Ono's world engulfs you in a blissful dubbed out wormhole. Featuring a flip from the sound system royalty of Seekers International to top it off, Peel is a unique and exquisite piece of work.
Sleeve artwork created by artist Kana Ueda.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Yokohama multi-instrumentalist Tokio Ono eases into the Accidental Meetings' family with an array of Japanese folk tinged avant-dubs, drenched in beautiful texture.
The elusive artist has spent much of his life in his hometown with a view of the Yokohama waters, before settling into a new environment in Tokyo where Peel gradually took shape. The essence of a given situation emerges as you peel it away, these tracks were inspired by the accumulation of days and flashbacks of memories: layers to peel joyfully from our lives, while offering a slightly shifted and refreshing perspective on one’s surroundings. It's a dreamy journey from open to close, Ono's world engulfs you in a blissful dubbed out wormhole. Featuring a flip from the sound system royalty of Seekers International to top it off, Peel is a unique and exquisite piece of work.
Sleeve artwork created by artist Kana Ueda.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mood II Swing Featuring John Ciafone - I See You Dancing
2
Mood II Swing Featuring John Ciafone - I See You Dancing (Remix)
3
Mood II Swing Featuring John Ciafone - Slippery Track
4
Mood II Swing Featuring John Ciafone - Ohh
Re issue of 1996 classic house cut from Mood II Swing featuring John Ciafone.
Containing 4 tracks including the absolutely essential B side 'Slippery Track'.
Taken from the original DATs this has been fully re mastered for 2014 and will sound better than anything on discogs. No digital release planned until summer.
Re issued in conjunction with Groove On Productions Inc / George Morel.
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DE - 22113 Hamburg
Germany
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Containing 4 tracks including the absolutely essential B side 'Slippery Track'.
Taken from the original DATs this has been fully re mastered for 2014 and will sound better than anything on discogs. No digital release planned until summer.
Re issued in conjunction with Groove On Productions Inc / George Morel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Takeo Moriyama - Exchange
2
Takeo Moriyama - Watarase
3
Takeo Moriyama - Step
4
Takeo Moriyama - Smile
5
Takeo Moriyama - Good Bye
*Pressed on clear blue vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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DE - 22113 Hamburg
Germany
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
1
Axel Boman, Trensum Tribe - Sottopassaggio Dub
2
Axel Boman, Trensum Tribe - Gröna Dalen Dub
3
Axel Boman, Trensum Tribe - ’Atra Dub
4
Axel Boman, Trensum Tribe - Dub Grape
5
Axel Boman, Trensum Tribe - One Two Dub
6
Axel Boman, Trensum Tribe - Bhuka Dub
7
Axel Boman, Trensum Tribe - Nowhere Good Dub
8
Axel Boman, Trensum Tribe - Les Lèvres Dub
9
Axel Boman, Trensum Tribe - My Dub Is Out Sailing
10
Axel Boman, Trensum Tribe - Hold On Dub
GENRE/S: Electronic, Dub
[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Aris Kokou - A Woman
2
Aris Kokou - A Womant (Instrumental)
3
Aris Kokou - Azymuth
4
Aris Kokou - Sacred Kalypso
Athens based Aris Kokou debuts on Cataleya Music with a seriously deep EP. Think Ron Trent, Coflo or vintage Osunlade. Kokou is a seasoned producer, who released Drum&Bass on Good Looking and Tech grooves on Plastic City Suburbia with Bill Makris in the early 2000s. In recent times, he has been making the sort of Deep, Soulful and Afro influenced House we hear on Kalypso’s Island. The lead cut A Woman is a swinging hip shaker with grooving keys and thought provoking spoken vocals from SingTrece. The keys really fly on the Instrumental. Azymuth with Moulton Music regular Phaze Dee has the sort of jazzy vibe that you would expect. The EP finishes with the gorgeous flute and guitar driven Sacred Kalypso. This is one of the deepest and most spiritually aware EPs on Cataleya Music so far!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Brian Ellis - Boogie Box
2
Brian Ellis - Banana Seat
3
Brian Ellis - In The Dark
4
Brian Ellis - Flipped
5
Brian Ellis - Moonlight Shadows
6
Brian Ellis - One Twenty
7
Brian Ellis - Digital Love
8
Brian Ellis - Saito (Feat. SASAC)
BRIAN ELLIS' "IN THE DARK" back in print for the first time in over a decade, contains 8 synthesizer manifestos that offer a glimpse through ELLIS' imagination. This repress celebrates the infinite throwdown post- sundown and is truly a classic in the modern funk world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More