France via Hong Kong, Taiwan and now Lisbon–based producer and DJ Romain FX delivers his Memory Muscle label debut, Floating World EP. As a true kid of the world, Romain FX draws on a life across continents to create a sound that fuses global influences with overground club sensibilities.

A prolific name on the scene over the past few years, he has released on Sound Metaphor’s Bless You, Sound of Vast, Kalahari Oyster Kult, Toy Tonics, and his own label Fauve. The EP opens with the title track Floating World, a percussive roller packed with drums, colourful synth stabs, and hypnotic swirling melodies that build into an ethereal vocal hook. Who Knows takes things further with crunchy acid lines locked to a pummelling breakbeat groove.

On the flip, Track ID? channels classic 90s house vibes with a stomping 909, bubbling basslines, organ stabs, and euphoric vocal samples. Rounding out the release, Memory Muscle’s London duo deliver a direct club remix of Who Knows, featuring filtered pads, driving breaks, 808 thump, and their signature M1 organ bass.

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Finally the mystery is solved. After seeing air time by jocks like Harvey and Orpheu the Wizard and causing an absolute frenzy amongst diggers world-wide going into a hopeless hunt for what was thought to be a rare unearthed Cantonese version of "Spacer Woman" from back in the day. Only to find out that it was actually a newly produced cover version by Romain FX -- we can all sleep better at night now (and actually even own a copy of the record without having to give up a kidney!). Here it is, finally, after tumultuous negotiations with the original rights owners, Hong Kong raised Romain FX's skilful efforts to give the absolute classic Italo-disco bomb a new facelift --"Spacer Woman" but now in Cantonese. Subtle but effective, he presents a new rendition with Cantonese lyrics by Cheung Yuen Tung along with a very respectful "Acid Trip Version". Get it while you can because the deal made with the original rights owners only allowed for a very limited pressing.

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The French-Hong Kong DJ and producer Romain FX, founder of Fauve Radio and Fauve Records,
debuts on Cracki Records !
After having made his mark on renowned labels such as Exploited, Eskimo Recordings, Novaj V‚µ,
LAGASTA, Fantastic Voyage, Mamie's Records or Hard Fist Records, the ultra-productive artist is about
to release Le Sucre d'Adam a new EP of 4 tracks and 2 remixes with the Parisian label Cracki Records.
Mixing Italian dream house, jazz, and Italo Disco, Romain FX wanted to create with this EP a
timeless record and convey a message of hope for a better world.
The first track "Zeste d'Orange" is full of joyful emotions, with a feeling of unity and sharing, strongly
influenced by 80-90's pop songs like "Rise Up" by The Parachute Club, and "Send Me On My Way" by
Rusted Roots.
With its melancholic keyboards, "Le Sucre d'Adam" is a pure concentrate of Italo Dream House, and
it's not a coincidence that Romain FX entrusted the remix of the track to the German Lauer, specialist of
the genre.
"Italominati" with its powerful bass, draws him in the field of the fairy, influenced by artists like Todd
Terje or Skatebard. It is the Korean producer Shubostar, new figure of the dark disco scene, who took
care of the remix for a very effective cosmic version !
Last track of the EP, "Crave Cave Rave" with its Rave UK and progressive house accents was
imagined as a long DJ Set closing. Intense and heavy at the beginning, the track ends with a feeling of
extreme release, closing the EP in the most beautiful way.
www.crackirecords.

TRACKLIST:
A1. Zeste d'Orange
A2. Le Sucre d'Adam
A3. Le Sucre d'Adam (Lauer Fun Remix)
B1. Italominati
B2. Italominati (Shubostar Remix)
B3. Crave Cave Rave

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JIN05 enters the winter season with a funky warmth from synthesizer specialist Romain FX. Based in Lyon, raised in Taiwan and Hong Kong, Romain is a true multi-culturist. Growing up only speaking Mandarin in Taipei, then got in touch with keyboard at legendary Shaw Studio in Hong Kong at age of 16. A1 “?? Jiéhé” ( in English means Combine) and B1 Flagada both showcases Romain’s technical skills on boards and also his playful jam session disco vibe.

Remixes come in 2 opposite forms:On A2 Zurich’s Ozelot Records head honcho Manuel Fischer surprisingly delivers with an experimental approach, turning Jiéhé to a moody, dub funk. Choppy kicks and woozy atmosphere makes this a late night dance floor favourite cut. Then Telephones finishes up the EP on B2 with a total, 90’s peak time euphoric bomb, transforming “Flagada” into a pumping feel good vibe that is a must get weapon for all house heads and ravers alike.

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Hong Kong-based, French-born artist Romain FX delivers a killer quartet for Exploited’s milestone 30th ;Shir Khan presents Black Jukebox’ release. With previous releases on labels like Fantastic Voyage, Fauve Records and 44100HZ Social Club and support for his music from DJ Harvey, Black Madonna, Tensnake, Erol Alkan and Red Axes, he comes with some serious pedigree.

‘A Fuego’ invokes the spirit of early Balearic house with its Latino vocal chants, sampled piano chords playing a triumphant progression, trumpet blasts and sweet chime melodies echoing around the soundscape. ‘Western Outlands’ continues the balmy feel with infectious woodblock melody trading blows with rubbery synth bass and euphoric melody aplenty. Close your eyes and you could be in the open-air era of Amnesia dancing to Alfredo. The authentic ‘80s synth refrains and tribal vocal loops combine in powerful fashion and make for another winner.

‘Jungle George’ somehow manages to rock a panpipe riff and old skool MIDI guitar notes without sounding crass — which is probably something to do with the taut electro bass groove and rolling bongo / conga rhythms that surround it. Rainforest recordings add a heady feel amidst the cool melodies. ‘Dancing In Hong Kong’ provides a madcap end to the EP, a cute little ‘80s electro-funk jam where jaunty keys, organ bass and a little city pop vibe rub up against each other.

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DJ Sodeyama returns to Sound Of Vast under his The People In Fog guise this June with the nine track 'Too Much Knobs And Cables' LP.

Over the past three decades DJ Sodeyama has been a staple in Japan's underground and beyond across the globe as a DJ and releasing material under his own name via the likes of Radio Slaves' Rekids, Dynamic Reflection, Nina Kraviz' ???? and more. Here though, he makes a welcome return under his The People In Fog alias to Tokyo's Sound Of Vast, the platform that's played host to all of his material under this alias as well as others like The Mole, Shinichiro Yokota, San Proper and more.

Across the nine-track 'Too Much Knobs And Cables' LP, The People In Fog once again radiantly showcases his depth and understanding of true underground sounds. From the classic Deep House aesthetic of opener 'Red Morning', 'CC Love' and 'New Life' to more classic Chicago House inspired cuts like 'Animal Kingdom', 'Jack Out' and filtered Disco house jams like 'Dance To The Air', 'New Life' and 'Miraval'.

Sodeyama also dives deeper beyond House once again in true long player fashion to deliver the unique 80's tinged, funk-infused and vintage synth/drum machine laced 'Night Driver' and the cinematic closing piece 'Sun Moon Lake', which leans into a Balearic leaning sonic world via drifting guitar melodies, arpeggios, acid licks and a crunchy rhythm section.

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Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

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GÆG, the production unit of Tokyo's leading club sound Monkey Timers and Okayama-based maverick producer Keita Sano, is proud to present this heavyweight, alternative, and leftfield release on the "Sound of Vast."

Over a powerful and mysterious bassline, the hypnotic A1 'Jack' builds up with sharp synth stabs, dark pads, and ACID voices taken from Ron Hardy's open reel soundtrack series Jackmaster Hater.
AA1 is followed by the obscure percussion track 'Yamato.' It is a reinterpretation of the drumming of legendary drummer Curt Cress from the German jazz-rock scene of the 80s in the context of dance music.
AA2, 'Central' takes the funky bassline of The S.O.S. Band's 1982 album 'High Hopes' and infuses it with roaring feedback, cutting guitars, and spacy synth sounds, giving it a fresh, modern twist and elevating it to the realm of cosmic disco.

Monkey Timers' love for the classics of disco, krautrock, and Chicago house, the intensity and immersion of current club music created by their real-life experience in the field, and Keita Sano's unique free-form outlandish sound techniques coexist on this 12" EP.

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A double LP collection of retrospective works ** FULL INFO COMING SOON!

TRACKLISTING
A1 Crazy Love
A2 Call You Back
A3 Little Bit Of Our Love

B1 Samba De Howa Howa
B2 Love Luv Rendez-vous

C1 (Earth In) Blue
C2 Dancing On Mars
C3 Tsun-Ban-Tsun-Yeah

D1 Super Love
D2 Love Me One More Time

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Label Text:

"This limited release is a collaboration between Monkey Timers DISKO KLUBB and a Japanese record label from Amsterdam trusted by fans & artists around the world, Sound Of Vast.

Monkey Timers are gaining support in Japan and abroad as a DJ / production unit that is pioneering the next phase of the Japanese new house and disco dub music scene. They will be releasing their long-awaited full-length album ‘KLUBB LONELY’ in collaboration with DISKO KLUBB and Sound Of Vast as a 2LP set limited to 500 copies worldwide.

The album will be packed with collaborations with vocalists / producers / musicians from Japan and abroad including a cover of Dusty Springfield's ‘That's The Kind Of Love I've Got for You’ featuring Lisa Tomlins, who is known for her vocals on Lord Echo and Recloose albums. Also featuring are Berlin-based Mr. Ties; Keith Sano, a promising talent from Okayama who is gaining international attention; MIRRROR, an up-and-coming Japanese-American hip-hop unit; DJ Sammo Hung Kam-Bo (Omoide Baka Yarou ATeam); Marimba player Mami Tsunodou, who is a supporting member of cero, KIRINJI, etc. and many more.

Mixed and mastered by Justin Van Der Volgen (MY RULES). The cover design was done by C.E designer Sk8Thing. "

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Remixes of tracks from People In Fogs 2021 '1977' LP .. full info soon...

Track list:
A1. Mr. Dub (Rahaan Remix)
A2. Less Is More (Satoshi Tomiie Remix)
B1. Come To Me feat. Monkey Timers (Chida Remix)
B2. Down The Drain feat. Sunga (Licaxxx Remix)

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Sound Of Vast welcomes the return of The Mole this November with his 'That Is Nice' EP, comprised of three typically twisted cuts from the Canadian-born Berliner.

Over the course of the past two decades Colin De La Plante, better know to most as The Mole, has unveiled numerous EP's, singles and albums via the likes of Perlon, Ostgut Ton, Slices Of Life and of course Sound Of Vast where he returns here following output in recent years from the likes of DJ Sodeyama as The People In Fog, Cinthie, Com Sin aka Cosmin TRG, Shinichiro Yokota and Akiko Kiyama from the Japanese imprint.

Opening the EP is 'Vetafit', laid out across seven a half minutes with bubbling metallic chimes, bumpy bass notes, crunchy drums and an amalgamation of intertwining plucked synth stabs. Title-track 'That Is Nice' follows, shifting focus to cut up funk licks, a walking bass line and tension building strings atop a dynamic, organic drum groove.

On the flip is '17 Day Parade' to conclude the EP, stripping things pack to punchy, modulating drums a wandering sub bass pulsations and warbling, intricately processed horns and stabs, once again we're treated to more weird and wonderful material from The Mole.

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Tokyo’s DJ Sodeyama returns as The People In Fog this June, delivering his new album under the alias, ‘1977’, first time in eight years via Sound Of Vast.

Yoshifumi Sodeyama better known to most as DJ Sodeyama has been a driving force in the Japanese underground electronic music scene for many years now, over the past decade and a half he’s been releasing his techno material via the likes of Nina Kraviz's ????, Dynamic Reflection, his own Arpa Records and more. Here though Sodeyama shifts focus to his The People In Fog guise with his new album, the alias was started in 2013 and is a project based on house grooves and unique beats. After the debut album ‘A Ray of Light’ was released eight years ago, he delivered three EPs for Sound Of Vast established in Amsterdam, among which, the ‘Higher’ EP turned out to be a big hit.

Across the ‘1977’ LP, named after the year Chicago’s highly influential Warehouse was born, Sodeyama presents a range of styles in the field of House, from percussive-led, hypnotic offerings like opener ‘South Jefferson’ and ‘Less Is More’, the jazz-tinged aesthetic of ‘No Boundaries’ and more groove driven compositions like ‘Come To Me feat. Monkey Timers’ and ‘Mr. Dub’ which lay focus on swinging drums, snaking bass grooves and chanting vocals.

The final three tracks from the project also shine a light on some acid house influences with a recurring theme of squelchy 303 lines amidst ethereal pad textures, dynamic drums and infectious vocal hooks.

‘1977’ presents the accumulative knowledge and experience of a DJ career which reaches beyond 30 years and further showcases Sodeyama’s passion towards music, all compiled into one long player.

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Series 01’, penciled for release in May sees Cosmin TRG return under his Com Sin guise with ‘Glass Harps’, a fluidly unfolding five and half minutes of pulsating subs, glitching percussion and sparkling harp tones before DJ Sodeyama aka The People In Fog’s ‘Chapter Zero’ takes on a modulating hypnotic feel via psychedelic swells, tension building textures and a bumpy, robust rhythm. UK duo Yard One join the roster with ‘Dream Travel’ on the flip-side, employing a more ethereal aesthetic with floating pads, winding chords and a heavily swung drum groove. This project also sees a new design concept for the imprint from London’s David Surman’s painting installation project ‘Paintings For The Cat Dimension’ which ‘’explores the motif of the cat as emblematic of internet aesthetics, a place where all painting styles and modes now exist non-hierarchically as pure information.’’

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SOV's second release of 2019 comes in the shape of the ‘Life Of Dreams’ EP, courtesy of Romanian producer Vid aka Egal 3 who turns in three cuts of his signature hypnotic, stripped-back style.
Vid has grown to become a driving force in the contemporary minimal house scene in recent years both on his hometurf, Romania one of them most important regions for this sound, and across the globe. Racking up releases on the likes of Pleasure Zone, Andromeda, Brouqade and of course Sound Of Vast where he returns here for his fourth EP on the imprint.
Title-track ‘Life Of Dreams’ leads, laid out over thirteen minutes with murky atmospheric textures, warbling sub bass tones and eerie voices ebbing and flowing amongst a dynamic arrangement of organic percussion. 'Povestea Ei’ follows, rhythmically shifting things in broken territory via jazz-tinged off-kilter drums while poetic spoken word vocals, modulating synths and stuttering bass tones further fuel the mind-altering feel. ‘Povestea Mea’ then rounds out the release, this time round embracing a cinematic feel and employing emotive strings, bubbling synths and minimalaistic pops, clicks and whirrs at its core.
DJ support from:

Raresh, Archie Hamilton, Enzo Siragusa, Vlad Caia, Thor, Roger Gerressen and more


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Here we see San Proper and The Mole make a welcome return to the imprint following solo EP’s, this time they join forces with Hreno for a three track EP from the powerhouse trio. Leading on the package is ‘Friendly Tears’ which features yet another leading figure in the house scene, Dekmantel regular Tom Trago, as you’d expect from such an impressive array of artists we’re treated so soul drenched house driven by swinging organic drums, infectious funk licks and hooky synth lines before the ‘Chunkless Mix’ strips things back a little, laying focus solely on the 80’s tinged synth work, delayed vocal murmurs and
minimalistic percussion.
‘On The Floor’ then rounds out the package, retaining a similar aesthetic with choppy guitar melodies, penetrating bass stabs, crunchy rhythms and resonant arpeggio synths ebbing and flowing dynamically throughout.

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For our mythical number 13 - We're bringing back the spacey minimal to our catalog. Com Sin is Cosmin TRG's alter ego for the experimental, minimal project. Although he is one of the grand figures of the techno scene, under his Com Sin alias he presents a different side of his musical inclination.

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SOV is glad to welcome aboard the new family member for itâ??s 12th cat. The Mole is a Canadian artist known for his music boutique interpreting elements of disco, jazz, hip hop and funk. Since this kind of game is also the core of our soul, we are happy to present 4 special tracks from him.



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Egal 3 has returned to SOV under the name of VID, an alter ego for his real musical expression. Bringing 3 great tracks to your eardrums..

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yes it's the Amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world

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Finally, Sound Of Vast's first release in 2016. Good news for many people as it the initial release of "Higher" sold way too fast. There's been some a huge deman for us to bring it back - so we decided to repress it again, this time with a twist... Soichi Terada Remix! With this re-issued version of EP, we show the identity of the "Unknown Artist", as someone already guessed he is the The People In Fog aka DJ Sodeyama, who released "Deep EP" in 2014 on Sound Of Vast. By The People In Fog project - he shows his 90s old school house side which he raised with. As this release containing not only the original version of “Higher”, but also includes melodic and dreamy remix made by the Japanese house renaissance "Soichi Terada", and "Dub Mix" from The People In Fog with a bit modern groove, this EP can be satisfied any kind of mood on the dance floor. The powerful of vocal from an killer 90s tune, and well-crafted beat production from each legendary house artists, this EP definitely has the energy to bring people in the higher lever of dance.

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After Egal 3 made sweet EP “The Shades” for SOV001, he is coming back to us again with even stronger tracks for our 6th releases, we are very happy to have him back in our Vast family. A1 “Aftelnu” is starting with strong beat and deep/dubby bass line, then what makes different is kicking piano melody in the middle at unexpected moment, the combination between deep bass and piano is just perfect. B1 “Sidebyside” is the track made by just analogue gears, Egal 3 emphasized, you can feel the deep and tight groove made by analogue drum machine and modular synth, this full analogue groove is for sure working on the floor, touch people’s ears and heart. As we are going for the direction under the name of “emotional houses”, those Egal 3’s new tracks are on the right product for us to keep Vast’s color while keeping his identity. Indeed, this EP going to be weapon for both of you who “the house head” and “the minimal head”.

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Never-before-heard psychedelic acid techno and ambient compositions from beloved Japanese producer Susumu Yokota. Recovered from a collection of DAT tapes gifted by Yokota to Ray Castle during the period he released some of his most memorable records such Acid Mt.Fuji or Ebi's Zen.

A fortunate meeting between Ray Castle and Transmigration label boss David Fogarty means these works finally see the light of day.

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Repress coming on the 19th of December!

Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.

Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.

The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.

Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.

‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell

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After a much acclaimed series opener, the creators of The Hidden Beauty Of Dutch House ’94-’98 are back! They’re bringing us this second batch of eight carefully selected masterpieces from The Netherlands’ blossoming scene of the day.

Just like volume I, its sequel is filled with thought-to-be-lost tracks from Dutch producers whose names you rarely come across. It took another deep and long dive into the "Atlantis" of Dutch House to gather this collection. Most of the original master tapes literally had to be dusted off before playing…

Suitable for any true House afficionado, you’ll find a panoramic range of styles and flavours on this second selection, as there was on the first. A truly representative flashback has to show the versatility and broadness of both the music and culture of the nineties. The days of open minds and dancing-like-nobody’s-watching. When we went to the club to discover new sounds and dimensions. The time when this attractively fresh music was the hero of every successful night.

Lovingly compiled for your listening pleasure. So, sit back, open up, and surrender to the beauty of Dutch House!

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The latest release from Berlin-based label PÚCA sounds is a double side fully equipped for the dancefloor, leaving room to explore across both tracks. Cola Ren’s remix of title track King Puck comes smooth and dubby into the chug, swelling with harmony between original percussions spun with Cola’s unmistakable touch.

Bleating is pushed through a late 90s/00s hall of mirrors, rolling with high energy glimmer in the hands of Tornado Wallace. Some ways towards spacey and ultra-danceable, this is a liquid gem of a B-side made to measure as it complements both tracks.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DJ Support: Luke Una, Justin Robertson, Trevor Fung, Leo Elstob, Bill Brewster , Sean Johnston, Duncan Gray, Nathan Gregory Wilkins and DJ mag Balearic album of the month.

Limited edition double vinyl release of Jezebell’s debut new-Balearic epic, which stylishly weaves the history of eclectic club bombs through 16 tracks of downtempo, electro dub, and acid chug.

After the huge, and now sold out, never to be repressed debut album release, Jezebell come again with their second instalment, delivering their trademark Balearic and chuggy, electro-tinged dancefloor bizness in the form of Jezebellearic Beats Volume 2. You get the vibe of the artwork, the Jez crew have the class. These won’t be around for long. One press only.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Fresh out the oven: Strawberry Cake, a four-slice serving of disco, Italo, and sleaze. Trent’s secret recipe baked for sharing. These tracks are decadent, intoxicating, and crafted to leave you sticky-fingered and starry-eyed.

The A-side serves two contrasting temptations. The first track is sleek, hypnotic, and nocturnal: a cosmic seduction dressed in sequins, all sugar-sweat indulgence and midnight whispers. Flip to the second, and you’re met with pure Italo melodrama: synths shimmering, bassline rolling like a glittering night train, and urgent vocals turning a lover’s plea into a dancefloor ultimatum.

On the B-side, the heat rises. One track is full-bodied disco intoxication, a satin-clad haze of late-night indulgence. Finally, the last track crashes the party with a sleazy 4 a.m. jam: part disco, part rock’n’roll dive-bar delirium. It closes the record like the forbidden last bite of cake.

A rare confection: irresistible, indulgent, and absolutely decadent.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Naya Beat is incredibly excited to announce the release of an astonishing lost “holy grail”, Mohinder Kaur Bhamra’s 1982 masterpiece ‘Punjabi Disco’. Unknown and inaccessible to even the deepest of diggers, it is the first British Asian electronic dance album recorded and a true lost relic. A chance find of the original multitrack masters during the Covid lockdown led to ‘Punjabi Disco’ being rediscovered. Lovingly mixed down and remastered from these very studio recordings, the reissue also includes remixes by Peaking Lights, Baalti, Mystic Jungle, Psychemagik, and Danger Boys, as well as a cover by Say She She’s Piya Malik and Turbotito & Ragz and a previously unreleased track. It is available for pre-order and out on x2LP vinyl and all digital platforms on October 31st, 2025.

Released the same year and into equal obscurity as ‘Ten Ragas To A Disco Beat’, Charanjit Singh’s acid house opus, the reissue of ‘Punjabi Disco’ is set to have similar reverberations in the world of dance music. Produced by Mohinder’s eldest son and legendary bhangra pioneer Kuljit Bhamra using a recently acquired Roland SH-1000 synthesizer and a CR-8000 CompuRhythm drum machine played by his then 11-year-old brother, the album was recorded at Roxy Music bass player Rick Kenton’s studio in London. The concept for a Punjabi disco album was subsequently stolen from the Bhamra’s by the very record label that had agreed to distribute the album. Eventually self-released with no label support, ‘Punjabi Disco’ vanished into complete obscurity.

A pivotal figure in British Asian music, West London-based vocalist and first-generation immigrant Mohinder Kaur Bhamra became the first woman to sing at Punjabi weddings and other community events in the UK. Her son, Kuljit, would accompany her, playing tabla at her events from the age of six. Wedding music was traditionally a tame, segregated affair: men and women seated and separated on opposite sides of the room. ‘Punjabi Disco’ was born out of a desire to create an unsegregated dancefloor and inspired by the sounds of disco from the era. A tapestry of electric drum rhythm, warbling bass, and psychedelic siren-like Roland synth melodies provide a vehicle for Mohinder’s powerful voice. Part disco, part funk, part acid house, and infused with Punjabi folk melodies, the sound of ‘Punjabi Disco’ is as mesmerising as it is undefinable.

Featuring an incredible gatefold package and exhaustive liner notes by the Guardian’s Global Music Critic, Ammar Kalia, the x2LP release has been cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

This is Naya Beat’s ninth release in a series of reissues, remixes, and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.

A1 Disco Wich Aa
A2 Nainan Da Pyar De Gaya
A3 Par Toon Ki Janay
A4 Pyar Mainu Kar
A5 Aye Deewane
B1 Soniya Mukh Tera
B2 Mainu Apne Pyar Wich
B3 Chum Chum Dil Nal
B4 Ve Tu Jaldi Jaldi Aa
B5 Dohai Ni Dohai
C1 Disco Wich Aa (Peaking Lights Remix)
C2 Turbotito & Ragz featuring Piya Malik - Nainan Da Pyar De Gaya
C3 Par Toon Ki Janay (Danger Boys Remix)
D1 Nainan Da Pyar De Gaya (Psychemagik Remix)
D2 Par Toon Ki Janay (Dexter+Franz Remix)
D3 Mainu Apne Pyar Wich (Mystic Jungle Remix)
D4 Disco Wich Aa (Baalti Remix)

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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DJ Support: Gilles Peterson, Admin

This release is built around a Bossa Nova cover of a well-known Gospel hit. Comb made an edit, then expanded it with musicians and vocalists to take it in a Reggae direction.

The title track is the new Comb Version, with words to lift spirits and ignite dancefloors. Alongside it are two deeper Dub explorations, and the slower sun-drenched Brazilian cover. Four different takes of a floor-filler, suitable for all occasions.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Lunatic Music returns with its’ third offering - absolutely delighted to bring the Shake & Shout EP from GAÉG! Which is what happens when Monkey Timers and Keita Sano of Japan get together in a studio. Between the two of them they are able to deliver a unique EP fit for any dance floor or sound system around the globe. Their unique blend of sampling and FX helps bring the listener a proper trip and a perfect listen which spans across genres. Mamakari is a dubbed out number that takes you on the full journey, Mooning Moon is a straight up and down disco burner, whilst on the flip we are treated to a special homage - Yamarchy, a dance track or dj from Tokyo? Who knows… This one completes the experience with a dance-floor-mind-melter! To top this special EP off we couldn’t have picked a better face to join in the fun for the remix treatment - TRENT! Listen on loud and will let the remix do the talking - big tip!

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WAS - Word and Sound Medien GmbH
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Germany
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This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a correspondence archive? Above all, it’s a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we’re in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of 2023. As always, oscillating between heterogeneous elements, the album builds bridges between a radical and strangely romantic musique concrète (so slightly reminiscent of particular Luc Ferrari pieces), drawing inspirations from American minimalism, as well as traditional Sardinian music (which Androo listens to every morning), and a special kind of gospel-modal-jazz. Mostly, this is a very personal album (or its script), the fragments of a journey with no makeup. This is what it is.

credits
produced, played, recorded, mixed by androo

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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