A double LP collection of retrospective works ** FULL INFO COMING SOON!

TRACKLISTING
A1 Crazy Love
A2 Call You Back
A3 Little Bit Of Our Love

B1 Samba De Howa Howa
B2 Love Luv Rendez-vous

C1 (Earth In) Blue
C2 Dancing On Mars
C3 Tsun-Ban-Tsun-Yeah

D1 Super Love
D2 Love Me One More Time More

Label Text:

"This limited release is a collaboration between Monkey Timers DISKO KLUBB and a Japanese record label from Amsterdam trusted by fans & artists around the world, Sound Of Vast.

Monkey Timers are gaining support in Japan and abroad as a DJ / production unit that is pioneering the next phase of the Japanese new house and disco dub music scene. They will be releasing their long-awaited full-length album ‘KLUBB LONELY’ in collaboration with DISKO KLUBB and Sound Of Vast as a 2LP set limited to 500 copies worldwide.

The album will be packed with collaborations with vocalists / producers / musicians from Japan and abroad including a cover of Dusty Springfield's ‘That's The Kind Of Love I've Got for You’ featuring Lisa Tomlins, who is known for her vocals on Lord Echo and Recloose albums. Also featuring are Berlin-based Mr. Ties; Keith Sano, a promising talent from Okayama who is gaining international attention; MIRRROR, an up-and-coming Japanese-American hip-hop unit; DJ Sammo Hung Kam-Bo (Omoide Baka Yarou ATeam); Marimba player Mami Tsunodou, who is a supporting member of cero, KIRINJI, etc. and many more.

Mixed and mastered by Justin Van Der Volgen (MY RULES). The cover design was done by C.E designer Sk8Thing. " More

Remixes of tracks from People In Fogs 2021 '1977' LP .. full info soon...

Track list:
A1. Mr. Dub (Rahaan Remix)
A2. Less Is More (Satoshi Tomiie Remix)
B1. Come To Me feat. Monkey Timers (Chida Remix)
B2. Down The Drain feat. Sunga (Licaxxx Remix) More

Sound Of Vast welcomes the return of The Mole this November with his 'That Is Nice' EP, comprised of three typically twisted cuts from the Canadian-born Berliner.

Over the course of the past two decades Colin De La Plante, better know to most as The Mole, has unveiled numerous EP's, singles and albums via the likes of Perlon, Ostgut Ton, Slices Of Life and of course Sound Of Vast where he returns here following output in recent years from the likes of DJ Sodeyama as The People In Fog, Cinthie, Com Sin aka Cosmin TRG, Shinichiro Yokota and Akiko Kiyama from the Japanese imprint.

Opening the EP is 'Vetafit', laid out across seven a half minutes with bubbling metallic chimes, bumpy bass notes, crunchy drums and an amalgamation of intertwining plucked synth stabs. Title-track 'That Is Nice' follows, shifting focus to cut up funk licks, a walking bass line and tension building strings atop a dynamic, organic drum groove.

On the flip is '17 Day Parade' to conclude the EP, stripping things pack to punchy, modulating drums a wandering sub bass pulsations and warbling, intricately processed horns and stabs, once again we're treated to more weird and wonderful material from The Mole. More

Tokyo’s DJ Sodeyama returns as The People In Fog this June, delivering his new album under the alias, ‘1977’, first time in eight years via Sound Of Vast.

Yoshifumi Sodeyama better known to most as DJ Sodeyama has been a driving force in the Japanese underground electronic music scene for many years now, over the past decade and a half he’s been releasing his techno material via the likes of Nina Kraviz's ????, Dynamic Reflection, his own Arpa Records and more. Here though Sodeyama shifts focus to his The People In Fog guise with his new album, the alias was started in 2013 and is a project based on house grooves and unique beats. After the debut album ‘A Ray of Light’ was released eight years ago, he delivered three EPs for Sound Of Vast established in Amsterdam, among which, the ‘Higher’ EP turned out to be a big hit.

Across the ‘1977’ LP, named after the year Chicago’s highly influential Warehouse was born, Sodeyama presents a range of styles in the field of House, from percussive-led, hypnotic offerings like opener ‘South Jefferson’ and ‘Less Is More’, the jazz-tinged aesthetic of ‘No Boundaries’ and more groove driven compositions like ‘Come To Me feat. Monkey Timers’ and ‘Mr. Dub’ which lay focus on swinging drums, snaking bass grooves and chanting vocals.

The final three tracks from the project also shine a light on some acid house influences with a recurring theme of squelchy 303 lines amidst ethereal pad textures, dynamic drums and infectious vocal hooks.

‘1977’ presents the accumulative knowledge and experience of a DJ career which reaches beyond 30 years and further showcases Sodeyama’s passion towards music, all compiled into one long player. More

Series 01’, penciled for release in May sees Cosmin TRG return under his Com Sin guise with ‘Glass Harps’, a fluidly unfolding five and half minutes of pulsating subs, glitching percussion and sparkling harp tones before DJ Sodeyama aka The People In Fog’s ‘Chapter Zero’ takes on a modulating hypnotic feel via psychedelic swells, tension building textures and a bumpy, robust rhythm. UK duo Yard One join the roster with ‘Dream Travel’ on the flip-side, employing a more ethereal aesthetic with floating pads, winding chords and a heavily swung drum groove. This project also sees a new design concept for the imprint from London’s David Surman’s painting installation project ‘Paintings For The Cat Dimension’ which ‘’explores the motif of the cat as emblematic of internet aesthetics, a place where all painting styles and modes now exist non-hierarchically as pure information.’’ More

SOV's second release of 2019 comes in the shape of the ‘Life Of Dreams’ EP, courtesy of Romanian producer Vid aka Egal 3 who turns in three cuts of his signature hypnotic, stripped-back style.
Vid has grown to become a driving force in the contemporary minimal house scene in recent years both on his hometurf, Romania one of them most important regions for this sound, and across the globe. Racking up releases on the likes of Pleasure Zone, Andromeda, Brouqade and of course Sound Of Vast where he returns here for his fourth EP on the imprint.
Title-track ‘Life Of Dreams’ leads, laid out over thirteen minutes with murky atmospheric textures, warbling sub bass tones and eerie voices ebbing and flowing amongst a dynamic arrangement of organic percussion. 'Povestea Ei’ follows, rhythmically shifting things in broken territory via jazz-tinged off-kilter drums while poetic spoken word vocals, modulating synths and stuttering bass tones further fuel the mind-altering feel. ‘Povestea Mea’ then rounds out the release, this time round embracing a cinematic feel and employing emotive strings, bubbling synths and minimalaistic pops, clicks and whirrs at its core.
DJ support from:

Raresh, Archie Hamilton, Enzo Siragusa, Vlad Caia, Thor, Roger Gerressen and more
More

Here we see San Proper and The Mole make a welcome return to the imprint following solo EP’s, this time they join forces with Hreno for a three track EP from the powerhouse trio. Leading on the package is ‘Friendly Tears’ which features yet another leading figure in the house scene, Dekmantel regular Tom Trago, as you’d expect from such an impressive array of artists we’re treated so soul drenched house driven by swinging organic drums, infectious funk licks and hooky synth lines before the ‘Chunkless Mix’ strips things back a little, laying focus solely on the 80’s tinged synth work, delayed vocal murmurs and
minimalistic percussion.
‘On The Floor’ then rounds out the package, retaining a similar aesthetic with choppy guitar melodies, penetrating bass stabs, crunchy rhythms and resonant arpeggio synths ebbing and flowing dynamically throughout. More

For our mythical number 13 - We're bringing back the spacey minimal to our catalog. Com Sin is Cosmin TRG's alter ego for the experimental, minimal project. Although he is one of the grand figures of the techno scene, under his Com Sin alias he presents a different side of his musical inclination. More

SOV is glad to welcome aboard the new family member for itâ??s 12th cat. The Mole is a Canadian artist known for his music boutique interpreting elements of disco, jazz, hip hop and funk. Since this kind of game is also the core of our soul, we are happy to present 4 special tracks from him.

More

Egal 3 has returned to SOV under the name of VID, an alter ego for his real musical expression. Bringing 3 great tracks to your eardrums.. More

yes it's the Amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world More

Finally, Sound Of Vast's first release in 2016. Good news for many people as it the initial release of "Higher" sold way too fast. There's been some a huge deman for us to bring it back - so we decided to repress it again, this time with a twist... Soichi Terada Remix! With this re-issued version of EP, we show the identity of the "Unknown Artist", as someone already guessed he is the The People In Fog aka DJ Sodeyama, who released "Deep EP" in 2014 on Sound Of Vast. By The People In Fog project - he shows his 90s old school house side which he raised with. As this release containing not only the original version of “Higher”, but also includes melodic and dreamy remix made by the Japanese house renaissance "Soichi Terada", and "Dub Mix" from The People In Fog with a bit modern groove, this EP can be satisfied any kind of mood on the dance floor. The powerful of vocal from an killer 90s tune, and well-crafted beat production from each legendary house artists, this EP definitely has the energy to bring people in the higher lever of dance. More

After Egal 3 made sweet EP “The Shades” for SOV001, he is coming back to us again with even stronger tracks for our 6th releases, we are very happy to have him back in our Vast family. A1 “Aftelnu” is starting with strong beat and deep/dubby bass line, then what makes different is kicking piano melody in the middle at unexpected moment, the combination between deep bass and piano is just perfect. B1 “Sidebyside” is the track made by just analogue gears, Egal 3 emphasized, you can feel the deep and tight groove made by analogue drum machine and modular synth, this full analogue groove is for sure working on the floor, touch people’s ears and heart. As we are going for the direction under the name of “emotional houses”, those Egal 3’s new tracks are on the right product for us to keep Vast’s color while keeping his identity. Indeed, this EP going to be weapon for both of you who “the house head” and “the minimal head”. More

After releasing three EP’s in 2014 to great feedbacks such as “standing up house music label”, this January 2015 “Sound Of Vast“ is about to hit its 4th release with an even greater selection and range of house music. This new EP has a very unique sound, which is the result of Sierra Sam and Pascal Hetzel - two of Berlins most talented music producers - collaborating to make something a bit different from their usual style. They “wanted to make something dirty but organic”. Both tracks “Antennae“ and “Wild Things” could be described as very much acidic and raw. Their well built-up drum machine skills are perfectly combined with dirty and heavy acid synth sounds. Emotional melodies which emerge during the middle of the tracks make them even more exciting and involving. Truly the babies of passion and experimentation. The third track, “Fiction 2015“, is a more typical “Sound Of vast” style of track, that can deliver the right mood on the dance floor with solid drum beats and a futuristic synth,
combining the soul of old and new. More

After great success of 2 previous releases, ?Sound Of Vast ? is now about to hit 3rd release. The producer of this deep monster is one of the most respectful Japanese artist, and Womb?s resident Dj ?The People In Fog (aka DJ Sodeyama).? More

Repress!

If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated.
— Hiroshi Yoshimura

Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.

In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.

A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.

* First-ever official reissue of the pioneering 1986 ambient work
* Produced in full cooperation with Hiroshi Yoshimura’s estate
* New liner notes by original album producer Hiroyoshi Shiokawa
* Includes Yoshimura’s original notes in Japanese & English
* Remastering and lacquer cutting by John Baldwin
* Vinyl pressed at Gotta Groove Records


Original credits:

COMPOSED & PERFORMED Hiroshi Yoshimura
RECORDED Hiroo 806 Studio, Kojima Recording Studio
RECORDING ENGINEER Yukio Kojima
DESIGN Toshikazu Ota
PHOTO Yoichi Nagata
PRODUCTION Misawa Homes Institute of Research and Development

Reissue credits:

REISSUE PRODUCERS Yosuke Kitazawa & Patrick McCarthy
REMASTERING & LACQUERING John Baldwin
VINYL PRESSING Gotta Groove Records
REISSUE DESIGN & LAYOUT Ella Gold
ARTWORK SCANNING Satomi Sugiyama
RETOUCHING Ward Long
REISSUE LINER NOTES Hiroyoshi Shiokawa
TRANSLATION Yosuke Kitazawa
SPECIAL THANKS Yoko Yoshimura More

This one’s for the steppers!

Gene Harris, the American jazz pianist, appearing on over 50 albums in his career, including on labels Blue Note & Concord Jazz, known for his warm sound and known for his warm sound and blues and gospel infused style that is known as soul jazz.

Originally released in 1974 on the classic soul jazz album Astral Signal, Losalamitoslatinfunklovesong gained a second wave of popularity when it was played as part of the London centric, Rare Groove scene in the late 80’s.

Remastered and lovingly reissued on the increasingly ‘buy or cry’ Selector Series label, this seminal laid back stepper is available for the first time In over 45 years! More

Snippets for A2 & B2 will be shared in the next weeks.

Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production ‘Ganzfeld’. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfeld’s influence has resonated, 2024 seemed like the perfect moment for a re-release.

Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milan’s Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.

The vinyl comes with a free lossless download.

Mastered by Beau at Ten Eight Seven

Artwork by Brodie Kaman More

DJ TEETH’s Tremendo Recordings proudly presents its debut release, Orion. Rescued from DAT archives by Belgian-based Holographic Hallucination, the release revitalises a selection of rare or previously unreleased tracks from the early/mid-90s golden era.

The title track never made it to release, with just 200 promo copies made in ‘94, reflecting an eye-watering price and a high want list count on Discogs. Now, after years of relative obscurity, this release aims to introduce this sought-after work to a fresh audience. Orion is a 14-minute-plus journey of nostalgic arpeggiated baselines, coupled with mirroring in and out synth lines and swirls, creating an almost ominous mood.

First on the B-side ups the pace with an unreleased dub version of Rumble, a head-down, arms-up, feet-stomping raver track which was released on their label Holographic in ‘93.

The EP closes with an unreleased track produced that same year, Horizon, whirling through your ears and leading to feelings of transcendence. More

The incomparable Dimitri From Paris returns with the latest installment of his acclaimed DFP Vaults series, showcasing the deep cuts that solidify his reputation as one of the premier remixers, DJs, and champions of crate-digging culture in dance music today. This particular release holds a special place in Dimitri's heart, as he explains in his own words below:

"James Brown, the undisputed godfather of soul and the hardest working man in show business, is one of the few artists for whom the term 'legend' feels like an understatement. With a career spanning five decades, countless albums and singles, his unique voice and sound have become synonymous with dance music. Beyond his own recordings, thousands of James Brown samples have permeated our ears since sampling became a cornerstone of music production in the mid-80s—across genres from Hip-Hop to House, Drum 'n' Bass, and everything in between.

This release is particularly meaningful to me. Since my early days as a DJ, I’ve watched James Brown light up dance floors across cultures and generations with his inimitable swagger and irresistible energy. I bought my first James Brown record in 1981—Soul Syndrome, featuring the track 'Funky Men.' At the time, I was a bit disappointed as it didn’t have the classic 'Funky Drummer' style I was expecting, so it ended up buried in a pile of other James Brown classics.

Fast forward over 40 years, and I hear 'Funky Men' again, played by my good friend Alex From Tokyo, and it sounds fresher than ever. The unusual disco beat accompanying James Brown’s vocal, which once made the track stand out in a strange way, has now become its greatest asset! I quickly took it to the edit board, using a mix of old and new techniques, to create my 'Special Version' of 'Funky Men,' which has already been tried and tested on dance floors near you.

For the flip side, I wanted to explore the later, lesser-known disco side of James Brown. The J.B.'s, his personal live band, released a few tracks of their own under his production. Most were instrumentals featuring the breakbeat-heavy sound typically associated with James Brown. However, 'Just Wanna Make You Dance,' with female vocals by Maxxi, offers an almost Caribbean disco vibe. Uniquely, it was released as a 12’’ single with a DJ-friendly remix that included different breaks and drops—something quite rare for a James Brown production at that time. Here again, I’ve given it my own 'Special Version' treatment, respectfully enhanced for maximum DJ impact."

DFP Vaults is the sister label to Le-Edits Records, both of which are highly collectible. While Le-Edits focuses on classic songs remixed from original master tapes, DFP Vaults takes a more eclectic, DJ-friendly approach, spotlighting underdogs and unreleased versions straight from Dimitri's vault. True to Le-Edits' highest production standards, this release features state-of-the-art mastering, cutting, and pressing, all housed in a heavy 'Tip-On' vintage replica custom sleeve. More

DJ Support: DJ Sabo, Gordon Invisible Inc, Ground Chill Mountain, Roe Deers, Thomas Von Party, Vidis

Multi Culti serve up a full-length treat from Peruvian artist Aristidez. Cofounder of Lima-based party collective Casa Locasa and the non-profit label Behua Icara (translated as Healing Rhythms), in support of indigenous culture, Aristidez has recently relocated to Berlin. With releases on Calypso, Disque-Discos, and Kebrada, as well as remixes for Amplio Espectro, Ida Sound, Discos Aquelarre, Rotten City Files, and Playground Records, Aristidez has quietly made a name for himself with a growing catalog of low-key dance tracks that have been championed by the likes of Matias Aguayo, Andrew Weatherall (RIP), and Inigo Vontier, to name a few. With an emphasis on the hypnotic power of rhythm, Aristidez channels indigenous influences in subtle fashion, alluding to visionary experience without resorting to pastiche or obvious tropes. There are freaky tribal rhythms but no shaman samples, just expertly produced tracks than reveal an expansive set of electronic influences that range across tempos and decades, from breaky 90s rave, 80s proto-trance, cult dub, downtempo and more. It’s listenable, danceable, heady and kaleidoscopic stuff that should stand the test of time. More

(2LP gatefold) This album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.

He was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.

Tracklist

A1. Juanita Bonita
A2. Cumbia Candelosa
A3. El Mecanico
A4. Tus Ojos
A5. Que Te Pasa
A6. Brisa, Mar Y Arena

B1. Venenosa
B2. Uey’ Je’ Je’ Pa’
B3. El Canje
B4. Dime Pa’ Quien
B5. El Guarachero
B6. Solo Estoy

C1. La Luna Y El Pescador
C2. Noche De Fiesta
C3. Acuarela Cumbiambera
C4. Las Diez Velas
C5. El Chontaduro
C6. Orlandito

D1. Fiesta Tropical
D2. Cumbia Del Caribe
D3. Guepa…Je
D4. Buenas Noches Diciembre
D5. Alma Quibdoseña
D6. Asi Se Baila Cumbia More

Baby Ford is back being reissued again and we couldn't be happier about it. Few have ever matched the matter levels he achieved when it comes to deep minimal and tech house fusions. This latest on his own Trelik takes the form of three classic cuts from two much sought-after EPs - Built In and All That Nothing. The title cut is a shimmering and sublime fusion of rubbing low ends and icy hi-hats. 'All That Nothing' then picks up the pace with more dub influences and swaying drums and 'Plaza' has a tech house edge that makes for more driving grooves. More