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Chapter 3 of the successful compilation series. 14 modern kraut-electronic tracks (3 of them exclusive and previously unreleased) inspired by Kraftwerk, Can, Neu!, Cluster, Klaus Schulze and many more. Curated and compiled by Compost artist Fred und Luna. As on Vol. 1 and 2, the collage on the cover was designed exclusively by the fantastic artist Norika Nienstedt from the Kraut metropolis of Düsseldorf.

Rainer Buchmüller aka Fred und Luna sadly passed away in January 2024 after a long illness. He was a kind-hearted person, gifted artist, friend and companion. We mourn him deeply. A few days before his death, Rainer Buchmüller had sent us the track listing for Vol. 3 (and already ideas for Vol. 4), with the request to publish this posthumously, he would be very happy if his fans and all those who will be would receive a “sign of life” from him. It's not at all easy or basically impossible to describe the term “Kraut” stylistically. Nevertheless, Compost Records and Fred und Luna embark on a journey through time to discover the different elements of German electronic music from the 1970s and 1980s and their impact on the more recent German and global music scene.
After the great success of Volumes 1 and 2, Vol. 3 follows on stylistically from its predecessor and - as this is one of the basic ideas of the series - gradually expands the musical spectrum with new krauty elements.

Format: - Black 2LP with black inner sleeves incl. three exclusive and unreleased tracks

Quotes about V.A. - Future Sounds Of Kraut Vol. 1:

"A great compilation with a unique approach!" - Hans Nieswandt
"Amazing contributions from all the artist involved ! Love this album ! Thank you Fred & Luna !" - Peter Kruder
"Very interesting compilation ... Great music" - Laurent Garnier
"Just highlights, great selection!" - Hyenah
"Stunning compilation" - Fred Everything
"Superb in every way" - Nick Warren
"A superb collection of tracks that are full of surprises, playfulness and groove. Kraut is back once again. 9/10." - Truth and Lies Music
"Amazing!! Especially love the Kraut one, what a treasure box!" - Deb Grant / BBC Radio

TRACKLISTING:

A1. Fred und Luna - Der Allgemeine Tenor (5:14) *exclusive
A2. Philipp Johann Thimm - Meine Muse (Rework For The Düsseldorf Düsterboys) (8:33)
A3. Niklas Wandt - Zum Schmalen Handtuch (6:11)
B1. Christian Nainggolan - Nachtraucher (6:53) *exclusive
B2. Von Spar - Lambda (4:49)
B3. Harmonious Thelonious - Liquid Sound Waves (3:58)
B4. Benoit B - Cosmic Music Style (4:49)
C1. Salvage Art - Wer Macht Die Arbeit (3:57)
C2. Die Orangen - Lost In The Center (6:23)
C3. Puma & The Dolphin - Nuances (3:53)
C4. Twoonky - Dream Is Impossible (4:15)
D1. Sula Bassana - Space Taxi (6:04)
D2. Organza Ray & Fred und Luna - Water Map (7:50) *exclusive

KEY FACTS:

- Genre: Electronic/Dance, Krautrock, Electronica, Electro
- The black 2LP contains three exclusive, previously unreleased tracks
- UK & WW promotion in addition to Compost via Will Sumsuch (Only Good Stuff)
- Trackpremiere confirmed via https://soundcloud.com/trndmusik (184K Follower) für: D2. Organza Ray & Fred und Luna - Water Map

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An ultrarare in demand DJ Linus EP from 2001 with 4 crunchy cool jacking tech traxx. The old vinyl release was strictly limited and was released under the mysterious artist name The Underground, but it was DJ Linus himself, who produced it. Worth the wait for this rarity re-release, which fits perfectly to the currently happening house sound.
By the way: DJ Linus released his first records on Compose, the 90s subsidiary house label of Compost. Cordially welcome back, Linus!

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16 modern kraut-ish electronic tracks inspired by Kraftwerk, CAN, Neu, Rother, Klaus Schulze etc.. Curated and compiled by Compost artist Fred und Luna. Their selection (with six exclusive tracks!) shows how well younger artists are revitalizing the Kraut scene. The better known ones, like Pyrolator, Sankt Otten, I:Cube, anyway. Watch out for Vol. 2 end of the year. The collage on the cover was exclusively made by the fantastic artist Norika Nienstedt from kraut-metropole Düsseldorf.

Intro: Future sounds of Kraut, what's it all about? Keine Ahnung, I don't know. Überraschung, where we go...
Not at all easy or even impossible to define "Krautrock" or "Kraut". Nevertheless Compost Records and Fred und Luna strike out on the path to find the diverse elements of German electronic music of the 1970s and 1980s and their effects on the newer German and international music scene. So, as a first approach, this volume of "Future Sounds Of Kraut" includes the music of up-to date artists primarily influenced by bands representing the repetitive character of German Electronica: Kraftwerk, Can, Neu!, Harmonia and Cluster, just to name a few.
Feel free to listen and get krautified !

TRACKLISTING 2LP:

A1. Fred und Luna "Intro (Future Sounds Of Kraut)" (1:52) - *exclusive
A2. Baikonour "Oben Beg (Mk2)" (4:39)
A3. Musiccargo "Ich geh den Weg mit dir" (6:18)
A4. Abrão "Intensidade (Rina Remix)" (4:54)

B1. Listening Center "Portable Electronic Musical Instrument" (3:01)
B2. Higamos Hogamos presents SPACEROCKS "Elkamonious Split" (3:31)
B3. Gilgamesh Mata Hari Duo "Florian Schneider-Esleben" (6:16)
B4. Kosmischer Läufer "In der Stadt und auf dem Land" (2:16)
B5. Sankt Otten "Hymne der melancholischen Programmierer" (4:24)

C1. Pyrolator "Die Geschichte vom heißgelaufenen Reißwolf" (4:49) *exclusive
C2. I:Cube "Vantableu" (8:24)
C3. Organza Ray "Preen Scene" (5:27) *exclusive

D1. Sula Bassana "Tropfsteinhöhle" (3:33)
D2. Halwa "Drehwurm" (7:33) *exclusive
D3. Lionel, Julien, Marceau et Rainer "Reise" (5:22) *exclusive
D4. Fred und Luna "Outro (Auf Wiederhören)" (2:31)

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Trustworthy sequal of Compost’s classic and mega-selling series. After 20 years a new Glücklich ! Rainer Trüby fished deep in Brazilian-, Latin tinged music and makes us more than glücklich.

It only took a little over 20 years since the last installment but a classic and much-loved compilation series is "de volta" in a very big way. And a two-decade break means that when you come back, you'd better come back strong, but of course this is Rainer Truby we're talking about here and he's got a serious bag of Brazilian and Brazilian-flavored goodies for all good boys and girls! Some of them were buried on obscure CDs ignored by vinyl collectors, several have escaped being compiled until now and all of them will make your summers very pleasant and happy indeed. By the way: The car is a VW Volkswagen SP2 manufactured in Brazil between 1972 and 1976.

Tracklist LP
A1. The Matheus Combo - Adericó
A2. Christian Knobel - Sambomambo
A3. Wütrio - Hallo Höppel
B1. Midnight Gigolos - Brother Samba - *exclusive
B2. Marcia Maria - Brasil Nativo
B3. Debbie Cameron & Richard Boone - Stop Foolin' Yourself
C1. A Bossa Elétrica - Sob A Luz Do Sol
C2. Guillermo Reuter - Mr. Jenkins - *exclusive
C3. Jean-Marc Jafet - Offering
D1. Jon Lucien - Come With Me To Rio
D2. Sonzeira - The Mystery Of Man (Rainer Trüby & Corrado Bucci pres. Truccy Remix) (08:24)
D3. Grupo Ébano - Pé No Chão

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Remixes by Moodymann, Potatohead People, Moodorama.

Kenny Dixon Jr. acuminates it deep and groovy, well, it’s his holy trademark sound. Potatohead People from Vancouver have been championed by Soulection, Nightmares on Wax, Questlove, Big Boi a.o. and have releases on Jellyfish Recordings, or NY label Bastard Jazz. The duo has worked with artists such as Moka Only, Kaytranada, Pomo, Phife Dawg a.o.

On top Moodorama’s remixes are trippy dubby jams. Moodorama have a long recording history, starting in the 90s on Stereo Deluxe, but even before that Martin Sennebogen was the DJ and co-producer of Knowtoryus, the legendary first hip hop outfit on Compost.

Inkswel & Colonel Red started out writing together more than decade ago & over the time have developed quite a unique sound when recording together,..a chemistry that blends music melody & lyric into every verse chorus & hook. So when Inkswel approached Colonel Red to create the 'Holders of the Sun' album, Redz response was to move his hectic schedule around & start immediately. Inkswel dropped the beats Colonel Red dropped the vocals & some fine musical tuning & 'Holders Of The Sun' Vol1 was born….while they promise a Vol. 2.
The fantastic artwork comes from Our Machine, Netherlands, who designed a lot of sleeves for Kindred Spirit, Tom Trago, Versatile, Build An Arc and m.o.

Colonel Red is a groundbreaking soul singer, musician, producer and performer, often referred to as one of the most powerful voices in the UK soul music community, a champion in equal parts of the original Broken Beat scene, as well as the UK soul scene. Working with and writing for the likes of Teddy Pendergrass, Amp Fiddler,Maurice White, Bugz In The Attic, Tony Allen and countless others. His track 'Belive In Me' was awarded the WORLDWIDE award from Gilles Peterson in 2014.
Colonel Red’s foray into the music industry began when Epic Record company giant Sylvia Rhone signed the then lead singer, Nikki Romillie, of Pride n’ Politix, to Atlantic Records. An accompanying publishing deal with Warner Bros. established the artiste, now known as Colonel Red, as one of the UK’s top cutting edge singer/songwriters.

Inkswel has been heralded as one of the busiest and most prolific beat based producers from Australia, a true master of his craft he has worked with the likes of Talib Kweli, Lee Scratch Perry, Andrew Ashong, Dwight Trible, Amp Fiddler and countless others as well as putting out timeless musical projects on labels such as BBE, Sonar Kollekiv, Rush Hour, Warner Music, Boogie Angst and others. He hovers evenly between Hip Hop and Club sensibilities, blending new age approaches with nostalgic leans. 'Holders of The Sun' is the audio melting pot of two musical aliens, future directive soul music drenched in the nostalgia of what once was.

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Beanfield’s mega classic re-release in a double 12” pack with old and new remixes by Toto Chiavetta and Art Department and a new Beanfield track. “Tides” was originally released in 2004 and evolved into an all-time club anthem by means of Carl Craig’s huge remix (C's Movement #1), followed-up by the stunning Ripperton remix.

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FUTURE SOUNDS OF JAZZ VOL. 14 - Compiled by Permanent Vacation Benjamin Fröhlich & Tom Bioly!
28 Tracks by Move D, Roman Flügel, Slowdive, Isolée, Cobblestone Jazz, Luke Abbott, remixes by Avalon Emerson, Russ Gabriel, Kassem Mosse, I:Cube a.m.o. including 3 EXCLUSIVE AND PREVIOUSLY UNRELEASED
Wow, a new chapter of this legendary series. This and the very first time it’s not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation.
Why? Simply because they both are very close friends of the Compost famlee, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records’ hometown Munich, too.
Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that’s the score, idea and open mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too. So we welcome this, we very much appreciate and like their selection. We are sure, this will convince you.
28 tracks, 3 exclusive tracks. Enjoy!

LP 1 & 2 (compiled by Benjamin Fröhlich)

A1: Basil Hardhaus – Breezin’
A2: JTC – Gallup
A3: The Abstract Eye - I Feel It In My Forehead
A4: Jex Opolis - Mt. Belzoni

B1: Tee Mango - Into The Wild
B2: Claude Rodap – Hiwa
B3: Jose Padilla - Lollipop (I:Cube Casiotone Reprise Mix)

C1: Herzel – Devoid
C2: David Goldberg - Part Bells (Benjamin Fröhlich Remix)
C3: Marvin Horsch – Pace

D1: Matt O'Brien – Flourish
D2: Aubrey – Dot 3 (Russ Gabriel Remix)
D3: Marcellus Pittman - A Mix

LP 3 & 4 (compiled by Tom Bioly)

E1: Move D – Beyond The Machine
E2: Pierre Bastien – Snide Dins
E3: Vanishing Twin – Under The Water
E4: Yussef Kamaal – Ayla
E5: Roman Flügel – Song With Blue
E6: Luke Abbott – Dumb

F1: Machine Woman – I Can Mend Your Broken Heart (Kassem Mosse Remix)
F2: New Jackson – Let The Freak Come Out At Night
F3: Albinos – Palazzo

G1: The Stowaway – A Suspicious Passenger
G2: Isolée – In Our Country
G3: TB – Unskinny Dub

H1: Slowdive – Sugar For The Pill (Avalon Emerson’s Gilded Escalation)
H2: Cobblestone Jazz – Midnight Sun
H3: Sirconical – Jambon Mama

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Cool – calm – collected: chapter 15 of this superlative series, compiled by Compost’s head honcho Michael Reinboth. 21 tracks, 8 exclusive, previously unreleased tracks. The exciting package comes as 2-CD / 4-LP vinyl. Enjoy!

The exclusives by Area (guess you all know his brilliant Innervisions release), Arnau Obiols & KAYYAK (recently featured by Gilles Peterson in his “watch out for 2021” top five list), Ron Deacon (officially belongs to the Workshop-Crew together with other artists like Move D, Even Tuell and Kassem Mosse), Class Compliance (which are Manuel Tur with his Clavis partner Adrian Hoffmann, also known as Paskal & Urban Absolutes or Amberoom), Mille & Hirsch (operators of the fine Polish Records), All Is Well (Fred Everything), Ben Sturm (watch out talent of Leipzig’s viral underground scene) and Oliver Kieser (best known as Kieser & Velten with their releases on G-Stone). This wonderful Esa Williams remix of Bantu Clan Vs Sarabi is also previously unreleased.

Several magazines voted the Future Sounds Of Jazz as one of the best compilation series of all time. With this series, starting in 1995, the term Future Jazz became a genre landmark.

Tracklisting | 4-LP

Side A
A1. Class Compliance – Cuadro (06:31) *previously unreleased
A2. Cotonete – Super Vilain Wants Love (Dj Deep & Romain Poncet Remix) (06:01)
A3. James Holden & The Animal Spirits – The Neverending (04:29)

Side B
B1. Bantu Clan Vs. Sarabi – Africa Ni Leo (Esa & Nonku Phiri Kaap Mix) (05:46)
B2. Shina Williams & His African Percussionists – Agboju Logun (11:42)

Side C
C1. Lucas Croon – Türkischer Tee (07:31)
C2. Mille & Hirsch – Pentagon Flow (09:32) *previously unreleased

Side D
D1. Typesun – Last Home (Dj Nature Remix) (08:20)
D2. Brandi Ifgray – Bones (Maurice Fulton Vibe Mix) (07:19)
D3. Ben Sturm – Francebeat (04:33) *previously unreleased

Side E
E1. Toshio Matsuura Group – At Les (07:13)
E2. Marni – Floor Of Soul (04:57)
E3. Oliver Kieser – Oscura Serenata (04:44) *previously unreleased

Side F
F1. Aera – Line Of Conception (05:34) *previously unreleased
F2. Martin Buttrich – Meeting Dave Dish (06:54)
F3. All Is Well – Day Two (06:31) *previously unreleased

Side G
G1. Arnau Obiols & KAYYAK – Tunacheza (05:25) *previously unreleased
G2. Kevin Yost – Another World (Original Mix) (07:59)
G3. Ron Deacon Feat. Johanna Jaeremo – Untitled B2
Brando Jazz (06:24) *previously unreleased

Side H
H1. Don Carlos – Mediterraneo (05:26)
H2. Rudoulpho – Sunday Afternoon (10:23)

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Official release for DJ RASOUL’s sought-after house gem RETURN OF THE MAD FUNK EP from 1998 – since then only a few super rare test pressings were buzzing around. One of them reached Michael Reinboth and never left his record box again…

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25 years strong and still going steeply. Compost will release an anniversary 10 x 12“ box set early 2019. Here comes the very strictly limited, serially numbered, stickered white label overture Record 1 sneak preview. Compost classics by Beanfield, Marsmobil, A Forest Mighty Black remixed by Roman Flügel, I:Cube, Ripperton, plus an exclusive Ron Deacon track. Massive.


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Emilie Nana will bring you up! Her levitating voice, almost whispered, will overwhelm you. She will bewitch you like a great priestess whereas the musical backing is deep, hypnotic and steady tones. "I Rise is a denunciation", Emilie Nana claims! It is not only about a meditation but truly well a declamation. She clearly address to the oppressor. She speaks whit great assurance! She answers to decades of mistreatment. She is a black woman who's expressing herself proudly. A strongly personal music! After Danny Krivit, who came up with the now classic re-edits for the initial release of "I Rise", it's now fellow New Yorker and Body & Soul compagnon François K who's sharing this strong sentiment. Like with Danny Krivit, the opportunity to working with a personality that gathers all ethnic origins together throughout his career and life like François Kevorkian - a living legend, whose production- and remix works for countless artists are beyond classics and covering a timeframe of more than four decades - is a big honour for Emilie Nana and of course for Compost Records in either way. Kevorkian's role as a mastermind in NYC nightlife is untouchable and the fact that he's still sharing his knowledge and forward thinking attitude towards dance music, keeps him going strong at the forefront of the international dance music scene. We feel happy and blessed to release François Kevorkian's masterclass remix works of "I Rise". Three different versions to play with – all brilliant and very special in his inimitable manner!

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Killertune. Massive. Already played by Solomun (in every of his recent DJ sets) Trikk, Rancido, Musumeci, Lehar a.o. - The first twelve inch to prelude Mr Raoul K's album 'African Paradigm'. The a-side kicks off with a track, darker and gloomier than usual. Whirling pads and driving beats take twists and turns while diggin’ deep into the dark. After a while Sona Diabate's vocals kick in and 'Tamale' takes off. Her powerful delivery provides some light in the shadows and the track begins to swing between 'putting you in a trance' and 'raise your hands in the air'. Elegance and energy. On the flipside Kaito remixes 'African Paradigm' into twelve minutes of floating bliss. Very moderate drums lead to a yet irresistable groove. Mr Raoul K's trademark organic sounds and traditional Ivorian instruments deliver glistening soundscapes - emblazed with mysterious vocals. Like dancing and moving through meadows watching flowers and butterflies moving around... like your feet stopped touching the ground.

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Siren is Darshan Jesrani (Metro Area, Startree) and Dennis Kane (Disques Sinthomme, Ghost Town). Siren began recording in earnest during the winter of 2013, but has beginnings which date farther back, to their mutual residencies at NYC's storied night-spot APT, and to the parties they produced together in APT's wake. Events with names like Camille 3000, Adult Section and Strobe Lodge were lovingly presented, with bold, romantic graphics and a strong, specific statement that refinement and transgression can, and should always hang together. Their third single, entitled "Paradise," follows up last autumn's sweeping and euphoric "A/Way" with Mr. Reed by stripping itself down and baring its elements in a slowly-unfolding workout, which is as haunting as it is thumping and propulsive. "Paradise" is lush but also sinewy and spare, hinting at the compositional economy of that liminal mid-80s period where R&B and the developing sound of club music met. Mark Dann's slide-y, honeyed, slightly-psychedelic bassline spars with a stone-cold guitar riff and synths which soar and declare, but somehow maintain their delicacy. Downtown-NY icon Felice Rosser effortlessly delivers a powerful-but-breathy and emotionally-evocative vocal which seduces the dancer and makes clear just which side of the existential fence Siren transmits from. "Paradise" is backed with an equally-compelling, late-night, dark and mechanical techno dub by Gavin Russom (Black Meteoric Star, DFA), and the digital release of the single includes a lean, futuristic, drum-machine led 5AM NY-vibe re-interpretation by Siren.

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Rainer Trueby and Rebirth's Corrado Bucci joined forces for a splendid Black Label release under the alias TRUCCY. Tastemaker don Gilles Peterson already featured Sidestep in his Worldwide radio show and Jimpster was charting and playing it already, aswell. A truly elegant, smooth deep house 2-tracker.

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Nils Penner delivers some vibrant, disco-ish deep house tracks. Space Ranger's remix is a sublte jackin' floorfiller and Paskal & Urban Absolutes prove again their fine production skills with their groovin' deep rework.

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Handstamped one-sided 12" with a stunning remix by Daniel Bortz. His latest releases on Innervisions or Permanent Vacation are big hits everywhere. Rey & Kjavik is the brainchild of Magnús Rey and Ísak Kjavik. Two guys from the middle of fuckin' nowhere, well from the middle of a big European city, which - both city and who they are - shall keepin on something in the dark. But the guys are more than an insider's tipp after releases on top notch labels like Compost Black Label, KaterMukke, Exploited, Get Physical and their own BY awake imprint. Their latest remixes for Claire's super smash "Games" (on Island Rec.) and Tiger Stripes (on Get Physical) underscore their high reputation in the scene.

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(black vinyl, booklet, 500 copies) Renowned French musician and artist Félicia Atkinson announces new album SANS VISAGE, a reimagined score for Georges Franju’s cult 1960 horror classic Les yeux sans visage (Eyes Without a Face), out June 26 via VIERNULVIER Records. The news arrives alongside lead preview “Les Yeux II” and follows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.

Tracklist

A1. Félicia Atkinson - "Les Yeux I"
A2. Félicia Atkinson - "Les Yeux II"
A3. Félicia Atkinson - "Les Yeux III"
A4. Félicia Atkinson - "Les Yeux IV"
A5. Félicia Atkinson - "Les Yeux V"
A6. Félicia Atkinson - "Les Yeux VI"
B1. Félicia Atkinson - "Sans Visage I"
B2. Félicia Atkinson - "Sans Visage II"
B3. Félicia Atkinson - "Sans Visage III"
B4. Félicia Atkinson - "Sans Visage IV"
B5. Félicia Atkinson - "Sans Visage V"

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Paradessence, Visible Cloak’s third full length, is an album of tension and reassurance. Its thirteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavern-like space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile. As adventurous as anything they’ve produced so far, Paradessence is both an inversion and culmination of what came before.

Since becoming Visible Cloaks in 2014, Spencer Doran and Ryan Carlile have explored oppositional concepts like organic and artificial, randomness and deliberation, authenticity and reproduction, through a complex set of cultural influences. Paradessence continues this kind of balancing act but brings these strains into greater urgency as life in the 21st century is reordered by these same tensions.

Tracklist:

1.Apsis
2.Skylight
3.Disque (ft. Motion Graphics)
4.Balloon
5.Slippage
6.Telescoping
7.Shapes (ft. Yoshio Ojima and Satsuki Shibano)
8.Thinking (ft. Félicia Atkinson, Yoshio Ojima and Satsuki Shibano)
9.Zinna
10.Swirl
11.Steel
12.Intarsia (ft. Ioana ?elaru)
13.Capgras
14.System (ft. Componium Ensemble)

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(LP, Vinyl with OBI-strip, 500 copies inc. booklet) Through emotive ambient textures, granular synths, and field recordings, rousay reimagines the Slovak animated fairy tale with a brand-new score. The Bloody Lady stands as a stunning masterpiece of Slovak animation.

Tracklist
A1. i
A2. ii
A3. iii
A4. iv
A5. v

B1. vi
B2. vii
B3. viii
B4. ix
B5. x
B6. xi

A release show is scheduled in De Minard (Ghent, Belgium) on November 13.

Electroacoustic composer claire rousay (US) has announced her upcoming album, ‘The Bloody Lady’, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century.
Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2023.

The inaugural performance, a screening of the film accompanied by rousay performing the score live, took place at Videodroom / Film Fest Gent 2023 in Ghent, Belgium. The project has since been developed into an 11-track album with alternating themes that evoke the film’s atmosphere while standing on its own as a distinct sonic work.
‘The Bloody Lady’ is set to be released on November 8 via VIERNULVIER Records, the label known for its audiovisual collaborations with artists like Miaux, Hieroglyphic Being, and Mattias De Craene.

The record comes with an extensive booklet including liner notes.



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Tokyo producer Calm supplies a steady shore's lapping of sound with his next album, Ambient Jazz, not far after his previous records Before and Quiet Music Under The Moon. After a period of sharp emotional whiplash, Calm sets in again to moll the nerves here, serving a full plate of smooth new age and sonic draperies, recalling the night time jazz chasms of John Hassell especially. Between prefectures Tokyo and Yamagata, trusted collaborators are once again folded in, Calm asking them to prioritise tone over improvisation; saxophonist Kato takes central improv stage again on the plainly titled 'Jazz Acid 2' and 'After Dark', while deeper sus-chord shades stark jazz on the likes of 'Space Ritual'.

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World of Echo unites with the confounding genius of TRii for a highly limited first time vinyl run of 2020's Music For Desert Reboot tape, first released as TRj on the TRjj Musik label and then again as a second cassette by Mascarpone earlier this year.

As with all the sounds produced within the TRjj/TRii /TRj/TRi universe, strange illusion is part of the process, and this is certainly music that befits such smoke and mirror nomenclature, a kind of gamelan Werkbund re-programmed via the isolationist sounds of DIY home electronics conceived for a film that might or might not actually exist. Consider this time-dilation rug-pulling that's well in touch with its own mythology, so much so that it's hard to think of any obvious contemporaries, but if you've ever enjoyed the minimalist murk of Civlistijavel, the private quarters confessionals of Thomas Bush's first LP or any one of Guy Gormley's projects, you'll not got too far wrong here. Is further clarification required? That perhaps misses the point, though there is a track that features around two-thirds in entitled 'First Time Realizing the Clock Was Absent' that might function as a form of instruction to the listener. Namely, where does the time go? Music For Desert Reboot might not provide the answer, but it certainly knows how to ask the question.

Re-mastered for vinyl by Jose Guerrero at La Plataforma Continental. Edition of 150, with hand-numbered, stickered sleeves.

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Repress!

* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to.

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Ana Roxanne returns with Poem 1, an album that displays a new-found boldness and arrives on kranky May 1st.

THE GUARDIAN - "Keepsake" included in tracks of the week (20th Feb) "devastatingly stark… suffused in grief"


"I wanted to travel / Home into somewhere,"Ana Roxanne breathes across an eerie suspended drone on "The Age of Innocence". "I wanted to try / And go very far." These are the first words we hear on Poem 1 and reintroduce an artist who's in a conspicuously different phase of her life than she was when her debut album, Because of a Flower, sprouted nearly six years ago.

Heartbroken and reflective, Roxanne surveys the transformations that followed and displays a new-found boldness. Her voice is naked, vulnerable and alive, no longer shrouded in tape noise or looped and echoed beyond recognition beneath layered electroacoustic textures.

Throughout the course of Poem 1, Roxanne displays her skill as a singer and songwriter in the classic sense, using the limited instrumentation simply to accent her exposed tones. Muted piano phrases and plucked bass notes languidly trail her anguished siren song on "Berceuse in A-flat Minor, Op. 45", making each word count.

On "Keepsake" meanwhile, she sounds as if she's alone in an abandoned bar, stroking the dust off the piano's keys as she inventories her emotional scars. There's a smell of old whisky in the air, but Poem 1 is a remarkably sober album; never wallowing in self pity, Roxanne finds catharsis in the logic of her expressions, twisting out the edges of her memories into surreal, cinematic asides. "Untitled II", the album's pronounced, uninhibited centerpiece, delivers on the Lynchian promise that's been present since her first EP, 2019's ~~~. "

And when she interprets the Robert Schumann's lied "Stille Tränen" on "One Shall Sleep", she turns Justinus Kerner's words into a whispered echo of her own grief, narrating the 19th century poem over syrupy synthesizers and strings. There's a light emerging on the horizon, though; burying her past on the choral standout '"Cover Me", Roxanne shifts the pace and the mood on 'Atonement', lifting her voice into a gentle lilt.

press quotes for previous album Because of a Flower:
''The Californian musician seems to ponder the mutability of gender on her second album, which offers a magical out-of-body experience'' 4/5 The Guardian
"Because of a Flower gives us a glimpse into a very specific world of sound - aquatic, earthen, and airborne, all at once - and it is a treat to get lost in." - Beats Per Minute
"It feels like bathing in moonlight." - Pitchfork

track listing:
1. The Age of Innocence 2. Berceuse in A-flat Minor, Op. 45 3. Keepsake [listen] 4. x 5. Untitled II 6. One Shall Sleep 7. Wishful (draft) 8. Cover Me 9. Atonement




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„ behind horizons at the end of a breath why I love luna parks *_* „

Ben Kaczor debuts his first LP on St. Odes. Sirene showcases a more experimental and cinematic approach to sound. Tracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.

artwork by : Ben Kaczor / mastering by : Isabel Schröer

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