A rare and juicy tropical fruit. Acid Pauli conjures up a summer hit here. The original version was written by Val Xalino (singer, guitarist, percussionist, ukulele player), a legend from the Cape Verde Islands. His albums from the 1980s are extremely rare. Dançá Dançá!

TRACKLIST:

Side A: A1. "Dançá Dançá T'Manchê" (Acid Pauli's Fullmix) (6:59)
Side B: B1. "Dançá Dançá T'Manchê" (Acid Pauli's Autowah Dub) (6.20) B2. "Dançá Dançá T'Manchê" (Acid Pauli's Sublib Dub) (6.59

LINKS:

Website (Acid Pauli): www.acidpauli.de
Instagram (Acid Pauli): www.instagram.com/therealacidpauli
Facebook (Acid Pauli): www.facebook.com/therealacidpauli
Resident Advisor (Acid Pauli): https://de.ra.co/dj/acidpauli
Spotify (Acid Pauli): https://open.spotify.com/intl-de/artist/3LHqODf1hGAgZ5LTw1Gf4C
Spotify (Val Xalino): https://open.spotify.com/intl-de/artist/0Ypk9dtgVcxLJXwjJxDDIg

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Chapter 3 of the successful compilation series. 14 modern kraut-electronic tracks (3 of them exclusive and previously unreleased) inspired by Kraftwerk, Can, Neu!, Cluster, Klaus Schulze and many more. Curated and compiled by Compost artist Fred und Luna. As on Vol. 1 and 2, the collage on the cover was designed exclusively by the fantastic artist Norika Nienstedt from the Kraut metropolis of Düsseldorf.

Rainer Buchmüller aka Fred und Luna sadly passed away in January 2024 after a long illness. He was a kind-hearted person, gifted artist, friend and companion. We mourn him deeply. A few days before his death, Rainer Buchmüller had sent us the track listing for Vol. 3 (and already ideas for Vol. 4), with the request to publish this posthumously, he would be very happy if his fans and all those who will be would receive a “sign of life” from him. It's not at all easy or basically impossible to describe the term “Kraut” stylistically. Nevertheless, Compost Records and Fred und Luna embark on a journey through time to discover the different elements of German electronic music from the 1970s and 1980s and their impact on the more recent German and global music scene.
After the great success of Volumes 1 and 2, Vol. 3 follows on stylistically from its predecessor and - as this is one of the basic ideas of the series - gradually expands the musical spectrum with new krauty elements.

Format: - Black 2LP with black inner sleeves incl. three exclusive and unreleased tracks

Quotes about V.A. - Future Sounds Of Kraut Vol. 1:

"A great compilation with a unique approach!" - Hans Nieswandt
"Amazing contributions from all the artist involved ! Love this album ! Thank you Fred & Luna !" - Peter Kruder
"Very interesting compilation ... Great music" - Laurent Garnier
"Just highlights, great selection!" - Hyenah
"Stunning compilation" - Fred Everything
"Superb in every way" - Nick Warren
"A superb collection of tracks that are full of surprises, playfulness and groove. Kraut is back once again. 9/10." - Truth and Lies Music
"Amazing!! Especially love the Kraut one, what a treasure box!" - Deb Grant / BBC Radio

TRACKLISTING:

A1. Fred und Luna - Der Allgemeine Tenor (5:14) *exclusive
A2. Philipp Johann Thimm - Meine Muse (Rework For The Düsseldorf Düsterboys) (8:33)
A3. Niklas Wandt - Zum Schmalen Handtuch (6:11)
B1. Christian Nainggolan - Nachtraucher (6:53) *exclusive
B2. Von Spar - Lambda (4:49)
B3. Harmonious Thelonious - Liquid Sound Waves (3:58)
B4. Benoit B - Cosmic Music Style (4:49)
C1. Salvage Art - Wer Macht Die Arbeit (3:57)
C2. Die Orangen - Lost In The Center (6:23)
C3. Puma & The Dolphin - Nuances (3:53)
C4. Twoonky - Dream Is Impossible (4:15)
D1. Sula Bassana - Space Taxi (6:04)
D2. Organza Ray & Fred und Luna - Water Map (7:50) *exclusive

KEY FACTS:

- Genre: Electronic/Dance, Krautrock, Electronica, Electro
- The black 2LP contains three exclusive, previously unreleased tracks
- UK & WW promotion in addition to Compost via Will Sumsuch (Only Good Stuff)
- Trackpremiere confirmed via https://soundcloud.com/trndmusik (184K Follower) für: D2. Organza Ray & Fred und Luna - Water Map

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An ultrarare in demand DJ Linus EP from 2001 with 4 crunchy cool jacking tech traxx. The old vinyl release was strictly limited and was released under the mysterious artist name The Underground, but it was DJ Linus himself, who produced it. Worth the wait for this rarity re-release, which fits perfectly to the currently happening house sound.
By the way: DJ Linus released his first records on Compose, the 90s subsidiary house label of Compost. Cordially welcome back, Linus!

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16 modern kraut-ish electronic tracks inspired by Kraftwerk, CAN, Neu, Rother, Klaus Schulze etc.. Curated and compiled by Compost artist Fred und Luna. Their selection (with six exclusive tracks!) shows how well younger artists are revitalizing the Kraut scene. The better known ones, like Pyrolator, Sankt Otten, I:Cube, anyway. Watch out for Vol. 2 end of the year. The collage on the cover was exclusively made by the fantastic artist Norika Nienstedt from kraut-metropole Düsseldorf.

Intro: Future sounds of Kraut, what's it all about? Keine Ahnung, I don't know. Überraschung, where we go...
Not at all easy or even impossible to define "Krautrock" or "Kraut". Nevertheless Compost Records and Fred und Luna strike out on the path to find the diverse elements of German electronic music of the 1970s and 1980s and their effects on the newer German and international music scene. So, as a first approach, this volume of "Future Sounds Of Kraut" includes the music of up-to date artists primarily influenced by bands representing the repetitive character of German Electronica: Kraftwerk, Can, Neu!, Harmonia and Cluster, just to name a few.
Feel free to listen and get krautified !

TRACKLISTING 2LP:

A1. Fred und Luna "Intro (Future Sounds Of Kraut)" (1:52) - *exclusive
A2. Baikonour "Oben Beg (Mk2)" (4:39)
A3. Musiccargo "Ich geh den Weg mit dir" (6:18)
A4. Abrão "Intensidade (Rina Remix)" (4:54)

B1. Listening Center "Portable Electronic Musical Instrument" (3:01)
B2. Higamos Hogamos presents SPACEROCKS "Elkamonious Split" (3:31)
B3. Gilgamesh Mata Hari Duo "Florian Schneider-Esleben" (6:16)
B4. Kosmischer Läufer "In der Stadt und auf dem Land" (2:16)
B5. Sankt Otten "Hymne der melancholischen Programmierer" (4:24)

C1. Pyrolator "Die Geschichte vom heißgelaufenen Reißwolf" (4:49) *exclusive
C2. I:Cube "Vantableu" (8:24)
C3. Organza Ray "Preen Scene" (5:27) *exclusive

D1. Sula Bassana "Tropfsteinhöhle" (3:33)
D2. Halwa "Drehwurm" (7:33) *exclusive
D3. Lionel, Julien, Marceau et Rainer "Reise" (5:22) *exclusive
D4. Fred und Luna "Outro (Auf Wiederhören)" (2:31)

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Trustworthy sequal of Compost’s classic and mega-selling series. After 20 years a new Glücklich ! Rainer Trüby fished deep in Brazilian-, Latin tinged music and makes us more than glücklich.

It only took a little over 20 years since the last installment but a classic and much-loved compilation series is "de volta" in a very big way. And a two-decade break means that when you come back, you'd better come back strong, but of course this is Rainer Truby we're talking about here and he's got a serious bag of Brazilian and Brazilian-flavored goodies for all good boys and girls! Some of them were buried on obscure CDs ignored by vinyl collectors, several have escaped being compiled until now and all of them will make your summers very pleasant and happy indeed. By the way: The car is a VW Volkswagen SP2 manufactured in Brazil between 1972 and 1976.

Tracklist LP
A1. The Matheus Combo - Adericó
A2. Christian Knobel - Sambomambo
A3. Wütrio - Hallo Höppel
B1. Midnight Gigolos - Brother Samba - *exclusive
B2. Marcia Maria - Brasil Nativo
B3. Debbie Cameron & Richard Boone - Stop Foolin' Yourself
C1. A Bossa Elétrica - Sob A Luz Do Sol
C2. Guillermo Reuter - Mr. Jenkins - *exclusive
C3. Jean-Marc Jafet - Offering
D1. Jon Lucien - Come With Me To Rio
D2. Sonzeira - The Mystery Of Man (Rainer Trüby & Corrado Bucci pres. Truccy Remix) (08:24)
D3. Grupo Ébano - Pé No Chão

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Remixes by Moodymann, Potatohead People, Moodorama.

Kenny Dixon Jr. acuminates it deep and groovy, well, it’s his holy trademark sound. Potatohead People from Vancouver have been championed by Soulection, Nightmares on Wax, Questlove, Big Boi a.o. and have releases on Jellyfish Recordings, or NY label Bastard Jazz. The duo has worked with artists such as Moka Only, Kaytranada, Pomo, Phife Dawg a.o.

On top Moodorama’s remixes are trippy dubby jams. Moodorama have a long recording history, starting in the 90s on Stereo Deluxe, but even before that Martin Sennebogen was the DJ and co-producer of Knowtoryus, the legendary first hip hop outfit on Compost.

Inkswel & Colonel Red started out writing together more than decade ago & over the time have developed quite a unique sound when recording together,..a chemistry that blends music melody & lyric into every verse chorus & hook. So when Inkswel approached Colonel Red to create the 'Holders of the Sun' album, Redz response was to move his hectic schedule around & start immediately. Inkswel dropped the beats Colonel Red dropped the vocals & some fine musical tuning & 'Holders Of The Sun' Vol1 was born….while they promise a Vol. 2.
The fantastic artwork comes from Our Machine, Netherlands, who designed a lot of sleeves for Kindred Spirit, Tom Trago, Versatile, Build An Arc and m.o.

Colonel Red is a groundbreaking soul singer, musician, producer and performer, often referred to as one of the most powerful voices in the UK soul music community, a champion in equal parts of the original Broken Beat scene, as well as the UK soul scene. Working with and writing for the likes of Teddy Pendergrass, Amp Fiddler,Maurice White, Bugz In The Attic, Tony Allen and countless others. His track 'Belive In Me' was awarded the WORLDWIDE award from Gilles Peterson in 2014.
Colonel Red’s foray into the music industry began when Epic Record company giant Sylvia Rhone signed the then lead singer, Nikki Romillie, of Pride n’ Politix, to Atlantic Records. An accompanying publishing deal with Warner Bros. established the artiste, now known as Colonel Red, as one of the UK’s top cutting edge singer/songwriters.

Inkswel has been heralded as one of the busiest and most prolific beat based producers from Australia, a true master of his craft he has worked with the likes of Talib Kweli, Lee Scratch Perry, Andrew Ashong, Dwight Trible, Amp Fiddler and countless others as well as putting out timeless musical projects on labels such as BBE, Sonar Kollekiv, Rush Hour, Warner Music, Boogie Angst and others. He hovers evenly between Hip Hop and Club sensibilities, blending new age approaches with nostalgic leans. 'Holders of The Sun' is the audio melting pot of two musical aliens, future directive soul music drenched in the nostalgia of what once was.

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Beanfield’s mega classic re-release in a double 12” pack with old and new remixes by Toto Chiavetta and Art Department and a new Beanfield track. “Tides” was originally released in 2004 and evolved into an all-time club anthem by means of Carl Craig’s huge remix (C's Movement #1), followed-up by the stunning Ripperton remix.

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Cool – calm – collected: chapter 15 of this superlative series, compiled by Compost’s head honcho Michael Reinboth. 21 tracks, 8 exclusive, previously unreleased tracks. The exciting package comes as 2-CD / 4-LP vinyl. Enjoy!

The exclusives by Area (guess you all know his brilliant Innervisions release), Arnau Obiols & KAYYAK (recently featured by Gilles Peterson in his “watch out for 2021” top five list), Ron Deacon (officially belongs to the Workshop-Crew together with other artists like Move D, Even Tuell and Kassem Mosse), Class Compliance (which are Manuel Tur with his Clavis partner Adrian Hoffmann, also known as Paskal & Urban Absolutes or Amberoom), Mille & Hirsch (operators of the fine Polish Records), All Is Well (Fred Everything), Ben Sturm (watch out talent of Leipzig’s viral underground scene) and Oliver Kieser (best known as Kieser & Velten with their releases on G-Stone). This wonderful Esa Williams remix of Bantu Clan Vs Sarabi is also previously unreleased.

Several magazines voted the Future Sounds Of Jazz as one of the best compilation series of all time. With this series, starting in 1995, the term Future Jazz became a genre landmark.

Tracklisting | 4-LP

Side A
A1. Class Compliance – Cuadro (06:31) *previously unreleased
A2. Cotonete – Super Vilain Wants Love (Dj Deep & Romain Poncet Remix) (06:01)
A3. James Holden & The Animal Spirits – The Neverending (04:29)

Side B
B1. Bantu Clan Vs. Sarabi – Africa Ni Leo (Esa & Nonku Phiri Kaap Mix) (05:46)
B2. Shina Williams & His African Percussionists – Agboju Logun (11:42)

Side C
C1. Lucas Croon – Türkischer Tee (07:31)
C2. Mille & Hirsch – Pentagon Flow (09:32) *previously unreleased

Side D
D1. Typesun – Last Home (Dj Nature Remix) (08:20)
D2. Brandi Ifgray – Bones (Maurice Fulton Vibe Mix) (07:19)
D3. Ben Sturm – Francebeat (04:33) *previously unreleased

Side E
E1. Toshio Matsuura Group – At Les (07:13)
E2. Marni – Floor Of Soul (04:57)
E3. Oliver Kieser – Oscura Serenata (04:44) *previously unreleased

Side F
F1. Aera – Line Of Conception (05:34) *previously unreleased
F2. Martin Buttrich – Meeting Dave Dish (06:54)
F3. All Is Well – Day Two (06:31) *previously unreleased

Side G
G1. Arnau Obiols & KAYYAK – Tunacheza (05:25) *previously unreleased
G2. Kevin Yost – Another World (Original Mix) (07:59)
G3. Ron Deacon Feat. Johanna Jaeremo – Untitled B2
Brando Jazz (06:24) *previously unreleased

Side H
H1. Don Carlos – Mediterraneo (05:26)
H2. Rudoulpho – Sunday Afternoon (10:23)

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Official release for DJ RASOUL’s sought-after house gem RETURN OF THE MAD FUNK EP from 1998 – since then only a few super rare test pressings were buzzing around. One of them reached Michael Reinboth and never left his record box again…

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25 years strong and still going steeply. Compost will release an anniversary 10 x 12“ box set early 2019. Here comes the very strictly limited, serially numbered, stickered white label overture Record 1 sneak preview. Compost classics by Beanfield, Marsmobil, A Forest Mighty Black remixed by Roman Flügel, I:Cube, Ripperton, plus an exclusive Ron Deacon track. Massive.


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Emilie Nana will bring you up! Her levitating voice, almost whispered, will overwhelm you. She will bewitch you like a great priestess whereas the musical backing is deep, hypnotic and steady tones. "I Rise is a denunciation", Emilie Nana claims! It is not only about a meditation but truly well a declamation. She clearly address to the oppressor. She speaks whit great assurance! She answers to decades of mistreatment. She is a black woman who's expressing herself proudly. A strongly personal music! After Danny Krivit, who came up with the now classic re-edits for the initial release of "I Rise", it's now fellow New Yorker and Body & Soul compagnon François K who's sharing this strong sentiment. Like with Danny Krivit, the opportunity to working with a personality that gathers all ethnic origins together throughout his career and life like François Kevorkian - a living legend, whose production- and remix works for countless artists are beyond classics and covering a timeframe of more than four decades - is a big honour for Emilie Nana and of course for Compost Records in either way. Kevorkian's role as a mastermind in NYC nightlife is untouchable and the fact that he's still sharing his knowledge and forward thinking attitude towards dance music, keeps him going strong at the forefront of the international dance music scene. We feel happy and blessed to release François Kevorkian's masterclass remix works of "I Rise". Three different versions to play with – all brilliant and very special in his inimitable manner!

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Killertune. Massive. Already played by Solomun (in every of his recent DJ sets) Trikk, Rancido, Musumeci, Lehar a.o. - The first twelve inch to prelude Mr Raoul K's album 'African Paradigm'. The a-side kicks off with a track, darker and gloomier than usual. Whirling pads and driving beats take twists and turns while diggin’ deep into the dark. After a while Sona Diabate's vocals kick in and 'Tamale' takes off. Her powerful delivery provides some light in the shadows and the track begins to swing between 'putting you in a trance' and 'raise your hands in the air'. Elegance and energy. On the flipside Kaito remixes 'African Paradigm' into twelve minutes of floating bliss. Very moderate drums lead to a yet irresistable groove. Mr Raoul K's trademark organic sounds and traditional Ivorian instruments deliver glistening soundscapes - emblazed with mysterious vocals. Like dancing and moving through meadows watching flowers and butterflies moving around... like your feet stopped touching the ground.

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Siren is Darshan Jesrani (Metro Area, Startree) and Dennis Kane (Disques Sinthomme, Ghost Town). Siren began recording in earnest during the winter of 2013, but has beginnings which date farther back, to their mutual residencies at NYC's storied night-spot APT, and to the parties they produced together in APT's wake. Events with names like Camille 3000, Adult Section and Strobe Lodge were lovingly presented, with bold, romantic graphics and a strong, specific statement that refinement and transgression can, and should always hang together. Their third single, entitled "Paradise," follows up last autumn's sweeping and euphoric "A/Way" with Mr. Reed by stripping itself down and baring its elements in a slowly-unfolding workout, which is as haunting as it is thumping and propulsive. "Paradise" is lush but also sinewy and spare, hinting at the compositional economy of that liminal mid-80s period where R&B and the developing sound of club music met. Mark Dann's slide-y, honeyed, slightly-psychedelic bassline spars with a stone-cold guitar riff and synths which soar and declare, but somehow maintain their delicacy. Downtown-NY icon Felice Rosser effortlessly delivers a powerful-but-breathy and emotionally-evocative vocal which seduces the dancer and makes clear just which side of the existential fence Siren transmits from. "Paradise" is backed with an equally-compelling, late-night, dark and mechanical techno dub by Gavin Russom (Black Meteoric Star, DFA), and the digital release of the single includes a lean, futuristic, drum-machine led 5AM NY-vibe re-interpretation by Siren.

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Rainer Trueby and Rebirth's Corrado Bucci joined forces for a splendid Black Label release under the alias TRUCCY. Tastemaker don Gilles Peterson already featured Sidestep in his Worldwide radio show and Jimpster was charting and playing it already, aswell. A truly elegant, smooth deep house 2-tracker.

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Nils Penner delivers some vibrant, disco-ish deep house tracks. Space Ranger's remix is a sublte jackin' floorfiller and Paskal & Urban Absolutes prove again their fine production skills with their groovin' deep rework.

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Handstamped one-sided 12" with a stunning remix by Daniel Bortz. His latest releases on Innervisions or Permanent Vacation are big hits everywhere. Rey & Kjavik is the brainchild of Magnús Rey and Ísak Kjavik. Two guys from the middle of fuckin' nowhere, well from the middle of a big European city, which - both city and who they are - shall keepin on something in the dark. But the guys are more than an insider's tipp after releases on top notch labels like Compost Black Label, KaterMukke, Exploited, Get Physical and their own BY awake imprint. Their latest remixes for Claire's super smash "Games" (on Island Rec.) and Tiger Stripes (on Get Physical) underscore their high reputation in the scene.

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2026 repress, incl. full-tone printed outer & inner sleeve, incl. download

Deaf Center member Otto A Totland’s 2014 debut LP, an intricate work for solo piano.

Otto A Totland's modern compositional elements are most widely recognized as half of the Norwegian duo Deaf Center, where his melancholic, intricate piano work provides haunting relief to the beds of noise and deep strings from Erik K Skodvin. Pinô is the first full-length release by Totland, though his solo work has been released once, as the 5-minute A-side of Sonic Pieces 7inch Harmony From the Past. Otto's previously brief vignettes are now expanded into a fully personal realization of his own style.

Initial track Open fills itself with heavy, knowing pauses that quickly become overwhelmed with the desire to understand what's to come. Each silence leads into quick flutters of keys, preparing the listener for a vast terrain of giddy beauty, bleak depths, and true contentedness. Pinô quickly recalls deep winter; in front of a fireplace for days on end, you lose how far along you've ventured into the 18 tracks without any idea how far is left to go. The experience feels inevitable, with no other option but to curl up somewhere cozy and appreciate the sense of timelessness that Totland has created. His album is a haunting modern compositional treasure, expressed through instrumentals completely unique to Totland and captured masterfully by Nils Frahm at Durton Studios.

With Pinô, Otto A Totland appears out of the Norwegian landscape, sharing an achievement that will provide a relief during the brooding winter darkness. Though a highly personal endeavor, the recognizable continuation of Totland’s compositions will attract fans of Deaf Center, and the cinematic and classical components of his solo work will hold sway for those familiar with Harold Budd or Dustin O’Halloran.

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A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!

Tracklist

A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima



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Re-issue of essential Larry Heard album from the early 2000's... Love's Arrival! Now in DJ friendly triple vinyl package adding some of the favorites from CD release like 'Deja Vu' and 'Missing you (Jazz Cafe Mix)' to the vinyl package. And bonus... 'Luminous Energy' from the same sessions.

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Throughout human history, we have depicted the world we live in through art. By reworking what we see in the world, the
simplest things have helped us understand the beauty of nature and to evaluate the material world that we have created
around us, as a window to a constantly changing reality, through our own perception. It is that absolute reality that appears
in the seam of human and nature and that can be revealed through art.
Still life painting, also referred to as natura morta (”dead nature”) in Italian, stretches back to ancient times. Some of the
earliest works, found in Pompeii, depict commonplace objects such as fresh autumn fruits alongside man-made objects
such as a small amphora and a small terracotta heap with dried fruits. These two thousand year old paintings give a
snapshot of Roman life, and also creates a link to time and space. A slice of life has been created by binding the earth’s
pigments with extracts of oil, made from nuts and seeds, painted with brushes, made from a variety of fibers, such as trees
and hair from animals. While life wanes with each brush stroke, by shifting reality into past, art exists to make us come alive,
being a living image of a dead thing, a surface and a symbol with symbolic powers of its own. Still life works celebrate
material and ephemeral pleasures by returning to nature as the ultimate source for our standards in art as well as in life
itself.
Natura Morta collects pieces from a continuous variety of melodies — supported by a decisive rhythm section — creating
a musical kaleidoscope of ever-changing colors. Sven Wunder brings life into this rich assortment of musical implications
by fusing and combining melodic instruments with each other in a setting that spans from a classical to a modern idiom.
The author evokes this panoramic portrait by articulating an instrumental dialog between a chamber orchestra and a jazz
ensemble. The result is a musical celebration of material pleasures that also serves as a reminder of the brevity of human
life.

A1. En Plein Air
A2. Impasto
A3. Prussian Blue
A4. Natura Morta
A5. Panorama
B1. Alla Prima
B2. Umber
B3. Barocco, Ma Non Troppo
B4. Memento Mori
B5. Pentimento
B6. Natura Morta (reprise)

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Found Songs gehört zu den ungewöhnlichsten und zugleich berührendsten Projekten in Olafur Arnalds" Werk. Innerhalb einer einzigen Woche komponierte, nahm und veröffentlichte der isländische Komponist jeden Tag einen neuen Song - unmittelbar und ohne Umwege. Das Ergebnis ist ein faszinierendes musikalisches Tagebuch: fragile Piano-Motive, zarte Streicher und dezente elektronische Texturen verbinden sich zu einer intimen Klangwelt zwischen Neoklassik und moderner Pop-Ästhetik. Die Einbindung der Fans - die das Artwork gestalteten - macht dieses Projekt zudem zu einem frühen Beispiel digitaler Kollaboration. Found Songs zeigt Arnalds auf dem Weg zu seiner unverwechselbaren Handschrift: reduziert, emotional und von stiller Intensität.

Tracklist:
1.1Erla's Waltz
1.2Raein
1.3Romance
1.4Allt vard hljott
1.5Lost Song
1.6Faun
1.7Ljosid

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On their debut LP “Pome”, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature - expansiveness, sentimentality, vulnerability and eeriness. This deeply personal set of tracks took 3 years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien - a product of digital melodies, granular processing and frequent sampling of their own previous works.

Bio:
By way of rural Missouri to Chicago to New York, Liai melds sonic elements of each city from pastoral, expansive drones to Chicago experimentalism and the rhythmic ambient that’s arriving on both coasts of the US. With two albums forthcoming, their work marks the meeting point of experimental sound design with emotional pop-like melodies.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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Sin Hilo celebrates its 10th anniversary with a special compilation featuring some of the label’s most defining artists.

From melodic and immersive IDM to electro, glitch hop and downtempo, the release captures the essence and evolution of the label through a cohesive yet eclectic journey.

Featuring Imtech, Promising Youngster, Sölna, Jailed Jamie, Lost Twin, Burdeos, SKYGAZE, Strucweird, Atico Corp and Not On Earth.

Ten tracks that celebrate a decade of sound and confirm the strength of Sin Hilo and the electronic scene.

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REPRESS!!!

Gatefold Double Vinyl
LP Tracklisting;
A1 School, A2 Baby, A3 Harpsichord, A4 Teenage Birdsong, A5 Romantics
B1 Love Salad, B2 Insect Near Piha Beach, B3 Hi Hello, B4 ISTM, B5 Something In The Sadness
C1 1993 Band Practice, C2 Green, C3 Bubbles At Overlook 25th March 2019, C4 4T Recordings,
C5 This Is For You, C6 Mama Teaches Sanskrit


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Repress coming soon!
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.


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