After releasing four albums under his Sonny Ism alias, the Melbourne singer-songwriter, multi-instrumentalist, producer and mix engineer Xavier Bacash flips the script and starts again with the debut album 'Into The Doldrums' from his new project, Now Always Fades, due for release through his Northern Underground Records label. Recorded in the wake of returning to Australia with his family after spending seven years in Copenhagen and Stockholm, Into The Doldrums sees Bacash building on the beautifully melancholic downtempo, deep house, and synth-pop sensibilities he's explored as Sonny Ism. Inspired by The Durutti Column, Massive Attack, and Everything But The Girl, the album sees him painting shades of post-punk, ethereal pop, trip-hop and street soul into nine aesthetically consistent songs. From the early morning ambience of 'Into The Doldrums' to the heaving breakbeat soul of 'Close To Greatness' and the sundown strut of 'A Pain I Used To Feel', Into The Doldrums unfolds with the logic of a hazy, sunkissed daydream. Although Bacash has served as the primary voice on his Sonny Ism albums in the past, this time around, he opened things up, inviting fellow Melbourne-based vocalists Lili Hall, previously from the experimental group Squaring Circles and Tilly Vickers-Willis, to join him in his process across most of the record. "The creative rationale of NAF has been to create an opportunity for me to investigate where my songwriting can go whilst collaborating with other vocalists and learning from their process too," he says. "It's opened up new possibilities and realms of artistic creation which I couldn't reach with my own vocals, whether we're that's lyrically, tonally or in regards to inflections in vocal delivery. Its also quite Darwinian as a process because, sometimes as an artist you can write a song that you love, but at times be forced to sing on it yourself because its for your output, but really it would suit someone else's voice better". Through recording Now Always Fades, Bacash unlocked the template for what he sees as the next stage in his musical journey. "I like the idea that in the future, although I might be the common denominator as the artist, I can keep working with a changing landscape of vocalists to keep the listener guessing as they work through the music - kind of like how a director approaches their films," he explains.

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After releasing four albums under his Sonny Ism alias, the Melbourne singer-songwriter, multi-instrumentalist, producer and mix engineer Xavier Bacash flips the script and starts again with the debut album 'Into The Doldrums' from his new project, Now Always Fades, due for release through his Northern Underground Records label. Recorded in the wake of returning to Australia with his family after spending seven years in Copenhagen and Stockholm, Into The Doldrums sees Bacash building on the beautifully melancholic downtempo, deep house, and synth-pop sensibilities he's explored as Sonny Ism. Inspired by The Durutti Column, Massive Attack, and Everything But The Girl, the album sees him painting shades of post-punk, ethereal pop, trip-hop and street soul into nine aesthetically consistent songs. From the early morning ambience of 'Into The Doldrums' to the heaving breakbeat soul of 'Close To Greatness' and the sundown strut of 'A Pain I Used To Feel', Into The Doldrums unfolds with the logic of a hazy, sunkissed daydream. Although Bacash has served as the primary voice on his Sonny Ism albums in the past, this time around, he opened things up, inviting fellow Melbourne-based vocalists Lili Hall, previously from the experimental group Squaring Circles and Tilly Vickers-Willis, to join him in his process across most of the record. "The creative rationale of NAF has been to create an opportunity for me to investigate where my songwriting can go whilst collaborating with other vocalists and learning from their process too," he says. "It's opened up new possibilities and realms of artistic creation which I couldn't reach with my own vocals, whether we're that's lyrically, tonally or in regards to inflections in vocal delivery. Its also quite Darwinian as a process because, sometimes as an artist you can write a song that you love, but at times be forced to sing on it yourself because its for your output, but really it would suit someone else's voice better". Through recording Now Always Fades, Bacash unlocked the template for what he sees as the next stage in his musical journey. "I like the idea that in the future, although I might be the common denominator as the artist, I can keep working with a changing landscape of vocalists to keep the listener guessing as they work through the music - kind of like how a director approaches their films," he explains.

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Clock Without Hands' unfurls as a journey through fatherhood, change and loss. After Sonny Ism learnt that he was to become a father, he began recording the album with a new found post Covid inspiration. The writing process quickly kicked into gear with tracks like 'This Time' and 'Visions of Melbourne' coming to life; pseudo peaks into the future and notions of moving back to Australia after living in Scandinavia for the last 7 years. Accompanied by the rowdy and tapey deep house nodds of 'Aries Door' 'Cbd Nights' and 'Obscura', the album breaks into the soothing ambient calm of 'Clock Without Hands' and 'Solastalgia' - a musical commentary on negatively perceived environmental change. Tragically, in March 2022, Sonny Ism and his wife lost their daughter Astrid at 22 weeks to stillbirth. 'Cant Remember Forgetting You' paints the agony and grief of pregnancy loss and explores the complex and antiquated way in which society processes it. 'Clock Without Hands' is named, inspired and dedicated to his daughter Astrid as a collection of work frozen in time, a musical dear diary from the little time he shared with her.

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'Island Impressions' depicts the moments and visions of Australian house producer Sonny Ism's year living on an Island in Stockholms Archipelago during the Covid 19 Pandemic. Littered with Kitchy melancholic vocal house tracks to alternative ambient electronica, Island Impressions is a journey of movement and documented moodswings in the underground house music genre.

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Tagliabue’s cosmic music is a transcendental journey through introspection and imagination. The latter has no limits, when stimulated by sounds that slowly shade and snake deeply in the listener’s conscious.

With “Ambiente Sonoro” the Milan based DJ and producer now introduces his debut mini-album. The concept is inspired by the Italian library music of the 70s from Daniela Casa, Egisto Macchi and Piero Umiliani, characterized by the extensive use of electronic, experimental and psychedelic sounds. It is arranged and produced in a contemporary way, alternating dark ambient, tribalistic sounds mixed with abstract electronic and IDM influences from artists such as Biosphere, Higher Intelligence Agency, Global Communication or Coil.

His experience as a music selector and his previous works anticipate the character of this concept album. A record that cannot be placed in a specific genre.

Ancestral rhythms, post-industrial waves, apocalyptic chants and drones, suggest a mental projection into a new planetary system consisting of six bodies with different landscapes kept in orbit by a cosmic sound perturbation. A dreamy state of emotional, protracted and reflective abandonment.

Early support: Vladimir Ivkovic, Cosmo Vitelli, Alexis Le-Tan, Tolouse Lowtrax, Odopt, Ransom Note, Whypeopledance

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R.A.N.D. Muzik Recordings presents, The Future Was Visible... a brief introduction to the music of 90’s San Franciscan label, Visible Records with a paritcular focus on the productions of label co-owner, Seofon feautring reissued material along with material previously unreleased on vinyl.

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“The Calling” is a hidden gem of ’90s ambient trance, crafted for mental spaces and inner landscapes. Its pristine production, downtempo rhythm, and immersive ambient soul give it a timeless quality that remains strikingly relevant today. This long-awaited reissue — featuring all three versions — arrives via Orange Wedge in a full cover edition, following the limited run for RSD 2026.

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DJ Support: Chris Coco, DJ Morpheus, Alexis Le-Tan, DVS1, Afterlife, Ally Tropical, Alex Ruder (KEXP), Andy Wilson, Bill Brewster, Makossa

Dawn Again continues his masterful run on Hell Yeah with a third new album in consecutive years. The Aussie "pubwave" architect this time serves up Pints Of Ambient Nectar, an eight-track collection of new ambient works and remixes of album tracks from 2024's Every Dog's Hotel and 2025's Lost In The Front Bar.

Melbourne producer Nick Verwey has spent the last decade quietly refining a sound that's loose, lived-in, and made for real moments rather than peak-time theatrics. With releases on Houseworx, Enjoyment Division and Hell Yeah, his sun-faded, lo-fi grooves drift between breaks, downtempo and hazy house. His “pubwave” sound is music born from lockdown nostalgia, communal pints and the romance of places where time slows, conversations linger, but the jukebox keeps things moving.

The scene is set with bird calls and saw synth awakenings on 'Backyard Paradiso', 'A Day in the Life of Pond Algae' is a quiet ode to hope and revival, while 'Slow Motion Goal Celebration' smudges chords like rays of sun cooled by a breeze. 'Kneverending Knockoffs' teases acid murmurs amongst floating melodic clouds, and new cut ' A Pub With No Beer' has sugary lines piercing sustained ambient drones. 'Hard Earned Thirst' is mellow magic for horizontal afternoons, 'Hair Of The Dawg' shimmers like heat waves on the horizon and 'Vanilla Sky' is a cathartic drift bathed in soft light, unfolding in slow, weightless waves.

This sun-dazed ambient sidestep from Dawn Again stretches pubwave nostalgia into hazy, unhurried pieces made for slow afternoons where your woes dissolve and your soul warms.

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R.A.N.D. Muzik Recordings welcomes Tallinn’s Squash (aka Gearmaster/Abdul Raeva) to the label for an EP of tech house.

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Our beloved Orange Wedge is back with the first volume of the Local Motion series. Selected by the label owner Code 90, a 4tracks EP courtesy of Paolo Mosca, Sindaco, Uovo and Luis Del Barrio.



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(black vinyl, booklet, 500 copies) Renowned French musician and artist Félicia Atkinson announces new album SANS VISAGE, a reimagined score for Georges Franju’s cult 1960 horror classic Les yeux sans visage (Eyes Without a Face), out June 26 via VIERNULVIER Records. The news arrives alongside lead preview “Les Yeux II” and follows her recently released collaborative album with Christina Vantzou, Reflections Vol. 3: Water Poems, via RVNG Intl., as well as her acclaimed solo releases Promenades and Space as an Instrument on Shelter Press.

Tracklist

A1. Félicia Atkinson - "Les Yeux I"
A2. Félicia Atkinson - "Les Yeux II"
A3. Félicia Atkinson - "Les Yeux III"
A4. Félicia Atkinson - "Les Yeux IV"
A5. Félicia Atkinson - "Les Yeux V"
A6. Félicia Atkinson - "Les Yeux VI"
B1. Félicia Atkinson - "Sans Visage I"
B2. Félicia Atkinson - "Sans Visage II"
B3. Félicia Atkinson - "Sans Visage III"
B4. Félicia Atkinson - "Sans Visage IV"
B5. Félicia Atkinson - "Sans Visage V"

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Paradessence, Visible Cloak’s third full length, is an album of tension and reassurance. Its thirteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavern-like space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile. As adventurous as anything they’ve produced so far, Paradessence is both an inversion and culmination of what came before.

Since becoming Visible Cloaks in 2014, Spencer Doran and Ryan Carlile have explored oppositional concepts like organic and artificial, randomness and deliberation, authenticity and reproduction, through a complex set of cultural influences. Paradessence continues this kind of balancing act but brings these strains into greater urgency as life in the 21st century is reordered by these same tensions.

Tracklist:

1.Apsis
2.Skylight
3.Disque (ft. Motion Graphics)
4.Balloon
5.Slippage
6.Telescoping
7.Shapes (ft. Yoshio Ojima and Satsuki Shibano)
8.Thinking (ft. Félicia Atkinson, Yoshio Ojima and Satsuki Shibano)
9.Zinna
10.Swirl
11.Steel
12.Intarsia (ft. Ioana ?elaru)
13.Capgras
14.System (ft. Componium Ensemble)

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„ behind horizons at the end of a breath why I love luna parks *_* „

Ben Kaczor debuts his first LP on St. Odes. Sirene showcases a more experimental and cinematic approach to sound. Tracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.

artwork by : Ben Kaczor / mastering by : Isabel Schröer

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