Label:Circuitry
Cat-No:PLEXUS001CD
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:CD Excl
Label:Circuitry
Cat-No:PLEXUS001CD
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:CD Excl
LISTEN:
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from The Orchids
Label:Circuitry
Cat-No:PLEXUS001
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:2LP Excl
Label:Circuitry
Cat-No:PLEXUS001
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:2LP Excl
LISTEN:
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Circuitry
Label:Circuitry
Cat-No:PLEXUS001
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:2LP Excl
Label:Circuitry
Cat-No:PLEXUS001
Release-Date:19.09.2025
Genre:Indie Rock/Alternative
Configuration:2LP Excl
LISTEN:
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
https://tinyurl.com/4pw57u5f
WATCH A VIDEO FROM THE PAST:
https://www.youtube.com/watch?v=-34lVHqPwMQ
"'Lyceum' is a fountainhead of unqualified greatness. It's a strange, sad sound harking back to old school tunesmanship - Aztec Camera, 'Rattlesnakes', prime-time Felt - but the whole affair is permeated with a resonant, almost tearful quality. 'Lyceum' is reminiscent of Galaxie 500's 'Today' in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Don't pass it by".
- Bob Stanley, Melody Maker 1989
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10" at the time).
By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervour once more. Influences were more likely to be Television and the Television Personalities than MTV.
The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album 'Slippin' Out' from 2000 will be the second release on Circuitry). The Scottish five-piece released 'I've Got a Habit' and 'Underneath the Window, Underneath the Sink' as EPs before really finding their feet with 'Lyceum'; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the 'What Will We Do Next?' 7" (this collection closes with the frazzled stretch that is 'Yawn'). 'Lyceum' was originally released in August 1989.
The album opens with 'It's Only Obvious' and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you". James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where 'Hold On' (sounding suspiciously like an unlikely objective) descends into the intro of 'Blue Light', the counted-in '1, 2, 3, 4' whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
'Lyceum' is released on double black vinyl and CD by new label Circuitry.
Tracklist:
A
1) It's Only Obvious 2) A Place Called Home 3) Caveman 4) The York Song
B
1) Carrole-Anne 2) Hold On 3) Blue Light 4) If You Can't Find Love
C
1) I've Got a Habit 2) Apologies 3) Give Me Some Peppermint Freedom 4) Defy the Law 5) Underneath the Window, Underneath the Sink
D
1) Tiny Words 2) Walter 3) What Will We Do Next? 4) As Time Goes By 5) Yawn
circuitryrecordings.bandcamp.com
instagram.com/circuitryrecordings
instagram.com/theorchidsglasgow
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Winterlight Recordings
Cat-No:WINTERLP001
Release-Date:12.09.2025
Genre:House
Configuration:2LP Excl
Label:Winterlight Recordings
Cat-No:WINTERLP001
Release-Date:12.09.2025
Genre:House
Configuration:2LP Excl
1
Winterlight - Flowering on the Threshold
2
Winterlight - Water Under Birth
3
Winterlight - Dreamtime
4
Winterlight - Thinking Of You
5
Winterlight - Alive And Well
6
Winterlight - The Beautiful Side of Loneliness
7
Winterlight - Time for a Change
8
Winterlight - Get Back Today
9
Winterlight - Time To Wake
10
Winterlight - Lust Wonderlust Wonder
11
Winterlight - Trying To Discover
12
Winterlight - The Light
13
Winterlight - Lost And Found In The Sun
14
Winterlight - Universe
15
Winterlight - Crystal Clear Eyes
16
Winterlight - Loves Return
17
Winterlight - You Have Always Known The Way
Emerging from the shadows of a small apartment in Chicago’s South Side Pilsen neighborhood in 1999, Winterlight was produced and mixed by Daniel Thompson over the course of three years, from 1999 to 2002. It’s an intimate and evocative album that captures a pivotal chapter in Thompson’s life and echoes the spirit of a formative era in the underground music scene.
Thompson’s journey began in the heat of Houston, Texas, where his love for sound quickly became an obsession. By the late ’90s, he was among the first DJs in Houston to champion the sound of Chicago house, often driving long distances from Texas to Chicago in search of records, inspiration, and connection. These trips—equal parts pilgrimage and education—eventually led him to relocate to Chicago, where his artistic vision would fully take shape. Winterlight is the direct result of that move. Crafted over several years, the album embodies a raw, hands-on approach to production, built from analog synths, outboard gear, and hours of meticulous layering. Thompson leaned on tools like the Kurzweil K2000, SE-1, Juno-106, and classic processors such as the DP4 and TC Electronic units, shaping each track with
care and intention.
Blending atmospheric textures with hypnotic rhythm and subtle experimental flourishes, Winterlight captures the sound of an artist deeply engaged with his tools and surroundings. His extensive vinyl collection—over 3,000 records—served as both palette and inspiration, with carefully chosen samples lending further depth and narrative to the music. Now set for release across all digital platforms and as a limited double 12" vinyl edition through Berlin’s Word & Sound, Winterlight invites listeners into a soundscape that is both immersive and personal. More than just an album, it is a sonic document of a moment in time—rich in tone, memory, and intent. For those willing to listen deeply, Winterlight offers a rare window into the underground spirit of the early 2000s and the inner world of a producer finding his voice.
A1 - Flowering on the Threshold
A2 - Water Under Birth
A3 - Dreamtime
A4 - Thinking Of You
B1 - Alive And Well
B2 - The Beautiful Side of Loneliness
B3 - Time for a Change
B4 - Get Back Today
C1 - Time To Wake
C2 - Lust Wonderlust Wonder
C3 - Trying To Discover
C4 - The Light
C5 - Lost And Found In The Sun
D1 - Universe
D2 - Crystal Clear Eyes
D3 - Loves Return
D4 - You Have Always Known The Way
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Thompson’s journey began in the heat of Houston, Texas, where his love for sound quickly became an obsession. By the late ’90s, he was among the first DJs in Houston to champion the sound of Chicago house, often driving long distances from Texas to Chicago in search of records, inspiration, and connection. These trips—equal parts pilgrimage and education—eventually led him to relocate to Chicago, where his artistic vision would fully take shape. Winterlight is the direct result of that move. Crafted over several years, the album embodies a raw, hands-on approach to production, built from analog synths, outboard gear, and hours of meticulous layering. Thompson leaned on tools like the Kurzweil K2000, SE-1, Juno-106, and classic processors such as the DP4 and TC Electronic units, shaping each track with
care and intention.
Blending atmospheric textures with hypnotic rhythm and subtle experimental flourishes, Winterlight captures the sound of an artist deeply engaged with his tools and surroundings. His extensive vinyl collection—over 3,000 records—served as both palette and inspiration, with carefully chosen samples lending further depth and narrative to the music. Now set for release across all digital platforms and as a limited double 12" vinyl edition through Berlin’s Word & Sound, Winterlight invites listeners into a soundscape that is both immersive and personal. More than just an album, it is a sonic document of a moment in time—rich in tone, memory, and intent. For those willing to listen deeply, Winterlight offers a rare window into the underground spirit of the early 2000s and the inner world of a producer finding his voice.
A1 - Flowering on the Threshold
A2 - Water Under Birth
A3 - Dreamtime
A4 - Thinking Of You
B1 - Alive And Well
B2 - The Beautiful Side of Loneliness
B3 - Time for a Change
B4 - Get Back Today
C1 - Time To Wake
C2 - Lust Wonderlust Wonder
C3 - Trying To Discover
C4 - The Light
C5 - Lost And Found In The Sun
D1 - Universe
D2 - Crystal Clear Eyes
D3 - Loves Return
D4 - You Have Always Known The Way
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Peggy Gou - No Title
2
Peggy Gou - No Title
Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label’s first release will be the Moment EP - a two-track 12” featuring the tracks ‘Starry Night’ and ‘Han Pan’.
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Moment’ sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco’s Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade’s nascent years.
Gou’s own singing voice, known to so many from last year’s ‘Once’ EP, returns here to confidently guide the rhythm on ‘Starry Night’. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou’s skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, ‘Han Pan’ transmits a different but equally powerful energy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Coatshek - Softest
2
Coatshek - Slipping
3
Coatshek - The Feelings
4
Coatshek - Triple Virgo
5
Coatshek - Labyrinth
6
Coatshek - Eternal Lovers
Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
Odessey One - Last Night
2
Odessey One - Dance With Me (Version)
No Return!
Odessey One is probably one of the hottest, most appreciated and sought-after bands when it comes to caribbean funky Disco and Boogie music from Trinidad and Tobago.
These super talented musicians recorded a few incredibly good grooves in the Caribbean Sound Studio in the early 80s, which were long considered lost or very hard to find.
It was a bunch of friends around the composer, guitarist and singer Arnold Shuffler, like Nicholas Rostant, Carla Fauche and Colleen Grant, who came together in Port of Spain for a few jam sessions as a studioband.
Only a handful of vinyl copies were pressed from the tapes at KH studios pressing plant, which did not have much airplay at the time.
Sound Essence is more than happy about a renewed collaboration with mastermind Arnold Shuffler and to present this soulful island, disco, boogie synth funk to the music-lovers
community worldwide!
A: Last Night
B: Dance With Me (Version)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Odessey One is probably one of the hottest, most appreciated and sought-after bands when it comes to caribbean funky Disco and Boogie music from Trinidad and Tobago.
These super talented musicians recorded a few incredibly good grooves in the Caribbean Sound Studio in the early 80s, which were long considered lost or very hard to find.
It was a bunch of friends around the composer, guitarist and singer Arnold Shuffler, like Nicholas Rostant, Carla Fauche and Colleen Grant, who came together in Port of Spain for a few jam sessions as a studioband.
Only a handful of vinyl copies were pressed from the tapes at KH studios pressing plant, which did not have much airplay at the time.
Sound Essence is more than happy about a renewed collaboration with mastermind Arnold Shuffler and to present this soulful island, disco, boogie synth funk to the music-lovers
community worldwide!
A: Last Night
B: Dance With Me (Version)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Intercept
Cat-No:INT076LP
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Intercept
Cat-No:INT076LP
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
1
Tom Jarmey - waterslides
2
Tom Jarmey - treading lightly
3
Tom Jarmey - glass like water
4
Tom Jarmey - rosen pools
5
Tom Jarmey - yester feat. Older Brother
6
Tom Jarmey - rift drift
7
Tom Jarmey - at daybreak (reprise)
8
Tom Jarmey - nina's lament
9
Tom Jarmey - split roads
10
Tom Jarmey - oriol
Territories: WORLD excl US, CA
TRACKLISTS:
Side 1 (A)
1. waterslides
2. treading lightly
3. glass like water
4. rosen pools
5. yester feat. Older Brother
Side 2 (B)
1. rift drift
2. at daybreak (reprise)
3. nina's lament
4. split roads
5. oriol
SHORT INFO:
Tom Jarmey returns with Daybreak, a widescreen second album weaving ambient textures, dusty drum breaks and hazy melodies into a deeply emotive listening experience. Known for his genre-blurring releases on Holding Hands and X-Kalay, the London-based producer continues to push his sound into bold new territory. Having clocked 20M+ streams and earned praise from DJ Mag, Mixmag, and Four Tet, Jarmey's second LP cements his place in the UK's new vanguard of genre-fluid electronic artists.
VITAL SALES POINTS
Selected as one of DJ Mag's 'emerging artists you need to hear' and included in Mixmag's 'best EP's of 2023', alongside regular support from the likes of Four Tet, Midland, Shy One and Jossy Mitsu, Tom Jarmey's music has solidified itself in the scene as unique and timeless electronic music
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
Side 1 (A)
1. waterslides
2. treading lightly
3. glass like water
4. rosen pools
5. yester feat. Older Brother
Side 2 (B)
1. rift drift
2. at daybreak (reprise)
3. nina's lament
4. split roads
5. oriol
SHORT INFO:
Tom Jarmey returns with Daybreak, a widescreen second album weaving ambient textures, dusty drum breaks and hazy melodies into a deeply emotive listening experience. Known for his genre-blurring releases on Holding Hands and X-Kalay, the London-based producer continues to push his sound into bold new territory. Having clocked 20M+ streams and earned praise from DJ Mag, Mixmag, and Four Tet, Jarmey's second LP cements his place in the UK's new vanguard of genre-fluid electronic artists.
VITAL SALES POINTS
Selected as one of DJ Mag's 'emerging artists you need to hear' and included in Mixmag's 'best EP's of 2023', alongside regular support from the likes of Four Tet, Midland, Shy One and Jossy Mitsu, Tom Jarmey's music has solidified itself in the scene as unique and timeless electronic music
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Public Possession
Cat-No:PP075
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Public Possession
Cat-No:PP075
Release-Date:05.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Olaf Nicolai - Every day at noon … (14:00 min)
2
Olaf Nicolai - Every day at noon … (14:00 min)
3
Olaf Nicolai - Every day at noon … (14:00 min)
4
Olaf Nicolai - Every day at noon … (14:00 min)
Gatefolded Double Vinyl LP
Tracklist:
A Every day at noon … (14:00 min)
B Every day at noon … (14:00 min)
C Every day at noon … (14:00 min)
D Every day at noon … (14:00 min)
Short info:
Posters announce a daily action: A professional marksman shoots daily at 12 o’clock from a distance of approximately 15 meters at a paper flower. The number of shots is limited to a maximum of three per day. Upon a hit, the flower is replaced by a new one, the action ends and is continued the next day with a new flower. The bullet holes in the wall are not removed. The flowers remain lying on the floor until the end of the exhibition or event and are then given away.
Posters are produced in color variants (yellow, orange, red, violet, light blue, green) to advertise the action:
Every day at noon a professional marksman will shot at a paper flower (place of action to be filled in).
This performance was first presented at The Fruitmarket Gallery, Edinburgh in November and December 1999 and subsequently repeated (Aberystwyth, London, Nottingham, 2000 – 2002 and Langenhagen, 2007).
The action will be re-staged as part of the Klang Moor Schopfe Festival in Gais, September 4 –14, 2025.
The present audio recordings document the action at Kunstverein Langenhagen.
Performer: Petra Tutschke, Hanover (World Champion IPSC Standard Ladies 2005; European Champion IPSC Standard Ladies in 2004, 2007, 2013, and 2020).
Pistol: Heckler & Koch USP Expert
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A Every day at noon … (14:00 min)
B Every day at noon … (14:00 min)
C Every day at noon … (14:00 min)
D Every day at noon … (14:00 min)
Short info:
Posters announce a daily action: A professional marksman shoots daily at 12 o’clock from a distance of approximately 15 meters at a paper flower. The number of shots is limited to a maximum of three per day. Upon a hit, the flower is replaced by a new one, the action ends and is continued the next day with a new flower. The bullet holes in the wall are not removed. The flowers remain lying on the floor until the end of the exhibition or event and are then given away.
Posters are produced in color variants (yellow, orange, red, violet, light blue, green) to advertise the action:
Every day at noon a professional marksman will shot at a paper flower (place of action to be filled in).
This performance was first presented at The Fruitmarket Gallery, Edinburgh in November and December 1999 and subsequently repeated (Aberystwyth, London, Nottingham, 2000 – 2002 and Langenhagen, 2007).
The action will be re-staged as part of the Klang Moor Schopfe Festival in Gais, September 4 –14, 2025.
The present audio recordings document the action at Kunstverein Langenhagen.
Performer: Petra Tutschke, Hanover (World Champion IPSC Standard Ladies 2005; European Champion IPSC Standard Ladies in 2004, 2007, 2013, and 2020).
Pistol: Heckler & Koch USP Expert
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
loft classics - Rude Movements
2
loft classics - Outer Space
3
loft classics - Powerrline
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Axel Boman - Holy Love feat. J Jonasson
2
Axel Boman - Purple Drank
3
Axel Boman - Not So Much
2025 Repress
For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Enrico Sangiuliano & Charlotte de Witte - Reflection (Original Mix)
2
Enrico Sangiuliano & Charlotte de Witte - Reflection (Intro Mix)
3
Enrico Sangiuliano - Source Of Propagation
Continuing his exploration into the world of sound design, one of dance music’s most respected contemporary producers, Enrico Sangiuliano, announces the next conceptual study in NINETOZERO’s transient reality. The forthcoming opus welcomes the irrefutable talents of Charlotte de Witte, marking the pair’s second collaboration to date and the third release in the label’s countdown. The 3-track “Reflection” EP is available to pre-order now and will be live across all streaming platforms on March 17th. A luminary of musical storytelling, Enrico’s NINETOZERO saga has seen the Emilia native explore the affinity between sound, time and space, all while presenting an alternative perspective on his palette as a producer. Now illustrating their understanding of ‘Reflection’ within noise and composition, Enrico and Charlotte analyse the rebounding of sound waves between different mediums. Tethered to their roots within the Techno community, the title track and its format present as DJ-oriented, marrying de Witte’s stripped-down sensibilities with Enrico’s flair for rapturous apex moments. A euphonious translation of the notion of ‘Reflection’, the refined techno cut has enjoyed heavy circulation across the underground scape and will no doubt follow in the footsteps of the pair’s ‘The Age Of Love’ remix - which subsequently rounded out the year as 2021’s Best Techno track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Label:Smallville Records
Cat-No:smallville68
Release-Date:04.04.2025
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville68
Release-Date:04.04.2025
Genre:Deephouse
Configuration:12" Excl
1
Jacy - Move Your Body
2
Jacy - Feel The G
3
Jacy - One Kiss One ...
4
Jacy - Isola 89
Artwork and Typography by Stefan Marx
Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.
Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.
All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.
Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
Tracklist:
A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89
All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.
Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.
All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.
Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
Tracklist:
A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89
All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville
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DE - 22113 Hamburg
Germany
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The latest in the Music For Healing series of ambient records from Richard Norris, Colours Volume Two includes four ten minute pieces for deep listening. Turn on, tune in, unwind...
TRACKLIST:
A1 Cornflower
A2 Cornsilk
AA1 Rust
AA2 Imperial
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DE - 22113 Hamburg
Germany
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TRACKLIST:
A1 Cornflower
A2 Cornsilk
AA1 Rust
AA2 Imperial
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1
Strange Weather - A1 Housey Doingz - 7th Piano (7th Voyage Remix)
2
Strange Weather - B1 The Ron Honey Experience - Nitedrive
3
Strange Weather - B2 The Ron Honey Experience - Drive
4
Strange Weather - C1 Space Bunny - Space Bunny (Extended Mix)
5
Strange Weather - C2 Space Bunny - The Key (Wubbledub Edit)
6
Strange Weather - D1 Space Bunny - Space Dub
7
Strange Weather - D2 Space Bunny - Spudnik (Ver Vlads Mix)
8
Strange Weather - E1 Get Fucked - Time For A Quickee (On The Kitchen Counter Edit)
9
Strange Weather - E2 Get Fucked - Momentum (The Smart Alex Dub)
10
Strange Weather - F1 Green Eyed Monster - All Gone By
11
Strange Weather - F2 Strange Weather - Infinite
Laurant Webb, Dave Coker, Justin Bailey and Dave Pine were the driving forces behind Strange Weather Studios. Based in Southeast London, the studio served as a creative hub, playing a pivotal role in shaping the sound of a groundbreaking genre. Alongside close friends and collaborators, they produced a series of influential records that have left an indelible mark on the music landscape.
This release is a heartfelt tribute to Strange Weather Studios and the talented individuals who brought its magic to life. It also honours the studio’s production partners though iconic projects such as Housey Doingz, 7th Voyage, Space Bunny, Get Fucked and Green Eyed Monster. These projects that were instrumental in forging the signature, original London Tech House sound.
The tracks on this record have been handpicked by Laurant Webb and Yossi Amoyal, meticulously restored and remastered from the rare original DATs.
This release marks a significant milestone for London Tech House, symbolising a collaboration between its key pioneers and a label that evolved alongside the genre. It’s an organic partnership that celebrates the past and looks towards the future. A project we’re incredibly proud to share with you.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This release is a heartfelt tribute to Strange Weather Studios and the talented individuals who brought its magic to life. It also honours the studio’s production partners though iconic projects such as Housey Doingz, 7th Voyage, Space Bunny, Get Fucked and Green Eyed Monster. These projects that were instrumental in forging the signature, original London Tech House sound.
The tracks on this record have been handpicked by Laurant Webb and Yossi Amoyal, meticulously restored and remastered from the rare original DATs.
This release marks a significant milestone for London Tech House, symbolising a collaboration between its key pioneers and a label that evolved alongside the genre. It’s an organic partnership that celebrates the past and looks towards the future. A project we’re incredibly proud to share with you.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More