2LP

A1. Turn Up The Heat feat. Dolo Desir
A2. Groundshake
B1. Choose Your Destiny
B2. Runaway Railway
C1. Assim
C2. Drift Control
D1. Aurawave
D2. Hypnotizing



Info (EN):
The album of the year – and the beginning of a new era at Gigolo Records.

Ten club tracks packed with pure impact, crafted by one of today’s most talented and innovative producers: Aziz Haddad from Tunisia.

His sonic fingerprint breaks all genre boundaries — impossible to categorize — and fits perfectly into the Gigolo Records family and history.

Aziz’s uniqueness lies in his anarchic definition of sound:
4-to-the-floor house, 80s synth pop, techno, and hypnotic beat programming merge into a cinematic, magnetic whole.

Selected Bangers rewrites the rules for 2025 —
every beat counts.



Info (DE):
Das Album des Jahres – und der Beginn einer neuen Ära bei Gigolo Records.

Zehn Club-Tracks voller Energie und Durchschlagskraft, produziert von einem der derzeit talentiertesten und innovativsten Künstler: Aziz Haddad aus Tunesien.

Sein klanglicher Fingerabdruck sprengt alle Genregrenzen – kaum einzuordnen – und passt damit perfekt in die Gigolo Records-Familie und ihre Geschichte.

Aziz’ Einzigartigkeit liegt in seiner anarchischen Definition von Sound:
4-to-the-floor House, 80s Synth-Pop, Techno und hypnotisches Beat-Programming verschmelzen zu einem cineastischen, magnetischen Gesamtwerk.

Selected Bangers schreibt die Regeln im Jahr 2025 neu –
jeder Beat zählt.

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This newly started Voyage Direct series is about all about feel good club music and iscurated by Tom Trago. Hence the name Voyage Direct, which was also the title of his debut double EP. Dexter kicks off this series in a classy style with his Junofest EP. This is easily his best work since his genre breaking electro-funk hit ‘I Don’t Care’ from 2000.

And now its time for ‘Junofest EP’. The title track is a steady, yet smooth club groove with enough swing to make anyone dance to the music. A true party starter. On the AA sidewe find ‘Not The Only One’, an infectious vocoder vocal track that makes you smile. This is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. It could just be his biggest track since ‘I Don't Care’.

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Following a summer of fifth birthday celebrations, Tom Trago's Voyage Direct label returns to action with a brand new 12" from Amsterdam scene stalwart Simon Weiss.

Although a new member of the Voyage Direct family, Weiss is no newcomer to production. He's previously delivered high grade deep house EPs for Rush Hour, Deepermotions and Home Taping Is Killing Music, and his contribution to First Mission, Voyage Direct's fifth anniversary compilation, was one of the undoubted highlights of that set.

It's that track the gloriously positive 'Tele-Vision', and its cyber-house fusion of darting synthesizer arpeggios, Detroit-influenced percussion, and thrusting acid bass that heads up Weiss first EP for Voyage Direct.

Dutch veteran and longtime friend of the family Dexter turns in a stunning remix, putting a well-placed boot up the backside of 'Tele-Vision' via speaker-shaking sub bass, kaleidoscopic electrofunk motifs and thumping techno rhythms. It's a stunning re-make, and one that takes Weiss' fine original to even greater heights.

Flip the record for two previously unheard Weiss productions. First up is 'Ghost', a supernatural house shuffler full of alien synths, wayward melodies, intergalactic electronics and crunchy drum machine hits. Weiss flips the script slightly on 'Super Sub', pairing his now trademark vintage synthesizer refrains and tumbling electronics with a heavyweight, bassline-driven groove. It's a sweet and evocative track, but critically also packs a punch.

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William Djoko is in a frisky mood. On “Dirty Talk”, he delivers an X-rated dancefloor bomb that’s as unashamedly filthy as an all-night rave at one of Amsterdam’s most salacious brothels.

Djoko is no stranger to Voyage Direct. Having first appeared on the label way back in 2012, he’s returned numerous times since, becoming an integral member of the imprint’s growing family of artists. Elsewhere, he’s delivered material on Tuskegee, Mobilee and Leftroom, amongst others, developing an approach that takes inspiration from numerous styles of house and techno. However, little he’s previously released can match the raw, eyebrow-raising lust and sexually charged funk of “Dirty Talk”.

Driven forward by Djoko’s sleazy, whispered spoken-word vocal, the original version combines the rubbery, bass-heavy rhythms of classic Dance-Mania-style ghetto house, the delay-laden guitar flashes of vintage NYC proto-house, and the kind of darting, funk-fuelled keys – provided by fellow Dutch producer Kid Sublime – that recall the glory days of ‘80s electro-funk. Djoko provides an alternate version in the shape of the thrusting, stripped-back “Club Dub”, with his breathy “Accapella” rounding off the A-side.

On the flip, two Voyage Direct stalwarts take it in turns to rework the track. First up is label boss Tom Trago, who builds on Djoko’s elastic percussion with some dense new drum hits of his own. These are combined with spacey synths and sharp string stabs, giving “Dirty Talk” a more classic techno/house fusion flavour. In contrast, Werner uses the opportunity to turn in a triple-X-rated interpretation full of bounding, Chicago-influenced beats, intergalactic pads, sleazy acid lines, and sweaty, surging drum fills. It’s a fittingly breathless remix.

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All record labels have their own particular mission statement, but few boast quite as singular vision as Voyage Direct. This vision comes through loud and clear on the label’s first compilation, a collection that takes in both unreleased tracks and a hand-picked selection of classics from the imprint’s first five years.

Founded by DJ/producer Tom Trago in 2010, Voyage Direct was created with two key aims: to promote independent-minded Dutch house and techno, and to provide an outlet for music by young, talented producers from the Netherlands.

“I loved the music being made around me, and it wasn't getting released,” Trago explains. “I thought somebody had to get it all together and put it out on a label. There’s so much stuff happening here, for me it’s unnecessary to look elsewhere for good music. It’s a very personal thing. I know everybody I release music from personally, we hang out, they come with me to clubs, and we do parties together. It’s not just a label, but also a community.”

The label’s back catalogue, now over 20 releases deep, bears witness to this unique mission statement. Voyage Direct’s discography to date features a unique mix of tracks from long-established Dutch legends (Dexter, Aardvarck, Awanto 3, Boris Werner, Danny ‘Legowelt’ Wolfers under the House of Jezebel alias), and producers who are still earning their stripes (the likes of Maxi Mill, Elias Mazian, Magnesii, Interstellar Funk).

This latter aspect is particularly important to Trago, who understands the importance of being guided by those you respect within the local scene. During his early years as a budding DJ/producer in Amsterdam, he was fortunate to be supported and encouraged by a range of influential local DJs and producers, who freely gave their time to collaborate, listen to demos and offer advice.

“In some ways, what some young producers need is a mentor,” Trago says. “When I grew up in Amsterdam, a lot of older cats took me under their wing – Steven De Peven from Rednose Distrikt,, the guys from Rush Hour & KC the Funkaholic, who's an old school DJ. I was lucky to be mentored by all these older Amsterdam gurus, and now I want to share what I've learned through that, and my career, with young kids who are in a similar position to where I was when I was starting out. I believe this is the way to build a scene."

The musical make-up of Voyage Direct’s first compilation reflects Trago’s wish to look to the future of Dutch dance music. Although it features headline-grabbing contributions from House of Jezebel and Awanto 3 (the 12-minute house-goes- synth-funk epic “The Girl IsHot”), the vast majority of material comes from younger, lesser-known producers. In this category you’ll find familiar Voyage Direct artists – Maxi Mill, Overlast, Magnesii and William Kouam Djoko (whose twinkling, garage- influenced deep house jam “Hold Me Close” is a genuine highlight) – and label debutants.

It’s this aspect that gives Voyage Direct’s first compilation such vibrancy. Check, for example, the spacey deep house bliss of “The Slightly” by newcomers Efde and Tom Ruijg, the melodious, synthesizer-heavy “Raw Funk” from Melon, or the cascading sweetness of Ebokai’s “Metae”. These are contributions from artists unfamiliar to those not schooled in the intricacies of the Dutch scene, but whose talents are obvious. These are producers who represent the future of the Dutch scene, but whose influences from within the country are often obvious.

“People listen to each other a lot, and that's inspiring too,” Trago says. “With Voyage Direct, I want to join the dots between my history in Holland, and the future, trying to make a bigger story."

It is, then, a very personal collection, but one that offers a glimpse of the growing strength of left-of-centre electronic dance music in the Netherlands – and, of course, Voyage Direct itself. The collection is split into two parts: a selection of 11 previously unreleased tracks, which will be available on CD and a trio of 12” vinyl samplers, and an 11-track run down of label highlights to date. The latter will be made available as a download, for those who purchase the CD version.

Voyage Direct’s first compilation, then, is not only a celebration, but also a taste of what’s to come. The future looks very bright indeed.

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Some things are just too good to be hidden from view. That’s certainly the case with ‘Things To Think About’, the first album from Dutch electronic music legend Steve Rachmad’s lesser-known Sterac Electronics project.

Rachmad first rose to prominence in the late 1990s, spearheading a surge in Dutch techno that was heavily inspired by the futurist intent and machine soul of Detroit. Since then, he has continued to successfully explore a wide range of dancefloor-centric electronic styles under a dizzying array of aliases.

It’s a while, though, since the public has been treated to a heavy dose of Sterac Electronics material. He first established the alias at the turn of the millennium, primarily as an outlet for hardware-driven electro music shot through with funk and soul.

A handful of highly regarded 12” singles were released on Music Man and Interpersonal XP, before Rachmad began focusing on other projects. When inspiration struck, he returned to the project, jamming out tracks using a mighty collection of vintage synthesizers and drum machines. Recently, Rachmad and Tom Trago decided to revisit the Sterac Electronics archive, discovering a killer collection of cuts created at different points over the course of the last 15 years.

Now 9 of those spellbinding hardware jams have been gathered together for the first time on ‘Things To Think About’, a warm, rich and evocative collection of electro-fuelled workouts that giddily pay tribute to the music of Rachmad’s youth.

‘Things To Think About’ will be released as a limited-edition double album, preceded by this 12” single featuring another previously unheard gem from the vaults

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With his Voyage Direct label, Tom Trago has always championed Dutch talent DJs and producers from the tight-knit local scene whose music moves and inspires him in equal measure. He's at it again on this 19th release, handing a debut 12¿ to fast-rising, Amsterdam-based DJ/producer Elias Mazian.

The 25 year-old is a much-loved figure on the Amsterdam scene, and has gained a reputation as one of the city's true underground heroes. His DJ sets are rooted in contemporary deep house and techno, but also take
inspiration from `80s electro, Stevie Wonder, P-funk, disco, and the surging, snare-heavy pulse of early Chicago ghetto-house.

Given this dedication to mixing things up, it's unsurprising that Trago has long been a supporter of Mazian's talents. 'Tom has been like a brother to me', Mazian says. 'I've been focusing on my DJ career, but Tom always pushed me to make more tracks. After I'd made 'Future Times' I played it to him at his house. He loved it from the start.¿


'Future Times' was made in a single productive afternoon, with Mazian quickly jamming out a track that pits attractive, far-sighted synthesizer melodies and spacey chords against cut-up hip-hop vocal samples and a righteous, snare-heavy groove. Like Mazian¿s DJ sets, it draws on a myriad of influences, from beatbox electro and Kraftwerk, to 21st century European deep house and Detroit techno. It's thrillingly hard to pigeonhole, and offers a perfect introduction to Mazian's musical world.

There¿s more far-sighted retro-futurism to be found on flipside 'They Don't Know'. Featuring heavy machine drum rhythms inspired by Mazian's love for old Dance Mania releases, and peppered with classic hip-house breaks, it sounds like a delicious fusion of B-more, DJ Rush and early British 'intelligent techno'. It inspired a wild response from dancefloors during Tom Trago's sets at ADE, much to Mazian's delight. 'When Tom dropped it at a jam-packed Trouw that was a 'goose-bump
moment', he says. 'To hear this track you've made on a loud sound system, with people going wild it's simply awesome!'

Something tells us Mazian might have to get used to this kind of reaction in the weeks, months and years ahead. As debut 12" singles go, this one is pretty darn special.

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Next up on Tom Trago’s Voyage Direct series is Overlast. This Amsterdam based producer returns on Voyage Direct with two synth driven club tracks!

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Some things are just too good to be hidden from view. That’s certainly the case with Things To Think About, the first album from Dutch electronic music legend
Steve Rachmad’s lesser-known Sterac Electronics project.

Rachmad first rose to prominence in the late 1990s, spearheading a surge in Dutch techno that was heavily inspired by the futurist intent and machine soul of Detroit. Since then, he has continued to successfully explore a wide range of dancefloorcentric electronic styles under a dizzying array of aliases.

It’s a while, though, since the public has been treated to a heavy dose of Sterac Electronics material. He first established the alias at the turn of the millennium, primarily as an outlet for hardware-driven electro music shot through with funk and soul.

A handful of highly regarded 12” singles were released on Music Man and Interpersonal XP, before Rachmad began focusing on other projects. When inspiration struck, he returned to the project, jamming out tracks using a mighty collection of vintage synthesizers and drum machines.

Recently, Rachmad and Tom Trago decided to revisit the Sterac Electronics archive, discovering a killer collection of cuts created at different points over the course of the last 15 years.

Now 9 of those spellbinding hardware jams have been gathered together for the first time on Things To Think About, a warm, rich and evocative collection of electrofuelled workouts that giddily pay tribute to the music of Rachmad’s youth.

From the thrusting, synth-driven machine funk of “Original Pattern” and mutant electrofunk revivalism of “Game Changers”, to the baggy West Coast boogie of “Metratron” and intergalactic hustle of “Archetype” (which sounds like Cybotron covering the 1988 version of The KLF’s “What Time Is Love”), Things To Think About is an lesson in the emotion-rich, mood enhancing possibilities of spontaneous hardware jams.

The highlights don’t stop there, either. Check, for example, the crystalline synthesizer melodies, body popping drum hits and spacey chords of “Tuning Into Frequencies” and the breezy humidity of opener “Altruistic Endeavor”.

Like the rest of the tracks on the album, they feel timeless, as if they could have been made at any point during the last three decades. From Steve Rachmad, we wouldn’t expect anything less.

Things To Think About will be released as a limited-edition double album, preceded by a 12” single featuring another previously unheard gem from the vaults.

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Yamaha’s DX series of synthesizers has long been a source of inspiration for Tom Trago. The DX7, in particular, appeals to the Dutch producer thanks to a unique sound that he describes as “glassy but classic and icy”. 34 years after it went on sale – the same year as Trago was born, interestingly – the synthesizer’s sound still bristles with futurist appeal.

Trago, who was partially trained in how to use the DX7 by studio friends Bok Bok, Sterac Electronics and Juju and Jordash, has decided to pay tribute to this most distinctive of synthesizers by using it as inspiration for Serene Waters, his first EP for Voyage Direct since 2014 epic Hidden Heart of Gold.

Across the course of five sparkling, spacey and melodious tracks, the Voyage Direct chief showcases the variety of sounds that can be teased from the DX7. Compare, for example, the delicate and rush-inducing melodies of dreamy, deep electro opener “Harvest” and the two contrasting mixes of “Opulent”’; variations on a throbbing, futurist techno theme rich in glacial melody lines, bustling synth-bass and spacey chords. The dancefloor possibilities of the synthesizer’s sound palette comes to the fore on the stripped-back “Within Mix”, where Trago’s rolling stabs and cascading melodies are wrapped in tougher, denser drums.

The sparkling nature of the DX7’s trademark sounds also come to the fore on “XYZ”, a crunchier and snappier electro outing that recall the effervescent brilliance of Trago’s sometime label mate, Sterac Electronics. The track’s combination of darting bass and mind-altering, alien electronics is as kaleidoscopic as they come.

Nestled slap bang in the centre of the EP is “Rain Room”, where Trago manipulates his machines to get a far more psychedelic sound. While there’s vibrant warmth thanks to some seductive background pads and stretched-out chords, it’s the bubbling electronics and futurist tunefulness that catches the ear. Like much of the rest of the EP, it tiptoes the fine line between poignancy and rush-inducing colourfulness.

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