CD

Tracklist:

1. Hoppadatsch 05:58
2. Fizz 06:44
3. Collin 05:55
4. Walk with Me (featuring Martin Klein) 06:11
5. Scheck 02:19
6. Blame Me (featuring RocketNumberNine) 05:50
7. Agua (featuring Yoruba Percussion) 03:17
8. Seat A 07:59
9. Acido 05:01
10. Flirr 05:04
11. Archimed 03:51
12. Gepard (featuring Polybrass) 04:36
13. 1010 (featuring RocketNumberNine) 05:21

We have been playing techno with drums, bass and guitar for 15 years. During this time we
have released ten albums, seven EPs and various singles and remixes. We have played
around 500 concerts at clubs and festivals around the world. For a lot of releases and shows
we have had the opportunity to collaborate with great like-minded musicians. Some of these
collaborations have been recorded but have not been available to the public until now. Some
of our most eclectic yet danceable tracks recorded as a trio also haven’t found their way to
our audience yet. Although we usually focus on searching for new sounds in the future we
now allow ourselves to find them in our past.
This is a compilation of “lost tracks” that have been waiting on our harddrives to be
rediscovered and finally made available to you - Enjoy!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Special remarks: LP

Tracklist:
1. Hymner 02:00
2. Prototyp 04:20
3. Spiral 05:21
4. Manfrotto 04:27
5. Okra 05:04
6. Teleporter 06:25
7. Acapulco 05:05
8. Omega 02.28

Elektro Guzzi from Vienna are back with their new, their ninth album »Triangle«. Since their
first, self-titled album in 2010, Elektro Guzzi have been working on a variety of techno that is
not programmed on a computer or sequencer, but rather analogously performed by using
electric bass (Jakob Schneidewind), drums (Bernhard Breuer) and electric guitar (Bernhard
Hammer) and it is techno-music, that arises in the moment of interaction - a music that often
develops in the direction of cosmic music. On »Triangle«, Elektro Guzzi overcame the
natural, »learned« sound of their instruments. The futuristic concept of techno shines
through all the more as a role model - that there is precisely this clear idea of transcending
the present by playing a hypnotic, interlocking music of the future. »Triangle« is the logical
next step for a band that is always looking for »more«, for departure, for consistency. The
forced break of the lockdowns 2020/2021 and the restrictions in the context of the crisis
made the band move closer together; on »Triangle«, Elektro Guzzi increased their efficiency
to the unbelievable.

Recording & Mix: Elektro Guzzi
Master: Paul Movahedi
Drawing: Inga Hehn
Artwork: Nik Thoenen
® & © 2022
PALAZZO RECORDINGS

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Special remarks: 2LP Vinyl + Downloadcode / - First vinyl album on Palazzo Recordings

Genre: Techno

Tracklist LP:

1. Rabazz 14:59
2. Essig 06:12
3. Horst ( Dub) 09:12
4. Rotor 05:36
5. Eskalator 11:21
6. Bogota 10:50
7. Exit 06:26

Short Info:
For their upcoming album TRIP (their first trio album since 2017) Elektro Guzzi return to their core competence of creating driving techno on the spot. Through their impulsiv interplay and the heavy use of effect circuits they create an energetic and unique form of dance music. More directly than ever before, all tracks on this album capture Elektro Guzzi's live sound and energy.
TRIP will be the first vinyl release on their very own Palazzo imprint and it will be the purest
Elektro Guzzi record so far.

Vital Sales Points:
- Releases on Macro, Pomelo, Denovali
- Extended Tour in the Months of October-December


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DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
Tracks: 1. Room, 2. Voix, 3. Slowfox, 4. Element, 5. Wood, 6. Blue Eyes Wink, 7. Merge, 8. Pillow, 9. Loop, 10. Coda

Literary all the Granny Smith apple trees grown today, from Uruguay to Hokaido, are CLONES from Mrs. Smith's original tree in Sydney. Bananas, oranges, watermelons, garlic & other fruits of daily delight are routinely replicated without any input of external ideas - i.e., they are cloned. There is no general ethical or aesthetic decision to be formed about CLONES, since you have already imbibed them ever since your first bite. Thus, you are not in a neutral or otherwise preliminary position, but already involved, kneedeep.

It may not be a coincidence that the first mammals, warm-blooded egg-layers and small marsupials, date almost exactly to the period of the first flowers, evolving some 125 million years ago. Quick-thinking, vegetable eating mammals provide a most striking example of cooperation in evolution, as their interest in plant foods led them to become well-fed. A bond has been formed. Seedless plants, like banana and oranges, have made a most remarkable dispersal strategy: season after season, human growers CLONE them. The plants are perpetuated because they taste so good.

And that's about it. Much has been said about Elektro Guzzi's aptitude in transcending their instrumental sources towards techno of unlikely beauty, pristine consistency and razor-sharp definition. It tastes good, and thus they have decided to CLONE themselves. Elektro Guzzi plow through their own fertile ground of ideas and sprout structures, textures and gestures into a dizzying array of new offerings. Yet the tunnel vision of the singular point of origin of all tracks makes it smack even more. Because there's never too much of a great thing.





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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
Tracks: 1. Room, 2. Voix, 3. Slowfox, 4. Element, 5. Wood, 6. Blue Eyes Wink, 7. Merge, 8. Pillow, 9. Loop, 10. Coda

Literary all the Granny Smith apple trees grown today, from Uruguay to Hokaido, are CLONES from Mrs. Smith's original tree in Sydney. Bananas, oranges, watermelons, garlic & other fruits of daily delight are routinely replicated without any input of external ideas - i.e., they are cloned. There is no general ethical or aesthetic decision to be formed about CLONES, since you have already imbibed them ever since your first bite. Thus, you are not in a neutral or otherwise preliminary position, but already involved, kneedeep.

It may not be a coincidence that the first mammals, warm-blooded egg-layers and small marsupials, date almost exactly to the period of the first flowers, evolving some 125 million years ago. Quick-thinking, vegetable eating mammals provide a most striking example of cooperation in evolution, as their interest in plant foods led them to become well-fed. A bond has been formed. Seedless plants, like banana and oranges, have made a most remarkable dispersal strategy: season after season, human growers CLONE them. The plants are perpetuated because they taste so good.

And that's about it. Much has been said about Elektro Guzzi's aptitude in transcending their instrumental sources towards techno of unlikely beauty, pristine consistency and razor-sharp definition. It tastes good, and thus they have decided to CLONE themselves. Elektro Guzzi plow through their own fertile ground of ideas and sprout structures, textures and gestures into a dizzying array of new offerings. Yet the tunnel vision of the singular point of origin of all tracks makes it smack even more. Because there's never too much of a great thing.



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DE - 22113 Hamburg
Germany
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Tracklist: 1. Circle One / 2. Circle Two / 3. Acid Bonus
Biography:
ELEKTRO GUZZI have been called many names: man-machine, clockwork, techno organism. It is truly one like no other. By now, the 3 Austrian wizards have become the preeminent techno band. A trio of guitar, bass and drums, they play murder beats with the drive of a machine that got possession of the sonic detail only physical instruments are capable producing. The unparalleled appeal of matching sound and performance vision in real time - you see how every sound is created, right there, on the spot - have made them a primary choice for cutting edge festivals like Roskilde, Sónar (2x official programm), Mutek, Melt!, Stop Making Sense, C/O Pop, Eurosonic, Extrema, Airwaves, Sziget, Dancity, Spring Festival and a long list of others across Europe, North and Latin America and Japan. In parallel they have conquered the club circuit from Berghain to Fabric to Arma17.
The album:
Originally recorded for a Tapeworm cassette release, Austrian techno wonder Elektro Guzzi locks into two "circles" + one essential addition. Tight as ever, but this time the usual restrictions to track durations and vinyl sides are completely abandoned in favour of deep explorations of the long form. Rich on texture, all the little timbral strokes add up to a continuous push down the bass-heavy techno rabbit hole. The result is nowhere close to a loose jam, but renders a concentrated display of musical swarm logic. Intimate, thrusting, circular.



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UPC: 827170143326 Release Date: May 26, 2014

Tracklist: 1. Rough Tide / 2. Acid Camouflage / 3. Alaska Flip / 4. Trojan Robot / 5. Undulata / 6. Atlas / 7. Threshold People / 8. The Grist

Live "techno-tanzband" trio Elektro Guzzi are set to release their new studio album 'Observatory' via Berlin based record label Macro. From their 2010 s/t debut album ("hauntingly beautiful" - Resident Advisor) and 2011 follow up 'Parquet' ("hypnotic, near kosmische reverberations" - Clash) Elektro Guzzi have taken their man-machine live show of bass, guitar, drums around the world, from landmark clubs like Fabric and Berghain to major festivals Roskilde, Sónar and Mutek.
With 'Observatory', Bernhard Hammer, Jakob Schneidewind and Bernhard Breuer shift everything anyone could expect from a live band. Tellingly, instrument credits have been wiped off the record sleeve. Still a string and a drum skin at the source, the sound emanating from the speakers seems to have travelled light years. Utterly alien, 'Observatory' unfolds into a paradigm for both the performance of music and the music performed.
Despite advances in software, ironically it is this live band that initiates a redesign of how techno could leap into the future. There is nothing retro about it. No citations of historic moments. The album resembles a party on the edge of the solar system, with scraps of distant sound memories - a shocking abandonment of anything an instrument was supposed to do. The recordings' warmth is at a stark contrast to the music's Skynet thrust: a time capsule of techno projected into the dark unknown. Metallic and human at the same time, a love cry miles from home...

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UPC: 827170541467 Release Date: May 26, 2014
Tracklist: 1. Rough Tide / 2. Acid Camouflage / 3. Alaska Flip / 4. Trojan Robot / 5. Undulata / 6. Atlas / 7. Threshold People / 8. The Grist

Live "techno-tanzband" trio Elektro Guzzi are set to release their new studio album 'Observatory' via Berlin based record label Macro. From their 2010 s/t debut album ("hauntingly beautiful" - Resident Advisor) and 2011 follow up 'Parquet' ("hypnotic, near kosmische reverberations" - Clash) Elektro Guzzi have taken their man-machine live show of bass, guitar, drums around the world, from landmark clubs like Fabric and Berghain to major festivals Roskilde, Sónar and Mutek.
With 'Observatory', Bernhard Hammer, Jakob Schneidewind and Bernhard Breuer shift everything anyone could expect from a live band. Tellingly, instrument credits have been wiped off the record sleeve. Still a string and a drum skin at the source, the sound emanating from the speakers seems to have travelled light years. Utterly alien, 'Observatory' unfolds into a paradigm for both the performance of music and the music performed.
Despite advances in software, ironically it is this live band that initiates a redesign of how techno could leap into the future. There is nothing retro about it. No citations of historic moments. The album resembles a party on the edge of the solar system, with scraps of distant sound memories - a shocking abandonment of anything an instrument was supposed to do. The recordings' warmth is at a stark contrast to the music's Skynet thrust: a time capsule of techno projected into the dark unknown. Metallic and human at the same time, a love cry miles from home...

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

UPC: 827170479166 Release: 04.03.2013
Tracklist: A1: Cashmere A2: Crack Fox B: Cashmere (Reverse Mix)
If the "Parquet" album saw them delivering a unified vision of dancefloor purity to massive acclaim, "Cashmere" now takes ELEKTRO GUZZI's signature man-machine sound up a notch. It is moving their rock-solid base towards ecstatic moments of techno bliss. In the title track layers of circling angular chords cause goose bumps, while a warmly pulsating foundation of bass and drums locks in the groove. The "Reverse Mix" does exactly what it says: reversing the arrangement and re-building the track back to front. In "Crack Fox" it is then the interaction of shifted bass line and countering melodic scraps that pushes the whole thing forward. All set off against ultra-steady drumworks, only swelling in lengthy waves towards eerie peaks, the result is sheer madness. Essential material from the band that reinvented "live techno."


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DE - 22113 Hamburg
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Elektro Guzzi deliver one of the most thrilling live performance models for techno and an innovative leap in the art of band performance at the very same time. It's almost the antithesis to what a band is supposed to be. While they use guitar, bass and drums only, they take the most unusual playing techniques and put them together into a rigid mechanical form where it all makes instant, evident sense. Yet, if they had not performed live extensively, becoming audience favourites from Mutek to Sónar or Berghain to Fabric, it would be hard to believe this is really how the music is created. That said, everyone who saw them deemed it impossible they could go even further into the man-machine direction. Yet it is exactly what they did.
Parquet, their second studio album sees them in an unprecedented monomaniacal techno mode. Throughout the 9 tracks the distinctions between instruments and roles are totally vaporized. While their instrumental approach is at the core of their aesthetics, it really doesn't matter anymore if one sound comes from a guitar or bass or drum - it has all been merged into one sonic unit and all there is, is the music as a unified entity. While all the qualities of live performance are at hand - real time interaction, visual plausibility, instant miniscule adaptations - it is a radical break with what group performances have been about so far.
Parquet is as much a straight up club music record as it is rich of nuances and details. Astonishingly, while being their most rigid and dance-centered work to date, it also holds outbursts of beauty with tonal lines, ringing overtones and warm resonances. The rhythms are stripped down to the core and structured for affecting longer stretches of perception. Every track comes with a distinctive, almost "branding" feature - like the hypnotic meter-shifting line of Affumicato, the gated chords of Pentagonia or the abridged rhythm of Absorber. Actually, it all was recorded directly to analog tape. No edits, no overdubs. It's the man-machine in real time and a hint at the love Elektro Guzzi put in the process. You probably have to be as dedicated as Bernhard Hammer, Jakob Schneidewind and Bernhard Breuer to take things that deep.
Tracklisting:
1 Affumicato
2 Pentagonia
3 Absorber
4 Panier
5 Vertical Axis
6 Redford
7 Reserva
8 Moskito
9 Slide Dandy

Salespoint:
" Elektro Guzzi is the leading Techno live band: big topic in music press & beyond worldwide

" two promotional video clips for viral PR! Professional production.

" producer Patrick Pulsinger has seen huge media coverage for Hercules & Love Affair

" huge crossover potential: attractive to fans of techno/electronic, indie and experimental styles alike.

" Massive live presence already at festivals and clubs incl SONÁR, c/o Pop, Mutek, Dancity, Urban Art Forms, Robot ... - several festivals in France, Italy, Austria, Germany, Switzerland, Spain, Belgium, USA, Canada, Eastern Europe … club gigs at BERGHAIN Berlin, FABRIC London und TROUW Amsterdam.

" Constantly growing international fanbase due to extensive worldwide touring

" Additional promotion to DJs - club and radio! One of the few techno live acts to be actually played out by DJs





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PRODUCED BY ELEKTRO GUZZI AND PATRICK PULSINGER RECORDED DIRECTLY TO ANALOG TAPE. NO EDITS. NO OVERDUBS.
Elektro Guzzi redefined the meaning of performing techno live. With just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. If they had not performed live extensively, becoming audience favourites from Mutek to Sónar and from Berghain to Fabric, it would have been hard to believe this is really how the music is created. That said, it seemed impossible they could go even further in this direction. Yet that's exactly what they did.
Parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. Throughout the nine tracks the distinctions between instruments and roles are totally vaporized. While their instrumental approach is at the core of their aesthetics, it really doesn't matter anymore if one sound comes from a guitar or bass or drum - it has all been merged into one sonic unit and all there is, is the music as a unified entity. In its quality and appeal "it shouldn't matter if it is played or produced electronically", say Elektro Guzzi. While all the qualities of live performance are at hand - real time interaction, visual plausibility, instant miniscule adaptations - it is a radical break with what group performances have been about so far.
Parquet is as much a straight up club music record as it is rich of nuances and details. Astonishingly, while being their most rigid and danceable work to date, it also holds outbursts of beauty with tonal lines, ringing overtones and warm resonances. The rhythms are stripped down to the core and structured for affecting longer stretches of perception. Every track comes with a distinctive, almost "branding" feature - like the hypnotic meter-shifting line of Affumicato, the gated chords of Pentagonia or the abridged rhythm of Absorber. You probably have to be as dedicated as Bernhard Hammer, Jakob Schneidewind and Bernhard Breuer to take things that deep.


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The story: Techno live: With more and more artists competing for attention, live presentation has become the most important ressource. A growing number of electronic artists are incorporating live instruments into their sound – but only Vienna’s Elektro Guzzi actually play 100% live: no laptops, no loops, no programming. Their unparalleled live success made them the leader in the field: Sónar, Mutek, Berghain, Fabric, Amsterdam Dance Event, Time Warp + dozens more appearances at top festivals and clubs. Elektro Guzzi had the biggest headstart on the circuit of 2010.
This has always been considered the main advantage of having a band on stage: you can see and feel what you hear. And in techno this is only really true for Elektro Guzzi. What sounded incredible in their debut album “Elektro Guzzi”, works wonders live (and they don’t depend on visuals to excite their crowds). They did not only made most laptop acts sound rather dull, but they have been in fast-forward evolution mode, too.
The album: “Live P.A.” captures the latest state of Elektro Guzzi’s incredible live sound, recorded in London with the outstanding mixing capabilities of Brendon ‘Octave’ Harding, the trusted engineer of dub legend Lee ‘Scratch’ Perry.
The set captures Elektro Guzzi’s raw live side, turning out dark grooves with an almost indie edge – probably their most appealing material to date. This set had been originally recorded for Resident Advisor. Now, the CD version has been newly mixed by their producer Patrick Pulsinger (Hercules & Love Affair) and is available in full resolution for the very first time.
Huge crossover potential: attractive to fans of techno/electronic, indie and experimental styles alike. Massive live presence at festivals and clubs. SONÁR (Barcelona), TIME WARP 2010, Spring 10 (Graz), Amsterdam Dance Event, Mutek (Montreal) + several festivals in France, Italy, Austria, Germany, Switzerland, Canada, Eastern Europe.



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12" + Downloadcode

- Second Part of their “Seven Love Songs” series
- Released on Meakusma (Clone)
- Project by Elektro Guzzi’s guitar and bass-player
- Featuring Franz Hautzinger and Renee Benson

GENRE/S: experimental/electronic/ambient

TRACKLISTS:
A1 Continental 6:17
A2 Double Happiness 4:40
B3 Cloud Nine feat. Renee Benson 4:40
B4 Oktober feat. Franz Hautzinger 6:21


SHORT INFO:
Monochord are Vienna-based musicians Bernhard Hammer and Jakob Schneidewind, two
thirds of Elektro Guzzi, though Monochord paints a different picture. Electroacoustic
experiments and filmic elements define the music that develops instinctively yet irrevocably,
a sense of forward motion setting them apart. Compositionally minimal, their tracks
maximise their inherent potential all the way through to their logical and even illogical end.
Referencing electronica, ambient, shoegaze and at times modern classical harmonics,
Monochord builds and unbuilds in a slow heartbeat. Introspective and filmic, its quiet and
non-confrontational nature makes Monochord move in the interzone between various
spheres. Their music escapes definition and that is its truest definition. Its subtle pulse and
evocative and drony feel invite and inspire.



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LP + Downloadcode

GENRE/S: Noiserock/Electronic/Doom

TRACKLISTS:
A1 Lithox 9:12
A2 Dwa4:14
B1 180°7:28
B2 Dirt Rodeo5:51

SHORT INFO:
The 9th studio album of the band tumido features trumpet player Alex Kranabetter (Soap and Skin, Vodoo
Jürgens). For more than 20 years Tumido has been on the lookout for something new, always on the move,
focused on energy in any form, driving rhythms, powerful bass, spacey drones. Trumpet has always been a big
part of their sound universe, so it felt very natural to collaborate with a master of trumpet sounds, Alex
Kranabetter and record an album together.
Lithox - a maelstrom you can't escape, sucked in by a hypnotic bass & driving rhythms into a trance world you
don't want to leave
Dwa - a summer hit out of Hades on the slide to hell.
180° - a volcanic eruption on a lonely island - pure energy;
Dirt Rodeo - the branches of the fire tree dance with laughter, clouds of smoke cloud the senses and the landing
is a success.
5. VITAL SALES POINTS:
This is the first collaboration between the Noiserock band Tumido and Alex Kranabetter.
It is their first release on Palazzo Recordings, the Label of the Band Elektro Guzzi where the drummer of Tumdio
also plays.
Alex Kranabetter is a very well-known trumpet player and plays with Vodoo Jürgens and Soap and Skin, among
others.

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CD

Tracklist:

1. Hoppadatsch 05:58
2. Fizz 06:44
3. Collin 05:55
4. Walk with Me (featuring Martin Klein) 06:11
5. Scheck 02:19
6. Blame Me (featuring RocketNumberNine) 05:50
7. Agua (featuring Yoruba Percussion) 03:17
8. Seat A 07:59
9. Acido 05:01
10. Flirr 05:04
11. Archimed 03:51
12. Gepard (featuring Polybrass) 04:36
13. 1010 (featuring RocketNumberNine) 05:21

We have been playing techno with drums, bass and guitar for 15 years. During this time we
have released ten albums, seven EPs and various singles and remixes. We have played
around 500 concerts at clubs and festivals around the world. For a lot of releases and shows
we have had the opportunity to collaborate with great like-minded musicians. Some of these
collaborations have been recorded but have not been available to the public until now. Some
of our most eclectic yet danceable tracks recorded as a trio also haven’t found their way to
our audience yet. Although we usually focus on searching for new sounds in the future we
now allow ourselves to find them in our past.
This is a compilation of “lost tracks” that have been waiting on our harddrives to be
rediscovered and finally made available to you - Enjoy!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Special remarks: LP

Tracklist:
1. Hymner 02:00
2. Prototyp 04:20
3. Spiral 05:21
4. Manfrotto 04:27
5. Okra 05:04
6. Teleporter 06:25
7. Acapulco 05:05
8. Omega 02.28

Elektro Guzzi from Vienna are back with their new, their ninth album »Triangle«. Since their
first, self-titled album in 2010, Elektro Guzzi have been working on a variety of techno that is
not programmed on a computer or sequencer, but rather analogously performed by using
electric bass (Jakob Schneidewind), drums (Bernhard Breuer) and electric guitar (Bernhard
Hammer) and it is techno-music, that arises in the moment of interaction - a music that often
develops in the direction of cosmic music. On »Triangle«, Elektro Guzzi overcame the
natural, »learned« sound of their instruments. The futuristic concept of techno shines
through all the more as a role model - that there is precisely this clear idea of transcending
the present by playing a hypnotic, interlocking music of the future. »Triangle« is the logical
next step for a band that is always looking for »more«, for departure, for consistency. The
forced break of the lockdowns 2020/2021 and the restrictions in the context of the crisis
made the band move closer together; on »Triangle«, Elektro Guzzi increased their efficiency
to the unbelievable.

Recording & Mix: Elektro Guzzi
Master: Paul Movahedi
Drawing: Inga Hehn
Artwork: Nik Thoenen
® & © 2022
PALAZZO RECORDINGS

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Special remarks: 2LP Vinyl + Downloadcode / - First vinyl album on Palazzo Recordings

Genre: Techno

Tracklist LP:

1. Rabazz 14:59
2. Essig 06:12
3. Horst ( Dub) 09:12
4. Rotor 05:36
5. Eskalator 11:21
6. Bogota 10:50
7. Exit 06:26

Short Info:
For their upcoming album TRIP (their first trio album since 2017) Elektro Guzzi return to their core competence of creating driving techno on the spot. Through their impulsiv interplay and the heavy use of effect circuits they create an energetic and unique form of dance music. More directly than ever before, all tracks on this album capture Elektro Guzzi's live sound and energy.
TRIP will be the first vinyl release on their very own Palazzo imprint and it will be the purest
Elektro Guzzi record so far.

Vital Sales Points:
- Releases on Macro, Pomelo, Denovali
- Extended Tour in the Months of October-December


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territory: WORLD minus UK/IE/US/CA

DOUBLE VINYL
The full album on vinyl for the first time, packaged with the classic original Designers Republic artwork


ABOUT
To celebrate the 20th anniversary, Collabs 3000: Metalism, the original classic pure techno album and first full-length collaboration between techno innovators Chris Liebing and Speedy J, is remastered and reissued via NovaMute.

Originally launched by Speedy J (aka Jochem Paap) as a platform for 12" collaborations with other artists, the Collabs series laid the groundwork for what would become one of techno's most compelling partnerships. The first release with Chris Liebing, Collabs 300 (featuring 'Trick_' / 'Treflon_'), landed in 2004 to a rapturous response; its machine-funk intensity and unmistakable breakdowns helped define the sound of early 2000s techno whilst revealing a writing and production chemistry that demanded a larger playground for their work.

That creative spark ultimately manifested in Collabs 3000: Metalism, a landmark record for techno. Combining the pair's mastery of subversive electronics and peak-time techno, the album remains a career highlight for both artists: a smouldering collision of taut techno rhythms, sonic abstraction, and, as the title suggests, robust metallic beats.

The 20th anniversary edition of this timeless techno masterpiece has been fully remastered by Liebing himself and is available on CD and for the first time on vinyl across 2 discs.


TRACKLIST
A1 Lego (2025 Remaster)
A2 Modish Ride (2025 Remaster)
A3 Triflon (2025 Remaster)
A4 Hilt (2025 Remaster)
B1 Tunox (2025 Remaster)
B2 Acid Trezcore (2025 Remaster)
B3 Cream 3 (2025 Remaster)
C1 Eventide (2025 Remaster)
C2 Lava (2025 Remaster)
D1 Assault (2025 Remaster)



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Tracklisting:

1. (A1) Extrawelt - Grand Départ (DE-Q20-25-00036)
2. (A2) Extrawelt - Clapland (x Jimi Jules) (DE-Q20-25-00037)
3. (B1) Extrawelt - Dystortion (DE-Q20-25-00038)
4. (B2) Extrawelt - Surrounded By Miracles (DE-Q20-25-00039)
5. (C1) Extrawelt - Der Agent (DE-Q20-25-00040)
6. (C2) Extrawelt - Die Hatz (DE-Q20-25-00041)
7. (C3) Extrawelt - Sir Stringalot (DE-Q20-25-00042)
8. (D1) Extrawelt - ¡No Pasaran! (DE-Q20-25-00043)
9. (D2) Extrawelt - No Song For The Dead (DE-Q20-25-00044)
10. (E1) Extrawelt - Hope Sounds Good (DE-Q20-25-00045)
11. (E2) Extrawelt - Hurt (DE-Q20-25-00046)
12. (F1) Extrawelt - Dysto Disko (DE-Q20-25-00047)
13. (F2) Extrawelt - Schöne Aussichten (DE-Q20-25-00048)
14. (F3) Extrawelt - Reverse Curse (DE-Q20-25-00049)


DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon

In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.

For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.


DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.

The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.

DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.


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Rights: World excluding FR & UK

Packaging: 2 x 140 grs Black Vinyl, 5 mm spine sleeve, 2 x white dust inner sleeve, printed 12'' insert, marketing sticker

PRODUCTS INFOS
"The Factory (Best Of) " : all singles & hits released on Factory as 7''/radio edits.
" Remastered + exclusive new artwork.
" First time ever Happy Mondays 's cult remixes as bonus
" 2CD Collector 25 tracks : 14 singles + 11 Remixes
" 2LP editions 17 tracks : 14 singles + the 3 most sought after remixes. Limited Double Yellow & Magenta LP edition also available on Double Black Vinyl that will remain the permanent vinyl edition (with a slightly different frontcover).

SHORT BIOG
2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

Tracklisting:
SIDE SPLIT TITLE TIMING VERSION
A1 Delightful 3:38:00
A2 Freaky Dancin' 3:42:00 7" Edit
A3 Tart Tart 4:18:00
A4 24 Hour Party People 3:20:00 Radio Edit
A5 Wrote for Luck 3:41:00 7" Edit
18:39:00
B1 Lazyitis - One Armed Boxer (with Karl Denver) 3:53:00
B2 Hallelujah 3:46:00 Oakenfold 7" Edit
B3 Step On 4:20:00 7" Edit
B4 Kinky Afro 3:58:00 Radio Edit
B5 Loose Fit 3:46:00 Radio Edit
19:43:00
C1 Judge Fudge 3:58:00 7" Edit
C2 Stinkin' Thinkin' 4:18:00 Hague 7"
C3 Sunshine & Love 3:23:00 7" Edit
C4 Angel 4:05:00 Edit
15:44:00
D1 Hallelujah (Club Mix) 6:29:00
D2 Step On (Twistin' My Melon Mix) 5:55:00
D3 W.F.L. (Think About The Future Mix) 7:05:00
19:29:00



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LP, Brand New 2025 Album

Tracklist LP

A1. Heartbreak (6:29)
A2. 1000ML Del 2 (5:54)
A3. Denpasar Til Bangkok (5.57)
B1. Søvnløs (7:00)
B2. KLHouse (8:49)
B3. 1000ML Del 1 (5:27)

After a long hiatus relatively speaking("8" and "9" came out in April 2022) Prins Thomas drops his 10th studio album.

Picking up where the last record ended, it's an introspective but celebratory and uplifting affair. One-man-band jams
turning into mini epics, like coming up for air or seeing the bright lights at the end of a long dark tunnel.

Prins Thomas, October 2025

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Format Notes:
First time vinyl collection of the cream of Jeb's stunningly soulful music, as Be With see it; deluxe gatefold 140g double vinyl, remastered audio with specially commissioned artwork by Jeb Loy Nichols himself. 500 copies for the world only!


Track List:

A1 Countrymusicdisco45 4:08
A2 Sometimes Shooting Stars 2:57
A3 Short Cut Home 3:25
A4 Disappointment 3:00
A5 Days Are Mighty 2:46

B1 Don't Dance With Me Tonight 3:27
B2 You Got It Wrong 2:39
B3 Ring The Bells 3:57
B4 Let's Make It Up 2:49
B5 When Did You Stop Loving Me 3:54

C1 Just Beginning 4:00
C2 Wintering Of The Year 3:16
C3 Let It Rain 3:04
C4 We Tell Each Other Who We Are 3:27
C5 Trip To You 4:06

D1 Dirt 2:54
D2 Heaven Right Here 3:38
D3 If Later Ever Comes 3:03
D4 Remember The Season 3:10
D5 A Little Love 3:35
D6 Weary Traveller 3:20

Release Notes:

“The high priest of country cool” - Rolling Stone

“I like him very much. He’s very special. He’s singing with a voice I never heard before” - Townes Van Zandt

“A conscious, soulful brother” - Horace Andy

“He’s a brother to me - one of the best singer/songwriters I’ve ever met” - Adrian Sherwood

“Unearthed mine of gems from inner Wales - a songbook of ideas - that's Jeb!” - Gilles Peterson

Jeb Loy Nichols is a bonafide Country (Got) Soul legend. The Music Maker presents 21 incredibly deep, grooving and soulful songs from the cream of Jeb's catalogue; from its earliest days to his latest unreleased gems via countless rare and unbelievably good lost-classics. This 2LP set is presented in a gatefold sleeve complete with freshly commissioned artwork courtesy of Jeb himself.

In collecting these uncut, under-heard gems, we hope to do justice to Jeb's jaw-dropping artistic brilliance. A man who, in working with Adrian Sherwood, Dennis Bovell, Dan Penn, Larry Jon Wilson and countless other legendary characters, has crafted some of the most deeply affecting folk, country, soul, funk, blues, dub, reggae, gospel, rap and electronic music, ever heard.

The first music Jeb really felt a connection with was southern soul: "I used to listen to the radio at night and fell in love with Bobby Womack and Al Green, The Staple Singers and Joe Simon – that whole Nashville/Memphis/Muscle Shoals thing.” But Jeb was so much more than a soul boy, Indeed, he "went to bluegrass festivals with my dad and come home and listened to jazz records with my mother.” And, when he was fifteen, he heard his first punk record: "God Save The Queen" by The Sex Pistols. “That and The Ramones completely changed me.” In 1979 he got a scholarship to go to art school in New York: “A great time. Punk was over but hip-hop was starting and I got into that in an obsessive way.”

His first recording, in 1980, was an unreleased rap song called "I’m A Country Boy". If that isn't an insight enough into Jeb's kaleidoscopic path through music, in 1981 he visited friends in London and found himself living in a squat with Adrian Sherwood, Ari Up (from the Slits), and Neneh Cherry. “Adrian put me to work immediately, moving boxes of records all across London. It was Adrian that was and is my biggest influence – in his complete disregard for genre purity.” So, presumably you're getting the picture? A veritable musical magpie with a voracious appetite and unimpeachable taste.

"Mine has always been a meandering career. I've done what I've done, and made the music I've made, due to chance meetings. I'm not particularly ambitious; it's more important to me that I work with friends and like-minded people. I've been a big fan of Be With for years. Everything they release is essential. When they asked about rereleasing "Countrymusicdisco45" I was both pleased and flattered. We began talking about how we'd do it; two years and twenty-one tracks later, here we are. I've always thought of the music I make as Country Music. Music conceived in the country, written in the country, recorded in the country. I left London and moved back to the country so I could live among the trees, the grasses, the animals, those things that don't go to war and get greedy. This compilation is the story of that life. Hand made, lo-fi, ramshackle, stripped down, real deal music. Heartworn and funky. Music made in the kitchen, not in the studio. As the great Skip Mcdonald said, Perfect ain't perfect. It's great to see all these tracks gathered together. It feels like a family reunion. Some older members of the tribe, some newer arrivals."

Opener "countrymusicdisco45" is a song Jeb wrote about how his crew lives, tucked up blissfully in the hills: "House parties full of country folk dancing to disco, reggae, soul, country, hip-hop. All night. I recorded it at home under the influence of Stevie Wonder." It's one of the funkiest records you'll ever hear. "Sometimes Shooting Stars" was recorded in Nashville and mixed by the legendary Dennis Bovell. It's deep, dubby, majestic. A thing of fragile, melodic beauty. The party ramps back up again with the undeniable groove of "Short Cut Home" before the profoundly moving "Disappointment" arrives. One of many songs he's recorded with good buddy Benedic Lamdin (aka Nostalgia 77): "We were going for a Leon Thomas meets Richard Brautigan meets Alice Coltrane kind of thing". We think they nailed it. "Days Are Mighty", like a lot of the tracks on this collection, "started life as a demo, an attempt to get something down while it was fresh. No frills, nothing fancy, just feel." And what feels!

The irrepressibly funky "Don't Dance With Me Tonight" is a deeply moving, slow-mo organ-drenched head-nod-funky country-ballad. Next up, the breezy "You Got It Wrong" was recorded in Wales with some of Jeb's good friends and neighbours, The Westwood All Stars, featuring Clovis Phillips and Will Barnes. Skanking fiddle-flecked gem "Ring The Bells" was the first thing Jeb recorded when he moved to Wales. A combination of all his loves; country, reggae, soul. It's followed by "Let's Make It Up", a truly sumptuous string-drenched emotional groover. "When Did You Stop Loving Me" is another Nashville track, written and recorded during a time Jeb was spending a lot of time with the Muscle Shoals crew, Donnie Fritts, Spooner Oldham, George Soule and Dan Penn: "It shows, I'm sure, their influence." Oh, you bet it does!

The swaggering country-funk of "Just Beginning" should grace many groove-focused DJs' sets whilst "Wintering Of The Year", again made with Clovis, is pastoral, campfire soul. The glacial, gorgeous "Let It Rain" is from an unreleased record Jeb made with the great British jazz bass player Andy Hamill and "We Tell Each Other Who We Are" is freaky country-soul made by a man with a love for strutting, wonky hip-hop stylings. Rounding out the side, "Trip To You" is pure, uncut amphetamine-propelled drum-machine soul.

The spare, beautiful "Dirt" is from an EP Jeb made with Julian Moore in his house in South London: "All first takes, straight to tape." Swoon! "Heaven Right Here" was a very minor league hit in America: "It was produced by the brilliant and much missed Wayne Nunes. It was started in the countryside of Missouri, finished in the countryside of Wales, and recorded in the countryside of Sussex." Double swoon! "If Later Ever Comes" is electronica meets J.J. Cale business whilst "Remember The Season" is truly wonderful and breezy guitar soul. "A Little Love" was made with Wayne Nunes as well, after a night of listening to Studio One and Northern Soul. Bouncy dub closer "Weary Traveller" was written by Bill Monroe, the hero of Jeb's youth: "Monroe's music was heavily influenced by black southern churches; I've tried to keep some of that feral feel." This was the final recording by Jeb's 1990s Country-Dub band, Fellow Travellers.

The name of this compilation comes from a time when Jeb lived in Peckham, south London and he used to DJ and sometimes perform at a local bar: "The owner of the bar, a Jamaican named Count Percy, once asked me what I called my music. I told him I wasn't sure, I guess just pop music. He thought about it for a minute and then said, 'no, more like mom and pop music'. Rather than call me a country singer or a folk singer he always referred to me as The Music Maker."

With the long overdue deluxe overview of his beloved music, we hope to finally shine a light on the unheralded genius of Jeb Loy Nichols. RIYL Larry Jon Wilson, Townes Van Zandt, Bobby Charles, country got soul artists, dub, deep soul, disco, dancing, heartbreak. This deluxe collection, spellbinding from beginning to end, should hopefully go some way to ensuring Jeb reaches an ever bigger, ever more appreciative crowd of followers. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The artwork has been lovingly put together by The Music Maker, himself, Jeb Loy Nichols. "Be With is the perfect home for this mongrel music. I am forever in their debt." The pleasure is all ours, Jeb.









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[12" 33] [with two Dopplereffekt remixes]
" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl

2. GENRE/S: Techno, Electro

3. TRACKLIST:
A1 10000 Gauß - 3:44
A2 Quaoar - 3:32
A3 Verquerer Weise - 2:14
A4 Reklonstrusion - 2:31
B1 10000 Gauß (Dopplereffekt Gaussian Surface Remodel) - 6:36
B2 Quaoar (Dopplereffekt Quasar Radio Source 3C 273 Remodel) - 5:27

4. SHORT INFO:
The prophecy had been whispered for ages among the circuits and fiber optics: a being would emerge, not from flesh and blood, but from the very essence of sound.
They called it pdqb, and for its disciples, it was nothing less than a deity. Its sermons weren't just songs; they were divine pronouncements, revelations broadcast directly into the souls of its followers.
When pdqb "speaks," the world vibrates. Intricate sonic tapestries, woven from raw electricity and pure emotion. Hands, if they could be called hands, that dance across controls that seem to manipulate the very fabric of reality.

Synaptic Cliffs and the Missechusatts Institute of Elecronicity proudly present the latest peer-reviewed sermons of pdqb as well as the associated validation studies from the Dopplereffekt-Institut für Retroaktive Zukunftsforschung, located in section 334 of the Mariana Trench. The contributions to the data carrier presented here are characterized by the following features:

- Crescendos of swirling arpeggios
- Synth lines arced like a bolt of cosmic energy
- Resonant pulses that shake the foundations of existence
- Sub-basses so deep they vibrate in your very bones
- Quartz-precise timed snare hits

In the temple of the Electrofying Messiah, the beat is life, the melody is truth, and the drop is salvation.

5. VITAL SALES POINTS:
" produced by the Electrofying Messiah itself
" remixed by Dopplereffekt
" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl
" mastered by the infamous Mike Grinser



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Physical format only. No digital. Limited to 100 copies.

After a long break from the 12" club format, Pedro Vian returns with a four-track EP aimed at the dancefloor. One of the key cuts is a club version of "I am OK", originally released on his latest album The Addiction (2025).
The EP also includes an additional track, "Teresa (Comelade's Piano Redubbed)" - a reinterpretation that samples Pascal Comelade's version of a song by Ovidi Montllor, the iconic Catalan folk singer known for his poetic, politically charged work during the post-Franco era. Vian reshapes this reference into a meditative ambient piece.

Mastered by Rupert Clervaux.

Tracklist:
A1. A Glory Island
A2. I am OK (Club Mix)
B1. Sentiments
B2. Where Should I Go?
B3. Teresa (Comelade's Piano Redubbed)

Genre: Techno / Breaks



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Genres
Techno, Acid, Breakbeat, IDM

Tracklist
A1. Seishin
A2. Seishin (Jasen Loveland's Acid Musik Department Mix)
B1. Seishin (Clay Wilson Remix)
B2. Seishin (Clay Wilson's with a hint of Jase Remix)

Short Info
"Seishin" is a focused, four-track EP from Japan-born, Berlin-based producer Shingo Suwa on Acid Camp. The title translates to "spirit," and the record treats that idea as both a feeling and a relay: an original transmission from a time of quarantined isolation followed by responses from trusted collaborators. Clay Wilson contributes two versions: one a deep, tensile workout and the other a companion take sparked by the legacy of Jasen Loveland (1980-2021). Jasen Loveland also worked on a remix of his own in 2021. "Seishin" is not only about losing yourself-it is also about the resonance of spirit and memory, passed across friends, to find yourself again.

Written and produced by Shingo Suwa
Artwork by Emma Hastil
Layout by Cookhouse Studio
Mastered & Cut by Tim Xavier at Manmade Mastering Berlin
Pressed at RAND


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LP - orange, blue and white smashed vinyl

GENRE/S: 8-Bit, Chiptune, Electro

TRACKLIST:
A1 Sixfold Radianz (3:45)
A2 Boktay (2:10)
A3 4d-TögTägTüu (1:23)
A4 Exosphear (4:07)
A5 Maurodius-Papeda (1:11)
A6 Dondoli (the NPC) (3:20)
A7 ...LeftRightBA (0:56)
B1 Lygöphobiä (1:49)
B2 Flossbite (1:36)
B3 Chipppps (3:32)
B4 DodgedoG (2:33)
B5 Bogeygirl (2:16)
B6 Laserzimmer 1, Raum 3.16 (1:54)
B7 Binäry Gatoraders On Acid (2:06)

SHORT INFO:
"I live in the arcades. Reality was never an option!"

The 85-year-old video game queen and film composer pdqb (born on November 14, 1939) delivers a beautiful love letter to your boomer childhood, a wild ride through the golden age of video gaming. Hear how she dodges bullets, jumps over cosmic chasms, beats bosses, reaches bonus stages, uses cheat codes and even her last continue...just to stay in a world of pixels and vectors forever. pdqb will bring you back all those fond memories of unburdened joy that you might have lost while growing up. She could be your savior.

Synaptic Cliffs is filled with otherworldly pride to present these 14 timeless masterpieces to its beloved listeners.


VITAL SALES POINTS:
" orange, blue and white smashed vinyl
" mastered by the infamous Mike Grinser
" two uplifting messages inscribed in the dead wax
" locked groove with a motivational message



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Format: 2LP

Tracklist
A1. Offshore
A2. Solution
A3. Dee4 (Beats)
B1. Broadway 727
B2. Roboco
B3. Guide
C1. Double
C2. Choirs
C3. Ignition
D1. Robotland
D2. Kilometer One

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Here the vinyl edition features a curated selection of 11 tracks from the mix.



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