After a hiatus of 10 years, Vibes And Pepper Records makes its comeback with a revitalized appearance featuring a fresh new logo. Despite the break, the label remains committed to maintaining the high standard of house music that characterized its back catalog, with releases from esteemed artists such as Terrence Parker & Claude Young Jr, Synchrojack, Jeremiah, Norm Talley...In its relaunch, the label demonstrates unwavering confidence by unveiling 5 previously unreleased tracks by Japanese producer Takuya Matsumoto. Don't be misled; akin to his earlier releases on Jake for Daze, Matsumoto once more presents a collection crafted to emulate the essence of the mid-90s era in each skillfully curated track.

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Repress!

Takuya Matsumoto's debut for Clone Royal Oak.



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Takuya Matsumoto's tribute to the heydaze with four beautifully crafted tracks. Touching all the bases of influence from the early years of House Music. This EP takes us all the way back...

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Galactic Disco is a sonic voyage that feels like the perfect soundtrack for a futuristic nightclub—where the only thing that matters is the rhythm. Glenn Davis anchors the EP with “Whatcha Gonna”, a powerful, funky track with a retro ’90s twist. Jovonntte delivers “Dexter Ave”, a lush, hypnotic groove that feels timeless, while Detroit veteran Rick Wade’s “Hammer”—originally released on CD, finally gets the recognition it deserves on wax with its heavy, sweaty throb. On the B-side, Japanese producer DJ Compufunk serves up a punchy, propulsive track, “Cosmic Echoes”, with just the right amount of cheeky charm, and Lee Andre closes with “Space Groove”, a sensual and warm nu-disco vibe.

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Repress!

Warren « Hanna » Harris is already back on Vibes And Pepper, but this time! With a full 5 track EP. Side A features two previously released gems from the gifted multi-instrumentalist and producer from Cleveland. These timeless cuts showcase his unique blend of future jazz, broken beat and deep house. Side B delivers three previously unreleased treasures, where Hanna's mesmerizing production skills shine through each groove. Pure sonic bliss that seamlessly weaves sophisticated arrangements with dancefloor-ready rhythms. This essential piece of wax perfectly encapsulates Hanna's signature style: lush soundscapes, pristine production, and uplifting vibes that will captivate any discerning listener.

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After a hiatus of 10 years, Vibes And Pepper Records makes its comeback with a revitalized appearance featuring a fresh new logo. Despite the break, the label remains committed to maintaining the high standard of house music that characterized its back catalog, with releases from esteemed artists such as Terrence Parker & Claude Young Jr, Synchrojack, Jeremiah, Norm Talley...In its relaunch, the label demonstrates unwavering confidence by unveiling 5 previously unreleased tracks by Japanese producer Takuya Matsumoto. Don't be misled; akin to his earlier releases on Jake for Daze, Matsumoto once more presents a collection crafted to emulate the essence of the mid-90s era in each skillfully curated track.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Boutique French house label Vibes And Pepper has readied its next EP. This one is a Various Artist outing that pairs the new school talents of Tomska and New Jack City with the old school and enduring qualities of James Duncan and Jeremiah. Tomska has appeared on the label before back in 2012 with his Mental Raw EP, whilst New Jack City are Guido Verbaal & Rogier Verbaal, a fast rising duo with plenty to say for themselves and a recent release on Tomorrow is Now, Kid! As for James Duncan, he is a trumpet player, producer and improviser who has worked with Metro Area and Morgan Geist as well as for DFA Records over the course of the last 15 years. The final introduction brings us to Jeremiah; an Austrian who has been making house music since way back in the early nineties on labels including Balance Alliance, Grow! And Dee-Jay Recordings. James Duncan goes first with 'Track #2', a soulful affair with lazily jazzy chords and muffled vocals bottled up into a teasing house groove. The drums feel alive and the repeated melodic phrasing brings some nice tension to proceedings. Tomska's 'Stolen Moments' is a typically thick cut track with solid kick drums underpinning spoken word musings and colourful little melodies. It's physical and will make you dance without losing the important human connection. Jeremiah's 'Keep On' is much the same: this one has a classic feel to it, with warm pads softening the effect of busy, live sounding percussion. Some firing vocals help set the groove alight and re-call the classic days of 90s house with relying on the same tried tropes. Finally, 'Slow It Down' does not slow it down, but instead invites you to move your body with huge rubbery kick drums and shuffling claps. Dulcet vocal tones and garage-inflected percussion make this a hugely vibey affair to finish off another timeless house EP.


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Sometimes known as Leandre, sometimes known as Lee Andre; the vibe remains consistent throughout with this jet setting house DJ and producer whose blessed take on the twin cities of House music (Chicago and Detroit) has graced LeFreq, Loft66, Minimalizm, House Is A Feeling. Now very much a part of the Vibes & Pepper family, Andre takes care of the label's sixth release with the Backup EP with first editions of VP006 arrive with a thick slab of 180g wax complemented by a limited 7" - all of it Andre's own work. From the off, Andre is in classic deep house mode, pairing crisp percussive grooves with warm keys and chords

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The label arm of booking agency Vibes & Pepper have come through with something a bit special for their latest release, with a collection of tracks from the archives of UK house producers Synchrojack. "Back To The Shack" kicks things off with a warm but relentless Detroit house groove, its 303 bassline looping inwards on crisp hi-hats and snare rolls, while "Windfalls" offers a dusty house number with loose, jazzy beats worthy of The Godson. On the flip, "Is It" offers a classic sequence of oven-warm organ chords with trumpet samples buried deep within, while "One (Edit)" offers a semi-improvisational piece of proto-beatdown house, where unpredictable keys mingle with marimba tones and deep sub-bass

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Continuing their quest to unearth deep house gems new and old, Vibes & Pepper introduce the world to Manuel Keyz with a killer four-track workout that makes all the classic moves. The strings and keys come in seductive, nocturnal arrangements, while the snippets of vocal come from true soul divas, all atop of bumping garage house funk. The tune that stands out to our ears is "Orange Love", replete with sexy saxophone fit for Lil Louis and dreamy key flourishes that give a considered and wistful tone to the track, but really there's plenty to work with on all four corners of this EP.


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Having announced the expansion of the Vibes & Pepper brand into record label ownership in consummate style with a timely reissue of the seminal Claude Young & Terrence Parker EP The 4 Play, the Parisian operation now is proud to present the new school of bumping house talent in the shape of Tomska. The Belgian producer has been steadily cutting his production teeth over recent times, with a few select remixes and releases that showcase his love for the sounds of Chicago and Detroit, something that is explored with aplomb on the four track Mental Raw EP. From the opening bars of "Let's Get It On" Tomska shows undeniable ease for combining emotive melodies with a crisp and contemporary treatment of rhythms, with the snapping "Everynight" a particular highlight.

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Galactic Disco is a sonic voyage that feels like the perfect soundtrack for a futuristic nightclub—where the only thing that matters is the rhythm. Glenn Davis anchors the EP with “Whatcha Gonna”, a powerful, funky track with a retro ’90s twist. Jovonntte delivers “Dexter Ave”, a lush, hypnotic groove that feels timeless, while Detroit veteran Rick Wade’s “Hammer”—originally released on CD, finally gets the recognition it deserves on wax with its heavy, sweaty throb. On the B-side, Japanese producer DJ Compufunk serves up a punchy, propulsive track, “Cosmic Echoes”, with just the right amount of cheeky charm, and Lee Andre closes with “Space Groove”, a sensual and warm nu-disco vibe.

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Repress!

Warren « Hanna » Harris is already back on Vibes And Pepper, but this time! With a full 5 track EP. Side A features two previously released gems from the gifted multi-instrumentalist and producer from Cleveland. These timeless cuts showcase his unique blend of future jazz, broken beat and deep house. Side B delivers three previously unreleased treasures, where Hanna's mesmerizing production skills shine through each groove. Pure sonic bliss that seamlessly weaves sophisticated arrangements with dancefloor-ready rhythms. This essential piece of wax perfectly encapsulates Hanna's signature style: lush soundscapes, pristine production, and uplifting vibes that will captivate any discerning listener.

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A1. Pola & Bryson, Emily Makis - Worlds Apart ?
A2. Etherwood & Hugh Hardie - Tangara ?
B1. Alcemist - Us (Pola & Bryson Remix) ?
B2. Xeonz - Feel Right ?
C1. Pola & Bryson - Klaxon ?
C2. Charli Brix - Touch Me ?
D1. Molecular - Fair Warning ?
D2. Pola & Bryson - Without You (Hoax Remix) ?

fabric, the iconic hub of electronic music culture, proudly announces its latest addition to the fabric mix series: "FABRICLIVE. presents Pola & Bryson". This mix will be a dynamic exploration of contemporary drum & bass, fluid in genre, rich in emotion, and sharp in sound design. It navigates the space between soulful reflection and controlled chaos, painting a vivid picture of contrast and transformation.

Showcasing a unique blend of melancholy, emotion, and euphoria that elegantly yet purposefully harnesses the immense power of electronic music, UK-based duo Pola & Bryson have solidified themselves as one of the most talented production duos flying the flag for the genre today.

Throughout the mix, you’ll hear liquid textures layered with depth and warmth, tracks that breathe with shimmering pads, smooth rolling drums and emotionally resonant melodies. These moments evoke late night introspection and spacious clarity, tapping into the more human, melodic side of drum & bass.

But the mix doesn’t stay in one mood for long. It periodically plunges into darker, more technical territory, where the basslines twist, the rhythms fracture and tighten and the atmosphere becomes tense and futuristic. Here, the emotional gives way to the mechanical, driving energy through razor-sharp precision and relentless force.

Experimental soundscapes weave throughout, blurring genre lines and adding moments of unpredictability. At times ambient and abstract, other times intensely rhythmic, the mix balances structure with freedom, always pushing forward without losing emotional weight.

For 25 years, fabric has stood as a cornerstone of the UK’s drum and bass movement, a place where the genre has not only thrived but evolved. More than just a club, fabric has been a vital incubator for underground sounds, consistently championing drum and bass alongside a wide spectrum of electronic music. From early pioneers to cutting-edge innovators, its legendary room two has become hallowed ground for DJs and ravers alike. As a bastion of innovation and inclusion, fabric has shaped the soundscape of UK nightlife, influencing global trends while staying fiercely true to its roots.

In addition to the mix album, fabric and Pola & Bryson unveil the brand new original single "Worlds Apart" an emotional vocal lead anthem featuring the incredible vocals of Emily Makis. The track balances Emily’s heartfelt lyricism with Pola & Bryson’s signature crisp liquid drums and deep and intoxicating basslines. The 2 acts first combined on the track "Complete" alongside Monrroe and followed it up with the certified hit, "Phoneline", dubbed by Radio 1 as the D&B Anthem of 2023. With a history of making pure magic happen when they join together in the studio, "Worlds Apart" certainly delivers on those high expectations.

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Following the reissue of his debut album Dispatches, Field Records is proud to return to the seminal work of Mike Parker with an overview of his releases on Prologue — a truly original strain of steely, hypnotic techno that has touched upon many different waves within the wider scene. Having pioneered a hard-edged, reductionist style via his Geophone label since the mid-90s, around 2010 Mike Parker found himself at the vanguard of an emergent sound alongside artists like Donato Dozzy and Cio D'or exploring the possibilities of immersive, profoundly transcendental club music. The Prologue label came to define this cult zeitgeist, where reduction and repetition took on a truly psychedelic quality and the subtle details made all the difference. It ran from 2008 to 2015, laying the foundations for the deep techno sound that remains a vital, evolving subculture in the present moment. From Parker's first appearance on Prologue with the Subterranean Liquid EP in 2011 through to the Lustrations LP in 2013, he delivered some of the most incisive music of his accomplished career — teased-out rhythms carrying exquisitely engineered textures veering from the subliminal to the visceral, locked into endless, cyclical oblivion and maintaining a stern, machinist veneer. This collection on Field Records combs through Parker's Prologue output and makes a considered selection, gathering key pieces from the first two EPs alongside six of the album tracks on a triple vinyl pressing, alongside a further eight cuts on the expanded digital edition. Not just a straight-forward reissue, consider Epilogue a thoughtful reframing of a key point in Mike Parker's stellar career. In every exacting pulse, every inch of tacit spatial design, it's the work of an expert sculpting a sound which remains influential in the here and now.

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Evelyne/Masao bring TESTPATTERN to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album TESTPATTERN comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But TESTPATTERN is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. TESTPATTERN will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011.

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Tracklisting
A1 Frenk Dublin feat. Tenor Youthman - Our Progress
A2 Frenk Dublin - The Root of all Evil
A3 Frenk Dublin - Into the Void
A4 Frenk Dublin - Mystery Dub
B1 Frenk Dublin feat. Don Fe - The Resistor
B2 Frenk Dublin - Quantum Dub
B3 Frenk Dublin - Night Owl
B4 Frenk Dublin feat. Tenor Youthman - Our Progress (SND & RTN Version)

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François and Sylvain Rabbath have turned six years of touring into a joint album that patiently and intensely distills a variety of musical flavors gathered from around the world.

Since the early 1960s, François Rabbath's double bass has resonated through enough landmark recordings to fill several shelves in a record collection. As an arranger, composer, and musician, his imprint on music goes far beyond his collaborations with Barbara, Paco Ibáñez, Charles Aznavour, or Édith Piaf. Aspiring double bassists owe him a groundbreaking method for learning the instrument. Born into a lush musical universe that quickly became his own, his son Sylvain first accompanied him on his travels before settling at the piano and sharing stages around the world at his side.

Those years of accumulating visas in their passports were put to good use by father and son. The continents, countries, and cities they passed through became a rich source of inspiration for composing Amall, the album by the Rabbath Electric Orchestra.

Long hours spent in the air or on the road, watching passing landscapes that never stayed the same, were transformed into compositions imbued with the atmospheres of the places they crossed or visited. Inspiration sometimes struck with force, like a green oasis appearing in a desert of stone—unexpectedly, as glowing red rocks suddenly dominated an otherwise open landscape with an endless horizon, while the mind wandered into a state between meditation and introspection.
Born from these travels, the pieces took on their final colors once brought into the studio, refined, and finally arranged to welcome the guitars of Keziah Jones and Matthieu Chedid, the piano of Laurent de Wilde, the bass of Victor Wooten, the saxophone of Raphaël Imbert, and the percussion of Minino Garay. Enhanced by the scale of the jazz-soul orchestrations, by the richness of arrangements bursting from strings, brass, rhythms, or keyboards, the epic breath of vast plains became ingrained. The urban tension of funk, echoing their movements, found its place—alongside more electric expressions or the ambience of a darkened room.
Melancholic and melodious, expressive and edgy, the bowed double bass—played in the high register where few dare to go—emerged as the musical guide. One that draws a path between Seville and Minneapolis, connects François Rabbath's native Syria to France, and bridges South America to Europe. It sets the tone to follow—the emotion that will carry the piece, and if not filled with light, will carry it there nonetheless.
Musical visions packed in luggage, transported in cargo holds, or imprinted in their minds just long enough to cover the distances to the next stop—father and son deepened their bond, beyond family and art. And their hands have never held each other more tightly.

François et Sylvain Rabbath ont fait fructifier six ans de tournées pour un album commun distillant patiemment et intensément la variété de parfums musicaux récoltés autour du monde.
Depuis le début des 60’s, la contrebasse de François Rabbath résonne dans assez de références pour combler plusieurs étagères d’une collection de disques. Arrangeur, compositeur, musicien, l'empreinte laissée dans la musique va bien au-delà de ses collaborations avec Barbara, Paco Ibanez, Charles Aznavour, ou Edith Piaf. C’est à lui que les
apprentis contrebassistes doivent une méthode novatrice pour apprendre l’instrument.

Né dans un univers musical luxuriant qui est vite devenu aussi le sien, c’est d’abord dans ses voyages que son fils Sylvain l’a accompagné, avant de s’installer au piano, et parcourir les scènes du monde à ses côtés. Ces années où les visas se sont entassés sur leurs passeports, père et fils les ont mises à profit. Continents, pays, et villes qui se sont succédés sont devenues un gisement pour composer Amall, l’album du Rabbath Electric Orchestra.

Les longs moments passés dans les airs ou sur la route à contempler un paysage qui défile sans pour autant rester le même, se sont convertis en compositions habitées par les ambiances de ces endroits traversés ou visités. Là où l’inspiration s’est imposée parfois brutalement, sous
la forme d’un oasis de verdure surgissant au milieu d’un désert de pierres. Au hasard d’imposantes roches rougeoyantes s’invitant dans un paysage jusqu’alors dégagé sur un horizon sans fin, quand l’esprit se laisse aller à un mélange de méditation et d'introspection.

Nés de ces pérégrinations, les titres ont pris leurs couleurs définitives une fois ramenés en studio, peaufinés puis, enfin, pensés pour y inviter les guitares de Keziah Jones et de Matthieu Chedid, le piano de Laurent de Wilde, la basse de Victor Wooten, le saxophone de Raphaël Imbert, les percussions de Minino Garay. Sublimé par la dimension des orchestrations jazz-soul, par la richesse des arrangements jaillissant des cordes, des cuivres, des rythmiques ou des claviers, le souffle épique des plaines immenses s’est imprimé.
La nervosité citadine du funk rythmant les déplacements a trouvé sa place, non loin d’une expression plus électrique ou d’une atmosphère de salle obscure.

Mélancolique et mélodieuse, expressive et nerveuse, la contrebasse jouée à l’archet, dans les notes hautes du manche où peu s’aventurent, s’est érigée en guide musical. Celui qui trace le chemin entre Séville et Minneapolis, relie la Syrie natale de François Rabbath à la France,
réduit la distance entre l’Amérique du Sud et l’Europe. Donne la note à suivre, l’émotion qui traversera le morceau qui, s’il n’est pas habité par la lumière, le portera néanmoins jusque là.

Visions musicales mises dans le coffre, transportées en soute ou imprimées dans l’esprit le temps de couvrir les distances qui les mèneront aux prochaines, c’est côte à côte que père et fils ont prolongé leur lien par delà des seules limites familiales et artistiques. Et leurs mains ne se sont jamais serrées aussi fort.

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