The Rebel returns on Legofunk with the first two tracks of his new album World of No Nation out this summer. Ethnic influences, a jazz touch and a clubby perspective in these completely original songs also thanks to the collaborations of excellent musicians from the roman scene and beyond.
Atom's Dance - produced by Tommaso Taroni, keys David Assuntino, flute Livio Ricci, drums Federico Balestra,percussion Nené Vasquez, double bass Luca Lauria.
Jungle Jazz - produced by Tommaso Taroni, Congas Massimiliano Troiani, sax Matteo Acclavio, Keys David Assuntino.

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Legofunk 12" series is back in action with this fantastic 2 tracks Ep from Da Lukas & Massimiliano Troiani.


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Our beloved Legofunk Records is back with a new fresh and vibrant wax perfect for your summer. This time with Matalo! and his 4 tracks Ep. Really hot stuff!

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New smooth edition of the Jazzfloor Edits series, this time on 7". A pleasure for your ears!

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Vinyl Only!
We can't think of starting the year in a better way. The Legofunk saga delivers another gem. You can't miss it!

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Glorious Various Artist on the beloved Legofunk Records. Moving sensations for an always pleasant vibe!

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Another amazing double-sided dynamite from the famous 7” Lego series.This bringing a hypnotic mid-tempo afro disco groove and it will turn heads and twist legs on the dancefloor!


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Another baby from Legofunk series will make your body shake!

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Superb jazzy edits collection by the always good Lego Edit. This is something that you can't miss!


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7" Black Vinyl - Vinyl Only!

New 7 inch. Legofunk, that continues this precious legacy.

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Following on from the success of 2022, Legofunk continues his journey around funky/disco edits.

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Vinyl Only!

2nd Lego Special with a jam packed with good time grooves, heavyweight licks and insatiable melodies take centre stage once again!

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Back from past and fired into the future. Intimate dancefloor funk. No matter how hard you throw it, it still comes back around.
Includes a totally re-groove mix from Da Gama with a personal touch!

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Legofunk Series continues the series on 7" with two tracks with Afro House & funky influences.
For starting the day in a good mood, you will find “Yesaye “ the greatest way...Definitely not to be missed.

A1. Vito Lalinga - Yesaye
B1. Vito Lalinga - Yesaye (Lego Re-edit)

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Tracklist:
A1. Ritmo Nera
B1. 127 Sport Arancione
B2. Panda Bianca

Fasten your seatbelt and enjoy the ride with this release from Legofunk. As an engine the rhythmic grow up slowly, at the end a surrounded by timeless evolving sounds.Iconic 80/90s budget Italian cars, that gave you memory and feeling at this very moment in time and space, the driving bassline drive thought a beautiful highway…

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Marvelous Legofunk Records offer up new stuff with 4 track ep on black wax.Boogie business done right sounds, sauntering and primed for a party. Maximum pleasure for the dancefloor guaranteed!

Tracklist:
A1. Paul Older - The Static
A2. Saltywax - Keep Grooves
B1. Pcj Project - Manussa
B2. Lego Edit - Welcome To The Jazz Club (Lego Re-edit)



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Vintage Edits series is back on Legofunk Records. A timeless pure tribal afro moves of fine blissed out and groovy disco tracks from Lego Edits...summer vibes!

A1. AR - BraziLego (BraziLego Edit)
A2. JB - Hot Stone (Lego ReFunk)
B1. GB - The Ghetto (Lego Retouch)
B2. FP - Gnomo Gnamo (Lego ReFunk)

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Vinyl Only - Breezy vibes coming from Legofunk Records. 4 tunes funky and soulful from superior elevation. A pure masterclass in how to get a party started, with the kind of sampling that works oh so well when it’s juiced up into a cut.

A1. Atoz - Woman
A2. Musta - Cam-Run-Sun
B1. Wandervogel - Thrilla In Manila
B2. Lego Edit - Agosto D'Amor (Lego Re-edit)

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Repress!

The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”

Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.

Cover art by Ezra Miller.

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When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us.

Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based in Virginia, who has collaborated with a cross-generational list of greats: Taylor Deupree, Steve Roden, Lawrence English, Tetsu Inoue, Nam June Paik, Ryuichi Sakamoto, Pauline Oliveros, and many more. On labels like 12k, Room40, and Sub Rosa, he has explored a wide range of minimalism, microsound, lowercase, ambient, improv, and other styles. But this album is something different. It may begin in ambient-adjacent territory, but it quickly veers off, and it just keeps zigzagging, taking on elements of krautrock, post-punk, dub, and the groove-heavy interplay of groups like Natural Information Society and 75 Dollar Bill.

This stylistic turn is thanks in large part to Vitiello’s choice of collaborators. “We’re coming from three different schools,” Vitiello says: “sound art, art rock, and punk rock.”

Active since the early 1980s, Rowe—a violinist, guitarist, and producer/engineer—has played with, or manned the boards for, a frankly jaw-dropping list of musicians: Herbie Hancock, Gil Scott-Heron, the Last Poets, Roy Ayers, John Zorn, Glenn Branca, Swans, Live Skull, Brian Eno, David Byrne, Anohni, R.E.M., Yoko Ono, and many more. But he might be most closely associated with Hugo Largo, a one-of-a-kind New York quartet—two basses, vocals, and Rowe’s violin—that in the late 1980s helped lay the groundwork for what would eventually become known as post-rock.

Canty, of course, is the legendary drummer of Fugazi, the visionary DC post-hardcore group, as well as Rites of Spring before them, and, currently, the Messthetics, a Dischord-signed instrumental trio with guitarist Anthony Pirog and Fugazi bassist Joe Lally.

Vitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves. “Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”

Like its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.

A few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”

An unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.

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Baïne is the 3rd album from mohs. and remains true to their sonic universe: dreamlike, adventurous and skillful. Blurring the lines between jazz, ambient and folk, these 10 new tracks immerse us in an imperturbable state of bliss, close to the emotions conveyed by Carlos Niño or Khruangbin. All of which is sure to please the international community of fans they have gathered through their previous releases and concerts, and confirm them as rising stars of the Swiss jazz scene.

A1 - Baïne
A2 - Stuck in Lagos
A3 - Lovin' u
A4 - Le Majordome
A5 - Candy Butcher
B1 - Sur la Dune
B2 - L'Éveil
B3 - Pineapple
B4 - Louisiana

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Tracklisting
A1 Laurine Frost - Unstrust
A2 Laurine Frost - Act of Finch
A3 Laurine Frost - Act of Mist
B1 Laurine Frost - Jinx in Silk
B2 Laurine Frost - Mirage

Sales Note
Spanish label Andermedt delivers a peerless debut with a solid mindf*ck. The lost and found magic chest of Laurine Frost's never-ending protest against the cliche of techno. A more than 5year old archive winks back at Frost's earlier 4/4-based works, but Cabaret Nord represents grotesque and his characteristic dark mysticism in a yet unheard intensity. Tight funk, earth-shaking drums, playful structures on a wide and dark veil.
* mastered and cut by Stefan Betke.
* 180 gr. heavyweight vinyl with premium packaging and hand-drawn illustration.

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A fine deep spaced-out dub groove b/w version

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Wonderful, pulsating Ambient Techno

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1979 Bullwackies Prod. b/w killer rework in Rhythm & Sound signature

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