Moody and Zeitgeist have had the utmost privilege to bring onboard a team of some of the most accomplished musicians/wordsmiths India has to offer for this album. Working out of Island City Studios in Khar West, Mumbai, the duo assembled a team of musicians including acclaimed and awarded vocalists Vinay Sugatha Ramadasan and Anuja Zokarkar. The pair bring a lyrical depth to the music informed by millennia of North-Indian classical poetry and melody. Metaphor and imagery is intermingled with EX GENERATION's unapologetic rhythm and production style to form something that is profound and complex, whilst also accessible and innate in the way it confronts the listener.

VITAL SALES POINTS:

-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …


SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)

SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)





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Moody and Zeitgeist have had the utmost privilege to bring onboard a team of some of the most accomplished musicians/wordsmiths India has to offer for this album. Working out of Island City Studios in Khar West, Mumbai, the duo assembled a team of musicians including acclaimed and awarded vocalists Vinay Sugatha Ramadasan and Anuja Zokarkar. The pair bring a lyrical depth to the music informed by millennia of North-Indian classical poetry and melody. Metaphor and imagery is intermingled with EX GENERATION's unapologetic rhythm and production style to form something that is profound and complex, whilst also accessible and innate in the way it confronts the listener.

VITAL SALES POINTS:

-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …


SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)

SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)





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At the heart of this double album, and amid the intense internal struggle between creative instinct an artistic reasoning, Ziggy has identified two key themes: Inspire and Radicalise. It is within this duality that the 15 tracks of this new work, recorded between Berlin and London throughout January 2024, take shape. Throughout its creation, the crew enlisted a familiar pallet of materials, seeking those obscure and vintage music-making machines, meeting a myriad of percussion and drums with the new addition of electric guitar as the band ventures into disco / highlife inspired territories. bring this ambitious project to life, Ziggy enlisted a team of forward thinking musicians across Europe and the UK alongside old friends and collaborators from the grassroots in Melbourne, Australia: Lewis Moody (Energy Exchange Records), Szabolcs Bognar (Abase), Eric Owusu (Jemba Groove), and Tom Varrall (Jamie Cullum) form the core rhythm section alongside a hefty list of guest appearances (from the likes of Oscar Jerome & Tom Driessler) making this truly the most ambitious and diverse incarnation of ZFEX to date.

Please add VSPs as key points.
-ZFEX 5th album studio and 18 tracks, most ambitious project to date for the band
-ZFEX, in the past received support from Gilles Peterson, Aly Giliani, Moxie, Zakia, Macca
-Featuring Oscar Jerome, Eric Owusu (Jemba Groove), Desney Bailey, Szabolcs Bognar (Abase), Lewis Moody (Nubyian Twist)

SIDE A
A1. Astras Theme
A2. Clearly Packing
A3. Inspire (draft)
A4. Celebrate Some Time

SIDE B
B1. Just one Bump
B2. Inspire (afterthought)
B3. Whos the Kid ?
B4. Radicalise
B5. Living in the Future

SIDE C
C1. Shine Your Light
C2. Cyberfunk
C3. Inspire (deluxe)
C4. Lifestyles of the Hip and the Crazy
C5. Radicalise (urself)

SIDE D
D1. Wavy
D2. Baby Its U
D3. Sylvester
D4. Midas Touch



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Genre: Balearic, Boogie, Vintage

After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.


A1. Been Remindin’ Me
A2. Newbutt Lane
A3. Wine w/Me
A4. Gregory
A5. Ohh take!
B1. Feel Free
B2. Boi plz don’t go
B3. Go For It
B4. Follow Me

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lim. Vinyl Version / No repress!

This Album serves as a 2023 wrap up, focusing primarily on two releases: Energy Exchange Records Vol. I and 30/70 ART MAKE LOVE. In the spirit of the Energy Exchange family, we have shared the duties of remixing/re-imaging some of our most in demand cuts from the year utilizing our in-house production team and extended family 30/70 collective. Keep it locked, we are just warming up!

Support from : Severino (Horse Meat DIsco), Stu (Wolf Recordings), Mali (Rhythm Section), Quinton (Strut Records), Mr Redley, Jonny Alexander, Aly Bandcamp, Gilles Secretsundaze, Lucas Benjamin, Dean Chew (Darker Than Wax), Aroop Roy, Alex Attias, Louis Mixmag, Marcel Vogel, cosmosofi, Delfonic

A1. 30/70 - ACCEPTANCE - ZEITGEIST/GOODMOOD Sex and Candy Flip
A2. Energy Exchange Ensemble - LIME GREEN SKIES - ZEITGEIST/GOODMOOD Edit
B1. 30/70 - PLEASURE - Maytra Roller Edit
B2. Energy Exchange Ensemble - BRIGHTER STAR - Close Counters Remix
B3. 30/70 - ACCEPTANCE - Concrete Souls Sikly House Edit


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Bursting into the summer with a vibrant and dynamic debut album, Energy Exchange Ensemble (EX Ensemble), assume their position as innovators of contemporary organically engineered dance music inspired by collaboration and that "special sauce" born from improvised jam-style musicianship. Long-time collaborators and pioneers of Melbourne's indefinable underground sound through collectives like 30/70 and Zeitgeist Freedom Energy Exchange, Lewis Moody and Ziggy Zeitgeist, reunite on their latest project, EX Ensemble. Energy Exchange Records Vol 1. pays homage to the transcultural projects curated by iconic label, ECM, capturing the impassioned spirit of spontaneity.

- First project of Energy Exchange Ensemble, Energy Exchange Records in-house band
- Extensive Global Promo by Gilles Peterson, Tom Ravenscroft, Zakia (NTS), Gilles Secretsundaze


Tracklist:

1. Lime Green Skies ft. Oscar Jerome
2. Art Make Luv / Brighter Star ft. Allysha Joy
3. On My Toes ft. CC Dance Orchestra
4. Obana ft. Eric Owusu (Zeitgeist 808 RMX)
5. East Moon
6. Smiling Down on Me ft. Allysha Joy & Cody Currie



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ART MAKE LOVE sees the return of 30/70, the mothership of the internationally acclaimed collective. Their sound expanding far beyond its previous markers of Nu-Soul and Jazz, it is inspired heavily by Broken Beat complexity and their unique coming together of truly collaborative and eccentric songwriting. Real sense of light and dark in this — exploring the very edges of emotion and life, truth and fear, the depth of spirit and emotion.

ART MAKE LOVE is breaking down the walls between the music and the listener, it is bringing art back to the centre and inviting you in. It is looking directly into the darkness while celebrating life, expressing joy at the edges of all experience.


GENRE/S: Broken-beat, neo-soul, jazz

LP :
WITHOUT YOU, WITHIN ME
ART (interlude)
ALL 4 U
ACCEPTANCE
MAKE (interlude)
LUV IS WAITING
JAY LUV
PLEASURE
LOVE (interlude)
U BETTA RUN
HOLLY ROLLER

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Territories: World ex Japan

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2023 repress

Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)

B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)

C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)

D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)


Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.


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2025 Repress

Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl

Track List:

A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30

B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner

Release Notes:

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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LP

Special remarks:
180g

Tracklist:

A1) Ronpchi 02:14 min
A2) Honsu 05:48 min
A3) Lian 02:05 min
A4) Benbut 08:18 min
A5) Onyx 04:11 min
B1) Skid 02:27 min
B2) Imber 04:50 min
B3) Nakuku 05:29 min
B4) Ysop 05:40 min
B5) Eyb 01:59 min

Info:

Roots run deep on "Candid', the first LP by Munich-based producer Polygonia and drummer Simon Popp. The record is a perfect blend of their distinct voices, with Popp's drumset and his signature percussion sounds buzzing around Polygonia's bold and blooming productions.
Comprised of live material recorded at Munich's ZIRKA in late 2022 and over several studio sessions in-between touring duties, 'Candid' is a meadow of herbal Electronic, mystic at times, but joyful nonetheless.


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2025 Repress

Tracklisting:
A) One Step Ahead
B) I Can't Wait Until I See My Baby's Face

Info:
You may know Aretha Franklin's scintillating "One Step Ahead" from its vital role in the Oscar-winning movie Moonlight. You may also know it as providing the beautifully melancholic backdrop for Mos Def's 1999 hit "Ms Fat Booty". The inaugural Be With 7" is a special one indeed, containing the first ever officially licensed reissue of Aretha's all-time deep soul classic. "One Step Ahead" was not included on any of her Columbia studio albums, and remains one of her rarest releases. On the flip, "I Can't Wait Until I See My Baby's Face" is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track.

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Format Notes: 2020 re-issue, 140g vinyl

Territories: Worldwide no restrictions

Track List:

A1 : After Hours (02:57)
A2 : Heaven On Earth (05:09)
A3 : Just Me ’N’ You (05:40)
A4 : She Called Me (04:42)
A5 : Cute As A Button (03:31)

B1 : Love, Love, Love (03:07)
B2 : I’ll Always Be Your Lover (04:11)
B3 : All Strung Out Over You (03:35)
B4 : Not Too Long Ago (04:08)
B5 : Everything I Want I See In You (03:05)

Release Notes:

A dramatic, string-drenched epic, James Ralph Bailey’s Just Me ’N’ You has been a sought-after soul masterpiece for decades. A lush suite of beautiful songs, it was conceived as a concept album; a sophisticated paean to love.

Originally released by MAM Records in 1974, Just Me ’N’ You is a breathtaking jazzy soul album. It’s similar in style to Marvin Gaye’s What’s Going On - particularly the performances, orchestrations and chord progressions - but dealing with a different universal subject matter. If What’s Going On was about romance instead of politics, it would sound like this.

Fans of Marvin, Leon Ware, Donny Hathaway, Leroy Hutson and Willie Hutch will love this record. Not as well known - this is definitely an underrated gem - the work of James Ralph Bailey is no less mind-blowing. It’s got to be one of the best soul albums of all time.

The original productions were made on a basic home tape machine and enhanced with strings, rhythmic overdubs and a variety of other instrumentation. These are beautiful arrangements of strings and jazzy horns. Rhythm guitars and bouncy bass serve as the groove foundation, congas provide a Latin feel whilst the vibraphone and harmonica add colour. And then of course there’s JR’s voice.

His style recalls Hathaway, with a delivery akin to Marvin at the time. As he scats and sings, accompanying himself in sweet harmonies, there is still a rawness of pain and longing in his voice, the rawness familiar to all deep soul.

As an album, Just Me ’N’ You is no mere collection of songs. The tender, smooth tunes flow perfectly together into a fluid, single artistic statement. This is one where it’s hard to pick out any standouts. You may have heard the soaring title track before, maybe on Gilles Peterson’s Digs America compilation. The opening track “After Hours” sounds as fresh now as it ever was and segues beautifully into the majestic “Heaven On Earth”. Recorded by Hathaway the previous year, Bailey’s original of “Love Love Love” is incredible and arguably the definitive version. The powerful, dreamy, sax-and-harmony-laced “All Strung Out Over You” has echoes of the Chi-Lites, it’s that good. Goosebumps. And we could go on.

Mastered by Simon Francis, cut by Pete Norman and pressed at Record Industry, this Be With edition of Just Me ’N’ You sounds every bit as brilliant as it should. A joyous celebration of love, this album is perfect in every way. If you don’t already own a copy then now is the time.


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NON EXCL LP Very limited edition, only 500 copies made. Remastered sound. Comes in upgraded artwork, gimmick cover with printed inner sleeve.

One of the most legendary LPs from Uruguay remains a hidden treasure in the rest of the world. It is the first LP by singer Diane Denoir. Diane was a regular in the “Conciertos Beat” (“Beat Concerts”) of Montevideo's 1960s scene where she performed with Eduardo Mateo on guitar (leader of El Kinto, one of the most influential bands in "candombe beat", and the ones who coined the term), Roberto Galletti on drums and Antonio Lagarde on double bass.

Diane was also Mateo's muse throughout the early years of his career, he wrote several songs for her, among them Esa tirsteza, Y hoy te vi, and the classic Mejor me voy. Eduardo Mateo would become one of the biggest names of all times in Uruguay's musical scene. Diane, instead, found herself outside the country when the military coup installed a non constitutional government in Urugay in 1973 and was wisely advised by friends not to go back home to avoid trouble with the new dictatorial regime.

A brave defendant of Human Rights, she had been very active against torture, thus becoming a target for the dictatorial regime military intelligence. She exiled in Argentina and Venezuela, and she later settled in Europe and didn't perform in public or record again until recent years when she returned to her home country.

On her eponymous 1972 debut album, Diane fused all her influences in one solid sound through songs created by Uruguayan songwriters (Eduardo Mateo, Urbano Moraes – bass player for El Kinto – Daniel Amaro, Giuso Bellanca), plus Argentinian lyricist Edgardo Lisi.
She had released a couple of 7" between 1966 and 1970, but it is her debut album –which would be her only one until her 2008 comeback– that made her legend grow among future generations of music lovers.
It's hard to name artists in the same dimension as Diane Denoir for reference, but be sure that you will love this LP if you like the candombe beat scene of El Kinto, Tótem or the Fattorusso brothers (Hugo and Osvaldo) in their post Los Shakers works, but also the bossa nova sound and even artists of their own like Vainica Doble.


Tracklist:

A1 Los Hijos De Don Manuel
A2 Martín
A3 Tú Andarás
A4 Esa Tristeza
A5 Jacinta
A6 Mírate Los Ojos
B1 Y Hoy Te Ví
B2 Las Flores Nuevas
B3 Quisiera
B4 El Adiós
B5 Señora Diana La Ví
B6 Mejor Me Voy

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Special remarks: 180g

Tracklist:

A1) Zuud 04:33 min
A2) Taivshral 03:07 min
A3) Duulnaa 03:02 min
A4) Temeen Deerees Naran Oirhon 03:42 min
A5) Vogl 04:20 min
B1) Ulaan 03:30 min
B2) Libelle 02:38 min
B3) Picture / Three Shadows 05:21 min
B4) Encanto 01:33 min
B5) Uzegdel 04:25 min


Info:

After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.


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2LP

A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue




For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking


On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.






















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2023 repress

Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)

Release Notes

Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.

This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.

South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.

News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

202r4 repress

Worldwide no exceptions

LP Format Notes:
Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes.

LP Track List:

A1 : Are These My Memories?
A2 : Walking Across The Field
A3 : Summer Stroll
A4 : It’s Raining Tomorrow
A5 : Dancing In July

B1 : Shadows Across The Path
B2 : Waiting By The Car
B3 : Kinda Knew Anna
B4 : Love That Bird
B5 : More Rain In The Woods

Release Notes:

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More