After an outstanding debut on M.A.D Records earlier this year Rakim Under is back with the first in his edits series 'Rakim Redun Vol.1'.
5 edits set to move any dance floor. Rakim Under really is one to watch.

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Half Spanish, half Lebanese, Rakim Under was born in Chile, grew up in Memphis and Spain and is now based in London.

Listening to his debut EP for M.A.D. Records, it’s easy to hear his exotic heritage very much reflected in his music.

Karim effortlessly covers many styles, ranging from Latin house to Bollywood infused breaks and electro, all under pinned with his distinct hi-pressure bass lines.

As a DJ, Rakim has a taste for a variety of musical styles, where genre has no limit. Selecting from his painstakingly curated record collection, even the deepest of diggers will walk away having had their ears opened, failing that, he’ll at least make you dance your ass off.

When not playing on his own, he is a resident at his own event, Soursopp where he often plays alongside David Triana at what is quickly becoming one of the best parties in London and beyond.

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House, Latin and New Wave Edits ***VINYL ONLY***

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REPRESSS

M.A.D EDITS 001 from Make A Dance. Limited!

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After an outstanding debut on M.A.D Records earlier this year Rakim Under is back with the first in his edits series 'Rakim Redun Vol.1'.
5 edits set to move any dance floor. Rakim Under really is one to watch.

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Excitement levels are reaching their absolute peak here at M.A.D Towers as we present the first in the Lextended series. Lex Wolf is no stranger to dance music, being one half of Acid Mondays with releases on iconic labels such as Warp Records and R&S, as well as hosting his own night at Pikes in Ibiza. A serious selector with an ear for gold, his latest offering shows that off in full force, with four roaring edits that roll through new beat and cosmic, to proto house and electro.

Vinyl only, these edits are sure to become a permanent fixture in your record bag. Full support from Seth Troxler and Skream on this one.

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Full frontal firepower for the third release in the M.A.D Edits series. Four sauced up edits, no holding back on the spice from Rakim Under, Pascal Moscheni, Lex Wolf and Hard Drive Library. Up front house music, made for the dance floor. Proceed with caution. Vinyl only.

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Repress!

Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.



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Coming as the eighth edition of the series, ‘EP8’ stays true to committing Defected’s biggest digital releases to wax, delivering an upfront package of house heat previously unavailable on vinyl. ‘EP8’ features four of Defected’s first releases of the decade, with David Penn’s collaboration with renowned house vocalist Roland Clark ‘The Power’ kicking off the A-Side, as Roland Clark’s mighty spoken word narrative paired with David’s rolling bassline and percussive breaks combine for a sincere and uplifting track. Up next, Italian duo Supernova deliver their dancefloor cut ‘Can’t Stand It’, featuring Los Angeles vocalist Marley Monroe, who delivers her heavenly top-line, a track infused with Chicago house influences, Supernova’s cut is a start-to-finish groover. On the flip, ‘To Burn’ by Dennis Cruz opens, featuring Leo Wood’s compelling vocals, as a wandering bassline and vocal stabs throughout take it to the club. To round off the release, Defected regular OFFAIAH delivers his track ‘Private Show’ (Club Re-Edit), ready to ignite dancefloors with seductive vocals and tension-building drops. TRACK LISTING: A1. David Penn vs Roland Clark - The Power (Extended Mix, A2. Supernova featuring Marley Munroe - Can’t Stand It (Extended Mix), B1. Dennis Cruz featuring Leo Wood - To Burn (Extended Mix), B2. OFFAIAH - Private Show (Club Re-Edit)

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Tal Fussman returns to Rekids with the ‘I Feel’ EP. Rekids welcomes back Tal Fussman with the ‘I Feel’ EP, following up his 2024 ‘De?nition’ EP on Radio Slave’s label, which won support from the likes of Honey Dijon, Orlando Voorn, Yu Su, Saoirse, Dave Clarke, and more. The Innvervisions, COD3QR artist and Survival Tactics label boss starts ‘I Feel’ with the title track and, in true Fussman fashion, infuses drummy club cuts with plenty of feeling via soulful synths and apt vocal sampling. The rolling organic percussion of ‘MAD’ continues, locking us in the groove while hard-hitting stabs ?y above before ‘Bongo Man’ channels the lush sounds of the rainforest alongside more expert drum work. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.

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Patrice Bäumel makes his most welcome return to Kompakt’s Speicher series and it’s exactly as compelling as you expect it to be. “Luce” is a slenderly pumping piece of minimal soul featuring the otherworldly voice of Chiara Gamo. Once more, Patrice masterfully demonstrates how little elements he needs to create suspense, density and warmth on the floor. “The Cave” follows the same mantra, sucking us into a mystique stalactite cave full of echoing droplets and enchanting whispers. We follow him blindly.

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MAD012 has arrived! or as we’ve been referring to it the ‘M.A.D Garage’ EP. (as in Paradise Garage)

After receiving Magari and Ilija Rudman’s tracks within a short time of each other it felt like a perfect fit to pair them together. Both productions give a nod to the 80s House sound whilst expertly bringing the aesthetic up to date.

Magari has provided us with an eyes closed dub’d out groover and Rudman supplies a winding and weaving synthesised journey, giving a sonic glimpse in to his fully stocked studio.

It’s always been top of our list to work with the inimitable Mark Seven. His music is a staple of our sets and as many of you know, is somewhat of guiding light of our scene. Any fan of Parkway Records knows it’s always an exciting day when they announce something new, needless to say we are proud to present a Parkway Powermix on M.A.D.

Finally, our good friend, the extremely versatile Producer/DJ Manuel Darquart finishes off the record with a sublime rolling take on ‘Danceteria’. If somehow you didn’t know him already consider yourself informed.

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Compiled from ultra-rare dead stock pressed at a Soviet-era vinyl plant in Tashkent, Uzbekistan, this first-of-its-kind fully licensed album features a supreme selection of Uzbek disco, Tajik electronic folk, Uyghur guitar licks, Crimean Tatar jazz, Korean brass, and genre-defying styles from Soviet Central Asia. Drop the needle, and you're not just hearing rare Soviet dance music. You're journeying along the Silk Roads, revisiting raucous USSR disco nights, and immersing in grooves that inspired Soviet youth to envision a different future, ultimately unraveling the Iron Curtain from within. A comprehensive historical package presented in a double LP trifold complete with rare 1970s & 80s photos from the Soviet Union, Uzbekistan, and elsewhere in Central Asia.

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The first in a two part series on Canopy documenting the work of the Beninoise supergroup, T.P. Orchestre Poly-Rythmo, who were responsible for an astonishing multitude of records, numbering well over 250 releases. While the group underwent numerous personnel changes over the course of their 40+ year legacy; the founder, composer, vocalist & multi-instrumentalist Clément Melome remained a constant and uniting force.

The title track, "Zo Tche Kpo Do Te", sung in Fon by bandleader Clément Melome translates as, "My Fire Will Not Go Out" and was taken from the self-titled LP "Melome Clement & L'International Orchestre Poly-Rythmo". It is here remastered and reissued by Canopy for the first time. This evocative song is a hybrid of soukous-like elements with a driving, almost disco beat and a relentless bassline shot through with funky guitars and triumphant horn arrangements. The atmosphere is given a cosmic sensibility with synth lines and psychedelic FX, culminating in a sonic cocktail that has often been described as "Voodoo-disco".

Accompanying the original version are two remixes by producers whose work Canopy has long admired.

Jose Marquez adds live bass and percussion to his "Mezcla", turning it into an uplifting opus that deftly dances the line between the original work and the modern elements, tastefully updating the sound to segue between the past and present.

Sol Power All-Stars up the ante with their powerful reinterpretation. Throbbing bass underpins a club focused yet dubbed out and psychedelic afrobeat over which Clement Melome's composition shines. The Ibibio Horns add complimentary horn arrangements and galactic synth solos. The end result is a master work in 21st century future-vintage afro funk creation.

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The second part in the series looking at the works of the Beninoise super group T.P. Orchestre Poly-Rythmo and the compositions of bandleader Clément Melome. The title song, "Unité Africaine" was originally released domestically in 1977 on the LP, "T.P. Orchestre Poly-Rythmo de Cotonou Benin - Melome Clement, Chef d'Orchestre" and celebrates a message of unity across the African nations.

The single focuses on the modern interpretations for which Canopy again enlists the skills of Jose Marquez & Sol Power All-Stars.

Jose Marquez builds around the core elements of "Unité Africaine", deepening the mood with characteristic production prowess. Recruiting precise musicians who add live bass, percussion and synthesizer, Jose delivers an adaptation which effortlessly compliments the original arrangement and feeling with a thoughtfully executed sensibility.

Sol Power All-Stars step up with a sincere rendition of "Unité Africaine". No strangers to the work of Orchestre Poly-Rythmo, (having released a dynamite remix EP of Orchestre Poly-Rythmo on their own imprint "Sol Power Sound"), they were a natural fit for this project. The version presented here is respectful to the original, adding live drums, light disco FX and new arrangements to gently enhance the original composition, adding just the right amount of seasoning to their mix to bring it to a joyful and tasty simmer.

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The late ‘70s were such a creatively fertile period for Roy Ayers and his associates that many of his finest recordings never made it onto the official releases. Ayers kept the master tapes in storage until Peter Adarkwah of BBE Records in London got wind of them, at which point they were collected on the aptly named Virgin Ubiquity. The songs feature all the different permutations of Roy Ayers’ band, which maintained a core philosophy through shifting rhythm sections and vocalists. The underappreciated Merry Clayton brings a husky edge to “Oh What A Lonely Feeling,” “I Really Love You” and “What’s the T?” her earthy voice contrasting with the liquid textures of Ayers’ arrangement. Carla Vaughn was another of Ayers’ singing vixens, her sensual presence blending seamlessly into “Boogie Down,” “Mystic Voyage” and “Together Forever.” Although performances here rich with detail, it is a pleasure to hear “I Just Wanna Give It Up,” an uncharacteristically spare arrangement that allows us to study the inner dynamics of the Ayers machine.

“Since his 1963 debut, Ayers has worked with everyone from Herbie Mann and Guru to Fela Kuti and Erykah Badu, and his shimmering sound has foreshadowed acid jazz and fueled hip-hop, as well as gracing contemporary R&B.; Though Virgin Ubiquity is billed as a collection of thirteen never-before-released tracks, it’s far more than a mere scrap heap of outtakes, as each of its “from the vault” cuts luxuriate on the comfortable musical bed that Ayers mastered from ’76 through ’81.” – Pitchfork Review



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