Tracklist 12":

A1) Nostalgia
A2) Breeze (Bamboo Tribute)
B1) Meet Me At The Cascades
B2) Nostalgia (Stump Valley Remix)

COEO back on Toy Tonics! The German duo has been part of Toy Tonics since day one. Now they celebrate their return to Toy Tonics with an outstanding EP full of timeless, contemporary house music that also marks their 10th contribution to the label after their first release on the imprint 10 years ago. Their house vibes have been defining the sound of the Toy Tonics label for many years and still now they regularly play the Toy Tonics events around the world. (The Toy Tonics Jams).

On this new EP one more time the boys dive deep into the Italo & Piano House world- getting more electronic than ever. This EP is 100% in the vibe of now. With great piano chord drops that make everybody scream on the dance floor, with horn and synth melodies that you can sing along after you heard them one time only and with classic house beats that are THE sound of today.

The main title “Nostalgia” is inspired by and a tribute to all the intimate and ecstatic moments they were able to share over the years with music lovers on festivals and in clubs around the world. While the piano house theme on the A1 brings you in that festive mood of your last summer festival you have been to with your closest friends, the second track of the EP „Breeze“ takes it on a higher energetic level and combines a funky bass guitar with progressive house elements. Remember that special moment when you were attending your first full moon party in that far away country after you have finished school? That gentle wind blowing through the trees? „Breeze“ could be the soundtrack of that adventure.

On the B side Italo house influenced „Meet me at the cascades“ captivates through an hypnotic approach and unfolds dreamy synth pads and arpeggios to take you on a imaginary journey to your favourite retreat, a place you feel safe.

The EP features 3 original tracks and also a remix by COEO friends Stump Valley. The former Dekmantel artists who now joined Toy Tonics. Stump Valley btw are Francesco and Aleksei. Aleksei also works under the name of Brian de Palma and will release a solo album soon on Peggy Gou’s label Gudu. Stump Valley‘s remix of „Nostalgia“ rounds up the EP with its stand out piano solo and marks the perfect end to an EP that is meant to stay in your head just like all those intense memories which life in general evokes.












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Tracklist 12":

A1 25 Hundred Friends (5:40)
A2 Voyager (Piano Mix) (6:41)

B1 Slipstream (7:35)
B2 Midnight Visions (5:16)

Release Info:
Toy Tonics main artists COEO from Munich are back. The 2 guys started their career on Toy Tonics 7 years ago and since then made a long way. Their last EP „Piano Workout“ got heavy support from DJs like Job Jobse, Kim Ann Foxman & Perel and opened a new vibe in their oeuvre: They extended their style to more Balearic, Italo, Synth funk 80ies vibes. "25 Hundred Friends" is an ironic take on Italopop and social media… and will be a song people talk about for sure. "Slipstream" could be big on festivals with its classic DX/baseline and hypnotic vibe.

"Midnight Vision" has this light Caribbean and South African influences. The vibe you could feel on Don Laka's classic "Stages". And fits well with everything Toy Tonics releases in its Mushroom House series. Yeah, Toy Tonics and COEO open up for even more eclectic influences and extend house music to more levels and styles.















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Repress

Tracklist 12":

A1) Sorry For The Late Reply (6:17)
A2) Hyperactive (6:15)
B1) I Can Never Be Yours (6:21)
B2) Bliss (7:05)

Release Info:
COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!












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Tracklist 12":

A1) Japanese Woman (5:37)
A2) Matchbox (7:43)
B1) Uber Man (5:37)
B2) Tibetan Dance (4:59)

Release Info:
Coeo have been travelling in Japan and discovered the magic of City Pop: That Japanese Disco movement of the 1980ies. Back then there were amazing dance tracks coming out of Japan. Some with Japanese lyrics others with American vocals. Often so perfectly played and recorded that it was hard to tell if the music came out of NYC basement studios or for real Asiatic studio musicians. Coeo found a lot of rare jams and did edits for their DJ sets. As at the Toy Tonics office everybody is always searching for the rare and unknown the crew was totally excited. And so the decision was made quickly: Let’s put out a few of these rare jams & edits. Here they are.



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Tracklist 12":
A1) Flesh World 6:38
A2) In Motion 7:17
B) Flesh World (Kapote's Drum Jam Version) 10:24
Info:
COEO are Toy Tonics' lead artists and they don't joke! Technically perfect on a level that most producers start to get jealous. Musically filled up with so much knowledge about the history of Disco and House that it's no wonder that big names like Kenny Dope, Borrowed Identity and Tensnake are huge fans. And their style...? It's a pure hedonistic discoish attitude that combines the funk driven eclecticism of today, the curiosity of young music cats who always want to be ahead and a sense of QUALITY in music that we miss in so many of today's house music productions. In fact it's 2017 and a lot is changing in the House scene. The "old" melancholic deep house now is quite dead - while most Deep House charts are filled up with sample based Funk House.
COEO are regularly on the top of the several Deep House charts, and there is a reason: Their tracks have that kind of new, nasty, sexualised vibe that gets more inspired from the late 1990ies French touch house or early Masters at Work production. From Jazz DJ's and DJ Sets of wildstyle DJ's like Harvey or the Idjut Boys. It's not any more about the old schematic Ketamine Deep House that always sounds the same (and makes your feet fall asleep.)
Listen to Flesh World! It's black music basically. It's Booty sound. Disco for sure. This track gets you riding on a trip.
Play it one time and you'll play it every time. And: Check the percussion jam remix by Toy Tonics head Kapote.
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Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good

The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.

This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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Tracklist 12":
1) Mydonna 2) Mydonna (Alternate Cut) 3) Torrox 4) Coast To Coast
Info:
The COEO boys need no introduction anymore. Their two last singles made it into the sets of so many DJs. They are among the emerging artists of that new German scene of kids that make house music inspired by old Jazz and Funk records. The boys are mad about rare vinyl. And they love to make music with a positive spirit. Yes, there is something sunny in their tracks. Something that instantly makes you want to move. We heard so many mixtapes that started with a COEO track. Makes sense: They are perfect to set a vibe. A good mood. But if you know that the COEO boys work in a studio over the roofs of Munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night..… then you understand why COEO's music sounds as it sounds.
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Special Remarks: limited to 300 copies
Tracklist 12":
A1) Back In The Days
A2) Native Riddim (Vinyl Bonus Track)
B1) Jugendstil
B2) +++
Info:
COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP "Back In The Days" is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.
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Back in the early 90's Dave Coker, Justin Bailey and Laurant Webb set up a music production studio a stones throw away from the famous Cutty Sark in Greenwich, along with Dave " Deptford " Pine as one the founders of the aforementioned studio. They called themselves Strangeweather, worked on different dance music styles and formed the fabulously awesome, but slightly ill fated band Wubble U. Around the same time Justin struck up a friendship with Nathan Coles, a then madly enthusiastic young DJ who was starting to make a name for himself on the thriving underground house scene. Nathan introduced Justin to Terry Francis and the rest of the crew and collectively the formed Housey Doings. They released two records on the Bush subsidiary imprint Green Grass and as if by magic tech house was officially born.
Fast forward a couple of years and the boys replaced the 's' with a 'z' and struck out on their own. This is a re-release of the first record on the label they named after the now legendary club night Wiggle. Two sides of proper, UK style tech house - a sound that's been copied, plagiarized and endlessly imitated. But never bettered. More